Assembling parts guitars is literally my favourite part of the job. I'm not even joking. I love to see what kind of crazy ideas people have and I'm more than happy to make their vision come true.
Love how Leo's original concept of interchangeable parts went completely to hell. A dozen different lines all seemingly a few millimeters off from each other
Once a "partscaster" is put up by a skilled luthier, rather than the player him/herself, with tons of manual adjustments, it's no longer a partscaster. It becomes a custom shop and should be charged accordingly.
My thoughts exactly. The question then becomes value versus cost. The strat job was way past a simple setup and involved a professional skill set and notwithstanding any “friend” discount the billable amount could be substantial.
@@bobjohnston3984 yeah, maybe it's a good idea to only charge a nominal fee and wish the friend a speedy recovery. Obviously it depends on many things...
Years ago, I bought a neck and a body and all the other parts that’s necessary for a guitar to work. It took a very long time before I had everything assembled, tweaked and fine tuned but in the end, the guitar sounded quite good. I created my own logo on the head stock, carved out a unique pick guard and painted it. It was soo much harder than I thought it would be. The satisfaction was enormous, I can’t tell you how many fellow guitar players came up to me after gigs to ask where I bought my guitar. It was definitely one of a kind. 28 years later, I’m still playing it regularly.
ABSOLUTELY!!! Too much work, but assembling parts-casters with Jr. High kids is a nice hands on experience ...for Kids learning to spend their summer break adjusting all the "fiddly Bits" (huge smile) Respect.
I appreciate you helping this guy out with his partscaster, I built one for myself a few years ago. It was challenging especially getting the finish acceptable, many hours went into it. I’ve been a carpenter for over 40 years and had most of the tools already, it’s probably not worth getting those tools just for a one off build. Great work and video as always.
I just want to thank you sir for doing all you do and still making the time to help out guys like me who own small music stores and really do this stuff for a living. You're the man. Please keep up the great teaching. Those who don't understand, never will. Try it as a job... lol.
With staggered tuners the shorter ones are for the thinner strings farthest away from the nut. Staggered tuners can eliminate the need for string trees.
These are not "real" staggered tuners! They are just two kinds of tuners fender produces right now and Ted's final arrangement is how Am Std and Am Pros have been for the last 20-22 years. The real problem with the short tuners are that you can not get any winds on the post like the tall ones and, imo, a cleanly wrapped tuner works just as fine as the best set of staggered locking tuners...
Great job Ted, very thorough. I love how you didn’t let the problems lie (misaligned screw holes) and also didn’t attempt to tackle mods that didn’t make sense (trem block). The second I saw that Trem block I thought “no way that lines up!” When I do repairs like this I just warn customers that I am going to start the clock and charge them my hourly rate. If they are ok with it, then the job proceeds.
Yeah, $450 at least. You're not just paying for the actual work to fit the pieces together, you're also paying for Ted's experiece and knowledge so that the pieces are put together correctly/optimally. You're also paying for Ted's knowhow to deal with problems like the problem with the height adjustment on the humbucker. I'm thinking that the strat mods should have been more like $600. At that point you're looking at just going out and buying a Squire that has the look and features that you want. I apprreciate Ted sharing this content and going into the difficulties of building a partscaster. This helps people go into a partcaster build with their eyes wide open.
This is not an Honest assessment of a parts caster. What he dealt with, was a customer that did not order the correct parts. Parts are sold stating the correct diminsions and notices for what the part fits, as in American Made Fender, mexican made Fender, Overseas Squire, et cetera and so forth. He could have just as easily told the customer that the customer ordered the wrong parts, suggest that the customer Return the wrong parts, and order the Correct parts. Now, he has plugged the Original drill holes in the Headstock and Back Side of the Body, and added New Drill Holes in Each of those, and scraped the Pick Guard, so that None of the Original Parts can be Replaced without having to do ALL of that "work" Again ! I find that Very Irresponsible of him. I doubt very seriously that he didn't know that, and it was his repsonsibility to Inform the Customer before he started Ruining the Original Parts, Body, Headstock, and Pick Guard. Yes. It is a Squire, but ALL of those parts could have been Replaced with the Proper Parts without having to do Any Drilling, Plugging, Sanding, or Scraping. This Video, and the Squire guitar, was a Complete Travesity of Unnecessarity !
@@EwetoobSucks You are entitled to your opinion. My experience of partscasters is closer to Teds. Yes, you CAN get parts that fit but the whole idea of the partscaster is to put together parts from various sources and there is nearly always some "easement" needed. You presumably noticed that the pickups were not new (or indeed of any obvious provenance - ceramic bar magnets???). Who knows how long the customer has taken to assemble the bits and who knows how much Ted has discussed the progress with the customer.
@@PeterWasted Well, as I appreciate you having your opinion, I also appreciate value, and I am certainly not alone in that, but, sure, absolutely. Destroy any Resale Value of the Base Parts by cutting into them so that some other parts of questionable value may be put into them. Yes, you can always Recover the questionable parts that were put Into the Base Parts, but, then the Base Parts are as Valuable as Fire Wood at that point. OR, now, I am just spitballing here, you could put in the Proper Parts, that Do Have Resalable Value, Including the Base Parts, and Start over with another project a little further on down the line, if you so desire. The point being, that in the Second Scenario, there is Real Value to be Recouped, and the First Scenario has Little Value to be Recouped. But, Ok. You know what you are doing.
@@joe102674 Those parts can always be used on another project or swapped with someone else for the Correct parts. It is not that difficult. Right off of the top of my head is Reverb, and you can use yelp for swap meets near you, and then there is always the online swap addresses. There is absolutely no reason to take a total loss on anything guitar related. I Love Tims Channel and the work that he does, which is why I watch it, but, I just have to disagree on the decisions made with this one.
Partscasters are great fun to do for a weekemd or two myself - working on guitars helps relieve stress from my regular job. That said, I'd imagine this would cost $300-400 to have someone do it for me. I'd use the money to buy some tools and do it myself :) Love the videos!
Seeing you chisel away the corners of that tusq material made me appreciate it's integrity. Subsequently, I always appreciate your integrity! Thanks for the upload!! 🍒
as someone with the absolute weirdest partscaster (jazz bass with a precision neck and guitar humbuckers) I agree that I’d never take it to someone. I literally threw this thing together in my basement and the paint is nail polish. It was a fun learning experience and it turned into a gnarly bass and I’m probably not going to learn my lesson and build several more.
@@madgeniusmusic Sounds gnarly. Just remember that more likely than not there’s going to be a lot of fiddling and it’s probably not going to be on the level of a guitar off the assembly line. That being said, your first partscaster is magic, I still have mine. It’s a 50s style precision bass with a jazz bass neck, squier and warmoth particularly. None of my partscasters play as nicely as my MIM Mustang, but they all have a special vibe and place in my heart.
@@jan-a26 when I get around to finally building a traditional jazz that’s what I’m going to be doing. I might add a Rickenbacker pickup betwixt the jazz pups though
I've built dozens and dozens of 'partscasters', both Strat and Tele styles, over the last 20 years or so. I've learned that each attempt is a unique set of issues that need resolution. Fortunately, these assemblies have resulted in a pretty huge variety of all kinds of parts, from bodies and necks to electronics to tuning machines, bridges, pickguards, etc. While there have been many frustrations with parts not wanting to play together well, I have learned a lot. Frustration and satisfaction... You can buy a box of 250 stainless #4 X 1/2 screws for about the same price that Fender gets for 24 pickguard screws. These stainless screws have a head that is about a millimeter smaller in diameter than the standard Fender screw, so they will fit just a tiny bit lower in the pickguard, but I actually like that. A medical cotton swab wood handle is the exact diameter of a #4 screw, so I use those to fill the pickguard holes, as it's been very rare to simply trade out a pickguard and have the holes match. Back in the day I would buy Squire Bullet guitars just for the necks and a few hardware items. I couldn't get a decent Fender spec neck that cheaply anywhere else. It should be noted that Squire tuning machines are not the same as their Fender cousins, although they look very similar. I find that pretty weird - the two 'bumps' on the back side of the tuners don't match. Who would have thought... I learned a lot, and I made a lot of silly mistakes, but, overall, I did enjoy my efforts. It should be noted that a box of parts will not be happy together at first, so it's up to you to make them teammates. Finally...everything that Ted did in this video I have done a bunch of times. I learned to lower my expectations for the assembly of partscasters, so when things went a bit more smoothly than anticipated, I was happy, and the frustrations were manageable...mostly.
I have come to learn that most of those frustrations turn out in challenges, that's what we builders like to do, solving the puzzle. Most frustrating to me is making the same mistake several times, and that happens.
Indeed! I've built enough Partscasters, that I now have a flow chart of pitfalls and things that need to be inspected, measured, and adjusted before things meet up. What an exercise in frustration in many cases.
I’m making a custom guitar from scratch right now. It’s actually surprising just how much really goes into designing and building an instrument. Cutting it out was the easy part, after all the maths and more maths and then even more maths. Very excited though, it’s being made from solid hard-rock maple; neck and body with an ebony fretboard.
I always find these projects super fun. The modifications and improvisations are a big part of the satisfaction of building one of these from disparate parts.
It's always reassuring when you get to watch someone else go through similar challenges, it was like starting a book I already knew the ending before finishing the first chapter. Almost every time someone brings in something like that pile of parts it goes exactly the same way. No matter what you charge it is never enough but I certainly appreciate the ones that go smooth because of those that dont...Thanks for sharing your skill and demeanor for us to enjoy...
