Martin Scorsese on LAWRENCE OF ARABIA
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- เผยแพร่เมื่อ 25 ส.ค. 2024
- Martin Scorsese discusses David Lean's LAWRENCE OF ARABIA, which had its Los Angeles Premiere on December 21, 1962. The film won seven Oscars, including Best Director and Best Picture, and ranks number 5 on AFI's Top 100 Films List.
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David Lean completely broke cinema's boundaries with this film
i wish i could see it in a theater though ... doesn't work so well on my tv
@@henrikpersson4698 *theatre
@@notgadotthats for non US
@@generaliroh842 theatre is UK thing
@@henrikpersson4698 Of any movie on earth, I wish I could watch this on the big screen. In the old days (before 1980 and VCR's) movies would be reshown on the big screen. Alas, this is no more.
I watched this movie for the first time in 2020 during quarantine and I’m overwhelmed by its magnificence
Same here during lockdown, Easter. Enthralled by it, it was like an event..
I was so impressed that I eventually got out to Wadi Rum in Jordan.
It is beautiful and I can see how Lawrence loved it so much. Thought the whole trip was worth every penny.
same here, watched it a week or two ago, one of the greatest movies I've seen, now its one of my all time fav's
I like your delivery. It's just one of those movies that you either get, or you don't.
@@michaelanderson2881 Read his book or others about him. Is pretty interesting.
My desire is to get back to Jordan, but seems unlikely for a while
The real conundrum is that Peter O'Toole did not win the academy award for best actor for his role. To me, without a shadow of a doubt one of the best acting performances ever.
Because he was against Gregory Peck for Atticus Finch in To Kill a Mockingbird. But the winner was movie goers that year.
@@josephwalther5979 O’Toole and Peck should’ve tied as Best Actor that year, like Katharine Hepburn and Barbra Streisand did for Best Actress in 1968. Both actors gave legendary performances that year; neither is better than the other.
@@12classics39 I agree with everything you said, except that Barbra Streisand is an awful actress. She's a singer and an annoying one of that. She's always playing herself in every movie, and I honestly can't understand how anyone thought any differently😂
@@MBB9394 Yeah americans singers can't act
@@josephwalther5979 Peter O'toole perfomance for me is way better demanding , challenging even ...
Scorsese's eyebrows are approximately the width of 70mm film. Haha.
jslasher1 lmfaoooooo good one
Or a 60’s film
@Gatto Di Ossa don't cry
This brings so much to the conversation and is such an original comment. Does Mommy know you are playing on the internet?
I think that Jimmy Hoffa's body is hidden in one of them.
I have no problem whatsoever if someone says that "Lawrence of Arabia" is the best film of all time. No problem at all.,
I have seen this film with my wife a dzen times on TV (and twice on a big screen when I was young). She always fell asleep after half an hour, she still doesn't know what happened after the scene at fayçal's camp. And when one reads through the comments, one must admit : it is a film for men. Not a single comment by a woman... Strange. There are a few of them about Dr. Jivago though.
@@kb-tu2kf well, in the movie lawrence is probaly gay
Leif Johnson the best film for me is Ben hur
@@rogergomez1 Ben Hur was definitely a great one. Lots of wonderful performances by lots of great actors. Plus a dynamite musical score. Not in my top ten but great nevertheless.
@@matheusribeiro7080 Lawrence wasn't really gay, he had mastered over his instincts and stimuli, and saw sex to be a useless/unproductive thing.
I read the book Lawrence in Arabia by Scoty Anderson and believe me Peter O'tool was the reincarnation of Lawrence and deserved the Oscar with all the respect to Gregory Peck
Well, if you have seen photos of T.E. Lawrence, he looks like a short Peter O'Toole for sure.
Yes very challenging book to read.
Every single aspect, every professional discipline that was applied to the filming -- casting, writing, acting, cinematography, sets, props, costumes, camera work, dialogue, direction -- all of it adds up to making Lawrence of Arabia the finest film ever made, hands down.
