"Photography is not about sharpness or megapixels. Photography is all about light, shadow, composition, timing. Photography is all about being able to see what is happening around you." I can't say anything about the XZ-1 having not owned or used one. But this quotation ought to be added to the great quotes about photography. Loved this video.
Actually it has nothing to do with CCD. The reason it delivers amazing colors is that all these old cameras use different sensor filtering. Their high ISO sucks but color wise they are amazing ! Plus Olympus has always had great color science. Cheers
I can't speak for Olympus but Canon specifically designed their older CCD sensors to replicate film in the early days of digital cameras because they were trying to entice film shooters to go digital. This is the reason the early Powershots and even the 5D Classic (CMOS) have a very filmic look.
CCD is only good near base ISO, once you go above ISO400, it produces a lot of noise that cannot be easily filtered out like on CMOS. But back in those years many cameras were not able to even reach ISO800+. Early DSLRs like Pentax K10D or Nikon D80 also used CCD sensors. Those APS-C 10Mpix sensors had ISO1600 ceiling because they had significantly larger photosites than compact cameras. But thats about it. If you try to take some long exposure with such sensitivity, sensor overheats quickly and produces large amount of noise. Not to mention video. Larger CCD overheats very quickly while capturing video and some HD 720p resolution was limit for most of such cameras. XZ-1 HD video has low resolution, it looks more like enlarged 640x480. There are no details and it looks like oil painting movie :D It also has very small dynamic range, no contrast and other issues. And once people wanted more live-view, video and higher ISO, switching to CMOS was the only way how to achieve that without complex cooling mechanisms and extensive digital noise processing. Olympus XZ-2 has 12Mpix 1/1.7" BSI-CMOS sensor and it has much better signal to noise ratio. It produces quite good photos even with ISO800 and is still usable for some web purposes or reduced size with ISO1600. RAW of course. XZ-1 has the ISO400 ceiling +/-. ISO 800 only if you can live with a lot of noise, no fine detail and narrow dynamic range. And only in RAW(ORF). Because JPGs are horrible even at ISO100 with strong denoising artifacts that are killing details.
I am surprised that there is a video about this camera after more than 10 years! I took my XZ-1 out of the drawer and recharge it, will take it with me tomorrow when I am out and about!
I really enjoyed watching this video. I found an XZ-1 in an old cupboard three months ago. I had completely forgotten I had it. I charged the battery and brought it out of retirement. It is small, lightweight and has strong image quality. I love to use it now. As long as you understand its limitations, its definitely worth trying to find in the used camera market.
After film, I initially landed on a Leica D-lux 3 as my travel camera.. it had a CCD sensor, took great pictures at low ISO values up to ISO 400. Being an electrical engineer and an enthusiast photographer I always had a keen interest in sensors, filter arrays and how various lens designs interact with them. In my humble opinion, early sensor design attempted to imitate the classic ‘film’ look as most people at that transformative period still printed their images. Now as computer technology improved, people began viewing their photos on computer monitors and social media. Hence it became a balance of light and resolution between the camera sensor and the computer monitor, with CMOS sensor technology becoming the technology of choice. Hey, I actually had high hopes for Foveon sensor technology… but.
This is why some contemporary photographers present their work with backlights. That being said, those old cameras are still around and fun to shoot with!
I own an old Panasonic Lumix LX3, I believe from the same era of this Olympus, and I like its image quality until today. The b&w images are so smooth and the Leica lens is so sharp. I just can`t let it go.
Me too. I have the LX3, LX7, LX100 and now the LX1100II. Only one I sort of regret, is the LX100II. While its certainly a great wee camera still, its not much of an upgrade to the LX100. But they all take great photos. I keep RAW files for the flexibility and often have difficulty in determining which has taken the 'better', technically correct, image when comparing to my Nikon D750. The LX3 has its own personality tho and its quite easy to see a difference.
@@photo1416 Hmmm. Not really. But I tend to expose pretty wide with these little cameras to make sure I've got a bit of wriggle room with cropping, so maybe I crop and loss out of the frame. Also, I am not really a pixel peeper. I haven't used the LX3 for quite a few years and the last time I used the LX7 seriously was a trip to South America about 4 years ago. Over that month I took about 300 (LX&) photos from memory and got as many keepers with it as I did with the Nikon D7100 and 3 lenses. Didn't take the D750 on that trip. My LX7 has just been to California with a grand daughter, havent see the results yet but she was very happy. She was on a camp and not allowed a cell phone 🙄😀
@@tonyp1340 I used to almost always take a large camera with me on photo walks, sometimes with additional lenses. Now I'm getting carried away with micro cameras . How to relax and test your abilities) Your granddaughter is at risk of becoming popular, with such a monopoly of owning a camera in a camp without phones)
The photos look really organic - nice video - will try to get one because there is something about the ccd sensor - Leica M8 with the ccd sensor is quite different from the later cmos sensor
Lenses baby! My old Olympus trip film camera delivered images that punched far far above it’s price tag. And survived years of abuse rock climbing, and mountaineering. One handed photos, in impossible places, and still delivered.
Great vid and thanks. For some of us, there's "film look" and there's "film experience". I'm in the latter camp and enjoy the whole process of loading film, being extremely selective on shots, going through the challenge of shooting real film, having the anticipation that an undeveloped film holds and then the great reveal, after the effort (and cost) of having it developed. Then there's the whole digitisation experience, where we re-live our shoot. For most I suppose that is all "inconvenience", but for us remaining masochists, it's wonderful in so many ways! Cheers - Dave
Thank you for this Matti. When you wrote "beats Fuji" I was ready to fight, but after seeing your beautiful photographs I see your point. I love soft painterly film-like photos, like Ernst Haas or Saul Leiter. I shoot with Asahi Takumar lenses mounted on a Fujifilm x-t2 and i find the results very pleasing. Thanks again for this video, I will seriously consider this camera for travel and certain projects.
I bought this camera when it came out and absolutely loved it. Beautiful camera that produced great quality images. My only issue was the aggressive noise reduction applied to the photos above iso 100, it looked pretty terrible. I later upgraded to the XZ-2 which was a huge improvement on image and video quality. I really should dig it out again.
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I firmly believe this is a very underrated little camera. The lens is very good and the portability as well. The flip screen is definitely a plus. Very good review Matti. Thanks alot.
I had the XZ2. CMOS. Still filmlike color. But my suggestion is find a Olympus Stylus 1 or 1s. Fantastic little compact with 28-300 constant f2.8 lens, evf abd super fast OMD e-m5 operating system. WAY overlooked.
I agree with you regarding the CCD thing - i suspect that it's not possible to separate out the sensor from the other variables you mention. I'll just add one more as a bit of a wildcard.... Film was the measure of photography when the digital revolution hit. The early need in the market was to compete with analogue - to have digital that looked 'as good', which meant looking similar in order not to offend the accepted aesthetics. Once the initial technical problems were overcome, and the true potential of digital became apparent, and there was market acceptance of digital, digital was freed of the burden of 'the film look' and licensed to develop according to it's own peculiar potential. I don't see anything particularly deliberate in this evolution... but it seems to me to be a plausible pathway for the development to have taken.
