⚘❤⚘❤⚘❤VIELEN DANK, Herr Pau NG!🌹Was für eine GROßARTIGE und WUNDERVOLLE Musikstück deutschen Komponisten Gottfried Heinrich Stölzel.💐✨🌹🎉🎉🎉👑🇩🇪❤🎭🎂🥂🍾Alles Gute zum Geburtstag!🎁🎉F A B E L H A F T 💎..... 🌹🙏💖Grosses Dankeschön! 🌹🍷🎄
❤ This Gottfried Stolzel ensemble concerto in D major is one of my favorite masterpieces featuring trumpet and timpani. The first movement, Allegro, begins spectacularly with trumpet and timpani from the beginning, and it feels like listening to Bach-like orchestral music. You can feel the fusion of Italian flowing music in the middle part and German dignified splendor. The second movement, Adagio, is a lyrical piece of music with string and woodwind instruments, and the interplay between the woodwind instruments is beautiful. The third movement, Vivace, begins lightly with string instruments, and the contrapuntal music can be seen here. Added trumpet and timpani to add gorgeousness, It ends majestically, reminiscent of German baroque music. If I remember correctly, the performance of the Vienna Philharmonic Orchestra conducted by Karl Schuricht is famous, and I have a CD of it.
For the purist or music lover, a chamber orchestra never reflects a baroque ensemble! This piece is composed of four wind choirs containing many canonical elements. This score uses a full clarinet choir including bass and double bass clarinets which were not available at the time. There is an arrangement in which the two harpsichord parts and the double bass are preserved. The two brass choirs can be placed antiphonally to accentuate the baroque sound effects. Stölzel was a master. *Lucien*
Stölzel and Bach are not the same writing. Who do you think copied the other? Stölzel had a great reputation as one of the most respected and admired composers of his time. Lorenz Christoph Mizler even placed him above Johann Sebastian Bach in his list of leading German composers. Stölzel lost his entire production and therefore the misfortune of one will have made the happiness of the other in musical history. *Lucien*
@@LucienMarine As so many of JS Bach's contemporaries who are worthy of admiration, lost to history or never championed as Bach was by Mendelssohn (when he mounted the Saint Matthew Passion in 1829), some of these composers also with large outputs. Though a musical Titan today, JS was considered old fashioned and behind the times even during his era which spanned into the forward thinking galant.
@@BohemianBaroque I welcome your analysis and the rhetoric that accompanies it because I am fiercely an admirer of Stölzel. I spent a sacred of time getting to know this composer through books and musical didactics from the master all thanks to the new generation of musicologists. The latter are better able to measure the attraction and influence of Bach on the music of others. In two words: Bach was the most awesome recycler of his time! My point is not to denigrate Bach since he is the reference with Vivaldi and Handel. French proverb: those who are absent (Stölzel) are always wrong. This resignation has a bitter taste in me. Sincerely. *Lucien*
@@LucienMarine Vivaldi also recycled heavily. And let's not mention what Stravinsky had to say about him. Concerning the Baroque era we have a huge variety of unknown and lesser known composers working, but to grade one best of all? I have to say, like you, the best known get that designation almost by default. Bach, Vivaldi. So much more of their music is available and performed, although the lesser-knowns are having their music played by current ensembles, and even recorded for the first time, as scores are being uncovered and rediscovered.
Además de la gloria y triunfo del estilo barroco es maravilloso el sonido con este chasquido. Música Barroca: nunca habrá un estilo que le llegue a los pies. Para mí ciertamente no hay estilo más hermoso que este, especialmente el alemán. Su sonoridad y estructura melódico-armónica es trascendental y mística.
Thank you Pau NG, great sound! For several days I tried to find and hear the sound of Martin j Soler's ballet music, he wrote 16 ballets. Only one ballet of Dido abandonata seems to have survived, the rest have been lost. And I only heard 8 minutes from that Didona, great sound; I recommend! Martín y Soler, a Valencian from a linguistic minority within Spain, shared the fate of other Enlightenment cosmopolitans of not fitting into any pantheon of any of the emerging European nation-states. In 1778, Beaumarchais published the drama "The Barber of Seville" and at the end of 1778 Martin j Soler composed and performed the ballet "The Barber of Seville". And no one has heard that ballet, no one has any idea about it, it fits into the image that the history of music, of all histories, is the worst.
