The beauty of the Trombone is its fluency. In the hands and lungs of a skilled player it is a formidable instrument. Great performance here. Many thanks.
Without wanting to sound like a complete arsehole, I've never understood why this is meant to be amazing. Actors go onstage without their scripts every time. Or perhaps a better comparison would be opera singers, who are both actors and musicians. In any case, if these other kinds of performer can learn their parts, why isn't it expected of a musician? If you've got to go through something a bunch of times, most of it just sort of sinks in without you having to put much conscious effort into "learning" it. Doesn't it?
@@kelvinp.coleman563 There's a lot of nuance in that question. I'm not entirely sure what the turnover between rehearsal and performance is for stage acting, but professional orchestras often only get a week or two of rehearsal on an entire set of music. It's not reasonable to expect a whole orchestra to memorize 2 hours of music in that time. You're talking about not just the notes, but the inflections, stresses, pauses, [de]crescendi, accents, timing, and cues. While a lot of that does exist in theater, most of it is personal; in music, more often than not, everything the musicians are expected to do is literally written down on the sheet. Is this note staccato or was that the next one? Beyond that, the format of music doesn't require memorization (theater does by definition), so the emphasis was more on perfection, not memorization. Speaking as someone with experience in both, I found theater to be far less stressful than solo musical performance, because memorizing my part of a script was always easier than memorizing a whole piece of music. Loved orchestra and jazz, though.
I don't normally like the trombone as a solo instrument, but after listening to this performance of a work I've never heard before, I'm changing my mind. Fantastic work from everyone. Quiet audience too.........shows that it's not just me that got totally absorbed in this music.
I've already posted but being a trombone player myself I appreciate the direction the soloist takes this and loves how closely the conductor is letting him take the lead.
This is one of the most magnificent pieces ever, but the way they make ever piece of interaction and conflict between orchestra and soloist sing is pure magic! Bravo!
Great playing, fantastic ensemble, excellent videography. A thoroughly enjoyable 16+ minutes............And also, one of my favourite concertos. Well done :-)
Thanks iMakHugo ! We make the video productions ourselves, so we have to work on the program we played last year... (by the way, the Danzón n°2 is already available :) and then, we'll work on the bassoon concerto. But I can tell you that Sophie's performance is amazing !!
Excellent performance ! But it's a pity that the climax of the second movement and also the whole concerto is played way too fast ! But very well done !!!!
That is actually a bad critique. You never want to sound like someone else. On the contrary I find him to be quite different as a french player you notice the definition of sound is quite definitive of french playing. Jorgen on the other side tends to blow more air into his playing feeling less detached but with less edge.
![[LIVE] : ONE ลุมพินี 82 วันนี้!! คู่เอก | ยอดไอคิว vs อับดัลลาห์](http://i.ytimg.com/vi/hSsyTl_9bqs/mqdefault.jpg)
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Awesome trombonist great orchestra great conductor. Magic!
Thank you very much !
For the past 6 months I legit thought that this man was Peter Steiner 💀
What a amazing trombonist and orchestra. Bravo
The beauty of the Trombone is its fluency. In the hands and lungs of a skilled player it is a formidable instrument.
Great performance here.
Many thanks.
Takes guts and a whole lot of preparation to go out on stage without sheet music.
Sure does!
Without wanting to sound like a complete arsehole, I've never understood why this is meant to be amazing. Actors go onstage without their scripts every time. Or perhaps a better comparison would be opera singers, who are both actors and musicians. In any case, if these other kinds of performer can learn their parts, why isn't it expected of a musician? If you've got to go through something a bunch of times, most of it just sort of sinks in without you having to put much conscious effort into "learning" it. Doesn't it?
@@kelvinp.coleman563 There's a lot of nuance in that question. I'm not entirely sure what the turnover between rehearsal and performance is for stage acting, but professional orchestras often only get a week or two of rehearsal on an entire set of music. It's not reasonable to expect a whole orchestra to memorize 2 hours of music in that time. You're talking about not just the notes, but the inflections, stresses, pauses, [de]crescendi, accents, timing, and cues. While a lot of that does exist in theater, most of it is personal; in music, more often than not, everything the musicians are expected to do is literally written down on the sheet. Is this note staccato or was that the next one? Beyond that, the format of music doesn't require memorization (theater does by definition), so the emphasis was more on perfection, not memorization.
Speaking as someone with experience in both, I found theater to be far less stressful than solo musical performance, because memorizing my part of a script was always easier than memorizing a whole piece of music. Loved orchestra and jazz, though.
порыв души это исполнительское мастерство непревзойденно поистине ГОЛОС БОГА
I don't normally like the trombone as a solo instrument, but after listening to this performance of a work I've never heard before, I'm changing my mind. Fantastic work from everyone.
Quiet audience too.........shows that it's not just me that got totally absorbed in this music.
Tout y est : le son puissant et riche, la justesse et la musicalité. La perfection, chapeau bas !
I've already posted but being a trombone player myself I appreciate the direction the soloist takes this and loves how closely the conductor is letting him take the lead.
bravo, un concerto peu connu, qui mérite d'être joué plus souvent.
So very musical. Trombonist, Conductor, Orchestra, and Composition!
This is one of the most magnificent pieces ever, but the way they make ever piece of interaction and conflict between orchestra and soloist sing is pure magic! Bravo!
Thank you ! It was such a special moment to play with a soloist as Jonathan ! We tried to do our best to back him. A great moment.
Bravissimi tutti 🔝👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Beautiful sound and great performance, Bravo!!
Awesome
Génial !
Vraiment trop bien ☺☺
Magnificent performance!!
Fantástico!!! Bravíssimo!!!
Great playing, fantastic ensemble, excellent videography. A thoroughly enjoyable 16+ minutes............And also, one of my favourite concertos. Well done :-)
awesome!!
Красава!
Trés bien!
Bravo!!!
Great video production! Looking forward to the Tomasi with Sophie dartigalongue
Thanks iMakHugo !
We make the video productions ourselves, so we have to work on the program we played last year... (by the way, the Danzón n°2 is already available :) and then, we'll work on the bassoon concerto. But I can tell you that Sophie's performance is amazing !!
jolie
11:37
15:00
my favorite
Excellent performance ! But it's a pity that the climax of the second movement and also the whole concerto is played way too fast ! But very well done !!!!
今年、ソロコンで吹くかもです！
😮
This is the exact opposite of the accompaniment I expected.
who is he?
Jonathan Reith
No Offense,But the trombonist plays like Jorgen Van Rijen on this concerto
How would that be an offense? Jorgen van Rijen rocks!
Yeah wtf that’s a compliment
That is actually a bad critique. You never want to sound like someone else. On the contrary I find him to be quite different as a french player you notice the definition of sound is quite definitive of french playing. Jorgen on the other side tends to blow more air into his playing feeling less detached but with less edge.