It's awesome to hear that people saw this movie and are visiting Columbus because of it. I'm from there, and live not too far away now. It really is a special place, and this movie was a moving story that perfectly used Columbus as a backdrop.
The way how her eyes lay delicately on the glass surface; her graceful hands slowly forming a shape out of thin air-is one of those rare scenes in modern cinema that feel so lyrically composed. Kogonada, who is a well-known film academic, frames his own nuanced discernment of cinematic composition, and from there, synthesises a hypnotic look of symmetry that is both wondrously original and richly inspired (the visual coordination with its “mono no aware” subtext is a homage to both Yasujiro Ozu and Wes Anderson). Though his understanding of how a frame works is nevertheless intellectual, Kogonoda never intended to make “Columbus” a textbook quiz for cinephiles. Instead, he formulates a narrative that effectively mirrors the film’s spiritual use of architecture-of how each one of us has our own intimate interiors; rooms in which our memories pile on every corner, while our deepest worries lurk behind the curtains of their own shadow. Films like “Columbus” symbolise how cinema is both a comprehensive retrospect of the past and an endless exploration of the future.
Wow this really hits the nail on the head - I could not have described it better myself. I just read up on "mono no aware" and it helps me add definition to a feeling or emotion that I've always been drawn to since I was a kid. Its very hard for me to understand why this scene impacted me so much, but I think I am understanding it better now. I've just ordered The Tale of Genji on Amazon and plan to watch some of Yasujiro Ozu's films. Do you have anymore recommendations? Thank you for your analysis. Cheers!
The shot of her reflection in the mirror while she’s going “tourist mode” perfectly encapsulates her losing herself in information and the image of that information. The very next scene Cho’s character figuratively “wakes her up.” This film is just filled with so much little nuance like that, it’s brilliant.
Then the cut after this, all dialogue is cut out and all we are left with is the form and the geometry of the information, practically, the spirit of divination - “god is endless geometry.” The film tries to explore the vacuity yet the prescience of this absence in a modernized world, accentuated by the distinction between a “ run down, empty and depressing” town with hyper organized, modern architecture.
sometimes I forget why I love film so much and I just kinda mindlessly consume and create, but then sometimes I just kinda wake up, like when I saw this scene. The mirror.
I remember the first time I watched this movie, this scene was literally breathtaking and showstopping for me. I may have even paused the movie because it resonated so powerfully.
If there's one lesson to be learnt from this film, it's to take some time off after high school, before following the crowd into college. During that time off, you'll learn what you're truly interested in. Honestly, I wish I saw this movie while I was in high school, so I wouldn't have made the mistake of blindly studying whatever in college.
The majority of the scene her back is to us, and her reflection is shown when rattling off the facts. Then when we see her revealing her true self, we're also taken out of the conversation- like it's a special moment just for them. It's a really beautiful scene.
Spencer Colaco i don’t really now why, it has more to do with the visuals, the photography...when we see her talking through the window, that image is so beautiful...it moves me, watching her being move by.
This is the most beautiful movie I have ever watched in my life. Certainly my favorite. Its aesthetics are delightful, each scene is a little piece of art. Maybe you can help me, some time ago I watched an interview with Kogonada, in which he talked about the film and his inspirations. Among other things, he mentioned the film that the scene with Jin and Casey at school was based on (it was shown there). I didn't save the link and I can't find this interview now. Do you know where I can find it? Or do any of you remember the title of this film?
Watching this scene outside the bank now. I came to visit because this movie was so calm and zen
It's awesome to hear that people saw this movie and are visiting Columbus because of it. I'm from there, and live not too far away now. It really is a special place, and this movie was a moving story that perfectly used Columbus as a backdrop.
Couldn’t agree more, I watch this film when ever I want to relax. Hope to one day visit Columbus as well. Great movie
There’s this sort of calmness or some kind of energy about this movie that just radiates you to it, it’s honestly really incredible
The way how her eyes lay delicately on the glass surface; her graceful hands slowly forming a shape out of thin air-is one of those rare scenes in modern cinema that feel so lyrically composed.
Kogonada, who is a well-known film academic, frames his own nuanced discernment of cinematic composition, and from there, synthesises a hypnotic look of symmetry that is both wondrously original and richly inspired (the visual coordination with its “mono no aware” subtext is a homage to both Yasujiro Ozu and Wes Anderson).
Though his understanding of how a frame works is nevertheless intellectual, Kogonoda never intended to make “Columbus” a textbook quiz for cinephiles. Instead, he formulates a narrative that effectively mirrors the film’s spiritual use of architecture-of how each one of us has our own intimate interiors; rooms in which our memories pile on every corner, while our deepest worries lurk behind the curtains of their own shadow.