I have not tried this one yet but Ive tried a ton of these digicams and own many of them. The one that comes closest to the film look IMO is the Canon Powershot G3. Canon specifically designed the sensor in the 5D Classic (and early Powershots) to replicate film because they were trying to entice film shooters to go digital. This one looks pretty good though.
I still have mine, original battery was bloated and almost dead. easily replaceable with third-party batteries so i bought two plus an external charger. sadly the internal battery which keeps the time and date is dead too. not sure if that is replaceable. yes it does help you make beautiful images and will be keeping mine.
Looking back, some of my best shots came out of my Nikon D40, which also had a CCD sensor. I think I have been disappointed in every camera that has followed. The photos from the D40 always popped and looked so vibrant. The 1/500th flash sync was handy too.
I really like your presentation. It is calm,totally devoid of histrionics and deliverrs the point. There is a very high level of integrity there. I am about to embark on a new discovery much like what you did withthis subject matter it is a whole new world of finding an excellent, lovable camera for daily purposes that is user friendly, special in the way iof image quality and affordable.🎉
I have a G15 that I use occasionally just for fun to get that "filmic nostalgic look". I pretty much set it to JPEG only and use it for just casual fun photography. Thanks for the video!
I have one of these little beauties Matti. It lives in my day bag. The presets are awesome including a super grainy b&w. Only thing I’ve done is added a ThumbsUp lever that allows steady one handed shooting✌️
I bought the XZ-1 after watching Robin's video because I felt so nostalgic about my first Olympus (and camera in my life). I was so blown away by the quality and speed of such an old compact camera. Now it's almost all the time in my pocket haha.
I had one from new and actually sold it a few years ago for most of its original value. I was never really inspired by it, or its images that it created, and found the low light performance below par... Mine had a custom grip attached - by Richard Franiec, who has since retired I believe. Its odd how these older cameras are becoming more popular, when they weren't that great upon release. Its almost like someone has found a pallet of them in a warehouse somewhere, and needs to create a buzz....
Great video, so glad I found it! I'm on a mission to find current reviews of the Olympux XZ-1 from people using it these days as I've been using this camera solidly since buying it in 2012. I love this little camera and take it everywhere. It totally has it's limitations, but if you know how to get the best out of it and shoot RAW, you can get some great photos.
I really enjoyed this video, by coincidence i'm doing exactely the same with my Sony HX60 point and shoot camera, bought it last November. It has nice build in photo effects. With these effects and the vintage filters in Lightroom i can make the photos look like they were taken with an old 35mm analogue film camera.
I had one XZ1, a wonderfully little camera, coupled with an awesome Olympus EVF connected in the hotshoe. Later I bought the Olympic XZ2, a more advanced camera which was a joy to use. Then i bought a Sony RX100M3 with a 1" type sensor. This camera had a leaf shutter and a ND filter, 24-70 mm zoom, so less reach zoom but superior image quality. Then Fuji presented the XF10 with a fixed lens and an APS sensor, with Fuji film simulations. In my opinion all these cameras are pocketable instruments of great photography capabilities. I currently keep the Sony RX100M3 and the Fuji XF10.
Hi Matti. Why do you consider that CCD sensor is better than CMOS sensor? I don't see a difference. Color grading wide range? But if you take photos in RAW it is easy to postprocess them in any software and such photos will be better than from camera right away. What do you mean in a phrase "scanned film" on 6:13? Why do we need to zoom photos? To see their pixels? )
The answer to you first question is in the video from about 6:44 on. When I say "scanned film" I mean a digital photo that is made by a scanner from a film original. We do not need to zoom in to our photos but we can if we want. I mentioned RAW shooting in the video too. Maybe you should watch the whole video again and concentrate a bit better😀
@@mattisulanto You mentioned relatively weak results from Canon 5D camera which has CMOS sensor. I had reflex-like digital CCD camera Fujifilm 6500d if you remember and tried it, but when I bought Canon 5D II following Canon 450d I still think that I did a great step forward in getting better quality of image which camera does in colors, tones. One thing I should mention that Canon has a strange red-orange range of colours comparing to Fujifilm 6500d and a dynamic range of Fujifilm 6500d was better than in Canon 450d/5D II. An opportunity to change lens is a big plus for me. I can use even old lenses using them in reversing mount on camera with converting ring to capture macro photos and in a classical mount to capture beautiful portraits or landscapes.
@@AlexanderPoznanski In the video I said everybody loves the photos from the 5D. I appreciate it when people leave comments but this is pointless because your attention span is not good enough to watch the video first.
@@mattisulanto Thank you for pointing me on my weakness. I'm still learning English on listening (with subtitles off). Your video was interesting to me that is why I've started discussing it.
6:30 everyone going crazy over CCD's but you're the first online that ask this question... from what i heard online years ago is that at the time of making 5d classic, canon is working with kodak to develop their color science to match the kodachrome. i think the reason they change it now is because; 1. the colors are too styleized, so they tone it down to make it more flexible 2. the colors are just too good that they can't improve from that point, so they change it for the sake of change and make the illusion of differences/improvement/upgrade. And im not mad even if thats the case. if all the camera looks like that, it wont feel special anymore, and lose the feel of nostalgia that they had. Loved the video Matti, new subscriber ❤
Over 10 years ago, I was close to buying the glossy white version of the XZ-1 on discount... I sooo regret not doing so now. Obviously, that involves keeping the camera over the years too, haha.
Still have mine; just can't part with it although I don't use it much. The images SOOC are great for such a small sensor camera (1/1.63). Excellent, fast lens. It's best in good light. I'll push the ISO in low light to 400, 800 if I'm forced but that's it. Otherwise, you have to use a larger aperture and/or slower shutter speed as you did. Adding the accessory VF-2 EVF and a stick-on grip improves handling and the shooting experience for me. These old cameras are still great photography tools as long as you recognize and respect their limitations.
It certainly has a nostalgic feel in it. I had a Leica D-Lux4 years ago, it renders all colors nicely except Red, its vibrancy is way over addressed, luckily I was able to correct it in Phase One software with Leica film presets.
I have the pentax MX1, very similar camera with the same lens, the sensor is Cmos though. I did not use it for a long time, then I tried the reversal film simulation and it looks very nice. I may have to wait after the Swedish winter before I can try the color rendering a little more 😊
Pentax MX-1 is gutted Olympus XZ-2. Same lens, sensor, IBIS, processor etc, but does not have hotshoe and EVF port. Another OEM copycat is Casio EX-10 again without flash hotshoe. Similar with Olympus Stylus 1 and Casio EX-100 that shares same internals except EVF.
