Hito Steyerl Talk: Why Games? Can People in the Art World Think?

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  • เผยแพร่เมื่อ 4 พ.ค. 2020
  • Talk by Hito Steyerl for the presentation of the exhibition "Harun Farocki. Empathy" curated by Antje Ehmann and Carles Guerra at Fundació Antoni Tàpies, in the context of LOOP Festival 2016.
    Introduction by Carles Guerra.
    Hito Steyerl gave an insightful presentation on video games, virtual simulations and the “generative fiction of autonomy”.
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ความคิดเห็น • 11

  • @martin.abelvik
    @martin.abelvik 3 ปีที่แล้ว +8

    Just did a presentation on this subject last week, really wish I came across this earlier. Steyerl's "In Free Fall" is also a great train of thought

  • @JimiCanRead
    @JimiCanRead ปีที่แล้ว +4

    11:30 for Hito’s bit

  • @hannahcraven916
    @hannahcraven916 3 ปีที่แล้ว +22

    This shit is what gives my life purpose. Thank you forever, Hito Steyerl for your persevering and sincere approach to these key topics.

  • @paularazuri9720
    @paularazuri9720 3 ปีที่แล้ว +1

    AMAZING. THANKS FOR SHARING.

  • @vocaloidsfan
    @vocaloidsfan 3 ปีที่แล้ว +1

    thank you hito steyerl for the amazing talk! i loved the way you approached the topic!

  • @inuineko
    @inuineko 3 ปีที่แล้ว +9

    11:30

  • @KARTNYC
    @KARTNYC 2 ปีที่แล้ว

    Love it

  • @MonsieurPALOMAR
    @MonsieurPALOMAR 3 หลายเดือนก่อน

    52:45

  • @AudioPervert1
    @AudioPervert1 2 ปีที่แล้ว +1

    A ver hablais español a veces? Yet Barcelona itself is an example, where thousands and thousands of Catalan people and even outsiders worship technology. Swear by technology promising greater better futures. Take for example Sonar Festival, as regressive in it's curation of electronic music, as progressive in it's vivid market capitalism of new technology. LOOP itself an example of the same culture, which has no concern about environment, overshoot, collapse and the biophysical limits.

  • @beingintheworld1
    @beingintheworld1 2 ปีที่แล้ว

    i love ur work hito, but praising ellsberg as an archetypal whistleblower is borderline farcical