I'm in shock, truly.....Just yesterday, I put upgraded pickups, electronics and bridge on a brand less telecaster copy. The idea, of course, was to get a much better sounding guitar for less money. Now, I've done this kind of thing before and I wholeheartedly agree with you about the business of these things NEVER work out as planned. The various parts from various suppliers never all fit together as they "should". Except this time, they did. Every part was drop in and screw together easy. I did the whole thing in less than an hour including soldering and testing. Thus, the shocked response. Didn't even have to file or trim something to fit. (clutches hand to chest in mock heart attack).
You may have disliked putting it together, but it was a nice change of pace and very informative to see you do it, the challenges others are likely to face, and how to solve them.
The going labor rate. I've built a number of guitars over the years and I can tell you I spend most my time making sure the parts I order are correct/compatible as far as fitment. I had a friend dump a $125 Flying V kit guitar that needed a complete rebuild, these lower cost kits need lots of work.
I hope a lot of people learned some valuable lessons from this week's episode. The only trouble-free partscaster build I've done was by ordering essentially all new parts, and this was after having decades of experience to know what parts were compatible. Trying to build a guitar our of a bunch of random parts you have laying around is going to be frustrating...and probably a lot more expensive than you bargained for. It can be done. but the title of the video says it all.
Exactly. When I built my PartsCaster, I made sure of all the measurements I wanted, and spec'ed out US standard parts for the entire build. Consequently, the only things I needed to do were to install the tuners ( I used Gotoh's, and had the holes pre-drilled to spec ) the LSR Roller Nut slot was pre cut and screw holes drilled, the bridge mounting holes were spaced properly, and the electronics were all CTS pots and switch. Fret leveling and dressing was actually the easiest thing to do. I wound up with a great Strat style guitar that I play regularly
But Strats are sooooo easy... I feel your pain! This is a testament to what the mere mortals don't & won't comprehend: ~70 years of constantly changing specs for every single part, spacing & alignment on a Strat. Even if you know, say, the string spacing you need at the bridge & you order a part specifically saying it matches, but its from an unknown or budget vendor, its STILL a gamble... And the cheaper the parts, the bigger the gamble. Start mixing & matching parts from multiple, questionable vendors and all bets are off. It takes a certain level of experience & ingenuity, if not sorcery, to make it all work together without rage-quitting or having some sort of breakdown. Going into it with the naïve assumption it will all go together smoothly, like legos, almost guarantees you're gonna have a bad time! Caveat Emptor! Know your specs, know your parts, know your vendors & you'll have a better time.
I spent most of my life repairing brass and woodwinds. Did a fair bit of guitar work too but that wasn't my forte. That being said, my term was, "starving jazz musician discount", or something similar. Fortunately I was blessed in that I wasn't self employed so I got paid every two weeks. It can be a real tough call at times. Especially when the instrument belongs to a child who just loves playing. Once had a case where the father quit paying for his daughter's clarinet rental/purchase because he was mad at his wife. In that case I got lucky in that we had to identical clarinets. One with a broken upper, the other a broken lower joint. The only noticable thing was each joint had a serial number and they didn't match. When I repossessed the clarinet I explained to the lady what I'd done and gave her the other no charge, get's to keep, she broke down and cried. Did a similar thing with a snare drum kit. I guess what I did was technically stealing from the store but in each case the broken instruments had been written off of the books so everything balanced. Those are the times we learn giving is far better than receiving. I once had an A hole of a boss you gave me shit because I gave a little over a buck to a kid who was short wanting to buy a 5 way Strat switch?!?! When he cared I have no idea. The money came out of my pocket. I'm sure I don't have to tell you that it's only a very small percentage of people in the music business that actually get rich let alone pay the rent and feed themselves. In the end, we do it because we love music and the joy it brings to others. Hopefully we can charge the stockbroker or banker hobbyists a little more to make up for the odd really needy person who deserves a break. Thanks for sharing. There's a lot of techs out their in all sorts of fields who prefer to keep everything a dark secret and won't share anything as they might lose a nickel.
@@plainolded5030 in situations like that, I feel like I don't have a choice. I've also seen the reverse situation. Almost every instrument has its Holy Grail so to speak. Like a Mark 6 Selmer saw or pre CBS Fender. Was brought a Mt Vernon Back trumpet that the kid had thrown through a basketball hoop?!?! He'd bought it for $20 off his neighbor and had no idea what he had. Because he got it cheap he assumed it had no value. Another time a lady brought me an almost new student Conn alto sax. Beat to hell. She went on to tell me she'd bought 2 so the little darling wouldn't have to carry it to and from school. I suggested one of her classmates got jealous and vandalised it. I was then told the sax in question was the one she kept at home!?!?! Needless to say, I didn't give her any special discount.
I used to mess around with this stuff when I was younger. Different pickup arrangements and pickguards. My coolest creation was a baritone made from a Strat body and a Warmoth conversion neck, wired with dual outputs (guitar/bass amps) and full controls for each. The middle pickup was a coil tappable hot rails which had its own vol/tones then the output to a bass amp, while the guitar's standard output was wired to a single coil in the neck and another hot rails in the bridge, which was coil tapped and operated with the standard 5 way switch, which actually worked like normal if you imagine the bridge pickups north coil acted like the middle pickup in terms of switching. The guitar was a lot of fun, but playing in drop A was super annoying and I sold it and back to my regular 4 string Ibanez. Nowadays I save up and buy a nice guitar and play it as it is.
I highly agree with Febo, first of all, I wouldn’t even do what you did for myself personally let alone a customer for a partscaster, the way it was was good enough. I would just set it up and that’s it. Now that being said, sometimes we do more for a friend than we would ourselves. Anyway, I watch your channel because you are the best luthier I’ve found on TH-cam. I really enjoy watching your work. I only work on electric guitars and basses but very little on acoustics, just setups. I really learn a lot from you. I buy used guitars and rework them to good playing instruments and resell them and give them away to children that can’t afford one. Sometimes I get acoustic guitars in but if they need work done other than a setup I can’t do it. I do try and starting to be more successful now after watching your videos. I just need more and more practice. I want to thank you for taking time to record your work. Who knows, maybe when I get good enough, I’ll start recording. I’m 60 years old and decided to do my passion.
7:54 I'm following the Pattern on the Fingerboard. Because Mandolins are tuned in 5ths, they have their Fret Dot on the 10th Fret rather than the 9th which you see on Guitars.
Thank you sir. 750$ partscaster assembly and setup seems about right...... That price seems fair, would likely dissuade most and maybe encourage only those showing up with very high end parts (parts of higher quality then found on custom shop fenders). If you are bringing a bag of parts to a specialist you should show up with high quality parts and be ready to pay specialist prices.
Hello, though Ted’s time is valuable, what do you think a non luthier person would do I’d you said $750 for labor on a $300 guitar? Serious question. I believe Ted’s in a bad situation here.
Your frustration is totally understandable, and I agree, "your skills are needed elsewhere". Like the awesome work you did on that bass bridge with the Tusq nut blanks. Superb!
I would never ask someone to assemble a partscaster. A customer must understand that a $100 guitar + $100 parts + $300 labor is still a $100 guitar. It's a fun project for when you're hanging out in your garage on the weekend, but that's about it.
$100 for all the parts? A set of pickups, tremolo bridge, tuners, electronics, pickguard, neck plate, screws, knobs, strap buttons, output jack, strings... all for $100? And $100 for a painted body and a finished neck with a nut installed? How many partscasters have you actually put together?
@@regularjim3193 Those parts shown in the video aren't $100 - the Squier neck and fender branded tuners would be close to $200 by themselves. I assume you buy the cheapest junk kits from China because the dollars you're quoting, that's about all you would get. A guitar built from a junk kit is virtually worthless but saying a partscaster built from quality components is worth the same as a partscaster built from cheap junk components is wrong... and a pretty dumb argument. I agree the money spent on labour doesn't increase the guitar's value but I doubt the owner upgraded his guitar to make money.
@@captainobvious9668 I'm not suggesting that the stuff shown in the video costs that much. The point is throwing money at a cheap guitar doesn't increase it's value. This doesn't bother some people, but some people get hurt when they try to get $500 for a Squier Affinity because they paid somebody to upgrade the pickups.
A Parts-Caster assembly with your skill of 5 hours would be ay more than its value. ($500.00 to $600.00) If I put one together at twice the time with a lot of colorful language, I wouldn't do it unless it was for a favorite family member. I built on for our son, it was too many hours to count as he bought parts from "anywhere" for a couple of years including used stuff. Thank you once again for taking the time, great work.
I feel like part of the whole mystique of the parts caster is the fact that you did it yourself. Sorta like crafting your lightsaber at the end of Jedi school. It's like buying a model airplane and having your older brother make it for you. Obviously, you gotta recoup at least the opportunity cost for the time spent finessing the thing together. This feels like the kind of project you take on for your buddies when you're first starting out. The time frame is indefinite and the pay is in beer or other barter. In other words for jackasses like me. A seasoned tech who can successfully differentiate asses and elbows like yourself... not so much. It's tough. You don't wanna be a dick, but it's also like he hired a surgeon to clip his toenails. It's gonna be expensive.
While I like the idea of getting "exactly the guitar I want" by mixing and matching parts, that's definitely a thing to do myself and not bother a professional with. You're doing this for a living, you deserve not to be having to deal with my ignorant mistakes. With this video, I was more interested in the palate-cleansing interludes; that bass bridge looks like a fun design when retrofitted with better material for the saddles, and the mandolin gave me a fair bit to think about in planning my own build that I'm sure I'll get to on or around the 32nd of next month. And for the fellow commenters who are wondering how the piano repairs are going, very nicely thanks. I've filled, stained, and sealed the worst of the dents, and next up is a couple more coats of shellac, a gentle level sanding, one final coat of shellac that I'm going to do with a 1# cut instead of the 2# I've been sealing with, and then paste wax and hand buffing. It's still very clearly a piano that's had some damage done, but it looks cared for. That's good enough for me.