And the human performances of each actor that made it all so believable. Beyond the major parts, let me just point out someone named Claude Raines. I’ll mention a few titles, and in order - The Invisible Man, The Adventures of Robin Hood, Mr Smith Goes to Washington, Now, Voyager, Casablanca, Mr Skeffington, Notorious, etc, etc.
Thats British Acting Skill 4 Ya
I love this film so much, I've watched it many times and never tire of it. Just a supreme work of art. What a great film maker David Lean was. Freddie Young's cinematography, Maurice Jarre's score and all the fine actors who gave magnificent performances. To think it was first screened in 1962 when I was only 6 years of age and movie buffs still rave about it today, it has stood the test of time and will continue to do so for many years.
@@Jimbo.05 ikr
Hands down.
"L of A" is simply one of the greatest films of all time.
Fr
It is my favorite film and Godfather 1 and 2 in second and third respectively
@@caesarvalentin6332 LoA is among my favorite movies of all time, and I will likely put it very high on rewatch
@@caesarvalentin6332 *favoUrite .learn english firzt!
Thats British Acting Skill 4 Ya
The best visuals in a '60s movie, right next to 2001: A Space Odyssey.
It looks like it was made yesterday. The blu ray is gorgeous
@@rosebud8175 I just bought the bluray. Cause of the lack of an 4k disc
@@grayfox1975 you can get it in 4K if you buy the Columbia classics box set. One of the best 4K disks out there
I would also add Persona and 8½!
Just remove ‘60s and I’ll agree lol
I enjoyed Lawerence of Arabia immensley.
I've only seen it 33 times !
that's a lot of hours
About 132, or 5 1/2 days, to be exact
FlyingFocs
dedication
Axe and Shield
There are some films that are infinitely enjoyable, infinitely rewatchable, and just thoroughly entertaining every time. Lawrence of Arabia isnt one (IMO) but definitely according to the OP.
My favorite film of all time 'Modern Times' is a 90 minute taut film, it's absolutely brilliant, and i've seen it at least 80 times. I can never get enough of it and it's enjoyable every time. I could never see Lawrence so many times, because it's not that enjoyable to me. It's a masterpiece though
Axe and Shield
Chaplin is my favorite director of all time. You should definitely watch everything of his, EVEN his later talking films like Limelight & Monsieur Verdoux are certainly worth a watch. His shorts are fantastic too.
North by Northwest is probably my second favorite Hitch film. Psycho is my favorite, it's the film that got me into classic films, it's the first b/w film i ever saw, it blew me away, it will always be my favorite :P Rear Window would be #3
I wish i had such a massive TV :P, it would definitely enhance the experience, i just have a pretty large 1080p computer monitor, so it's still pretty good.
T.E. Lawrence's thesis at Oxford on Ancient History was entitled “The Influence of the Crusades on European Military architecture to the end of the Twelfth Century." He was very well educated, but most of all, he was fascinated by Knights of the Round Table. So much so that he visited each castle of the Crusades in person. In 1909, he visited Crac des Chevaliers in Syria, which Lawrence called 'the greatest castle in the world'.
Men are driven by different things. Once you understand his obsession with the extraordinary actions of the Knights of The Round Table during the Crusades, you can see a pattern in which Lawrence pushed himself so that he could achieve knighthood, like his heroes. Lawrence was driven by being born illegitimately to Sir Thomas Chapman, the Seventh Baron of Westmeath, which was a great sense of shame for him personally.
Which is goofy, really. He had no control over what his parents did or did not do.
@@ToddSauve Other times other customs.
@@agathebrault42 Very true. Some things our ancestors practised were just plain stupid and mean.
@@ToddSauve Society didn't see it that way back then. Alexander Hamilton was also a "bastard".
@@JK-gu3tl Yes, we live in a society that swings from one extreme to the other. And so much of it is the fault of government.
Finished or no, Lawrence of Arabia is one of the greatest films ever made.
I don’t think I’ve ever heard anyone say so much about that film in so little time. Scorsese honed in on the absolute essence, the effect and sensation that the film gives me and still does to this day. It is endless. It’s a marvellous loop of continuity that starts with his end, rises up to a crescendo, then fades away and shows us why we began with him prompting his own destruction, because of what he missed and what he lost when he left the desert. I have always loved the beginning of the film more than any other part, with the end having us watching a motorcycle going past him in the desert...leading him to his death again.
