Sagara Shayana Vibho || Bageshree || Srivalsan J Menon || Kanchanotsava 2020

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  • เผยแพร่เมื่อ 28 ส.ค. 2024
  • This vedio is an excerpt of Vid. Srivalsan J Menon from Kanchanotsava 2020 held in Kanchana.
    In this concert , he was accompanied by Vid. Edapally Ajith on violin , Vid. K U Jayachandra Rao on Mridangam.
    Follow Kanchana Music Academy on www.kanchanamusicacademy.com for updates on our academy's activities.
    #KanchanaMusicAcademy
    #Kanchanotsava

ความคิดเห็น • 9

  • @rajubharadwaj
    @rajubharadwaj 7 หลายเดือนก่อน

    Probably the VERY BEST rendition of this kriti 🙏🙏🙏

  • @ramaramamoorthy9473
    @ramaramamoorthy9473 2 ปีที่แล้ว

    Wonderful rendition.so pleasing and Divine in gifted voice.Great.
    Thank you for uploading this fine video.we are blessed.God bless.

  • @dradha9819
    @dradha9819 3 ปีที่แล้ว +1

    Wonderful

  • @pittsburghpatrika1534
    @pittsburghpatrika1534 3 ปีที่แล้ว

    Excellent rendition. MDR and KVN would be pleased to listen to you. Vilambita kala (slow paced) songs are more challenging, particularly for the laya vidwans. Very enjoyable. --- Kollengode S Venkataraman, Pittsburgh, PA

  • @latharajan7639
    @latharajan7639 2 ปีที่แล้ว

    Brilliant 👏👏👏👏🙏

  • @sumaputhanveedu6035
    @sumaputhanveedu6035 2 ปีที่แล้ว

    എന്തു രസാ കേൾക്കാൻ... 👌

  • @parmeshwark1049
    @parmeshwark1049 2 ปีที่แล้ว

    Wah kya BAAT hai

  • @Mythiliven
    @Mythiliven 4 หลายเดือนก่อน

    That is not chittaswaram.,Kalpana swaraj!!!!!

  • @tmadanmenon
    @tmadanmenon 2 ปีที่แล้ว

    (kshIra) sagara shayana vibho prabho.... MDR's famous kriti in Bageshri ragam, originally a Hindustani classical ragam which was said to have been first sung by Mian Tansen, the celebrated court singer of the Emperor Akbar in the 16 th Century ! By 20th Century Bageshri was found popularity in Carnatic Music form. Here the vocalist Ranganatha Sharma's rendition with the requisite devotion is excellent in deed! But he skipped the Chittasvorams which rightly adds value to the kriti. Now a days vocalists think that they have the preemptive right to ignore Chittiasvorams!..wh at ever be the reasons.,say lack of time or even their appetite! Are they not aware that the great composers have penned their keerthanas with their prerogative to praise the deities mentioned in it and those who use the same for any recitals have a moral obligation to ritually follow the composer's doctrines?
    Fot info......Let me write on use of this ragam Bageshjri by a Music Director-Ramchandra Narhar Chitalkar, known as Just C..Ramachandra initially in Hindi films......for example the popular song-'Radha na bole' - in Film-'Azad'/of 1955. In a 1978 interview at BBC studios with Mahendra Kaul (a Kashiri Pandit, famous Radio Presenter with Radio Kashmir , then with VoA in US and later on at BBC), he ascribed the reason to Bageshri's simplicity.! Ramachandra similarly provided a memorable musical score accompanying a competition between two dancers whose roles were played by Padmini and Vyjayanthimala for the song Kannum Kannum Kalanthu lyrics penned by Kothamangalam Subbu, sung by P. Leela and Jikki in the Tamil movie Vanjikottai Valiban (1958). He remade the song in Hindi as "Aaja Tu Aaja" from Raj Tilak (1958) written by P. L. Santoshi where Asha Bhosle and Sudha Malhotra rendered their voice.
    Wonderful rendition by Sreevalsan Menon...Chittasvoroms added beauty to the melodious rendition....Best wishes