Indeed, a partscaster is usually fun for learning, as a hobby. I bought an old Samick strat last year and have switched out the pickups several times, with different experimental switching configurations, coil-splitting, etc. A bit maddening! But fun to learn if one has some woodwork and electronics experience.
Hear hear! Partscaster are totally worth it _if _*_*you*_*_ are going to do the work_ as a hobby or learning experience. It can be fun to see how cheap you can go too (it is to me at least). Especially if (like a good friend of mine) you're not patient enough to do all the finishing (an arguable point).
I spent a lot of money taking my guitar modifications to a tech until I decided to learn how to do it myself. I’ve never looked back. I’ve made mistakes but learned from them. There are some things I won’t attempt but my limitations have become very few. Band mates call me McGiver, lol… I have a few parts casters that I play daily. None of which are perfect by any stretch but they play good and sound good and their mine. I don’t own a guitar that I haven’t modified or upgraded in some way. They all have their quirks like anyone else’s do as well. Thanks again for the reality of what really takes place during repair work or a simple mod or a set up. An adjustment here can affect things you didn’t even know existed. That’s how I got completely consumed and bought books and tools and still learn something new everyday.
I think partcasters can get very expensive too... Last year I was wondering about putting together a Jazzmaster, with warmoth body and neck. I'm lefthanded, so I have often very few, if not at all any choices. I did some calculations and quotations first, to estimate the cost of the instrument. But in the end I decided to get an already factory assembled made in Japan Jazzmaster! Why? It costed me as much if not less than the warmoth with all the parts, Japanese fenders nowadays are top notch instruments, so I already had a fine guitar to start with. After few weeks playing it I only decided to upgrade pickups and the bridge. And bam I have now a wonderful lefthanded Jazzmaster!
MIJ fenders are def worth every penny. But i gotta say, you don’t need warmoth if you’re going in on your first partscaster. I got the body and neck of mine for 215 bucks. All parts neck for 150 and a random finish-less strat body from a luthier in Colorado for like 75 bucks. Allpart necks are great if you just do a teeny bit of work on em. The guitar was a 54 strat replica and the whole thing ended up costing me 550-600 bucks. It’s now my favorite.
@@xbmpr Yes that may have been my first full warmoth partguitar. I got once a baritone conversion neck for an old strat I used to have, that was a fine piece of a neck! In the end I'm super happy I got the MIJ! Note I live in Switzerland... so in my calculation I had to had all the customs expenses, which would have made the partcaster def. more expensive.
Oh my god, you're just the best! The fact that you actually took on the work says so much about the generosity of your heart. I spent the best part of 3 years obsessed with Strats and partscasters, starting from the cheapest rubbish, and working my way up to quite high quality examples. The guitar you have assembled started out as bottom of the barrel, but the parts supplied are all of a similar quality, with the possible exception of the brass block, but you couldn't use it anyway! This video is hilarious, such attention to detail paid to a guitar where the sum of its parts is about $300. I love it :)
I've got two partscasters and love them dearly. I'd never be able to get anything like them off the shelf. That said, if you don't intend to spend a lot of free time getting them assembled and have enough cash to pay to fix any mistakes, don't do it. Just swap pickups and call it a day.
Yep. I go into a project expecting many issues that will need resolution. If frustration mounts too much, I go to another build for awhile. My rule is NEVER work on any project if you are angry. Stop, and cool down.
In my opinion, after buying many production and some custom shop guitars , I believe a quality parts caster guitar is the best. Just dont buy cheap parts. I prefer warmoth . Just take the time to learn proper assembly and setting up of a guitar. With many videos sharing knowledge how to do this it is actually pretty simple with patience and practice. Having said this I have also seen how assembly can go wrong from all the "project guitars" i have purchased or fixed for others. Great video 👍
Great video as always! Concerning how much to charge for the kit assembly I'd say let the customer know ahead of time the likely cost based on your experience and I'm sure most folks will decide not to proceed (win for you). If they do give the go ahead than at least you won't take a loss on the work. Cheers, John
Have spent many an hour over the past few weeks watching your repair videos which I find very informative and entertaining. A decade ago I built myself a Hank B. Marvin (of the Shadows) replica strat. from scratch, i.e. from bare planks of wood (birds-eye maple neck and swamp ash body), and even made my own truss rods! Took about four months to build and finish (nitro) but a lot of that time was spent making templates and jigs and of course, overcoming a steep learning curve, so I fully can appreciate the time, effort and expertise you put into your patients. Pity I cannot post a picture of my final build.
I have learned that throwing time and money into a budget item, leaves you with an over priced, budget guitar. Too many variables as our host said. A wonderful job on the Coronado bridge, Ted.
I agree, but I don’t see how you surprise a non luthier owner with a bill that is more than the guitar. I don’t see that going well, even if Ted did all the work. I don’t have a good answer, but this is an issue.
exactly, after all the money the customer spent getting it set up the way they want, it's still a Squier partscaster with no resale value and who knows if it'll even sound good. This is 100% someone who has much more money than sense if they're making it worth Ted's while, but that's the way it is with money
@@SchnappM I don't think it sounded good in the sound sample. Wish we could have heard the "before" sound...right now I'm betting it sounded better. Those looked like used pickups going in?? Maybe I'll watch that part again. One of my many guitars is a 2000 Squier and it sounds better than this.
I have a parts-caster with hand picked stuff that I collected over 6 years. The Strat plays and sounds better than most Strats I’ve played. I payed a little extra for the assembly but so worth it.
Put one together myself. Every part hand picked. roasted maple neck, grease bucket wiring harness, hand wound pickups, the works. If done right, you can get a great guitar.
Excellent work! You are very meticulous with your work. I suggest a 150 per hour. If he would have taken it a guitar shop mostly likely they would have not taken the job!
Incredible puzzle for fixing a Squier strat when it's so easy to just pick up a great MIM or MIJ guitar for the same price (due to the extensiveeffort to convert it). Definetely not worth the effort (to my taste it looks also very ugly)
Parts casters are the best hobby for the retired USWA. The time to tinker with the Strats and Tele’s is the best way to comprehend how the perfect tones are made from LEO FENDER’ GUITARS!
Partscasters can be a lot of fun to put together, and it's a good way to learn how to work on your own guitar as a player. I'm thinking if you need to pay a professional to put it together, you should budget $400- $500, and it should be under advisement from the professional. When it's all done, you'll have a great playing guitar that looks how you want, but you never will really know what it sounds like until after it's built...maybe you get lucky, maybe not.
You know I have seen people swap out one part for another, but this opened my eyes up to the truth. This was alot of work and I feel if he loves it enough to upgrade it. He should pay whatever you ask. Because I tried to reinstall the neck on mine and it wasn't as easy as the guy said. You did a awesome job on it. I would pay what you are asking. If he loves it enough to upgrade it right then he should pay you for the excellent job you did.
For the bridge, I would've gone for Delrin/Acetal as it has great wear resistance and is hard enough to not damp the resonance of the string. As always, great work on everything.
@@peachmelba1000 Programming, setup and running - about 15 minutes for a shop used to varying tasks. And in that time frame you could run three or four sets. When I worked as manager a couple of years ago I would likely charged about 10€ for that.
I had a machine shop in Houston make a bunch of guitar slides from that material - light, but with a cool tone. Thin sheets make pretty good guitar picks.
@@sharg0 I suppose on a turning center with live tool capability these things could be faced, milled, and parted off fairly quickly. I'd use acetal or Teflon.
I think your comment about partscasters being for hobbyists is spot on. The only time I would find it appropriate to do this kind of work for someone would be if they got a body and neck that were designed by the some company (warmoth, allparts, mjt, etc) and you are able to drill all the holes the first time to ensure everything fits together nicely. I often find it easier to build a new body for a neck and hardware than try to make all the parts fit to a body they were not designed for.
In the staggered tuning pegs, aren't the lower heads designed to be the ones further away from the bridge for the higher strings? At least that's what I've seen being done so far
This is correct. The idea is not to increase the break angle of the bass strings with the shorter posts. It’s to reduce or eliminate the need for string trees on the treble strings, with the shorter posts. Nobody knows everything. On some Fender style replacement necks you can completely eliminate the string trees. I have one guitar with only the E+B string tree and a Tele Parts-caster with no string tree, and it’s perfectly clear in the open position.
@@TheMasonator777 yeah, the critical distance is from the back of the headstock to the string hole. getting rid of the string trees is the key to strat tuning stability. i've found a few import strats that have enough headstock relief to work without trees. but staggered are a good solution. also, i think some models of two hole locking tuners can work tree-less if you use the bottom hole......
@@twoodfrd Your instincts were right though IMO. On locking staggered tuners, I often prefer the short or middle height posts on the E/A string since you don't have the extra string wraps to get the proper break angle behind the nut.
This Strat shows exactly what, happens to MANY DIY'ers who think "oh I can swap the pickguard and bridge pickup out!". Then they get in there run into ALL of these issues that they aren't prepared for. So they end up giving up and now their only guitar is in pieces and they never touch it again. It happens wayyyyyyy more often than you think. Luckily I came into this with years of automotive service & repair skills already, acquired so there's not really much I can't handle myself I feel like. None of those issues stopped me when I went through them lol. I replaced the nut on my only guitar at 6 months into learning to play, in fact. But I'm the exception. Most people aren't as prepared as I was when I started learning to play in Dec 2019
Random player: "Partscaster, assemble!" Ted: "No" BTW always wanted to ask, what happens if you agreed with a customer on a certain price, but it turns out to be much more work than initially projected?
@@twoodfrd Good policy. In my own (non-guitar) business, I charge whatever estimated and figure I'll know better next time. In extreme circumstances I'll tell the customer that won't be able to do the work that cheaply again.