Indeed. I feel like his fast and ultimately fatal speeding on his motorcycle was his effort to recreate the feeling of riding camels at top speed in the desert. Leaving the desert left a hole in him that could never be filled; sadly, I wouldn’t be surprised if the crash was an intended suicide. There are rumors that in real life, it might’ve been a murder by homophobes. Either way, Lawrence did not deserve such a terrible fate.
@@12classics39 *rumoUrs
I just finished the movie for the first time. I kept putting it off because the 4 hour runtime. Now i wish it was longer.
Lawrence of Arabia is one a the greatest pictures ever made.
Not one of the; the best. Period.
@@jslasher1 EXACTLY. EXACTLY. EXACTLY.
It's up there for the top spot
Lawrence of Arabia is great film, perhaps my all time favorite. But Lawrence is not a hero. Nor is he a true anti-hero. He's a man, in all that this entails.
He's not your hero. But what he did made him more than a hero to the Arab people. Ask Churchill.
sclogse1 ask a dead man
David Stumpfl indeed
@@sclogse1 He isn't our hero, he's a traitor
Hes doing what he belive. Serve some people didnt serve some people. Arab in that time is the mess he doing his best.
David Lean a master Director and Freddie Young a master Cinematographer and Maurice Jarre a master Composer.
What I like about the ending is the motorcycle sweeping past and ahead of Lawrence's jeep, then drifting across the road and TE's line of sight. To me that is the perfect ending because it foretells the passion that was to dominate the rest of TE's life and that was to finally become the very vehicle (no pun intended) of his death. Brilliant David Lean: looping the movie back - did he foresee that future audiences would skip back to the opening right after seeing that very significant ending?
Sir David Lean said so nonchalantly when asked how he achieved the editing magnificence that hasn't been replicated since. His single sentence answer was "To hell with the photographer, it's the cutter that makes visuals arresting".
Martin has such a love for movies. It's not that he's humble (that's obvious), but he loves the art of movies so much that the notion of jealousy and envy don't arouse.
it is the greatest movie that was ever made in the history of cinema.no movie can come close to this one.
This slice of paradise This sacred throne of Kings you’re missing juice bigalo American gigilo
@Suspicious Black Joggers The Godfather Part I and II, Apocalypse Now, Raging Bull, Goodfellas, The Bridge on the River Kwai, Once Upon a Time in America, Once Upon a Time in The West etc...
Ben Anderson i thought you were about to say once upon a time in hollywood lmaooo
@@wolfie8890 😂 I enjoyed that movie but it's not up there with those classics
Once Upon a Time in the West maybe.
I think the ending is perfect. Lawrence is trying to find balance between his two worlds, between the world of beduins and the world of British empire (represented by the truck). The guy on the motorcycle just sweeps around both of these worlds, being absolutely free...
I love the way Martin talks movies!
He's very enthusiastic, you just sense he loves everything about the art of cinema!
If you can, watch "Martin Scorsese: A Personal Journey Through American Movies". His passion for the art really comes out.
Finished this recently. I can truly say this is one of the most personally significant films I've ever seen. I think part of Lawrence died when he left Arabia. I've felt the same after living abroad. When you get back it just feels like the familiarity of what you're used to- is unfulfilled. I don't know how else to say it
Reminds me of Frodo returning to the Shire. After all that he had seen, it wasn’t home anymore.
Comparing this video against Steven Spielberg talking about Lawrence of Arabia is such a succint encapsulation of how fundamentally different both these directors are. Spielberg is mainly fascinated by the technical and logistical accomplishments of the film - how this shot was captured, how those crowds were managed etc. Scorsese on the other hand, zooms in on the character, his ambitions, his weak points, the larger themes in the context of cinema genres etc.
@shreeshailhingane: Excellent observation.
I just think when he sees the camels, at the end, he was looking for Omar Sharif's character Sherif Ali.
He’s right. I’ve seen the movie seven times and I can’t think of the ending. I only remember him dying at the beginning. It loops itself.