@@dieterpeszat Topos - "lost works"! Of the several thousand compositions that were performed exclusively in Gotha, only 12 have been preserved(!) Stölzel was an extraordinarily prolific composer. However, a large part of his works has been lost (In addition to numerous orchestral works, chamber music works, oratorios and masses, motets and passions, his compositional output also includes secular cantatas). The music is authentic and is one of the only 12 surviving autograph Stölzel scores held in Gotha (shelf number Mus. 2° 101/3). The edition in “Denkmäler Deutscher Tonkunst ” ed. by A. Schering in DDT XXIX/XXX, 1907 is based on this autograph score. The instrumentation is labelled above the staves in Stölzel's handwritting, as well as the title “Concerto Grosso a quattro Chori".
@dieterpeszat2105 Topos - "lost works"! Of the several thousand compositions that were performed exclusively in Gotha, only 12 have been preserved(!) Stölzel was an extraordinarily prolific composer. However, a large part of his works has been lost (In addition to numerous orchestral works, chamber music works, oratorios and masses, motets and passions, his compositional output also includes secular cantatas). The music is authentic and is one of the only 12 surviving autograph Stölzel scores held in Gotha (shelf number Mus. 2° 101/3). The edition in “Denkmäler Deutscher Tonkunst ” ed. by A. Schering in DDT XXIX/XXX, 1907 is based on this autograph score. The instrumentation is labelled above the staves in Stölzel's handwritting, as well as the title “Concerto Grosso a quattro Chori".
⚘❤⚘❤⚘❤VIELEN DANK, Herr Pau NG!🌹Was für eine GROßARTIGE und WUNDERVOLLE Musikstück deutschen Komponisten Gottfried Heinrich Stölzel.💐✨🌹🎉🎉🎉👑🇩🇪❤🎭🎂🥂🍾Alles Gute zum Geburtstag!🎁🎉F A B E L H A F T 💎..... 🌹🙏💖Grosses Dankeschön! 🌹🍷🎄
He escuchado todo tipo de música , la Barroca es mi preferida por lejos.
Sobretodo de músicos italianos , austriacos y alemanes.
❤ This Gottfried Stolzel ensemble concerto in D major is one of my favorite masterpieces featuring trumpet and timpani.
The first movement, Allegro, begins spectacularly with trumpet and timpani from the beginning, and it feels like listening to Bach-like orchestral music.
You can feel the fusion of Italian flowing music in the middle part and German dignified splendor.
The second movement, Adagio, is a lyrical piece of music with string and woodwind instruments, and the interplay between the woodwind instruments is beautiful.
The third movement, Vivace, begins lightly with string instruments, and the contrapuntal music can be seen here.
Added trumpet and timpani to add gorgeousness,
It ends majestically, reminiscent of German baroque music.
If I remember correctly, the performance of the Vienna Philharmonic Orchestra conducted by Karl Schuricht is famous, and I have a CD of it.
For the purist or music lover, a chamber orchestra never reflects a baroque ensemble! This piece is composed of four wind choirs containing many canonical elements. This score uses a full clarinet choir including bass and double bass clarinets which were not available at the time. There is an arrangement in which the two harpsichord parts and the double bass are preserved. The two brass choirs can be placed antiphonally to accentuate the baroque sound effects. Stölzel was a master. *Lucien*
Does the ears good to hear this vinyl fabulousness! 2:40 Bachian splendor!
*das Tier*
Stölzel and Bach are not the same writing. Who do you think copied the other? Stölzel had a great reputation as one of the most respected and admired composers of his time. Lorenz Christoph Mizler even placed him above Johann Sebastian Bach in his list of leading German composers. Stölzel lost his entire production and therefore the misfortune of one will have made the happiness of the other in musical history. *Lucien*
@@LucienMarine As so many of JS Bach's contemporaries who are worthy of admiration, lost to history or never championed as Bach was by Mendelssohn (when he mounted the Saint Matthew Passion in 1829), some of these composers also with large outputs. Though a musical Titan today, JS was considered old fashioned and behind the times even during his era which spanned into the forward thinking galant.