@@allenhanford that's the only right way to do it. Things don't go right sometimes, and unless something way out of your control happens and the customer is informed in real time and a new plan is put together, you take the L, let em know and move on. Most people will be a return customer solely based on doing the right thing. I fix cars, and it's just what you do to have an honest buisness.
When someone wanted an exact quote, I always added 30 to 40 % just to be safe. My regular customers trusted me enough and knew I wouldn't rip them off and just told me to fix it and call if I thought something was going south in a hurry.
Hi. I am from Brazil and like very much your videos. They are realy great. You show and explain about the guitar. And show step by srep how the repair (or correction) is made. I use to be a luthier 40 years ago. And now I am about to be it again. Watching your "classes" I got a fresh knowledge of the metier. Congratulations
I thought the whole point of a partscaster was the fun of doing it yourself. I don't think I'd ever ask anyone to do this work for me. Is my own partscaster a hideous amalgamation of freehand routed pickguard holes, a PAF that doesn't belong, and wired like a Tele? Sure, but it's mine.
Building parts caster in a world pandemic is priceless because of the songs that accompany your intense love to have and to hold a replica Fender Stratocaster that you and only you made.
Fiulcrom bridges are a PITA to get truly low action, many impossible. I have switched many to a floating 2 point strat style tremolo into a recessed cavity, and that not only solves the problem but I get more dive and climb than floyds and most any other style tremolo.
I don't have an answer for your question, but having seen this video I certainly have a sense of what 'thoroughgoing' means. You don't mess around or do things by halves. It was kind of you to help out the poor guy who owns the instrument. (Perhaps excessively kind, but I bet many of us get important lessons from it, and I hope that helps balance things to some extent. Many thanks.)
I put together my own partscaster. it did take me a long time. most of that time was spent searching for parts that were the correct string spacing ect. financially it did not make sence but I enjoyed the process but it is just a hobby
The advantage of a part guitar is you get exactly what you want. The sky is the limit. I made a 7/8th size strat with 24" neck. Modenr trem, compound radius neck, master volume/tone, and normal wound, unpotted pickups.
Ted I come back to this video the most because I do these type jobs on my cheap guitars that I love to tinker with them all the time. I know I’m having fun but your a real professional person and I don’t mind telling you that your work is excellent and Canada should be proud of the accomplishments you have provided here helping hobbyists do better tinkering on their cheapie guitars. Just wish I would have seen this episode about three years ago. It would have really schooled me but I watched you do exactly what I did with my cheap guitar.
I sure hope this was a great friend or a good customer (or both) because your skill level rates on that "Strat" would have far exceeded its actual worth !! well done none the less Sir
I am glad my parts-caster went together easy. Everything fit, I had a Mexican body and paid attention when I bought my bridge. A good Luther did the set up and it plays well.
It took me a long time as a hobbyist Strat tinker-er to learn that taking measurements is first and foremost when buying aftermarket parts. Know your Strat dimensions, and know what you're buying. It saves a lot of headache
My absolute favourite guitar is a tele where I replaced the wiring, the pickguard and installed a Seymour Duncan 59 and hot rails, essentially the Danny Gatton/ Mike Stern mod. I also split the humbuckers with some resistors from the PRS DGT specs. Everything fitted perfectly except the bridge plate needed a little filing where the hot rails rubbed. The right parts are out there but you have to do the research.
That partscaster is simply gorgeous! I don't like a humbucker in the bridge position - never have. But it's absolutely beautiful, but the aesthetic of the body doesn't seem to continue up the neck. I say of course it's worth it, as long as someone else does the work.
Like others respondents, I've built a number of Fenderish partsmonsters and despite being absolutely Freudian about parts measurements when ordering, they still take a good two days of skilled labor to build, primarily to solve the nut, neck and bridge geometry. Filling and drilling are not hard, but tedious, electronics are not bad, but it is not a real guitar until it plays properly and in tune. Like my home made bolognese, it is a lot of work on simple, quality materials that makes the difference and it is a labor of love. Commercial entities would be bankrupted by that ratio of labor to final market value. It is a gift, in every case.
the one thing im looking forward to seeing you do in the future, is to mess with a neck through guitar, just seeing how much of a pain it is to fix anything neck related on one
I like partscasters for the price point and the fact I don't feel bad modifying it. I really enjoy the fact that you show your work, especially the plugging and redrilling. It really helps
Thanks to watching you I gathered the guts to replace the broke nut on my 2020 gibson lespaul standard 50s. Took my time with fine sand paper for a good fit. A couple drops of fine super glut in the slot installed strung it up and it's damn near perfect to me. Great videos thanks for all of them.
I am not going to say a cost because I wouldn't know but I do know this, you did a lot of work for that customer. Nothing went together like it should have and you called it spot on before you started. Your an amazing luthier and I wish you lived somewhere by me. I don't know of any good luthiers. Your videos help me learn so a huge Thank You! 😃
My easiest partscaster is a Fender build using only Fender or Fender Licensed parts on a used MIM Stratocaster body and neck. I was shooting for a 1964 look and tone. Even then there were issues with mounting holes, pickup placement and such. In the end she looks and sounds great, and it was a fun project, but it was certainly not an inexpensive way of doing it. So far as cheap copies are concerned...be prepared. Every one of them is a work of love and "creative problem-solving".
Watching Ted's work on acoustic instruments always make me go "good I have only electrics, those are simple". Then things like above remind me I actually bought wrong sized "standarized" part multiple times. Getting a new trem then discovering the block is too large to let it move much in your guitar is fun.
I build my own strats and have a load of partscasters. They're a mixed bag but... They are pickup platforms; If you're a keyboard player, you have a MIDI master keyboard, a MacBook Pro and thats pretty much it, you have a hundred synths and sample libraries and your setup is the same. As a guitarist, if you want a different pickup sound... My list of comments on this guitar is LONG so I won't bother, after 40 years I shoudl make my own videos as there are things that none touches on and I'm surprised you don't actually. Secrets of the luthiers! Love the channel, keep at it! Oh and try editing with DaVinci Resolve, its free and renders super fast - you'll get to bed quicker.
Maybe it's the close proximity to the mic, but that mandolin sounds really good. The fretboard is the really chocolatey rosewood I love to see. Way to go Saga!
You must charge at least $299.99 labor for the chrome frankenstrat build. Probably more considering your skill and how many customers would jump at the chance to have you work on their instrument. Thx for the videos. You are a true professional. It is entertaining and strangely relaxing to watch you stress the details of these repairs.
I have assembled many Partscasters over the years. One thing I've learned is to NOT by a kit ( stewmac etc). I know which parts fit and strongly advise customers to buy what I recommend. All my neck joins are perfect, better than my original Fenders. As to cost, that's relevant to you and the hours spent. I only charge $40 /hour for 40 years of learning, modifying and building from scratch. I don't have to charge more as it's my hobby, even though I had a registered business, you are super professional. That and TH-cam are your livelihood. So I can't say about your pricing system but I'd say $80- $100 an hour for a 5 hour job. Partscasters costs are becoming cost prohibitive now so I only do favours ( often at no cost) to budding young musicians I know.
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I can't tell you how much I appreciate you acknowledging both ways of saying 'solder'.
Assembling parts guitars is literally my favourite part of the job. I'm not even joking. I love to see what kind of crazy ideas people have and I'm more than happy to make their vision come true.
Dude, you are a saint.
Something tells me you are a hockey goalie because they are all insane.
Love how Leo's original concept of interchangeable parts went completely to hell. A dozen different lines all seemingly a few millimeters off from each other
not to mention Leo's original concept that Strats and Teles were supposed to be cheap mass produced affordable guitars for the masses.
@@rustydomino so, in a way, it was Nat Daniel who achieved it
I loved "he said please, I say myehhh." This is both a comedy and repair work channel.
They both made compelling arguments.
Once a "partscaster" is put up by a skilled luthier, rather than the player him/herself, with tons of manual adjustments, it's no longer a partscaster. It becomes a custom shop and should be charged accordingly.
My thoughts exactly. The question then becomes value versus cost. The strat job was way past a simple setup and involved a professional skill set and notwithstanding any “friend” discount the billable amount could be substantial.
I think that when you want a part caster u just say that and leave it to the luthier to propose a plan accordingly to a budget.
Its a shame Tom's mate has sight problems........
@@bobjohnston3984 yeah, maybe it's a good idea to only charge a nominal fee and wish the friend a speedy recovery. Obviously it depends on many things...
you could've just said "the player themselves"
Ted, I love your videos and your production. No clickbaity thumbnails, just good information presented articulately.
I sooooo wish I could get my Martin D62 to this guy for a neck reset.....Im in Brazil...kkkkkkkk. I can still dream.
Years ago, I bought a neck and a body and all the other parts that’s necessary for a guitar to work. It took a very long time before I had everything assembled, tweaked and fine tuned but in the end, the guitar sounded quite good. I created my own logo on the head stock, carved out a unique pick guard and painted it. It was soo much harder than I thought it would be. The satisfaction was enormous, I can’t tell you how many fellow guitar players came up to me after gigs to ask where I bought my guitar. It was definitely one of a kind. 28 years later, I’m still playing it regularly.
That's awesome
ABSOLUTELY!!! Too much work, but assembling parts-casters with Jr. High kids is a nice hands on experience ...for Kids learning to spend their summer break adjusting all the "fiddly Bits" (huge smile) Respect.
I appreciate you helping this guy out with his partscaster, I built one for myself a few years ago. It was challenging especially getting the finish acceptable, many hours went into it. I’ve been a carpenter for over 40 years and had most of the tools already, it’s probably not worth getting those tools just for a one off build.
Great work and video as always.
More tools is always better.
