I can look down and see the church right outside my bedroom window. I'd go with the olive green on the cornice. Years ago, I worked in restoration for years as an apprentice under the late Italian master painter and restorer and furniture designer Aldo Pistidda. I'd love to skip over to the church and be on hand to help out in any way.
absolutely amazed and how few losses there seem to be after 300 years. especially in churches, considering how much candle smoke wafts up into rafters and deposits on ceiling murals, not even mentioning huge windows = UV damage. the brushstrokes on that one cherub survived in almost perfect condition it's wild
Great work
Landing here as a regular Baumgartner viewer had me armed with various restoration related info to appreciate the shop talk on isolation layer etc :)
Canadian artist here. It's not often the algorithm gives me a perfect channel. Thank you for posting this work.
So exciting! Thank you!!
Yes!
I can look down and see the church right outside my bedroom window.
I'd go with the olive green on the cornice.
Years ago, I worked in restoration for years as an apprentice under the late Italian master painter and restorer and furniture designer Aldo Pistidda.
I'd love to skip over to the church and be on hand to help out in any way.
absolutely amazed and how few losses there seem to be after 300 years. especially in churches, considering how much candle smoke wafts up into rafters and deposits on ceiling murals, not even mentioning huge windows = UV damage. the brushstrokes on that one cherub survived in almost perfect condition it's wild
👼