Always loved this one from you. Glad to hear it get such a nice makeover for the album! Edit: You really nailed it sound-wise. The remaster brought so many little details out into the open without sacrificing the fullness of the sound. Insanely good job on this.
I started playing DS3 about a day ago and made it to Abyss Watchers... holy hell it's my top favorite DS3 boss so far... and by God, this rendition is so good, it makes me want to fight Abyss Watchers to this banger
@@nathancurnutt8074 She left fromsoft and started working independently before the shadow of the erdtree came out. Doesn't mean she won't work with them again but she wants to open the door to work with others as well and be her own boss that's why only about 3 of the tracks in the dlc were hers and they were all ambient songs. Shame that a lot of her work in elden ring was so subdued compared to the masterpieces of the souls series but that is the direction she said she enjoyed after her favorite game in Sekiro changed her style
I'm not a musician nor a critic, but this is my absolute favorite piece of yours... I feel like this revision brought out the intensity of the original one... Since i discovered the original version of this song, oh dear CthulhuSeeker, i hoped you would someday make a revision as i really felt that it was the most intense, dramatic, cosmic, Kafkaesque, and beautifull Retro/Synthwave/ song i ever heard!!! The movements you make with your voice, the nuances of hope and struggle made me feel like i was fighting soul of cinder for the first time again, such was the awe it gave me!! Still i felt some of the layers deserved to get accentuatet, and you gave me just that!! Feels like Crhistmas to me!! Thank you so much When i found the original one, the Synths that appear around the third minute gave me Michel Jarret's Equinoxe Vibes, wich gave me fond memories from when i was a very young kid and my father introduced me and my brothers to electro... Anyways, I cant feel like ill ever thank you enough for this ABSOLUTE FREACKING MASTERPIECE of yours!! THANK YOU, THANK YOU SO MUCH!!! Im so happy to live in a spacetime interval where the alignment of the stars gave us not Cthulhu, but CthulhuSeeker!!
This is really nice, but I still think the crescendos, or at least if both exist in either version I still find them more noticeable in the original. There seems to be a noticeable climax that leads to the choral vocals that erupt every now and then from 3:15-3:30 onwards in the original whereas there seems to be an even distribution of noise in this version
3:15 to 3:37 sounds like the vocals are slowly turning into a wolf's howl and its the sickest thing ever
Your voice sounds so good in this track! I love how you sing and how controlled the high parts sound, especially with the synths. Like a synth duet!
WE EATING GOOD TONIGHT BOYS 🗣️🗣️🗣️🗣️🔥🔥🔥🔥🔥
LETS FUCKING
GO
This is my new favorite, WOW! The vocals on this are so good!! One step closer to Artorias the Synthwalker 🙏
Synthwalker will be proud of you!
From 3:02 and on I thought I died and angel orchestra been greeting me at the gates of heaven. Holy shit.
Always loved this one from you. Glad to hear it get such a nice makeover for the album!
Edit: You really nailed it sound-wise. The remaster brought so many little details out into the open without sacrificing the fullness of the sound. Insanely good job on this.
I started playing DS3 about a day ago and made it to Abyss Watchers... holy hell it's my top favorite DS3 boss so far... and by God, this rendition is so good, it makes me want to fight Abyss Watchers to this banger
My favorite remix !
God I'm gonna miss Yuka Kitamura's sound in Fromsoft games. Fuck.
She breathed life into the series.
Wait what happened to her?
@@nathancurnutt8074 She left fromsoft and started working independently before the shadow of the erdtree came out. Doesn't mean she won't work with them again but she wants to open the door to work with others as well and be her own boss that's why only about 3 of the tracks in the dlc were hers and they were all ambient songs. Shame that a lot of her work in elden ring was so subdued compared to the masterpieces of the souls series but that is the direction she said she enjoyed after her favorite game in Sekiro changed her style
@@nathancurnutt8074 She left FromSoftware. I dunno any of the details.
just as we were blessed with her tracks for Dark Souls, we were blessed with the tracks of Armored Core 4th and 5th gen.
we are leaving the poison swamp with this one 🔥🔥🔥
I'm not a musician nor a critic, but this is my absolute favorite piece of yours... I feel like this revision brought out the intensity of the original one... Since i discovered the original version of this song, oh dear CthulhuSeeker, i hoped you would someday make a revision as i really felt that it was the most intense, dramatic, cosmic, Kafkaesque, and beautifull Retro/Synthwave/ song i ever heard!!! The movements you make with your voice, the nuances of hope and struggle made me feel like i was fighting soul of cinder for the first time again, such was the awe it gave me!!
Still i felt some of the layers deserved to get accentuatet, and you gave me just that!!
Feels like Crhistmas to me!! Thank you so much
When i found the original one, the Synths that appear around the third minute gave me Michel Jarret's Equinoxe Vibes, wich gave me fond memories from when i was a very young kid and my father introduced me and my brothers to electro...
Anyways, I cant feel like ill ever thank you enough for this ABSOLUTE FREACKING MASTERPIECE of yours!!
THANK YOU, THANK YOU SO MUCH!!!
Im so happy to live in a spacetime interval where the alignment of the stars gave us not Cthulhu, but CthulhuSeeker!!
LET'S GOOOOOOOO
This one is one of my favorite tracks 🙏🔥
Love abyss boys, love their theme and love your remix
Dont have to rekindle the flame with this banger on🔥🔥
Life changing shit man
This is really nice, but I still think the crescendos, or at least if both exist in either version I still find them more noticeable in the original. There seems to be a noticeable climax that leads to the choral vocals that erupt every now and then from 3:15-3:30 onwards in the original whereas there seems to be an even distribution of noise in this version
Incredible.
HOLY SHIT RIGHT ON TIME 🎉
Goddamn, when that fuckin singing starts I get chills
Massive
ayo? AYO
Play it x1.5 speed and it feels like it came from Devilman Crybaby.