I just want to thank you sir for doing all you do and still making the time to help out guys like me who own small music stores and really do this stuff for a living. You're the man. Please keep up the great teaching. Those who don't understand, never will. Try it as a job... lol.
With staggered tuners the shorter ones are for the thinner strings farthest away from the nut. Staggered tuners can eliminate the need for string trees.
Ted addressed this in another video. Turns out, the short posts are not quite short enough for the proper break angle on the treble strings.
These are not "real" staggered tuners! They are just two kinds of tuners fender produces right now and Ted's final arrangement is how Am Std and Am Pros have been for the last 20-22 years. The real problem with the short tuners are that you can not get any winds on the post like the tall ones and, imo, a cleanly wrapped tuner works just as fine as the best set of staggered locking tuners...
Only if the shafts are long enough to do the job. These weren't.
@@Three_Eyed_Willy o no teds wrong i can't live any more
Great job Ted, very thorough. I love how you didn’t let the problems lie (misaligned screw holes) and also didn’t attempt to tackle mods that didn’t make sense (trem block). The second I saw that Trem block I thought “no way that lines up!”
When I do repairs like this I just warn customers that I am going to start the clock and charge them my hourly rate. If they are ok with it, then the job proceeds.
Amazing how extensive the work required was for a simple “parts swap” job, probably $450 worth of labor that got heavily discounted, I bet!
Yeah, $450 at least. You're not just paying for the actual work to fit the pieces together, you're also paying for Ted's experiece and knowledge so that the pieces are put together correctly/optimally. You're also paying for Ted's knowhow to deal with problems like the problem with the height adjustment on the humbucker. I'm thinking that the strat mods should have been more like $600. At that point you're looking at just going out and buying a Squire that has the look and features that you want. I apprreciate Ted sharing this content and going into the difficulties of building a partscaster. This helps people go into a partcaster build with their eyes wide open.
This is not an Honest assessment of a parts caster.
What he dealt with, was a customer that did not order the correct parts.
Parts are sold stating the correct diminsions and notices for what the part fits, as in American Made Fender, mexican made Fender, Overseas Squire, et cetera and so forth.
He could have just as easily told the customer that the customer ordered the wrong parts, suggest that the customer Return the wrong parts, and order the Correct parts.
Now, he has plugged the Original drill holes in the Headstock and Back Side of the Body, and added New Drill Holes in Each of those, and scraped the Pick Guard, so that None of the Original Parts can be Replaced without having to do ALL of that "work" Again !
I find that Very Irresponsible of him.
I doubt very seriously that he didn't know that, and it was his repsonsibility to Inform the Customer before he started Ruining the Original Parts, Body, Headstock, and Pick Guard.
Yes. It is a Squire, but ALL of those parts could have been Replaced with the Proper Parts without having to do Any Drilling, Plugging, Sanding, or Scraping.
This Video, and the Squire guitar, was a Complete Travesity of Unnecessarity !
@@EwetoobSucks You are entitled to your opinion. My experience of partscasters is closer to Teds. Yes, you CAN get parts that fit but the whole idea of the partscaster is to put together parts from various sources and there is nearly always some "easement" needed. You presumably noticed that the pickups were not new (or indeed of any obvious provenance - ceramic bar magnets???). Who knows how long the customer has taken to assemble the bits and who knows how much Ted has discussed the progress with the customer.
@@PeterWasted
Well, as I appreciate you having your opinion, I also appreciate value, and I am certainly not alone in that, but, sure, absolutely.
Destroy any Resale Value of the Base Parts by cutting into them so that some other parts of questionable value may be put into them.
Yes, you can always Recover the questionable parts that were put Into the Base Parts, but, then the Base Parts are as Valuable as Fire Wood at that point.
OR, now, I am just spitballing here, you could put in the Proper Parts, that Do Have Resalable Value, Including the Base Parts, and Start over with another project a little further on down the line, if you so desire.
The point being, that in the Second Scenario, there is Real Value to be Recouped, and the First Scenario has Little Value to be Recouped.
But, Ok. You know what you are doing.
@@joe102674
Those parts can always be used on another project or swapped with someone else for the Correct parts.
It is not that difficult.
Right off of the top of my head is Reverb, and you can use yelp for swap meets near you, and then there is always the online swap addresses.
There is absolutely no reason to take a total loss on anything guitar related.
I Love Tims Channel and the work that he does, which is why I watch it, but, I just have to disagree on the decisions made with this one.
Partscasters are great fun to do for a weekemd or two myself - working on guitars helps relieve stress from my regular job. That said, I'd imagine this would cost $300-400 to have someone do it for me. I'd use the money to buy some tools and do it myself :) Love the videos!
Partscasters “relieving stress”? Do you do bomb disposal? (Ah, just a person who likes the results of a “job well done”.)
Tools cost money I have planes that cost close to £400 each
Seeing you chisel away the corners of that tusq material made me appreciate it's integrity. Subsequently, I always appreciate your integrity! Thanks for the upload!! 🍒
Yeah, that Tusq material is hard. A very cool way to restore that unique bridge.
I do repairs too and leant to avoid these jobs the hard way. You’re tone of voice says it all. God bless.
as someone with the absolute weirdest partscaster (jazz bass with a precision neck and guitar humbuckers) I agree that I’d never take it to someone. I literally threw this thing together in my basement and the paint is nail polish. It was a fun learning experience and it turned into a gnarly bass and I’m probably not going to learn my lesson and build several more.
Planning my first Tele build. A 50's style Tele with a P90 at the neck.
@@madgeniusmusic Sounds gnarly. Just remember that more likely than not there’s going to be a lot of fiddling and it’s probably not going to be on the level of a guitar off the assembly line. That being said, your first partscaster is magic, I still have mine. It’s a 50s style precision bass with a jazz bass neck, squier and warmoth particularly. None of my partscasters play as nicely as my MIM Mustang, but they all have a special vibe and place in my heart.
@@moonchild4806 Cheers dude.
Jazz bass with P bass neck is the best thing a bassist could have. It was Anthony Jackson's #1 before he got his Fodera.
@@jan-a26 when I get around to finally building a traditional jazz that’s what I’m going to be doing. I might add a Rickenbacker pickup betwixt the jazz pups though
I've built dozens and dozens of 'partscasters', both Strat and Tele styles, over the last 20 years or so.
I've learned that each attempt is a unique set of issues that need resolution. Fortunately, these assemblies have resulted in a pretty huge variety of all kinds of parts, from bodies and necks to electronics to tuning machines, bridges, pickguards, etc. While there have been many frustrations with parts not wanting to play together well, I have learned a lot. Frustration and satisfaction...
You can buy a box of 250 stainless #4 X 1/2 screws for about the same price that Fender gets for 24 pickguard screws. These stainless screws have a head that is about a millimeter smaller in diameter than the standard Fender screw, so they will fit just a tiny bit lower in the pickguard, but I actually like that. A medical cotton swab wood handle is the exact diameter of a #4 screw, so I use those to fill the pickguard holes, as it's been very rare to simply trade out a pickguard and have the holes match.
Back in the day I would buy Squire Bullet guitars just for the necks and a few hardware items. I couldn't get a decent Fender spec neck that cheaply anywhere else. It should be noted that Squire tuning machines are not the same as their Fender cousins, although they look very similar. I find that pretty weird - the two 'bumps' on the back side of the tuners don't match. Who would have thought...
I learned a lot, and I made a lot of silly mistakes, but, overall, I did enjoy my efforts. It should be noted that a box of parts will not be happy together at first, so it's up to you to make them teammates.
Finally...everything that Ted did in this video I have done a bunch of times. I learned to lower my expectations for the assembly of partscasters, so when things went a bit more smoothly than anticipated, I was happy, and the frustrations were manageable...mostly.
I have come to learn that most of those frustrations turn out in challenges, that's what we builders like to do, solving the puzzle.
Most frustrating to me is making the same mistake several times, and that happens.
@@raffaguitars The very worst mistakes are the ones you repeat. I do agree on that. There's a humiliation in that.
Indeed! I've built enough Partscasters, that I now have a flow chart of pitfalls and things that need to be inspected, measured, and adjusted before things meet up. What an exercise in frustration in many cases.
@@OpSic66 True, but there is a certain satisfaction in overcoming the many obstacles, and producing a nice guitar.
I’m making a custom guitar from scratch right now. It’s actually surprising just how much really goes into designing and building an instrument. Cutting it out was the easy part, after all the maths and more maths and then even more maths.
Very excited though, it’s being made from solid hard-rock maple; neck and body with an ebony fretboard.
I find it satisfying and calming to watch you work. Much respect for your wealth of knowledge, skill and care for these instruments.
I always find these projects super fun. The modifications and improvisations are a big part of the satisfaction of building one of these from disparate parts.
It's always reassuring when you get to watch someone else go through similar challenges, it was like starting a book I already knew the ending before finishing the first chapter. Almost every time someone brings in something like that pile of parts it goes exactly the same way. No matter what you charge it is never enough but I certainly appreciate the ones that go smooth because of those that dont...Thanks for sharing your skill and demeanor for us to enjoy...
I'm in shock, truly.....Just yesterday, I put upgraded pickups, electronics and bridge on a brand less telecaster copy. The idea, of course, was to get a much better sounding guitar for less money. Now, I've done this kind of thing before and I wholeheartedly agree with you about the business of these things NEVER work out as planned. The various parts from various suppliers never all fit together as they "should".
Except this time, they did. Every part was drop in and screw together easy. I did the whole thing in less than an hour including soldering and testing. Thus, the shocked response. Didn't even have to file or trim something to fit. (clutches hand to chest in mock heart attack).
You may have disliked putting it together, but it was a nice change of pace and very informative to see you do it, the challenges others are likely to face, and how to solve them.
Thank you for doing the work we like watching it done. Alot!
The going labor rate.