I don't have a lot of spare time for editing raw files, would jpeg be truly a significantly worse image? I find my iPhone images to have a certain ugliness to the contrast and sharpening - flat and crunchy. This looks really nice with the CCD. I imagine it is great for rainy days and blue hour, when colour is most vibrant. ✨
Great video! Brings back memories. I used this camera for quite a while till it developed a mechanical problem. Still have it with me though. I used it a lot at full zoom max aperture for head-n-torso portraits. I would switch on the TCON in Settings, so the camera is always at 113mm f2.5 even if I switch it on/off. It's like using a prime lens. One point that really deserves mention is the lens' aperture-FL curve. The aperture drops slowly, unlike many modern cameras that have almost similar numbers, like 28-100mm f1.8-2.8 but the aperture plummets to 2.8 if you zoom it even a few mm. With the XZ-1 even at 85mm you'll be at f2, if I remember correctly. It was a real gem.
Thanks a lot for this review. I used to own this camera and I agree 100% with you. I think that the best part of this camera is the lens and I wish I could have bough the same lens on more advanced cameras.
I agree with you. I use the XZ-2 for years and like to put it in my pocket for carefree hiking or cycling. I avoid ISO above 400 whenever possible, ISO 100 of course is best. Although I own a few mft cameras (for example the OM-1), I took the opportunity a few weeks ago to buy a second-hand Olympus Stylus 1s in mint condition. The image quality is similar, but the focal length goes up to 300mm (35mm equivalent) at constant speed. It is of course slightly larger than the XZ-2, but also a featherweight compared to the OM-1 or G9.
@@leeshery1850 The focal length of the Stylus1 is 6 to 64.3 mm. This means that the angle of view at 64.3mm corresponds to the angle of view that a camera with a 24*36mm sensor captures at 300mm.
It's certainly not about the megapixels but, for me, if the lens cannot resolve detail well enough (Sony APSC kit lens can be guilty of this) I find myself walking around with the feeling that my efforts may potentially be spoiled by the limitations of such a lens. I therefore found myself looking for brighter lighting conditions and higher contrasting subjects to counter these limitations, and I ignored so many potential images that I countered that problem with my iPhone. Well, thankfully one can change out the lens on the Sony kit, but if you have a fixed lens compact, that lens had better be good! Looks like that is the case with this Olympus.
I'm considering to buy a compact zoom camera as a complementary gear to my Fuji Finepix X100 fixed lens camera (the original). I like a lot the colors of this old Fuji of mine. If I was to make a choice between Olympus XZ-1 and XZ-2, which one produces more film camera like pictures when putting emphasis on color rendition? I do have a more modern Fuji camera than the old X100 (EXR-CMOS) but for some unexplained reason quite often the images produced by X100 are more to my taste. So XZ-1 or XZ-2 to accompany my fixed lens Fuji X100? Only stills, mainly recording urban life.
I have not made head to head comparisons with those two cameras so I can't really say which one is makes more film like pictures. It's also a matter of taste and what I think is more film like may not be what you'd prefer.
@@siplax It's hard for me to decide for you🙂If it's a nice copy and the price is good, why not take it. However, it's your money and you'll be shooting on it.
I've been using my XZ-1 the past couple of weeks because my Panasonic G100 got stolen I've been loving it after not using it for years And the macro capabilities are really good
I get that there is a resurgence of older compact cameras, and I understand why. But I'm also sceptical about this so-called ccd magic. I also think the film simulation obsession is a fad that's going to be around for a while then disappear. I find a lot of the film-sim images on line that are so popular are too orange, and remind me more of the expired film look. I didn't really like the look of most color print film back when film was all we shot, and I'm still not crazy about it. But then people are paying big bucks to get blurry wedding photos, so I guess it's all a matter of taste. I do understand that there is a reaction to the overly clinical look of modern images. It reminds me of the resurgence of vinyl over digital in music recordings. Vinyl adds just the right amount of distortion (some call it warmth) to smooth out the accuracy of digital music. Also, it feels good to be different. When everybody else is shooting modern cameras and listening to streaming digital music, it's nice to go against the current. That's part of it too.
I had both XZ-1 and XZ-2. The XZ-2 was better in low light, but I've always found more pleasing the images from XZ-1 in good light. The ZX-2 had a green cast in bright light scenarios in JPEG. The XZ-2 was also sharper, had a better screen but the body was bulkier. I miss those cameras.
I have the lumix lx7 and honestly... I feel the same way you did with the xz1, I guess theyre pretty comparable since theyre both ccd sensors from the same time and the last batches of ccd cameras released. No need to edit for film simulations but with the option to do so with raw captures.
Brands should focus on improved pocket cameras after the great success of x100v and Ricoh GR. because those are not perfect, they have much to improve, and it seems there is a huge market for this.
I tend to agree, but there can never be a camera that would be perfect for everyone. That's why we have so many different models, something for everyone.
@@mattisulanto any new one won’t be perfect, but I mean that there is room for improvement, and therefore room for market appetite. Traditional photography lost a battle against smartphones, but has not lost the war.
@@TungstenOvergaardMarcuspix just did a video saying he thinks the small camera market is on its way out. I hope he’s wrong. I love a camera I can stick in my pocket.
@@Wonderish403 the small cameras Marcus Pix uses are not APSC. That’s why the image quality is so bad and so reliant on big flashes or very sunny days in the desert. That market, small sensors, is dead, APSC is not.
Amazing review!!! Would you recommend this one or the Pentax MZ-1? Currently I use Ricoh GR III and absolutely LOVE the colours… it’s so different than Fuji so I trust Pentax very much as a company with their science but maybe I give Olympus a try? Normally I don’t like zoom lenses and prefer prime due to sharpness and quality but composition zoom helps me so much more and for vintage aesthetic with this camera it might be fine? I don’t always need max sharpness and sometimes take it out in Lightroom removing clarity.
I own two of these from new. Fabulous little things. I normally shoot JPGs on the vivid preset along with a raw file and work on the raw file to make it look like the jpeg. I like HDR. 🙂
Wow this just popped on my feed and happy to see a newer video of this old niche compact camera. I had one of these and it was pretty nice all around camera for that time. Olympus had good colors for sure except for the sometimes overly reddish skin tones. I really didn't like the low light performance nor the video but all photo cameras at the time had bad video. Eventually I got rid of Oly for a Sony Rx100 and that finally gave me what I wanted for video. Even by today's standards it's good enough. Eventually I'll stop with it and go full cell phone because I just got an Oppo find x6 pro that has three large 1" sensors with one being 35mm equiv. 😊 Time moves on with all things but thanks for bringing me back some good memories with this Olympus! I had lots of good shots with it. 😢😊
@@vedranr.glavina7667 Here is video on that topic. Other than that I have no specific settings, I look at each photo and then decide what do with that photo. th-cam.com/video/SHA54b75q1I/w-d-xo.html
I have a 5d classic and still absolutely love the images that come out of the camera. I once shot 500 images in an afternoon with my 5d and 6d cameras and I preferred nearly all the 5d ones in a blind test. I have a Lumix S5 now and while it does amazing video it can't compete with the colour science from the original 5d. I love the pictures you posted from this camera! They remind me of the 5d, only they have a warmer, more punchy look. What a terrific little camera... looks like they're holding their price quite well too.
