When the bass drop sends you to the 1700's
ฝัง
- เผยแพร่เมื่อ 8 ก.ค. 2022
- Carolina Crown's 2017 piece titled "Fugue in G Minor"
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Original Video: • Carolina Crown 2017 - ...
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FULL TRANSCRIPTION AVAILABLE NOW: th-cam.com/video/AAD5Illa70Y/w-d-xo.html
Bruh this is one of my favorite crown shows. The opening hit is literally LEVITATING for me 😭
0:52 dear Lordy lord those overtones
1:00 is EXCEPTIONAL, as well! That pedal Eb that you hear isn't being played by any of the tubas, it's purely undertones, somehow being that loud
(also, they're marching three valve horns, and you can't play pedal Eb without using a partial on a three valve :p)
@@athenalol undertones/subharmonics are really cool. When to waves of opposing frequencies interfere, they connect at rate which is correlated to the ratio of the two frequencies. For example, with two waves that have a ratio of 2:3 (a perfect fifth) they would clash once every two waves of the fundamental.
So the ratio of | undertone : fundamental pitch : fifth above fundamental | would be 1 : 2 : 3
@@nxyuu woah, that's really really cool! I never really knew any science to this stuff, so it's really nice to see this
thank you!!
@@athenalol that’s so cool with headphones
@@TheRandomWolf indeed, even better bass boosted :3
You're not right for that page turn to 17 😂. I was already enjoying the fugue and then that wall of sound hit my ears. Looks like another great job! I kinda wish I could hear it live tho.
Loved Crown's opener rendition of this fugue back in 2017, legendary 🔥
From the chord at 0:57 to the one at 1:00
💀👼
Me who hasn't seen the show but instantly recognized that last part from watching George Colliers video on that a million times
Thought this was pretty neat at first, y'know some high trumpets n such
But the drop into God's Hornline was- aptly- *godly*
the overtones in this recording are **incredible** as well~ it's pretty incredible to have 130+\- people in tune so well that they can manage that
(also nice pfp :3)
Ah, yes - the year of the Fugue. For some reason, everyone was obsessed with Fugue in G minor in 2017 (I played it at TMEA All-State the same year). Saw a lot of other groups play it/incorporate it into their marching show as well that year. Great piece, though.
This is straight up sublime
THE HMMM AT THE END ALWAYS GETS ME
always love me some little fugue in G minor
Dude crown at summer symposium 2022 at wcu was insane I’ve never been more in love
Composer: makes a note Forte
Trumpets: “So anyway I started blasting….”
Always love an IASIP meme.
Holy shit im in heaven after that
Woahhh so cool you chose this video! I’m sitting right in front of the camera with the green hat! This was my first time ever seeing crown, what a cool experience to be able to sit in that circle
That amazing, wish I could see them in person right now haha
My biggest regret was not auditioning for Carolina Crown. Had the musical power for it, but didn't have the athletics. But I was willing to gain them.
2017 golden year for Crown
I would say 2013 was their golden year (I mean they won and everything) but 2017 is up there
This. This is music.
Great piece and great players!
Full body chills
Hey I marched on this field as freshman in HS. Cool to see some WCU on here!
imagine how amazing it feels to play in that
This part is so beautiful to here it made me cry of happiness
God damn the cohesiveness and intonation crazy
I literally have goose bumps
Love it!
😲 I'm stunned!!!!!!
The trumpets and mellos holyyyy
Bach but it ends in a even more "entering the paradise" way
Can you just imagine what they could do with Bach's Passacaglia and Fugue in C minor (David J. Miller's arrangement)?
🔥🔥🔥
Mmmmmmmmm I LOVE IT
Damn
Ngl Crown had me thinking "Tubas can make sounds like these"
Bro All I heard was the Red Baron the entire time
Is this early seson this is the roughest I’ve heard the opening
Holy shit
Sabaton Red Baron intensifies
I thought the same thing lmao
The first song I thought of is Red Baron by Sabaton
Fugue in g minor
Bach would be proud
FML...
lol the description makes it sound like crown wrote it
I’m somewhere in there lol
Cavaliers 2011
Where's low brass?
They didn't get the love this video :P
@@HernandezEncoreDCIMore 😧😧😧
@@groovester5095 Sorry Groovester, I just find it hard sometimes because the whole score will cover the video when I also implement low brass, so it comes to the question of should I just include the whole score, or just half
@@HernandezEncoreDCIMore It's okay, I appreciate your transcriptions.
@@groovester5095 My pleasure :)
Where's the chord progression at the end from? It sounds familiar but it's not the little fugue or the Dmin fugue, but ive definitely heard it before
Tocata and Fugue
0:37
Anyone have the chord progression from 0:57 to 1:00 I neeeed to know and to lazy to plot it myself :P
DSus4 -> Dmin - EbMajAdd2 -> EbMaj
This is my favorite part of the piece, the suspensions are crazy!
I must know the song (i live under a rock)
what chord was being played at 1:00?
God's chord
EbMajAdd2 which resolves to EbMaj
It's not a EbSus2 because the 1st Trumpet is holding out the G at the very top, it's hard to hear.