I've built a number of guitars over the years and I can tell you I spend most my time making sure the parts I order are correct/compatible as far as fitment. I had a friend dump a $125 Flying V kit guitar that needed a complete rebuild, these lower cost kits need lots of work.
Appreciate your work sir.👍
I hope a lot of people learned some valuable lessons from this week's episode.
The only trouble-free partscaster build I've done was by ordering essentially all new parts, and this was after having decades of experience to know what parts were compatible. Trying to build a guitar our of a bunch of random parts you have laying around is going to be frustrating...and probably a lot more expensive than you bargained for. It can be done. but the title of the video says it all.
Exactly. When I built my PartsCaster, I made sure of all the measurements I wanted, and spec'ed out US standard parts for the entire build. Consequently, the only things I needed to do were to install the tuners ( I used Gotoh's, and had the holes pre-drilled to spec ) the LSR Roller Nut slot was pre cut and screw holes drilled, the bridge mounting holes were spaced properly, and the electronics were all CTS pots and switch. Fret leveling and dressing was actually the easiest thing to do. I wound up with a great Strat style guitar that I play regularly
But Strats are sooooo easy... I feel your pain! This is a testament to what the mere mortals don't & won't comprehend: ~70 years of constantly changing specs for every single part, spacing & alignment on a Strat. Even if you know, say, the string spacing you need at the bridge & you order a part specifically saying it matches, but its from an unknown or budget vendor, its STILL a gamble... And the cheaper the parts, the bigger the gamble. Start mixing & matching parts from multiple, questionable vendors and all bets are off. It takes a certain level of experience & ingenuity, if not sorcery, to make it all work together without rage-quitting or having some sort of breakdown. Going into it with the naïve assumption it will all go together smoothly, like legos, almost guarantees you're gonna have a bad time! Caveat Emptor! Know your specs, know your parts, know your vendors & you'll have a better time.
I spent most of my life repairing brass and woodwinds. Did a fair bit of guitar work too but that wasn't my forte.
That being said, my term was, "starving jazz musician discount", or something similar.
Fortunately I was blessed in that I wasn't self employed so I got paid every two weeks.
It can be a real tough call at times. Especially when the instrument belongs to a child who just loves playing.
Once had a case where the father quit paying for his daughter's clarinet rental/purchase because he was mad at his wife.
In that case I got lucky in that we had to identical clarinets. One with a broken upper, the other a broken lower joint.
The only noticable thing was each joint had a serial number and they didn't match.
When I repossessed the clarinet I explained to the lady what I'd done and gave her the other no charge, get's to keep, she broke down and cried.
Did a similar thing with a snare drum kit.
I guess what I did was technically stealing from the store but in each case the broken instruments had been written off of the books so everything balanced.
Those are the times we learn giving is far better than receiving.
I once had an A hole of a boss you gave me shit because I gave a little over a buck to a kid who was short wanting to buy a 5 way Strat switch?!?!
When he cared I have no idea. The money came out of my pocket.
I'm sure I don't have to tell you that it's only a very small percentage of people in the music business that actually get rich let alone pay the rent and feed themselves.
In the end, we do it because we love music and the joy it brings to others. Hopefully we can charge the stockbroker or banker hobbyists a little more to make up for the odd really needy person who deserves a break.
Thanks for sharing. There's a lot of techs out their in all sorts of fields who prefer to keep everything a dark secret and won't share anything as they might lose a nickel.
Bless you !! I have done sames and similars myself and I LOVE hearing from others who do the same.
@@plainolded5030 in situations like that, I feel like I don't have a choice. I've also seen the reverse situation.
Almost every instrument has its Holy Grail so to speak. Like a Mark 6 Selmer saw or pre CBS Fender.
Was brought a Mt Vernon Back trumpet that the kid had thrown through a basketball hoop?!?!
He'd bought it for $20 off his neighbor and had no idea what he had. Because he got it cheap he assumed it had no value.
Another time a lady brought me an almost new student Conn alto sax. Beat to hell.
She went on to tell me she'd bought 2 so the little darling wouldn't have to carry it to and from school.
I suggested one of her classmates got jealous and vandalised it.
I was then told the sax in question was the one she kept at home!?!?!
Needless to say, I didn't give her any special discount.
I used to mess around with this stuff when I was younger. Different pickup arrangements and pickguards. My coolest creation was a baritone made from a Strat body and a Warmoth conversion neck, wired with dual outputs (guitar/bass amps) and full controls for each. The middle pickup was a coil tappable hot rails which had its own vol/tones then the output to a bass amp, while the guitar's standard output was wired to a single coil in the neck and another hot rails in the bridge, which was coil tapped and operated with the standard 5 way switch, which actually worked like normal if you imagine the bridge pickups north coil acted like the middle pickup in terms of switching. The guitar was a lot of fun, but playing in drop A was super annoying and I sold it and back to my regular 4 string Ibanez. Nowadays I save up and buy a nice guitar and play it as it is.
I highly agree with Febo, first of all, I wouldn’t even do what you did for myself personally let alone a customer for a partscaster, the way it was was good enough. I would just set it up and that’s it.
Now that being said, sometimes we do more for a friend than we would ourselves.
Anyway, I watch your channel because you are the best luthier I’ve found on TH-cam.
I really enjoy watching your work. I only work on electric guitars and basses but very little on acoustics, just setups.
I really learn a lot from you.
I buy used guitars and rework them to good playing instruments and resell them and give them away to children that can’t afford one. Sometimes I get acoustic guitars in but if they need work done other than a setup I can’t do it. I do try and starting to be more successful now after watching your videos. I just need more and more practice. I want to thank you for taking time to record your work. Who knows, maybe when I get good enough, I’ll start recording. I’m 60 years old and decided to do my passion.
soon as i seen the neck pocket i wouldn't touch it plus i agree was good enough to begin with....friends
7:54 I'm following the Pattern on the Fingerboard. Because Mandolins are tuned in 5ths, they have their Fret Dot on the 10th Fret rather than the 9th which you see on Guitars.
Thank you sir. 750$ partscaster assembly and setup seems about right...... That price seems fair, would likely dissuade most and maybe encourage only those showing up with very high end parts (parts of higher quality then found on custom shop fenders). If you are bringing a bag of parts to a specialist you should show up with high quality parts and be ready to pay specialist prices.
Hello, though Ted’s time is valuable, what do you think a non luthier person would do I’d you said $750 for labor on a $300 guitar? Serious question. I believe Ted’s in a bad situation here.
Your frustration is totally understandable, and I agree, "your skills are needed elsewhere". Like the awesome work you did on that bass bridge with the Tusq nut blanks. Superb!
I would never ask someone to assemble a partscaster. A customer must understand that a $100 guitar + $100 parts + $300 labor is still a $100 guitar. It's a fun project for when you're hanging out in your garage on the weekend, but that's about it.
Concur. If money is not an issue then it's fine. Otherwise, it really doesn't make much sense.
$100 for all the parts? A set of pickups, tremolo bridge, tuners, electronics, pickguard, neck plate, screws, knobs, strap buttons, output jack, strings... all for $100?
And $100 for a painted body and a finished neck with a nut installed?
How many partscasters have you actually put together?
@@tim6723-f4i Several. The point is that throwing parts and money at a cheap guitar doesn't increase its value.
@@regularjim3193 Those parts shown in the video aren't $100 - the Squier neck and fender branded tuners would be close to $200 by themselves. I assume you buy the cheapest junk kits from China because the dollars you're quoting, that's about all you would get. A guitar built from a junk kit is virtually worthless but saying a partscaster built from quality components is worth the same as a partscaster built from cheap junk components is wrong... and a pretty dumb argument. I agree the money spent on labour doesn't increase the guitar's value but I doubt the owner upgraded his guitar to make money.
@@captainobvious9668 I'm not suggesting that the stuff shown in the video costs that much. The point is throwing money at a cheap guitar doesn't increase it's value. This doesn't bother some people, but some people get hurt when they try to get $500 for a Squier Affinity because they paid somebody to upgrade the pickups.
A Parts-Caster assembly with your skill of 5 hours would be ay more than its value. ($500.00 to $600.00) If I put one together at twice the time with a lot of colorful language, I wouldn't do it unless it was for a favorite family member. I built on for our son, it was too many hours to count as he bought parts from "anywhere" for a couple of years including used stuff. Thank you once again for taking the time, great work.
I feel like part of the whole mystique of the parts caster is the fact that you did it yourself. Sorta like crafting your lightsaber at the end of Jedi school. It's like buying a model airplane and having your older brother make it for you. Obviously, you gotta recoup at least the opportunity cost for the time spent finessing the thing together. This feels like the kind of project you take on for your buddies when you're first starting out. The time frame is indefinite and the pay is in beer or other barter. In other words for jackasses like me. A seasoned tech who can successfully differentiate asses and elbows like yourself... not so much. It's tough. You don't wanna be a dick, but it's also like he hired a surgeon to clip his toenails. It's gonna be expensive.
Thanks for playing them for us Ted.
While I like the idea of getting "exactly the guitar I want" by mixing and matching parts, that's definitely a thing to do myself and not bother a professional with. You're doing this for a living, you deserve not to be having to deal with my ignorant mistakes. With this video, I was more interested in the palate-cleansing interludes; that bass bridge looks like a fun design when retrofitted with better material for the saddles, and the mandolin gave me a fair bit to think about in planning my own build that I'm sure I'll get to on or around the 32nd of next month.
And for the fellow commenters who are wondering how the piano repairs are going, very nicely thanks. I've filled, stained, and sealed the worst of the dents, and next up is a couple more coats of shellac, a gentle level sanding, one final coat of shellac that I'm going to do with a 1# cut instead of the 2# I've been sealing with, and then paste wax and hand buffing. It's still very clearly a piano that's had some damage done, but it looks cared for. That's good enough for me.