There's a good chance that you can replicate the 5D look on newer Canon cameras if you're willing to tinker with their Picture Style Editor desktop application (IMO, the most underrated photographic tool among Canon shooters).
@@IndigoEyePhotography I've got a 550d and a 6d and even using that software that 5d images have a certain quality to them. The 6d has terrific high iso performance but the images, despite being higher resolution, look softer and more artificial somehow. I think it's because the 5d has 12mp spread over such a large sensor
Hi!! Thank you for a lovely video ^*^ I love love the images you captured. Could you make a video about your editing process? And also do you use the vivid or natural feature in camera?
Thanks. I use whatever photo style seems appropriate for the photo in hand. Here is my workflow which is very similar regardless of the camera: th-cam.com/video/sHNerbFtzk0/w-d-xo.html
I used it for a few years, while it's more "filmic" than modern compacts, its nothing compared to the Camedia c-5050. Slow, very, very quirky, but the output is top notch
I found one of those in a recycling bin about a year ago--perfect working order. I guess someone decided it was obsolete. It goes everywhere with me now. I love the way it renders colors and it's great for low-light situations. A monopod is usually enough to keep it steady for indoor or night shots.
Hey Matti, so good that someone explains it right for all those Fuji lovers out there that pay more than necessary. I shoot with a LX7 and TL500 and it's simply stunning. So would you recommend to keep the jpgs or to shoot in RAW with the Oly?
That was fun. I still have my LX5, I bought that as soon as it was launched in 2010. The LX5 is similar. I don't understand the CCD thing. The LX5 is an exceptional camera though. But when I moved up to m43, I stopped using my LX5. Your video has made me think about taking my LX5 out for a spin again🙂
There is also a bit more sun, a bit more colors and a bit more live compared to Helsinki on a January, so most cameras look better and make more fun. Is there a Camera for Sauna shooting, maybe that could. be the next great thing. The pics look nice. I love CCD cameras. They were great in 3 chip video cams. No rolling shutter!
I have the Olympus Camedia C-2040Z. It is older tech (2000) but it is CCD. I dare not use it above ISO 100. It is kinda regulated to shooing infra-red now.
I agree with your view on the CCD vs CMOS censors. I know that Kodak CCD had a lot to do with how they set up that sensor. However, the color look was always determined by the processor and the OEM color "magic".
Nice shots!! Great video. I agree with the size and convenience; its a great Travel camera. I will look for one at some point. The sensor is the heart of the camera. The CCD is definitely different than the CMOS. Moreover, the algorithms of the camera helps the image quality, color.
Tiny cameras of this vintage connect you with the simple joys of photography! My LUMIX LX7 is a pocket wonder much like your Olympus. I added a viewfinder to complete the package. There’s only one more thing to add to either the Oly/Panny to feel the complete photographer experience, the beret!😀👍
The curious thing is that this old camera has a sensor that is larger than the sensor in the “brand new” TG-7. I even understand that the “engineering” inside the TG-7 is special, as the lens movements occur internally and the camera is sealed, but even so I get the feeling that they should have made some progress in this area of sensors. The impression I have is that Olympus was years ahead of the competition and was not understood, and now, despite the patents, it has fallen behind because of the Hardware it uses.
"Photography is not about sharpness or megapixels. Photography is all about light, shadow, composition, timing. Photography is all about being able to see what is happening around you." I can't say anything about the XZ-1 having not owned or used one. But this quotation ought to be added to the great quotes about photography. Loved this video.
@@Andre-1331Speak by yourself 😉🤡🤣🤗
This is forgotten by many people today.
bloody hell mate its taking photos, not praying.
Actually it has nothing to do with CCD. The reason it delivers amazing colors is that all these old cameras use different sensor filtering. Their high ISO sucks but color wise they are amazing ! Plus Olympus has always had great color science. Cheers
You have made the same conclusion as I in the video😀
I can't speak for Olympus but Canon specifically designed their older CCD sensors to replicate film in the early days of digital cameras because they were trying to entice film shooters to go digital. This is the reason the early Powershots and even the 5D Classic (CMOS) have a very filmic look.
CCD is only good near base ISO, once you go above ISO400, it produces a lot of noise that cannot be easily filtered out like on CMOS. But back in those years many cameras were not able to even reach ISO800+. Early DSLRs like Pentax K10D or Nikon D80 also used CCD sensors. Those APS-C 10Mpix sensors had ISO1600 ceiling because they had significantly larger photosites than compact cameras. But thats about it. If you try to take some long exposure with such sensitivity, sensor overheats quickly and produces large amount of noise. Not to mention video. Larger CCD overheats very quickly while capturing video and some HD 720p resolution was limit for most of such cameras. XZ-1 HD video has low resolution, it looks more like enlarged 640x480. There are no details and it looks like oil painting movie :D It also has very small dynamic range, no contrast and other issues. And once people wanted more live-view, video and higher ISO, switching to CMOS was the only way how to achieve that without complex cooling mechanisms and extensive digital noise processing.
Olympus XZ-2 has 12Mpix 1/1.7" BSI-CMOS sensor and it has much better signal to noise ratio. It produces quite good photos even with ISO800 and is still usable for some web purposes or reduced size with ISO1600. RAW of course.
XZ-1 has the ISO400 ceiling +/-. ISO 800 only if you can live with a lot of noise, no fine detail and narrow dynamic range. And only in RAW(ORF). Because JPGs are horrible even at ISO100 with strong denoising artifacts that are killing details.
I used to own an XZ-1 before it was fashionable. I was glad to get rid of it. My X100V beats it hands down.
Ccd plays a lot into these old cameras does it surprise you photographers want back the old cameras … says something
I am surprised that there is a video about this camera after more than 10 years! I took my XZ-1 out of the drawer and recharge it, will take it with me tomorrow when I am out and about!
How was it? :) i was about to sell mine, but i changed my mind
I really enjoyed watching this video. I found an XZ-1 in an old cupboard three months ago. I had completely forgotten I had it. I charged the battery and brought it out of retirement. It is small, lightweight and has strong image quality. I love to use it now. As long as you understand its limitations, its definitely worth trying to find in the used camera market.
After film, I initially landed on a Leica D-lux 3 as my travel camera.. it had a CCD sensor, took great pictures at low ISO values up to ISO 400. Being an electrical engineer and an enthusiast photographer I always had a keen interest in sensors, filter arrays and how various lens designs interact with them. In my humble opinion, early sensor design attempted to imitate the classic ‘film’ look as most people at that transformative period still printed their images. Now as computer technology improved, people began viewing their photos on computer monitors and social media. Hence it became a balance of light and resolution between the camera sensor and the computer monitor, with CMOS sensor technology becoming the technology of choice. Hey, I actually had high hopes for Foveon sensor technology… but.
