" Ao teatro tenho a convicção de que dou uma grande, uma completa experiência humana. Como ser social, porém sou inegavelmente agressiva, despida de uma hipocrisia que tornaria minha vida e a dos outros algo mais fácil."
I disagree. Each style has its things and I for instance is absolutely not moved by the French style and as so I'm also not moved by the Parisian production. Like not at all, I really don't like the French style. But I can't say the production is a dreadful and there's no going back from the Bolshoi. Someone might hate the bolshoi production (which I adore.) Maybe you do. You can't be so harsh when things are so subjective. If they suddenly changed the choreography, the costumes, light, order of the scenes or had truly awful dancers yes you could but when the difference is just who dances it, which style, that's not possible to be have that definite of a judgment "that is bad and that is best".
And here I'm also not a fan, meanwhile appreciating the Danish style. I not touched by the ballerina, and I find her a little too soft and slow, but that does not makes it bad. Just personal appreciation.
@@leilazerrouki7040 Yes, I may have been harsh with my comment. Maybe, instead of saying it is "dreadful", I should have said "lacking any passion". I was lucky enough to see La Dame aux Camelias in Paris just a couple of years ago... I was in tears the whole time. Even now, when I re-watch POB interpretations in TH-cam, I get goose bumps... I guess, as you say, it is a personal preferance... It either gets to you, or it doesn't. And I am not talking about her technique, which is very good... It's just... the feeling, you know?
To me, the beauty and artistry of these dancers is beyond amazing. ❤❤❤
Wunderbare Choreographie. keine Bewegung ohne Bedeutung. wunderbare Tänzer.
Elementi sottili e di dialogica expressio s'uniscono ad una motilità d'incontro o disgiuntiva in successione.Molto bravi
BIGHIN GIULIO RENZO
They brought out the nuances of the relationship, didn't they!
The most vivid and passionate version of the pas de deaux.
Feelings are so strong !
Nice
Que pax deux va primero? El morado o el blanco?
Hello, is there any DVD edited from this beautiful interpretation ?
" Ao teatro tenho a convicção de que dou uma grande, uma completa experiência humana. Como ser social, porém sou inegavelmente agressiva, despida de uma hipocrisia que tornaria minha vida e a dos outros algo mais fácil."
What is the music?
F. Chopin, second piano concerto
The music is from the 2nd movement of Chopin's Piano Concerto No. 2 in F Major, op. 21.
Dreadful interpretation. Once you've seen the Paris Opera Ballet, there is no going back.
I disagree. Each style has its things and I for instance is absolutely not moved by the French style and as so I'm also not moved by the Parisian production. Like not at all, I really don't like the French style. But I can't say the production is a dreadful and there's no going back from the Bolshoi. Someone might hate the bolshoi production (which I adore.) Maybe you do.
You can't be so harsh when things are so subjective. If they suddenly changed the choreography, the costumes, light, order of the scenes or had truly awful dancers yes you could but when the difference is just who dances it, which style, that's not possible to be have that definite of a judgment "that is bad and that is best".
And here I'm also not a fan, meanwhile appreciating the Danish style. I not touched by the ballerina, and I find her a little too soft and slow, but that does not makes it bad. Just personal appreciation.
@@leilazerrouki7040 Yes, I may have been harsh with my comment. Maybe, instead of saying it is "dreadful", I should have said "lacking any passion". I was lucky enough to see La Dame aux Camelias in Paris just a couple of years ago... I was in tears the whole time. Even now, when I re-watch POB interpretations in TH-cam, I get goose bumps... I guess, as you say, it is a personal preferance... It either gets to you, or it doesn't. And I am not talking about her technique, which is very good... It's just... the feeling, you know?