You’re a good man Ted!!
Indeed, a partscaster is usually fun for learning, as a hobby.
I bought an old Samick strat last year and have switched out the pickups several times, with different experimental switching configurations, coil-splitting, etc. A bit maddening! But fun to learn if one has some woodwork and electronics experience.
Hear hear! Partscaster are totally worth it _if _*_*you*_*_ are going to do the work_ as a hobby or learning experience. It can be fun to see how cheap you can go too (it is to me at least). Especially if (like a good friend of mine) you're not patient enough to do all the finishing (an arguable point).
I spent a lot of money taking my guitar modifications to a tech until I decided to learn how to do it myself. I’ve never looked back. I’ve made mistakes but learned from them. There are some things I won’t attempt but my limitations have become very few. Band mates call me McGiver, lol… I have a few parts casters that I play daily. None of which are perfect by any stretch but they play good and sound good and their mine. I don’t own a guitar that I haven’t modified or upgraded in some way. They all have their quirks like anyone else’s do as well. Thanks again for the reality of what really takes place during repair work or a simple mod or a set up. An adjustment here can affect things you didn’t even know existed. That’s how I got completely consumed and bought books and tools and still learn something new everyday.
I think partcasters can get very expensive too... Last year I was wondering about putting together a Jazzmaster, with warmoth body and neck. I'm lefthanded, so I have often very few, if not at all any choices.
I did some calculations and quotations first, to estimate the cost of the instrument. But in the end I decided to get an already factory assembled made in Japan Jazzmaster! Why? It costed me as much if not less than the warmoth with all the parts, Japanese fenders nowadays are top notch instruments, so I already had a fine guitar to start with.
After few weeks playing it I only decided to upgrade pickups and the bridge. And bam I have now a wonderful lefthanded Jazzmaster!
MIJ fenders are def worth every penny. But i gotta say, you don’t need warmoth if you’re going in on your first partscaster. I got the body and neck of mine for 215 bucks. All parts neck for 150 and a random finish-less strat body from a luthier in Colorado for like 75 bucks. Allpart necks are great if you just do a teeny bit of work on em. The guitar was a 54 strat replica and the whole thing ended up costing me 550-600 bucks. It’s now my favorite.
@@xbmpr Yes that may have been my first full warmoth partguitar. I got once a baritone conversion neck for an old strat I used to have, that was a fine piece of a neck! In the end I'm super happy I got the MIJ! Note I live in Switzerland... so in my calculation I had to had all the customs expenses, which would have made the partcaster def. more expensive.
Oh my god, you're just the best! The fact that you actually took on the work says so much about the generosity of your heart. I spent the best part of 3 years obsessed with Strats and partscasters, starting from the cheapest rubbish, and working my way up to quite high quality examples. The guitar you have assembled started out as bottom of the barrel, but the parts supplied are all of a similar quality, with the possible exception of the brass block, but you couldn't use it anyway! This video is hilarious, such attention to detail paid to a guitar where the sum of its parts is about $300. I love it :)
I've got two partscasters and love them dearly. I'd never be able to get anything like them off the shelf.
That said, if you don't intend to spend a lot of free time getting them assembled and have enough cash to pay to fix any mistakes, don't do it. Just swap pickups and call it a day.
Yep. I go into a project expecting many issues that will need resolution. If frustration mounts too much, I go to another build for awhile. My rule is NEVER work on any project if you are angry. Stop, and cool down.
The amount of painstaking labor is nearly priceless. The owner owes you big time.
On staggered tuners, the taller ones always go to the low E and A. The shorter ones are always for the treble strings.
Makes sense to me. That's how I always learned.
In my opinion, after buying many production and some custom shop guitars , I believe a quality parts caster guitar is the best. Just dont buy cheap parts. I prefer warmoth . Just take the time to learn proper assembly and setting up of a guitar. With many videos sharing knowledge how to do this it is actually pretty simple with patience and practice. Having said this I have also seen how assembly can go wrong from all the "project guitars" i have purchased or fixed for others. Great video 👍
Great video as always! Concerning how much to charge for the kit assembly I'd say let the customer know ahead of time the likely cost based on your experience and I'm sure most folks will decide not to proceed (win for you). If they do give the go ahead than at least you won't take a loss on the work.
Cheers, John
Have spent many an hour over the past few weeks watching your repair videos which I find very informative and entertaining. A decade ago I built myself a Hank B. Marvin (of the Shadows) replica strat. from scratch, i.e. from bare planks of wood (birds-eye maple neck and swamp ash body), and even made my own truss rods! Took about four months to build and finish (nitro) but a lot of that time was spent making templates and jigs and of course, overcoming a steep learning curve, so I fully can appreciate the time, effort and expertise you put into your patients. Pity I cannot post a picture of my final build.
I have learned that throwing time and money into a budget item, leaves you with an over priced, budget guitar. Too many variables as our host said. A wonderful job on the Coronado bridge, Ted.
Having it done right is priceless. I can’t see you charging less than $500. If the owner lives that guitar it is worth it.
I agree, but I don’t see how you surprise a non luthier owner with a bill that is more than the guitar. I don’t see that going well, even if Ted did all the work. I don’t have a good answer, but this is an issue.
I think it would be worth the price of the kit to learn how hard it is to really build a guitar. Thanks for the video. As always it is appreciated.
exactly, after all the money the customer spent getting it set up the way they want, it's still a Squier partscaster with no resale value and who knows if it'll even sound good. This is 100% someone who has much more money than sense if they're making it worth Ted's while, but that's the way it is with money
This is true. I started with a kit from a reputable source, and went on from there. See my comment above.
@@SchnappM I don't think it sounded good in the sound sample. Wish we could have heard the "before" sound...right now I'm betting it sounded better. Those looked like used pickups going in?? Maybe I'll watch that part again. One of my many guitars is a 2000 Squier and it sounds better than this.
$500. You went above and beyond. I did a Tele partscaster and there was quite a bit of alterations to be made.
I have a parts-caster with hand picked stuff that I collected over 6 years. The Strat plays and sounds better than most Strats I’ve played. I payed a little extra for the assembly but so worth it.
Put one together myself. Every part hand picked. roasted maple neck, grease bucket wiring harness, hand wound pickups, the works. If done right, you can get a great guitar.
Excellent work! You are very meticulous with your work. I suggest a 150 per hour.
If he would have taken it a guitar shop mostly likely they would have not taken the job!
Incredible puzzle for fixing a Squier strat when it's so easy to just pick up a great MIM or MIJ guitar for the same price (due to the extensiveeffort to convert it). Definetely not worth the effort (to my taste it looks also very ugly)
Tough words, but I have to say, I agree. The chromed plastic bits really look cheesy!
@@hydorah and then sounded tinny and cheap. Squier pickups are better than these were.
Parts casters are the best hobby for the retired USWA. The time to tinker with the Strats and Tele’s is the best way to comprehend how the perfect tones are made from LEO FENDER’ GUITARS!
Parts casters are great learning tools for working on instruments, that's about it in my opinion
yes it is an interesting hobby but not financially viable for a professional luthier
@@phililpb definitely. and that's not to say you can't make a great parts caster, one of my best guitars is from a few different origins.
Partscasters can be a lot of fun to put together, and it's a good way to learn how to work on your own guitar as a player. I'm thinking if you need to pay a professional to put it together, you should budget $400- $500, and it should be under advisement from the professional.
When it's all done, you'll have a great playing guitar that looks how you want, but you never will really know what it sounds like until after it's built...maybe you get lucky, maybe not.
Plus, even if it's a totally awesome guitar when you're done, it's still just a kit guitar. If you go to sell it, its only value is as used parts.
@@allenhanford great point
You know I have seen people swap out one part for another, but this opened my eyes up to the truth. This was alot of work and I feel if he loves it enough to upgrade it. He should pay whatever you ask. Because I tried to reinstall the neck on mine and it wasn't as easy as the guy said. You did a awesome job on it. I would pay what you are asking. If he loves it enough to upgrade it right then he should pay you for the excellent job you did.
For the bridge, I would've gone for Delrin/Acetal as it has great wear resistance and is hard enough to not damp the resonance of the string. As always, great work on everything.
And talk to a machine shop, making blanks in a CNC mill would be a very easy for them.
@@sharg0 Not worth it to make just four of them. 4000, sure.
@@peachmelba1000 Programming, setup and running - about 15 minutes for a shop used to varying tasks. And in that time frame you could run three or four sets.
When I worked as manager a couple of years ago I would likely charged about 10€ for that.
I had a machine shop in Houston make a bunch of guitar slides from that material - light, but with a cool tone. Thin sheets make pretty good guitar picks.
@@sharg0 I suppose on a turning center with live tool capability these things could be faced, milled, and parted off fairly quickly. I'd use acetal or Teflon.
I think your comment about partscasters being for hobbyists is spot on. The only time I would find it appropriate to do this kind of work for someone would be if they got a body and neck that were designed by the some company (warmoth, allparts, mjt, etc) and you are able to drill all the holes the first time to ensure everything fits together nicely. I often find it easier to build a new body for a neck and hardware than try to make all the parts fit to a body they were not designed for.
In the staggered tuning pegs, aren't the lower heads designed to be the ones further away from the bridge for the higher strings? At least that's what I've seen being done so far
This is correct. The idea is not to increase the break angle of the bass strings with the shorter posts. It’s to reduce or eliminate the need for string trees on the treble strings, with the shorter posts. Nobody knows everything. On some Fender style replacement necks you can completely eliminate the string trees. I have one guitar with only the E+B string tree and a Tele Parts-caster with no string tree, and it’s perfectly clear in the open position.
thats what I thought also
@@TheMasonator777 yeah, the critical distance is from the back of the headstock to the string hole. getting rid of the string trees is the key to strat tuning stability. i've found a few import strats that have enough headstock relief to work without trees. but staggered are a good solution. also, i think some models of two hole locking tuners can work tree-less if you use the bottom hole......