I can't remember this ... I saw the beach scene but that's about it. Was there something in between the horse-beach scene and the girl scene?
@@alexispapageorgiou72
You mean the blonde girl right?
@@frenchyclown3329 Really don't remember. Now I'm thinking that maybe I mixed things up with Hidalgo? Anyways. Cool little film to watch again :)
@@alexispapageorgiou72 And that's one of my problems with this movie. I just can't get into it. And I love films and understand them. But I can't warm up to this film. So much praise, but I don't see it. You yourself were confused with another film.
Completely disagree with your and Marty's statement. The ending is the saddest thing ever. Past and Future, the soldiers coming into the land to take it over from the beduins on their camels (Balfur is written a year later) while singing goodbye to Lawrence ; Lawrence who feels awful and guilty of betraying the Arabs, and then the bike on which he 's gonna die passes by, and the man says "you're going home", meaning at the same time : you were never from there, you were a stranger and you did your job for your Colonial Empire ; at the same time it's saying : your real home was in the desert you coward. And also, on a more metaphysical : you're going home, cause death on this bike is the next stop, to the final home and womb : the tomb. It is perfect. It is discreet, profound, subtle, it tells so much about what we experience these days. It is perfection and a humble one, moreover in a movie so great and so rich.
That's a nice piece of analysis by a Great Director himself. He's also correct, the film repays constant viewing as there is always some new element that reveals itself and you find yourself saying, "Ah, I didn't notice that bit (or its significance) before". A superb ensemble acting piece by everyone. Wonderful and clever camerawork and brilliant vistas, yes, my favourite film.
I’ve seen it ten times and still notice new details.
At any point in the film you can freeze the frame and put the picture in a frame on the wall. Its a work of art. Plus the music on top nails the atmosphere. Perfect film with 0 flaws.
I just watched Lawrence of Arabia recently for the first time and found it very powerful - the early scene of the desert sun slowly breaking the horizon line and then the monumental sweeping sands and towering mountains appearing with the epic music. It might be a close second to the opening of 2001, A Space Odyssey for hair raising movie splendor.
I first saw it on a tiny black and white tv with one earbud for sound, 10 minutes in, at 15. I wasn’t the same guy at the end and I knew I wanted to conquer and be an artist who painted in splashes of blood and fire.
i saw this movie in *2019* ...!!
at age of 22..!! but still i can say it is epic and greatest movie...everybody should watch it once..
He calls Lawrence a screw-up but misses the obvious point that Lawrence is an extraordinary human being. He's larger than life, bold and visionary, and perfectly suitable for the epic treatment.
A true classical hero, hubris and what makes him great also brings about his own distruction.
Marty Scorsese is simply INCAPABLE of being boring.
I only need to listen to him talk for five minutes (at most), and I've gained some new and interesting insights into the World of Film.
Whenever I've watched Lawrence (and I have seen it in 70mm), I can't see the ending coming. I just don't remember when it's going to happen, I'm not ready for it.
The end of the movie shows Lawrence in "Arabia" en route back to England when a dispatch rider on a motorcycle overtakes the jeep he's riding in, and as he gazes longingly at the speeding motorcycle his driver says "Goin' 'ome, sir" and we're back at the movie's opening sequence bringing Lawrence full circle in a classic aria-da-capo ending.
it is not one of the greatest,it is the single greatest movie ever.
EXACTLY. EXACTLY. EXACTLY.
*IT IS.*
Well,if it is the greatest, it also follows that it is one of the greatest.
Martin missed the line spoken by the driver in the last seconds of this astonishing film:"Well, sir! Going home!" This is the end of the film and its ultimate irony. T.E. is indeed headed home, but he is leaving the desert, his true home, behind.
What a genius. He has such insight, seems to make the movie better even just by talking about it
Just saw this for the first time this last weekend.. it was my dad’s favorite movie and I tried watching it growing up but couldn’t get into it.. it was so beautiful, if you’ve never seen it, don’t watch it at home.. wait for a theater to do a screening of it
Marty talks so fast because he perceives and understands so many things all at once. That is a rare intelligence.