@@jacobhanekamp2534 or just a Ebadd9
It's great. But the synth is what sends it over the edge
What synth? This is purely the horns, more horns, and nothing but the horns
Carolina Crowns Inferno opening is not appreciated as much as it should be
wasn't this 2017's opener?
@@phill5123 Inferno?
@@vx8234 the show was "it is" right?
I have no idea, I have not actually heard that one yet
if you want, I can transcribe the tuba part and send it to you :)
Don't worry, I have it already :)
Thanks though
@@HernandezEncoreDCIMore
not the tierce de picardie
This doesn't sound right when it doesn't lead into Styx's "Father OSA"
There are some serious intonation issues
Wtf is that conductor doing tho...
He dancin'
0:50, kinda ruined it. Maybe i was just expecting the whole thing.
Wow that's a bold take
And the Cavies have the nerve to try it this year. Not as good!
Soooo many corps this year are using elements from crown, tbh I appreciate that they know who gets the crowd going lol
Do the same thing again only put the baritones and tubas in please!....
Sure :)
Give me some time and I'll get it out
@@HernandezEncoreDCIMore thank you sir!....I love that video.... the girl with the white hat white shirt and red shorts the expression on her face when the tubas hit is absolutely priceless!.... her auditory world was rocked!....
@@christophermccord3316 Video is dropping right now!
There's is something about the conductor/drum major's movements that I am instantly annoyed by. It looks and feels so wrong and I just hate it.
It can be weird at first, you just have to remember that, like the horns, he is also performing. In this setting, he has to be big because there are horn players behind him, if his motions are small, they won't be able to see him, and on the field, there are performers that are SUPER far away, so the large motion is actually quite small to them. Large conducting also conveys a large presence, it shows that it is supposed to be loud and exciting.
So why leave out the majority of the piece and skip straight to the end? The lack of attention span these days…
i think he released this first and then transcribed the rest of the show. its in a pinned comment the link to the full transcription. i know what youre saying though, it just doesnt apply in this situation
@@xthral Here's the full original version for organ. th-cam.com/video/vITIeoxcfdM/w-d-xo.htmlsi=MdqDh_PGOfmIc-K0 and here's a great orchestral transcription by Stokowki, who did a lot of orchestral transcriptions of Bach's organ works. On the second clip, you have to wade through Leonard Berstein's pre-performance speech. th-cam.com/video/AaCHqJmG7HQ/w-d-xo.htmlsi=s1W6WfhT8UnR3qZj
If only they could play in tune
if only you knew about microphone quality
@@elito7023 if you think that that intonation would be fixed with a better mic you’re out of your mind
@@pimplecheese337 this is a world class drum corp with the nickname "Gods Hornline", do you really think that they would be out of tune?
@@elito7023 It’s glaringly obvious. Go listen to real music and come back in a few years and you’ll hear it too. DCI is not very special hate to tell you
@@pimplecheese337 "go listen to real music" my guy what is your definition of real music? there's no way that you don't realize that a phones mic isn't professional quality
a LOT of interpretational liberties taken here
Wrong
Ok. Music is played like midi woud do it.... but that doesnt bother me as much as the conductor does..... please conduct with one speed of your arms and stop doing the chicken .... its the direction of the movement of the arms that is important not the variable speed...
I'm assuming you mean by being super clean with few dynamics? Thats totally the Baroque style they are going for though.
You gotta be new to this. Please just go watch an orchestra.
Heya! Justed wanted to let you know some more context for these horn performances to hopefully make you nore understanding of why its appropriate.
1. As the previous commenter said, the midi-like playing is intentional and showcases the players' ability to be precise with each other's timing. If you see other videos, when the conductor stops, the sound drops almost instantly, with no player left behind.
2. The conductor's large, linear, and very rigid movements are helpful for the way the players are arranged. Here, they are in arranged in a circle, where smaller, more subtle, movements maybe be hard to pick up for players that are behind the conductor's back. The rigidness also helps clearly communicate when the beats hit.
Hope this helps!
Tell me you're new to DCI, without telling me you're new to DCI.
That "MIDI" sound is the players playing so precisely and in tune that it sounds like 1 person. That's the goal, and you get good points for being able to do it. (As my director always said, sound like 1 person, have the intensively of 50)
And the Conductor. You have to be big like that. You can only face one group at a time (and they are in a semicircle) so being big is how everyone sees them. And not to mention that this piece is LOUD!!! The best way to show this to the crowd is with big (and I mean big) arm movements. You may say "but music is about hearing" oh but im here to tell you that a big part of the performance is what you SEE. There is a big reason why these corps spend literal DAYS drilling the same thing, over and over again! Most of the time, they aren't playing! They are marching without their horns, holding their hands in what I like to call Universal Playing Position (also known as UPP!!!!!)
I hate going on big rants at 1:33am, but it has to be said.
In Drum Corps, we liked to call this big rigid conducting technique “Downbeat, Patty cake, Chicken wing, Raise the roof.” It can also be referred to as “Please be obvious because I only have a split second to check the conductor because I’m jazz running at a bajillion beats per minute crossing the 25 on the back hash and have 17 lines to dress at the same time and I don’t want to be confused about what beat it is because if I miss the entrance we go from 1st to 11th place.” (Yes it’s a run-on sentence. It was meant to prove a point)
Sorry it didn’t look cool to you though. Function > Form