Thanks. Film look probably was more important 10-15 years ago than today.
This is why some contemporary photographers present their work with backlights.
That being said, those old cameras are still around and fun to shoot with!
@@mattisulanto You're absolutely right. Most photographers today weren't even born when digital became good enough to replace films.
Sulantoさん、はじめまして。
わたしのOlympus XZ-1は古くなって使う機会が減りましたが、いつでも使える状態です。
明るいレンズで画像の階調が良く、美しい色彩が目を惹きます。
鞄から取り出して、すぐシャッターが切れるところが気に入っています。
モードダイヤルが気づかないうちに動いていることがあり、注意が必要ですね。
良い動画ありがとうございました。
The images so pop so beautiful that they make my eyes pop out with a wow😍
Thanks!
Looks like a fun little camera. I'm a big fan of Olympus colors. Are you hanging with Robin Wong out there?
They should definitely meet up!
I own an old Panasonic Lumix LX3, I believe from the same era of this Olympus, and I like its image quality until today. The b&w images are so smooth and the Leica lens is so sharp. I just can`t let it go.
Me too. I have the LX3, LX7, LX100 and now the LX1100II. Only one I sort of regret, is the LX100II. While its certainly a great wee camera still, its not much of an upgrade to the LX100. But they all take great photos. I keep RAW files for the flexibility and often have difficulty in determining which has taken the 'better', technically correct, image when comparing to my Nikon D750. The LX3 has its own personality tho and its quite easy to see a difference.
@@tonyp1340Have you noticed that the lx7 is less sharp in the corners of the image than the lx3?
@@photo1416 Hmmm. Not really. But I tend to expose pretty wide with these little cameras to make sure I've got a bit of wriggle room with cropping, so maybe I crop and loss out of the frame. Also, I am not really a pixel peeper. I haven't used the LX3 for quite a few years and the last time I used the LX7 seriously was a trip to South America about 4 years ago. Over that month I took about 300 (LX&) photos from memory and got as many keepers with it as I did with the Nikon D7100 and 3 lenses. Didn't take the D750 on that trip. My LX7 has just been to California with a grand daughter, havent see the results yet but she was very happy. She was on a camp and not allowed a cell phone 🙄😀
@@tonyp1340 I used to almost always take a large camera with me on photo walks, sometimes with additional lenses. Now I'm getting carried away with micro cameras . How to relax and test your abilities)
Your granddaughter is at risk of becoming popular, with such a monopoly of owning a camera in a camp without phones)
The photos look really organic - nice video - will try to get one because there is something about the ccd sensor -
Leica M8 with the ccd sensor is quite different from the later cmos sensor
Lenses baby! My old Olympus trip film camera delivered images that punched far far above it’s price tag. And survived years of abuse rock climbing, and mountaineering. One handed photos, in impossible places, and still delivered.
Great vid and thanks. For some of us, there's "film look" and there's "film experience". I'm in the latter camp and enjoy the whole process of loading film, being extremely selective on shots, going through the challenge of shooting real film, having the anticipation that an undeveloped film holds and then the great reveal, after the effort (and cost) of having it developed. Then there's the whole digitisation experience, where we re-live our shoot. For most I suppose that is all "inconvenience", but for us remaining masochists, it's wonderful in so many ways! Cheers - Dave
Thanks. You might enjoy this video: th-cam.com/video/YfJClTBLdkM/w-d-xo.html
Thank you for this Matti.
When you wrote "beats Fuji" I was ready to fight, but after seeing your beautiful photographs I see your point.
I love soft painterly film-like photos, like Ernst Haas or Saul Leiter.
I shoot with Asahi Takumar lenses mounted on a Fujifilm x-t2 and i find the results very pleasing.
Thanks again for this video, I will seriously consider this camera for travel and certain projects.
Thanks for your compliments😀
I bought this camera when it came out and absolutely loved it. Beautiful camera that produced great quality images. My only issue was the aggressive noise reduction applied to the photos above iso 100, it looked pretty terrible. I later upgraded to the XZ-2 which was a huge improvement on image and video quality. I really should dig it out again.
I firmly believe this is a very underrated little camera. The lens is very good and the portability as well. The flip screen is definitely a plus. Very good review Matti. Thanks alot.
I just found your video ! And totally agree it’s a special camera to use and that’s why I still use it occasionally. Thanks!
Would love a comparison video between this and my Canon Powershot S95 from 2010. I love that camera.
I had the XZ2. CMOS. Still filmlike color. But my suggestion is find a Olympus Stylus 1 or 1s. Fantastic little compact with 28-300 constant f2.8 lens, evf abd super fast OMD e-m5 operating system. WAY overlooked.
I agree with you regarding the CCD thing - i suspect that it's not possible to separate out the sensor from the other variables you mention. I'll just add one more as a bit of a wildcard.... Film was the measure of photography when the digital revolution hit. The early need in the market was to compete with analogue - to have digital that looked 'as good', which meant looking similar in order not to offend the accepted aesthetics. Once the initial technical problems were overcome, and the true potential of digital became apparent, and there was market acceptance of digital, digital was freed of the burden of 'the film look' and licensed to develop according to it's own peculiar potential. I don't see anything particularly deliberate in this evolution... but it seems to me to be a plausible pathway for the development to have taken.
I have not tried this one yet but Ive tried a ton of these digicams and own many of them. The one that comes closest to the film look IMO is the Canon Powershot G3. Canon specifically designed the sensor in the 5D Classic (and early Powershots) to replicate film because they were trying to entice film shooters to go digital. This one looks pretty good though.
Thanks for sharing.
I still have mine, original battery was bloated and almost dead. easily replaceable with third-party batteries so i bought two plus an external charger. sadly the internal battery which keeps the time and date is dead too. not sure if that is replaceable. yes it does help you make beautiful images and will be keeping mine.
Looking back, some of my best shots came out of my Nikon D40, which also had a CCD sensor. I think I have been disappointed in every camera that has followed. The photos from the D40 always popped and looked so vibrant. The 1/500th flash sync was handy too.
reject modernity
return to d40
I really like your presentation. It is calm,totally devoid of histrionics and deliverrs the point. There is a very high level of integrity there. I am about to embark on a new discovery much like what you did withthis subject matter it is a whole new world of finding an excellent, lovable camera for daily purposes that is user friendly, special in the way iof image quality and affordable.🎉
I have a G15 that I use occasionally just for fun to get that "filmic nostalgic look". I pretty much set it to JPEG only and use it for just casual fun photography. Thanks for the video!
Thanks for sharing!
I have one of these little beauties Matti. It lives in my day bag. The presets are awesome including a super grainy b&w. Only thing I’ve done is added a ThumbsUp lever that allows steady one handed shooting✌️
Thanks for sharing! Good to hear so many of my audience have this wonderful little camera.