Producing a film as epic and grand as Lawrence of Arabia these days would be impossible. Any attempt at a remake of this masterpiece would undoubtedly be 95 percent CGI. Regardless of how capable computer technology has become, a CGI Lawrence of Arabia would look artificial compared to the original.
Any fans of Lawrence of Arabia should go to Cloud Hill, his tiny remote home in Dorset where he spent the remains of his days.
One Sunday morning in July 1992, I got off the train at Morton Station and walked all the way across the heath into the dark cottage packed with tourists. (I was not a tourist as I have always thought of myself as a Lawrence scholar.) I stated "Lawrence would have died of mortification." The caretaker of the Cottage said "Oh! You must have known him personally." Several months later I was invited to join a small group to spend an entire morning in the underground vault of the Huntington Library in the Lawrence Collection. I got to hold in my own hands the notebook he carried on his first trip that eventually was eventually published as "Crusaders Castles." I held the Subscriber copy of "Seven Pillars of Wisdom" bound on white leather. To this day it remains one of the highlights of my life. I have lived in the Middle East and carried with me the map of his journeys. Whether Peter O'Toole was absolutely perfect for the part, or he was totally wrong, is no longer relevant. The film was and remains one of the most important ever made. It does both justice and damage to the legend and to history. And I, for one among throngs, revere it as scripture.
@@sharonholdren7588 that sounds amazing, you're very fortunate
A truly classic David Lean film, one of so many.
I’ve been watching Lawrence of Arabia for 25 years never gets boring such a miracle of a film just like Spielberg said. Jude Law was going to apparently play Lawrence in a 2012 remake fir the 50 year anniversary but plans were ditched
Watched it for the first time last week... Amazing masterpiece
He said it himself: the _end_ is at the beginning.
Excellent commentary. Lawrence book "The Seven Pillars of Wisdom" is itself a masterpiece>. David Lean took some poetic license in making the film, but the movie is so great that one can overlook that.
If not for the circumstances of World War I, Lawrence may have lived his life out as a well accomplished archaeologist unknown, except for the few colleagues he worked with. But this is why books are written and movies are made. The story is all about the individual, not the collective. At the end of the movie, He realized his Life would never again be so bold or involved.
I always thought Quinton was a talker until I started hearing Scorseses in interviews 😆
Scorsese has an encyclopeadic mind of cinema along with that ofWilliam Friedkin
I could listen to him talk about movies all day. It's sitting at the feet of The Master.
I could listen to martin give his thoughts on old movies all day...
Saw L of A in 70 mm when it came out and am still overwhelmed by the experience when I watch it on the small screen
Lawrence had lost two brothers in the trenches of Europe. In response, he pushed his life to the limit in the desert and found himself drawn to a fraternity of daring sacrifice for a just cause among the Arabs.
I don't think he responded to that at all. He was driven before their deaths occurred.
I personally think it is THE greatest
I watched this film during a Fathom event at an AMC recently. It is in my top ten favorite movies of all time
I don't recall who said this but it's very true. "Art is never finished, it's abandoned." I've read "The Seven Pillars of Wisdom" and the major biographies about him. None seem to have realized why Lawrence was self loathing and self destructive. He was born (illegitimate) during the reign of Queen Victoria and lived during that and the Edwardian era. Sadly in those times being illegitimate was considered to be quite shameful.That haunted him his entire life and is likely why he was asexual. Arabs today of course love to demean and piss on him but even when that film was made he was a great hero to them. I've seen documentaries with Arabs who knew and served with him and they had only good to say about him. The British and French governments shafted the Arabs in the peace negotiations but Lawrence continued to fight them and defy them. He got Prince Feisal into the peace conferences by writing an open blistering letter to the Times. Feisal had Lawrence with him during the conferences. It certainly was not Lawrence's fault that the Arabs got screwed. He did all he could to help. R I P.
ah, I was waiting to hear a reason why I loved this so much. I seem to love characters who self loathe, who torture themselves (mainly mentally and spiritually). A very Catholic, guilt ridden conscience that guys like Scorsese would pick up on. A great articulater. Thanks, Martin.