@@BohemianBaroque
I welcome your analysis and the rhetoric that accompanies it because I am fiercely an admirer of Stölzel. I spent a sacred of time getting to know this composer through books and musical didactics from the master all thanks to the new generation of musicologists. The latter are better able to measure the attraction and influence of Bach on the music of others. In two words: Bach was the most awesome recycler of his time! My point is not to denigrate Bach since he is the reference with Vivaldi and Handel. French proverb: those who are absent (Stölzel) are always wrong. This resignation has a bitter taste in me. Sincerely. *Lucien*
@@LucienMarine Vivaldi also recycled heavily. And let's not mention what Stravinsky had to say about him. Concerning the Baroque era we have a huge variety of unknown and lesser known composers working, but to grade one best of all? I have to say, like you, the best known get that designation almost by default. Bach, Vivaldi. So much more of their music is available and performed, although the lesser-knowns are having their music played by current ensembles, and even recorded for the first time, as scores are being uncovered and rediscovered.
Además de la gloria y triunfo del estilo barroco es maravilloso el sonido con este chasquido.
Música Barroca: nunca habrá un estilo que le llegue a los pies. Para mí ciertamente no hay estilo más hermoso que este, especialmente el alemán. Su sonoridad y estructura melódico-armónica es trascendental y mística.
😊🎵🎶🎵😊
danke schön
Thank you Pau NG, great sound! For several days I tried to find and hear the sound of Martin j Soler's ballet music, he wrote 16 ballets. Only one ballet of Dido abandonata seems to have survived, the rest have been lost. And I only heard 8 minutes from that Didona, great sound; I recommend! Martín y Soler, a Valencian from a linguistic minority within Spain, shared the fate of other Enlightenment cosmopolitans of not fitting into any pantheon of any of the emerging European nation-states. In 1778, Beaumarchais published the drama "The Barber of Seville" and at the end of 1778 Martin j Soler composed and performed the ballet "The Barber of Seville". And no one has heard that ballet, no one has any idea about it, it fits into the image that the history of music, of all histories, is the worst.
@Firebird 37 And sometimes we get fortunate with new finds discovered written by well knowns and lessers
Stefan Stamenic that you are commenting on another composer (without any reference to the one presented here) does not make sense.
@@dieterpeszat Topos - "lost works"! Of the several thousand compositions that were performed exclusively in Gotha, only 12 have been preserved(!) Stölzel was an extraordinarily prolific composer. However, a large part of his works has been lost (In addition to numerous orchestral works, chamber music works, oratorios and masses, motets and passions, his compositional output also includes secular cantatas). The music is authentic and is one of the only 12 surviving autograph Stölzel scores held in Gotha (shelf number Mus. 2° 101/3). The edition in “Denkmäler Deutscher Tonkunst ” ed. by A. Schering in DDT XXIX/XXX, 1907 is based on this autograph score. The instrumentation is labelled above the staves in Stölzel's handwritting, as well as the title “Concerto Grosso a quattro Chori".
Belíssimo! 😍💖
@dieterpeszat2105 Topos - "lost works"! Of the several thousand compositions that were performed exclusively in Gotha, only 12 have been preserved(!) Stölzel was an extraordinarily prolific composer. However, a large part of his works has been lost (In addition to numerous orchestral works, chamber music works, oratorios and masses, motets and passions, his compositional output also includes secular cantatas). The music is authentic and is one of the only 12 surviving autograph Stölzel scores held in Gotha (shelf number Mus. 2° 101/3). The edition in “Denkmäler Deutscher Tonkunst ” ed. by A. Schering in DDT XXIX/XXX, 1907 is based on this autograph score. The instrumentation is labelled above the staves in Stölzel's handwritting, as well as the title “Concerto Grosso a quattro Chori".
Agree! What a terrible lost... 😥
I "heard " it was a fire of some sort, or stolen? Sold to a 'collector'? Saddens me somewhat, ....JN
Name of painting and artist?
Flemish school (17th Century) - Soldiers on horseback in a landscape flic.kr/p/2o98Z5V