I agree...this little cam is great
I bought the XZ-1 after watching Robin's video because I felt so nostalgic about my first Olympus (and camera in my life). I was so blown away by the quality and speed of such an old compact camera. Now it's almost all the time in my pocket haha.
Thanks for sharing!
Where I can buy it? Thank you!
i have one, and have the hot shoe viewfinder mounted. i loved it then. i still love it.
I had one from new and actually sold it a few years ago for most of its original value. I was never really inspired by it, or its images that it created, and found the low light performance below par... Mine had a custom grip attached - by Richard Franiec, who has since retired I believe. Its odd how these older cameras are becoming more popular, when they weren't that great upon release. Its almost like someone has found a pallet of them in a warehouse somewhere, and needs to create a buzz....
Perhaps you've been looking for the perfect camera.
Share with us here when you find it. Meantime, good luck!
Maybe thats not really the point I was making. @@kindface
Beautiful work! I love the non-new cameras best.
Thank you very much!
Great video, so glad I found it! I'm on a mission to find current reviews of the Olympux XZ-1 from people using it these days as I've been using this camera solidly since buying it in 2012. I love this little camera and take it everywhere. It totally has it's limitations, but if you know how to get the best out of it and shoot RAW, you can get some great photos.
Thanks.
I really enjoyed this video, by coincidence i'm doing exactely the same with my Sony HX60 point and shoot camera, bought it last November. It has nice build in photo effects. With these effects and the vintage filters in Lightroom i can make the photos look like they were taken with an old 35mm analogue film camera.
Nice video and images. I have an Olympus XZ-10 and it's a lovely pocketable point a shoot camera with good ergonomics and a very useful zoom range. Y
I had one XZ1, a wonderfully little camera, coupled with an awesome Olympus EVF connected in the hotshoe.
Later I bought the Olympic XZ2, a more advanced camera which was a joy to use.
Then i bought a Sony RX100M3 with a 1" type sensor. This camera had a leaf shutter and a ND filter, 24-70 mm zoom, so less reach zoom but superior image quality.
Then Fuji presented the XF10 with a fixed lens and an APS sensor, with Fuji film simulations.
In my opinion all these cameras are pocketable instruments of great photography capabilities.
I currently keep the Sony RX100M3 and the Fuji XF10.
I respect your Philosophy! Thank you, Sir! From Seoul
Hi Matti. Why do you consider that CCD sensor is better than CMOS sensor? I don't see a difference. Color grading wide range? But if you take photos in RAW it is easy to postprocess them in any software and such photos will be better than from camera right away. What do you mean in a phrase "scanned film" on 6:13? Why do we need to zoom photos? To see their pixels? )
The answer to you first question is in the video from about 6:44 on. When I say "scanned film" I mean a digital photo that is made by a scanner from a film original. We do not need to zoom in to our photos but we can if we want. I mentioned RAW shooting in the video too. Maybe you should watch the whole video again and concentrate a bit better😀
@@mattisulanto Thank you. Exactly. I had no time to watch your whole video. I will do. )
@@mattisulanto You mentioned relatively weak results from Canon 5D camera which has CMOS sensor. I had reflex-like digital CCD camera Fujifilm 6500d if you remember and tried it, but when I bought Canon 5D II following Canon 450d I still think that I did a great step forward in getting better quality of image which camera does in colors, tones. One thing I should mention that Canon has a strange red-orange range of colours comparing to Fujifilm 6500d and a dynamic range of Fujifilm 6500d was better than in Canon 450d/5D II. An opportunity to change lens is a big plus for me. I can use even old lenses using them in reversing mount on camera with converting ring to capture macro photos and in a classical mount to capture beautiful portraits or landscapes.
@@AlexanderPoznanski In the video I said everybody loves the photos from the 5D. I appreciate it when people leave comments but this is pointless because your attention span is not good enough to watch the video first.
@@mattisulanto Thank you for pointing me on my weakness. I'm still learning English on listening (with subtitles off). Your video was interesting to me that is why I've started discussing it.
Great shots. Very rich colors. Thanks for the review. I have to see if I can find one of these.
Thanks for the compliments.
6:30 everyone going crazy over CCD's but you're the first online that ask this question...
from what i heard online years ago is that at the time of making 5d classic, canon is working with kodak to develop their color science to match the kodachrome.
i think the reason they change it now is because;
1. the colors are too styleized, so they tone it down to make it more flexible
2. the colors are just too good that they can't improve from that point, so they change it for the sake of change and make the illusion of differences/improvement/upgrade.
And im not mad even if thats the case. if all the camera looks like that, it wont feel special anymore, and lose the feel of nostalgia that they had.
Loved the video Matti, new subscriber ❤
Over 10 years ago, I was close to buying the glossy white version of the XZ-1 on discount... I sooo regret not doing so now. Obviously, that involves keeping the camera over the years too, haha.
Still have mine; just can't part with it although I don't use it much. The images SOOC are great for such a small sensor camera (1/1.63). Excellent, fast lens. It's best in good light. I'll push the ISO in low light to 400, 800 if I'm forced but that's it. Otherwise, you have to use a larger aperture and/or slower shutter speed as you did. Adding the accessory VF-2 EVF and a stick-on grip improves handling and the shooting experience for me. These old cameras are still great photography tools as long as you recognize and respect their limitations.
Thank you for sharing.
It certainly has a nostalgic feel in it. I had a Leica D-Lux4 years ago, it renders all colors nicely except Red, its vibrancy is way over addressed, luckily I was able to correct it in Phase One software with Leica film presets.
I have the pentax MX1, very similar camera with the same lens, the sensor is Cmos though. I did not use it for a long time, then I tried the reversal film simulation and it looks very nice. I may have to wait after the Swedish winter before I can try the color rendering a little more 😊
Thanks for sharing. Not much color in the Swedish (or Finnish) winter😀
Pentax MX-1 is gutted Olympus XZ-2. Same lens, sensor, IBIS, processor etc, but does not have hotshoe and EVF port. Another OEM copycat is Casio EX-10 again without flash hotshoe.
Similar with Olympus Stylus 1 and Casio EX-100 that shares same internals except EVF.
Well done. I enjoy seeing the older classic cameras being featured. That said, is there a 'modern' equivalent to the XZ-1?
Thanks. I suppose the Sony RX100 series could be close the a modern equivalent.
Nice video but I am surprised that you didn't touch on the large aperture f1.8 on the lens which is not very common on point and shoot cameras
Nice pics Matti great little camera!
I don't have a lot of spare time for editing raw files, would jpeg be truly a significantly worse image? I find my iPhone images to have a certain ugliness to the contrast and sharpening - flat and crunchy. This looks really nice with the CCD. I imagine it is great for rainy days and blue hour, when colour is most vibrant. ✨
Great video! Brings back memories. I used this camera for quite a while till it developed a mechanical problem. Still have it with me though. I used it a lot at full zoom max aperture for head-n-torso portraits. I would switch on the TCON in Settings, so the camera is always at 113mm f2.5 even if I switch it on/off. It's like using a prime lens.