I was new to Washington, DC when the remastered version was being shown at a classic theater in Cleveland Park. It was a snowy, winter Sunday afternoon. I overheard two men behind me talking about taping the Congressman John Tower’s testimony so that they could go to the movie. I though how inconsequential DC is!
I am getting ready to see this film for the first time. It will be in 70mm, on the big screen. I've been working with a personal trainer, and hope to be ready for the event. Wish me luck.
A Cinematic masterpiece.
Yeah, that's one of Scorsese's themes, isn't it? TAXI DRIVER, MEAN STREETS, RAGING BULL, BRINGING OUT THE DEAD...all deal with self-loathing characters trying to find grace.
I find it fascinating that the edit was never finished
I saw it with my parents at the Fox in Detroit. I was captivated by the beauty of it. I was eight. I went home and wrote a long ode to the desert, winning me my first accusation of plagiarism. All my life I remembered that haunting theme. As a young teen I read a biography of Lawrence. Fascinating story.
I've enjoyed every viewing since. I credit masterpieces like this with making me a lifelong film buff.
The Brough Superior motorcycle that he died on is the only exhibit in the Imperial War Museum in London that has a room all to itself. Yes, I would say it's the greatest film ever made but choice is subjective. 2001 comes close, so does "The Four Feathers" with Ralph Richardson.
My favorite american film maker talking about my favorite film ever made by my favorite film maker overall? Yes please :D
TRUELY THE BEST MOVIE AND THE BEST SCORE OF ALL TIMES
Motorbike??? It wasn't just a guy on a motorcycle. In a day when the average momo engine size was 125 -250cc displacement and could reach speeds of 50-60 mph, Lawrence owned and was riding a 1000cc Brough (Bruff) Superior SS 100. SS = super sport. 100 = top speed of at least 100mph. The most massive and expensive custom , hand built, hand fitted ride of it's day. 1 of less than 400 ever made. Sort of like having your own F-16. Lawrence owned 8 of those monsters. We are talking a VERY serious rider here.
EPIC DAVID LEAN ...HIS BEST ...I'VE SEEN THAT MOVIE SO MANY TIMES ..I KNOW EVERYONE'S LINES BY HEART
Such a beautiful film ..
Scorsese is the "nerdiest" cinema lover of all times, he simply love cinema, more than his own films and filming! No ego.
This is so very true. Many of us have Schubert's Unfinished Symphonies going on in our lives...
T E Laurence was integral to the development of fast rescue boats during and after the Battle of Britain, he joined as an enlisted other rank and served on them until his accidental death, imagine that after his officer exploits in WW I, is there any historical parallel? not many on his scale.
Lawrence died five years before the Battle of Britain began.
Peter o toole is the image of Lawrence, and I'm surprised no one seems to have notice this. Look up a pics of them and you'll see.
I agree. Peter was just taller.
The Richardson line is "You are my shame".
Lawrence of Arabia is excellent. I like it way more than Citizen Kane and Casablanca. I’m watching all these old movies now and I’m trying to see why people say they are the greatest. I can see why Lawrence of Arabia is considered one of the greatest
It' s a british film about a british who help a friendly nation for the empire.It' s also so kitsh in his casting,dialogue,etc,nice landscape s can't save it.
I feel like the Character is constantly trying to undue the “written” or constantly trying to test his capabilities, like when he goes back to save gasim, he was told “it’s already written” or even the start when he’s riding the motorbike he’s driving extremely fast for no reason other than wanting to tempt fate. A beautiful movie with a deeply intriguing character.
Martin Scorsese really knows film!
Many, here, think he missed the point of the film entirely. Some people have offered better arguments here for the film than he did.
His scatological phrasing and joy are so pronounced when he waxes on things he loves...
Scorsese's manner of speech for some reason reminds me of Dennis Hopper's character in True Romance.
I have this movie in a cloth deluxe edition for a dollar at a book sell during the early spring sell, at locust Grove here in Louisville Kentucky. Lol
Everything Scorcese describes about it being an "open ended" or "incomplete" film sounds awesome to me. It sounds liek a format that the film community simply hasn't canonized and embraced yet. Imagine "open source" movies, that can be edited again and again over time.
