Great singing. One of the.popular & best keerthanai of Deekshithar sung exquisitely by this young NRzi musician Of late he is more on the lime light of Carnatic music.stage. My best wishes to this talented boy & glimpses of his becoming one of a top musicians like yesteryear greats. May god bless him.
Ver well sung. Has done complete justice to this magnum opus by the great Dikshatar. This singing is no less compared to versions sung by the jambhavan of yesteryears. As others have mentioned, violin accompaniment is beautiful.
A marvellous piece of singing. Also the song & Khambhodi Raagam. adds a superb flavour to the rendition. The total control brought by devotion enables the singer to bring the extra Sangathies at unexpected places. This was the stuff possible only by the greats like Semmangudi, Palakkad’s KVN, Nedunoori or Dr.BMK. A great feeling as this is my favourite raagam.
i was at that concert, my first and only carnatic concert yet. trichy sankaran, ramakrishnan murthy. divine experience, very humbled and blessed. heavenly music.
Dear Narayan Kumar, The charana of this kIrtana, taraka simha is missing. Might be because there is a thani attached to this and he might be singing after it. Please attach it if it's possible
One of the most majestic kritis of immortal Dikshiar with gem of words which are adding beauty. Fantastic
I am an ardent admirer of your singing style. Heard you twice during 2018 music festival in Chennai.
Excellent Soul stirring Kambhoji😊
Balakrishnan.. Very pleasing and marvellous rendering...,,
Pranaamagalhu
Very Melodious renderi,ng
Kamboji potentially explored. Sweet and .melodious voice for a..male artist
Great singing. One of the.popular & best keerthanai of Deekshithar sung exquisitely by this young NRzi musician
Of late he is more on the lime light of Carnatic music.stage. My best wishes to this talented boy & glimpses of his becoming one of a top musicians like yesteryear greats. May god bless him.
This is a brilliant Kambodi! Bravo RKM
Wonderful no words to describe.
A great singer like ariyakkudi madurai mani etc
Finally time came to explore RKM which was planned since a year! Very very well rendered with refreshing niraval and kalpanaswaras
Ver well sung. Has done complete justice to this magnum opus by the great Dikshatar. This singing is no less compared to versions sung by the jambhavan of yesteryears. As others have mentioned, violin accompaniment is beautiful.
A marvellous piece of singing. Also the song & Khambhodi Raagam. adds a superb flavour to the rendition. The total control brought by devotion enables the singer to bring the extra Sangathies at unexpected places. This was the stuff possible only by the greats like Semmangudi, Palakkad’s KVN, Nedunoori or Dr.BMK. A great feeling as this is my favourite raagam.
Fantastic what a classical
Very good rendering kombothi by Ramakrishna Murthy.god bless him
Very good singing.
Clarity is unique.Very good singing. God bless.
Great rendering with the feel of the raga!!!!!!
Very nice neraval
What a coincidence, in yesterdays concert also he sang exactly the same song. And guess the date? Exactly 1 year after this on 9th Jan 2019.!!!
Can you upload the charanam also? It is missing in your upload
i was at that concert, my first and only carnatic concert yet. trichy sankaran, ramakrishnan murthy. divine experience, very humbled and blessed. heavenly music.
Very nice to hear from a good voice with excellent bhavam. Who is the violin artist ? Equally good.
Thanks, sounds like Sri. RK Sriram Kumar
blessed
Wow amazing voice
Dear Narayan Kumar,
The charana of this kIrtana, taraka simha is missing. Might be because there is a thani attached to this and he might be singing after it. Please attach it if it's possible
Yes, Bhargav Ram. I am aware of that, sadly that's not available. Am still trying. Thanks for the feedback.
@@nkrama Thanks a lot for the upload, every part, be it the rendition or the manodharma is outstanding in this kAmbhOji rendition.
@@bhargavram3480 - Indeed, the best of RKM..Manodharma sangeetham all the way..
Very touching.