One point that really deserves mention is the lens' aperture-FL curve. The aperture drops slowly, unlike many modern cameras that have almost similar numbers, like 28-100mm f1.8-2.8 but the aperture plummets to 2.8 if you zoom it even a few mm. With the XZ-1 even at 85mm you'll be at f2, if I remember correctly.
It was a real gem.
OG 5d is legit. Loved that camera. Still today.
Thanks a lot for this review. I used to own this camera and I agree 100% with you. I think that the best part of this camera is the lens and I wish I could have bough the same lens on more advanced cameras.
Nice review, this old digital camera holds well. Thanks for sharing.
28-112 mm zoom is in my opinion an ideal. Beutiful camera.. Nice vid, cheers.
Very inspiring video! Thank you. Love what you said about photography at the end.
I still using my Panasonic DMC LX3, I love the color and contrast of the ccd sensor
I agree with you. I use the XZ-2 for years and like to put it in my pocket for carefree hiking or cycling. I avoid ISO above 400 whenever possible, ISO 100 of course is best. Although I own a few mft cameras (for example the OM-1), I took the opportunity a few weeks ago to buy a second-hand Olympus Stylus 1s in mint condition. The image quality is similar, but the focal length goes up to 300mm (35mm equivalent) at constant speed. It is of course slightly larger than the XZ-2, but also a featherweight compared to the OM-1 or G9.
How is 300 mm is equivalent to 35mm?
@@leeshery1850 The focal length of the Stylus1 is 6 to 64.3 mm.
This means that the angle of view at 64.3mm corresponds to the angle of view that a camera with a 24*36mm sensor captures at 300mm.
I have a Olympus mju-9000 here, actually I inherited it, but haven’t used it yet. Maybe I should give it a try.
Yeah, you should give it a go.
Great photos and nice video. Do you use any settings on your camera or use any preset? the photos have very nice color and contrast
Thanks. I was using the P mode, no specific settings in camera or in post.
It's certainly not about the megapixels but, for me, if the lens cannot resolve detail well enough (Sony APSC kit lens can be guilty of this) I find myself walking around with the feeling that my efforts may potentially be spoiled by the limitations of such a lens. I therefore found myself looking for brighter lighting conditions and higher contrasting subjects to counter these limitations, and I ignored so many potential images that I countered that problem with my iPhone. Well, thankfully one can change out the lens on the Sony kit, but if you have a fixed lens compact, that lens had better be good! Looks like that is the case with this Olympus.
Thanks. Sure, a poor lens makes any camera less nice to shoot with.
Just activated my Olympus e-pl3. Let's see how it performs. No ccd 😮
We need point and shoot compact cameras back, in the shape and form of the Xiaomi 14 Ultra (with the photo kit) but at the $500 range
Great video thanks your photography is outstanding cheers
Many thanks!
I'm considering to buy a compact zoom camera as a complementary gear to my Fuji Finepix X100 fixed lens camera (the original). I like a lot the colors of this old Fuji of mine. If I was to make a choice between Olympus XZ-1 and XZ-2, which one produces more film camera like pictures when putting emphasis on color rendition? I do have a more modern Fuji camera than the old X100 (EXR-CMOS) but for some unexplained reason quite often the images produced by X100 are more to my taste. So XZ-1 or XZ-2 to accompany my fixed lens Fuji X100? Only stills, mainly recording urban life.
I have not made head to head comparisons with those two cameras so I can't really say which one is makes more film like pictures. It's also a matter of taste and what I think is more film like may not be what you'd prefer.
@@mattisulantoThere is one clean XZ-2 available in good price. Can you see a reason why I should rather wait for a clean XZ-1?
@@siplax It's hard for me to decide for you🙂If it's a nice copy and the price is good, why not take it. However, it's your money and you'll be shooting on it.
I am amazed at the beautiful colour. I once had an Olympus OM2 :in 1975 and I wish I never sold it
I've been using my XZ-1 the past couple of weeks because my Panasonic G100 got stolen
I've been loving it after not using it for years
And the macro capabilities are really good
So sorry to hear your Panasonic was stolen but good that you still had the XZ-1.
Thanks @@mattisulanto
I get that there is a resurgence of older compact cameras, and I understand why. But I'm also sceptical about this so-called ccd magic. I also think the film simulation obsession is a fad that's going to be around for a while then disappear. I find a lot of the film-sim images on line that are so popular are too orange, and remind me more of the expired film look. I didn't really like the look of most color print film back when film was all we shot, and I'm still not crazy about it. But then people are paying big bucks to get blurry wedding photos, so I guess it's all a matter of taste. I do understand that there is a reaction to the overly clinical look of modern images. It reminds me of the resurgence of vinyl over digital in music recordings. Vinyl adds just the right amount of distortion (some call it warmth) to smooth out the accuracy of digital music. Also, it feels good to be different. When everybody else is shooting modern cameras and listening to streaming digital music, it's nice to go against the current. That's part of it too.
I had both XZ-1 and XZ-2. The XZ-2 was better in low light, but I've always found more pleasing the images from XZ-1 in good light. The ZX-2 had a green cast in bright light scenarios in JPEG. The XZ-2 was also sharper, had a better screen but the body was bulkier. I miss those cameras.
Agreed! The XZ-2 is one of my best cameras today😊
I have the lumix lx7 and honestly... I feel the same way you did with the xz1, I guess theyre pretty comparable since theyre both ccd sensors from the same time and the last batches of ccd cameras released. No need to edit for film simulations but with the option to do so with raw captures.
Awesome images. I wish it could take video clips too.
I bought one of these brand new and still use it as my travel camera. It is my favorite camera in my bag. These pix in the video look just like mine.
Low light sensitivity in CCD is always best but here dynamic range seems very nice in all photos
Brands should focus on improved pocket cameras after the great success of x100v and Ricoh GR. because those are not perfect, they have much to improve, and it seems there is a huge market for this.
I tend to agree, but there can never be a camera that would be perfect for everyone. That's why we have so many different models, something for everyone.
@@mattisulanto any new one won’t be perfect, but I mean that there is room for improvement, and therefore room for market appetite. Traditional photography lost a battle against smartphones, but has not lost the war.
I understand and have the same sentiment as you have.
@@TungstenOvergaardMarcuspix just did a video saying he thinks the small camera market is on its way out. I hope he’s wrong. I love a camera I can stick in my pocket.
@@Wonderish403 the small cameras Marcus Pix uses are not APSC. That’s why the image quality is so bad and so reliant on big flashes or very sunny days in the desert. That market, small sensors, is dead, APSC is not.