Yes, you're right. I had them on backwards. D'oh.
@@twoodfrd Your instincts were right though IMO. On locking staggered tuners, I often prefer the short or middle height posts on the E/A string since you don't have the extra string wraps to get the proper break angle behind the nut.
This Strat shows exactly what, happens to MANY DIY'ers who think "oh I can swap the pickguard and bridge pickup out!". Then they get in there run into ALL of these issues that they aren't prepared for. So they end up giving up and now their only guitar is in pieces and they never touch it again.
It happens wayyyyyyy more often than you think. Luckily I came into this with years of automotive service & repair skills already, acquired so there's not really much I can't handle myself I feel like. None of those issues stopped me when I went through them lol. I replaced the nut on my only guitar at 6 months into learning to play, in fact. But I'm the exception. Most people aren't as prepared as I was when I started learning to play in Dec 2019
Random player: "Partscaster, assemble!"
Ted: "No"
BTW always wanted to ask, what happens if you agreed with a customer on a certain price, but it turns out to be much more work than initially projected?
My assumption is he stops at the budget and calls the customer 🤷🏻♂️
I almost never go over my estimate, unless it's something really unforeseen.
@@twoodfrd Good policy. In my own (non-guitar) business, I charge whatever estimated and figure I'll know better next time. In extreme circumstances I'll tell the customer that won't be able to do the work that cheaply again.
@@allenhanford that's the only right way to do it. Things don't go right sometimes, and unless something way out of your control happens and the customer is informed in real time and a new plan is put together, you take the L, let em know and move on. Most people will be a return customer solely based on doing the right thing. I fix cars, and it's just what you do to have an honest buisness.
When someone wanted an exact quote, I always added 30 to 40 % just to be safe.
My regular customers trusted me enough and knew I wouldn't rip them off and just told me to fix it and call if I thought something was going south in a hurry.
Hi. I am from Brazil and like very much your videos. They are realy great. You show and explain about the guitar. And show step by srep how the repair (or correction) is made. I use to be a luthier 40 years ago. And now I am about to be it again.
Watching your "classes" I got a fresh knowledge of the metier.
Congratulations
I thought the whole point of a partscaster was the fun of doing it yourself. I don't think I'd ever ask anyone to do this work for me. Is my own partscaster a hideous amalgamation of freehand routed pickguard holes, a PAF that doesn't belong, and wired like a Tele? Sure, but it's mine.
Exactly, think of Eddie…make it your own.
The Master Luthier. 🎸 A Blessing to get an appointment! 🙏A video proving the instruments Value. 🤝
That would be $750 thank you very much.
Building parts caster in a world pandemic is priceless because of the songs that accompany your intense love to have and to hold a replica Fender Stratocaster that you and only you made.
Fiulcrom bridges are a PITA to get truly low action, many impossible. I have switched many to a floating 2 point strat style tremolo into a recessed cavity, and that not only solves the problem but I get more dive and climb than floyds and most any other style tremolo.
I don't have an answer for your question, but having seen this video I certainly have a sense of what 'thoroughgoing' means. You don't mess around or do things by halves. It was kind of you to help out the poor guy who owns the instrument. (Perhaps excessively kind, but I bet many of us get important lessons from it, and I hope that helps balance things to some extent. Many thanks.)
"Partscasters: NOT worth it!" One of the clearest, hardest truths in electric guitars world.😂
I sure like mine though. :)
I put together my own partscaster. it did take me a long time. most of that time was spent searching for parts that were the correct string spacing ect. financially it did not make sence but I enjoyed the process but it is just a hobby
Why would it not be worth it? It sure worked well for Gilmour??
@@beppelantz8169 we are probably not Gilmour..
The advantage of a part guitar is you get exactly what you want. The sky is the limit. I made a 7/8th size strat with 24" neck. Modenr trem, compound radius neck, master volume/tone, and normal wound, unpotted pickups.
Ted I come back to this video the most because I do these type jobs on my cheap guitars that I love to tinker with them all the time. I know I’m having fun but your a real professional person and I don’t mind telling you that your work is excellent and Canada should be proud of the accomplishments you have provided here helping hobbyists do better tinkering on their cheapie guitars. Just wish I would have seen this episode about three years ago. It would have really schooled me but I watched you do exactly what I did with my cheap guitar.
Your the best luthier I watch.
What I wouldn’t give to have your skill!!! Great video
I sure hope this was a great friend or a good customer (or both) because your skill level rates on that "Strat" would have far exceeded its actual worth !! well done none the less Sir
Wow. Just, wow. Excellent job (s) as always. Amazing patience you have.
Absolutely love your content, so, so interesting and well explained. Thank you for your time.
It’s making me feel a lot better about my parts caster projects in front of me while I watch your videos!
You're a master luthier man. Your work is impeccable
I am glad my parts-caster went together easy. Everything fit, I had a Mexican body and paid attention when I bought my bridge. A good Luther did the set up and it plays well.
It took me a long time as a hobbyist Strat tinker-er to learn that taking measurements is first and foremost when buying aftermarket parts. Know your Strat dimensions, and know what you're buying. It saves a lot of headache
My absolute favourite guitar is a tele where I replaced the wiring, the pickguard and installed a Seymour Duncan 59 and hot rails, essentially the Danny Gatton/ Mike Stern mod. I also split the humbuckers with some resistors from the PRS DGT specs. Everything fitted perfectly except the bridge plate needed a little filing where the hot rails rubbed. The right parts are out there but you have to do the research.
That partscaster is simply gorgeous! I don't like a humbucker in the bridge position - never have. But it's absolutely beautiful, but the aesthetic of the body doesn't seem to continue up the neck. I say of course it's worth it, as long as someone else does the work.
Like others respondents, I've built a number of Fenderish partsmonsters and despite being absolutely Freudian about parts measurements when ordering, they still take a good two days of skilled labor to build, primarily to solve the nut, neck and bridge geometry. Filling and drilling are not hard, but tedious, electronics are not bad, but it is not a real guitar until it plays properly and in tune. Like my home made bolognese, it is a lot of work on simple, quality materials that makes the difference and it is a labor of love. Commercial entities would be bankrupted by that ratio of labor to final market value. It is a gift, in every case.
Half the fun of partscasters is the learning experience. I wouldn't delegate that to someone else lol. And its a great way to bond with your guitar.
the one thing im looking forward to seeing you do in the future, is to mess with a neck through guitar, just seeing how much of a pain it is to fix anything neck related on one
I like partscasters for the price point and the fact I don't feel bad modifying it. I really enjoy the fact that you show your work, especially the plugging and redrilling. It really helps
Humbucker in a strat still makes me gag, even after all these years.
The top on that Mandolin!
Thanks to watching you I gathered the guts to replace the broke nut on my 2020 gibson lespaul standard 50s. Took my time with fine sand paper for a good fit. A couple drops of fine super glut in the slot installed strung it up and it's damn near perfect to me. Great videos thanks for all of them.
I am not going to say a cost because I wouldn't know but I do know this, you did a lot of work for that customer. Nothing went together like it should have and you called it spot on before you started. Your an amazing luthier and I wish you lived somewhere by me. I don't know of any good luthiers. Your videos help me learn so a huge Thank You! 😃
My easiest partscaster is a Fender build using only Fender or Fender Licensed parts on a used MIM Stratocaster body and neck. I was shooting for a 1964 look and tone. Even then there were issues with mounting holes, pickup placement and such. In the end she looks and sounds great, and it was a fun project, but it was certainly not an inexpensive way of doing it. So far as cheap copies are concerned...be prepared. Every one of them is a work of love and "creative problem-solving".
Watching Ted's work on acoustic instruments always make me go "good I have only electrics, those are simple". Then things like above remind me I actually bought wrong sized "standarized" part multiple times. Getting a new trem then discovering the block is too large to let it move much in your guitar is fun.
I'm so glad that my handiness is greater than my pickiness. Partscasters are excellent for someone in that situation.
I build my own strats and have a load of partscasters. They're a mixed bag but... They are pickup platforms; If you're a keyboard player, you have a MIDI master keyboard, a MacBook Pro and thats pretty much it, you have a hundred synths and sample libraries and your setup is the same. As a guitarist, if you want a different pickup sound...
My list of comments on this guitar is LONG so I won't bother, after 40 years I shoudl make my own videos as there are things that none touches on and I'm surprised you don't actually. Secrets of the luthiers!
Love the channel, keep at it! Oh and try editing with DaVinci Resolve, its free and renders super fast - you'll get to bed quicker.
Maybe it's the close proximity to the mic, but that mandolin sounds really good. The fretboard is the really chocolatey rosewood I love to see. Way to go Saga!
You must charge at least $299.99 labor for the chrome frankenstrat build. Probably more considering your skill and how many customers would jump at the chance to have you work on their instrument. Thx for the videos. You are a true professional. It is entertaining and strangely relaxing to watch you stress the details of these repairs.
I have assembled many Partscasters over the years. One thing I've learned is to NOT by a kit ( stewmac etc). I know which parts fit and strongly advise customers to buy what I recommend. All my neck joins are perfect, better than my original Fenders. As to cost, that's relevant to you and the hours spent. I only charge $40 /hour for 40 years of learning, modifying and building from scratch. I don't have to charge more as it's my hobby, even though I had a registered business, you are super professional. That and TH-cam are your livelihood. So I can't say about your pricing system but I'd say $80- $100 an hour for a 5 hour job. Partscasters costs are becoming cost prohibitive now so I only do favours ( often at no cost) to budding young musicians I know.