Films like “Columbus” symbolise how cinema is both a comprehensive retrospect of the past and an endless exploration of the future.
Wow this really hits the nail on the head - I could not have described it better myself. I just read up on "mono no aware" and it helps me add definition to a feeling or emotion that I've always been drawn to since I was a kid. Its very hard for me to understand why this scene impacted me so much, but I think I am understanding it better now. I've just ordered The Tale of Genji on Amazon and plan to watch some of Yasujiro Ozu's films. Do you have anymore recommendations? Thank you for your analysis. Cheers!
GODDAMN
Lol not that deep my friend
@@DFranco91it is that deep. It is that well thought.
“I thought you hated architecture”
“I do, but I’m interested in what moves you”
😭😭😭 gets me every time
The shot of her reflection in the mirror while she’s going “tourist mode” perfectly encapsulates her losing herself in information and the image of that information. The very next scene Cho’s character figuratively “wakes her up.” This film is just filled with so much little nuance like that, it’s brilliant.
Then the cut after this, all dialogue is cut out and all we are left with is the form and the geometry of the information, practically, the spirit of divination - “god is endless geometry.” The film tries to explore the vacuity yet the prescience of this absence in a modernized world, accentuated by the distinction between a “ run down, empty and depressing” town with hyper organized, modern architecture.
sometimes I forget why I love film so much and I just kinda mindlessly consume and create, but then sometimes I just kinda wake up, like when I saw this scene. The mirror.
can never stop going back to this scene - swear I think about it every week.
I remember the first time I watched this movie, this scene was literally breathtaking and showstopping for me. I may have even paused the movie because it resonated so powerfully.
I definitely jumped off the couch and watched it again 5 or so times. I was floored by it.
It was like I had to catch my breath when the audio went out during her explanation. Verry powerful scene
I got super emotional when the music kicked in, and seeing her passionately talk about it and doing the hand movements. Idk why
Same here. Sometimes in film you can say more with no sound.
there's something about this movie that just draws you in....
If there's one lesson to be learnt from this film, it's to take some time off after high school, before following the crowd into college. During that time off, you'll learn what you're truly interested in. Honestly, I wish I saw this movie while I was in high school, so I wouldn't have made the mistake of blindly studying whatever in college.
The majority of the scene her back is to us, and her reflection is shown when rattling off the facts. Then when we see her revealing her true self, we're also taken out of the conversation- like it's a special moment just for them. It's a really beautiful scene.
This film broke me, and I'm still trying to figure out why
I agree! Its hard to put your finger on it, but I feel the same way.
This is why I love cinema because we can all share in the vicissitudes of human drama. This film is in the back of my head.
I get chills every time I watch this scene
Kogo is a fucking genius bro
Holy i forgot how much i love this movie
the power of silence.
Exactly.
Calling all lip readers..
The names Jin & Chloe starts with J & C. I think the director paid an homage to Jesse & Celine from Before Sunrise. This movie has a similar feel.
Never noticed that, but ya it does have some things in common for sure.
@@SpencerColaco the director made a video essay on Richard Linklater so he’s heavily influenced by him for sure
@@ChowDownDetroit Got a link to the video?
Thanks for uploading! Would love to see the "ya motha, did she do meth?" scene again
Touches my soul.
this scene breaks my heart...
Why's that?
Spencer Colaco i don’t really now why, it has more to do with the visuals, the photography...when we see her talking through the window, that image is so beautiful...it moves me, watching her being move by.
This is the most beautiful movie I have ever watched in my life. Certainly my favorite. Its aesthetics are delightful, each scene is a little piece of art.
Maybe you can help me, some time ago I watched an interview with Kogonada, in which he talked about the film and his inspirations. Among other things, he mentioned the film that the scene with Jin and Casey at school was based on (it was shown there). I didn't save the link and I can't find this interview now. Do you know where I can find it? Or do any of you remember the title of this film?
The movie is called Columbus
@@caranicstock ?
It was a movie from Yasujiro Ozu, if I remember correctly "late spring"
Such a great scene
انا احد لمعجبين ب هالي اتمنا لقائلك قريبـا ادعى سومي انا من اكبر لفتيات اعجابآ .
javi que te pasa en la cabeza
"Moved" by modernist architecture? It takes all kinds, I guess.
I remember when I first saw this, my heart still drops when the audio goes out. This quickly became a favorite
Ya i jumped up and had to rewind it to see it again.