I encourage everyone here to actually read Lawrence's autobiography "Seven Pillars of Wisdom". You will learn that all the scenes in David Lean's film were actually true to the real story of Lawrence's life. You will also learn how much has been lost in the 100 years since then. How much richness and how many cultures are now gone forever from this world because of our western cultural imperialism. And, to be fair, the march of time.
Great recognizes Great
Amazing. Scorsese so completely misses what is in L of A. Even such a simple thing as that it opens with a motorcycle and closes with a motorcycle. It isn't about someone self-destructive in any sense, but of a man with dreams who saw one of his most important dreams, a free and independent Arabia, destroyed. It is about the lengths he would go to in order to accomplish what he wanted, even as he abhorred what was needed. The REAL T.E. Lawrence was even more complex.
EXACTLY. Isn't it amazing, how simple minded even many of Hollywood's great are and always have been?
How fortunate are we, that LoA was done by David Lean & his cast and crew. They are not "Hollywood" and they never were...
A movie about a man who only thinks about and cares about a single thing is the opposite of complex. But you are only able to see the surface details.
@@aolson1111 Clearly, you have not studied the life of T.E. Lawrence. He was a first-rate scholar, a rather good archeologist and more. It doesn't matter whether Seven Pillars of Wisdom is factually flawed and self-aggrandizing, it is first-rate writing. The movie doesn't do the man justice ... and justice isn't always painting someone the hero. It is showing the man for what he actually was.
Exactly. Bizarre how Scorsese initially refers to a "bicycle" - and then completely misses the motorbike in the final scene. A scene he superficially recalls as "He's in a jeep and some camels go by."
How on earth can he consider the film "open-ended"?
See Spielberg's assessment - far better, plus he evidently actually watched the thing!
@@aolson1111I think complexity fells out of the singular vision or idea that he had and lived his life according too.
I wish he would discuss The Bridge on the River Kwai.
Wow he really opened up my mind about the film
Funny how we get different answers from this. He told me nothing at all.
It’s my favorite film
Without bragging on my stellar reply to D Weir about visiting Lawrence's little cottage Cloud's Hill, I welcome any comments about the impact both the man and the movie.
In my top ten of the best films ever made.
Masterpiece film
I think Scorsese ought to have read up on Lawrence. Then he would have understood how beautifully the end links to the beginning - that deliberate post of that motorcycle pulling easily ahead of Lawrence's jeep and the camel party, leading to or catalysing Lawrence's fascination for motorcycles, leading to his eventual death on one.
asinine to suggest martin scorsese needs insights into lawrence of arabia. beyond which, the 'link' is obvious (after crash-funeral sequence, entire film is retrospective), and the film does not deal with lawrence's fascination with motorcycles, so it's immaterial and that's why martin doesn't go into it
FloydPink23 lol
I always loved the scene in the jeep. The camel, what he was, and the motorcycle, what he will become. The voice asking "who are u" and we see Lawrence through a dirty window. We don't know who he is, and neither does he. It's great storytelling.
I didn't mind a lack of a traditional ending, but I watched it with someone who did.
I love a great film like that.
Well, that's what's great about movies, isn't it? We all come away with different interpretations.
I love Lawrence of Arabia -movie, it´s so awesome.
Could be in my top ten - I think it should probably be in everyones.
Very and truly insightful by Scorsese....Lean understood more than any other director of his era the times had definitely changed and with it a study now of one odd and bizarre individual. T. E. Lawrence aka 'Ross'. It does reek of an individual who seemed to be going back and forth between sanity and madness. The scene prior to his being buggered by the Turkish officer Jose Ferrer) where he ignores the common sense warning by Omar Shariff was astounding in both either an arrogant sense of 'anglo' entitlement or plain stupidity - it had both. His need to attire himself in Arab dress, no matter how practical it may have been, was another flag.
Scorcese is also dead accurate when he made note the film doesn't have 'limits' and once Aqaba is captured it steadily meanders into confusion and ultimately despair and yes it has no real end which is noted by Lawrence's reckless behavior leading to his end on an English country road dying in a motorcycle crash.
I love the first half but am never at ease watching the second half - I'm willing to bet that sentiment is held by millions of othjers as well.