Amazing review!!! Would you recommend this one or the Pentax MZ-1? Currently I use Ricoh GR III and absolutely LOVE the colours… it’s so different than Fuji so I trust Pentax very much as a company with their science but maybe I give Olympus a try? Normally
I don’t like zoom lenses and prefer prime due to sharpness and quality but composition zoom helps me so much more and for vintage aesthetic with this camera it might be fine? I don’t always need max sharpness and sometimes take it out in Lightroom removing clarity.
I have not used the MZ-1 so can’t say much about that.
I own two of these from new. Fabulous little things. I normally shoot JPGs on the vivid preset along with a raw file and work on the raw file to make it look like the jpeg. I like HDR. 🙂
Thanks.
Wow this just popped on my feed and happy to see a newer video of this old niche compact camera. I had one of these and it was pretty nice all around camera for that time. Olympus had good colors for sure except for the sometimes overly reddish skin tones. I really didn't like the low light performance nor the video but all photo cameras at the time had bad video. Eventually I got rid of Oly for a Sony Rx100 and that finally gave me what I wanted for video. Even by today's standards it's good enough. Eventually I'll stop with it and go full cell phone because I just got an Oppo find x6 pro that has three large 1" sensors with one being 35mm equiv. 😊 Time moves on with all things but thanks for bringing me back some good memories with this Olympus! I had lots of good shots with it. 😢😊
Hi ! Can you let us know you settings. Thank you !
What settings? With every photo in the video you can see my camera settings. I did not use any other specific or special settings.
@@mattisulanto hi.sharpening, saturation, etc. I am not talking about f-stop and exp. time and ISO....
@@vedranr.glavina7667 Here is video on that topic. Other than that I have no specific settings, I look at each photo and then decide what do with that photo. th-cam.com/video/SHA54b75q1I/w-d-xo.html
I like the pop they somewhat similar with what I get with my 35 2.8 zeiss lens on 5.6-8.
I have a 5d classic and still absolutely love the images that come out of the camera. I once shot 500 images in an afternoon with my 5d and 6d cameras and I preferred nearly all the 5d ones in a blind test. I have a Lumix S5 now and while it does amazing video it can't compete with the colour science from the original 5d.
I love the pictures you posted from this camera! They remind me of the 5d, only they have a warmer, more punchy look. What a terrific little camera... looks like they're holding their price quite well too.
There's a good chance that you can replicate the 5D look on newer Canon cameras if you're willing to tinker with their Picture Style Editor desktop application (IMO, the most underrated photographic tool among Canon shooters).
@@IndigoEyePhotography I've got a 550d and a 6d and even using that software that 5d images have a certain quality to them. The 6d has terrific high iso performance but the images, despite being higher resolution, look softer and more artificial somehow.
I think it's because the 5d has 12mp spread over such a large sensor
Love the colours in this video. Are you shooting with your a74 or zv1 for your selfie video shots?
Please see my video gear at the end of the video.
Hi!! Thank you for a lovely video ^*^ I love love the images you captured. Could you make a video about your editing process? And also do you use the vivid or natural feature in camera?
Thanks. I use whatever photo style seems appropriate for the photo in hand. Here is my workflow which is very similar regardless of the camera: th-cam.com/video/sHNerbFtzk0/w-d-xo.html
@@mattisulanto aww amazing thanks so much for sharing!
i see jalan Alor, Malaysia. right?
Love this episode
I used it for a few years, while it's more "filmic" than modern compacts, its nothing compared to the Camedia c-5050. Slow, very, very quirky, but the output is top notch
I found one of those in a recycling bin about a year ago--perfect working order. I guess someone decided it was obsolete. It goes everywhere with me now. I love the way it renders colors and it's great for low-light situations. A monopod is usually enough to keep it steady for indoor or night shots.
That was a nice find. Someone did know what they threw away😀
The colour look saturated but in such a pleasing way... That'll be difficult to replicate today.
Hey Matti, so good that someone explains it right for all those Fuji lovers out there that pay more than necessary. I shoot with a LX7 and TL500 and it's simply stunning. So would you recommend to keep the jpgs or to shoot in RAW with the Oly?
Lovely video, great photos, very informative. Thank you 😃
Glad you enjoyed it.
I really loved the XZ-1 and had three of them, but possibly the secondary battery decay prevented all my XZ-1s from working.
That was fun. I still have my LX5, I bought that as soon as it was launched in 2010. The LX5 is similar. I don't understand the CCD thing. The LX5 is an exceptional camera though. But when I moved up to m43, I stopped using my LX5. Your video has made me think about taking my LX5 out for a spin again🙂
Thanks. Sometimes it's nice to take out an old camera and be positively surprised.
There is also a bit more sun, a bit more colors and a bit more live compared to Helsinki on a January, so most cameras look better and make more fun. Is there a Camera for Sauna shooting, maybe that could. be the next great thing. The pics look nice. I love CCD cameras. They were great in 3 chip video cams. No rolling shutter!
I have the Olympus Camedia C-2040Z. It is older tech (2000) but it is CCD. I dare not use it above ISO 100. It is kinda regulated to shooing infra-red now.
I agree with your view on the CCD vs CMOS censors. I know that Kodak CCD had a lot to do with how they set up that sensor. However, the color look was always determined by the processor and the OEM color "magic".
Nice shots!! Great video. I agree with the size and convenience; its a great Travel camera. I will look for one at some point. The sensor is the heart of the camera. The CCD is definitely different than the CMOS. Moreover, the algorithms of the camera helps the image quality, color.
Thanks for watching!
This is amazing 💛
I know its not a CCD but do you know how the XZ-10 compares? I might be able to get my hands onto one.
I have no experience with the XZ-10. Try searching TH-cam.
Tiny cameras of this vintage connect you with the simple joys of photography! My LUMIX LX7 is a pocket wonder much like your Olympus. I added a viewfinder to complete the package. There’s only one more thing to add to either the Oly/Panny to feel the complete photographer experience, the beret!😀👍
You are absolutely correct😀
I have an LX 10 always mated with a zhiyun Crane M since 2017. It is a powerful portable cinematic beast.
Great video, I was gonna buy this camera but instead got the Pentax Mx-1 perhaps one day I’ll look into this again
I like your glasses. May I ask the brand and the model of the glasses?
😅The brand is Fleye Copenhagen but I don't know the model.
The curious thing is that this old camera has a sensor that is larger than the sensor in the “brand new” TG-7. I even understand that the “engineering” inside the TG-7 is special, as the lens movements occur internally and the camera is sealed, but even so I get the feeling that they should have made some progress in this area of sensors. The impression I have is that Olympus was years ahead of the competition and was not understood, and now, despite the patents, it has fallen behind because of the Hardware it uses.
Have you ever tried the hasselblad H1 with the p25 back?
Over the years I have used many Hasselblad and Phase One digital backs for both personal and client work.
Great camera but in bright light, you need the EVF which is about the same price as the camera, used too !
The Original Ricoh GR digital camera is awesome for black and white, 8.1 megapixels of delight.