I began watching your videos about 3 yrs. ago and it completely changed my life and my guitar playing. Using triads and chord tones all over the neck and being able to tie it all together has been a game changer. Now finally after 61 years of playing I speak fluid guitar like I always dreamed of. I just wish I had learned this at the beginning of my guitar journey because now the arthritis is getting so bad that I’m not sure how much longer I’ll be able to play although so far so good. But at 73 I’m finally a proficient and fluid player that makes me glad I never quit. And I’m still gigging regularly. So thank you so much Tim!
I also was suffering from bad arthritis, but read that Boron can cure it. After taking a pinch of borax several times a day in water (I only do it for 5 of 7 days), my arthritis cleared up.
Just seeing you surrounded by all that equipment reminds me of an airline pilot getting ready for takeoff. Thanks for all you do your insights are priceless.
I’m an intermediate player. I know my pentatonics in all positions and full major/minor. I can see those patterns in my mind. Now I’m working on all the triad shapes and trying to understand where they overlay against the scales, so I can target chord tones when improvising. So this video really kinda spoke to me because it’s exactly where I’m at in my guitar journey. Thanks!
beside the fact that this is a superb and sooo helpful lesson, this guitar is a dream. i owned several "jazz boxes" from heritage - and they all were pure enjoyment. i'm now at the point in my life where i don't care about haedstocks and brands anymore. if any of my gibson les pauls would have sounded like that... and i don't know why i think about fleetwood mac, hearing the soloing in this lesson.
oh oh i can see some new light in my playing , Vous etes un grand Monsieur que j affectionne enormement , un compagnon de route souriant et inspirant ! merci de tout coeur de vivre parmis nous !
I've only watched the beginning of this video (and I intend to finish it), but I feel the need to add some nuance to Tim's exhortation to think in phrases and sentences as a concept in soloing. When I was younger I spent some time trying to learn jazz on the sax with the inevitable enthusiasm for improvisation foremost in my intent. The thing about a wind instrument is that you must breathe while improvising, unlike the guitar. The rhythm of breathing is intrinsic to our conversational and musical expression, and that is where phrasing comes in. We expect pauses in our expression, and guitar solos need that human breathing rhythm to sound "right". I think that is Tim's point at the start of the video, and I hope this helps to clarify the concept of thinking in sentences and phrases while soloing. And by the way, inhalation and exhalation correspond to impression and expression. As an exercise, try expressing yourself verbally while inhaling. Nonsensical, right?
Tim, I don't even play guitar, I'm a harmonica player, but your musical expertise and teaching can apply to any instrument! Thank you for sharing your abilities with us! Rock on!
Tim, you are a brilliant teacher and player. Thank you for this, I can always appreciate when you pick up any guitar. That Heritage sounds beautiful though. Well done on this episode.
The proper nomenclature is a vii-i cadence, and the volume change(swell/fade) while playing is called dynamics (what you're specifically talking about is called terraced dynamics), also the way the music fades is called decay (like attack and decay)
Tim, you are one of my favorite guitarists. Neil Peart (while paraphrasing him) said that the apprentice makes it look difficult and impossible while the master makes it seem effortless.
This is a brlilliant concept. In the last 6 months I have been very focussed upon learning chord inversions, and this already gave me a lot of extra ideas. Now, this concept here fits perfectly in there. A new part of my vocabulary. Thanks
What happened to the show... the teaching? All I saw and heard was a delicious Heritage guitar stealing my heart...and wallet. Much love, dig the content, your time, and expertise Mr. Pierce, always.
Why going on with brands when there are so many talented artisans that can make custom guitars for you for a very reasonable price, and you can even have features you'll NEVER get from Gibson or Heritage
Tim said: "So you can your mind "TURN ON" .....shouldn´t it be always the case ? 🙂 - But anyway i get ya - instead of noodeling, pay attention of what kind of chords passing by...the most challenging thing in soloing to get the right shapes therefore under your fingers. And there are so a lot of musical fragments and for me it´s the most challenging path in advanced soloing. But i never found anybody who can show me the most effective way to put this pieces together in the most effective way if you are not blessed with god given talent.For me it´s not about showing off my musical toolkit it´s more about painting the musical picture with different colours the way i like it. So if anybody can give me an advice in which order i can pick the things up and combining them to associate it, that would be great. Pentatonics - triads on different string pairs - so most underrated is in my opinion is to hear the changes including their extensions because that´s fundamental to sound good and to get the impression how to paint the picture , if that makes sense. That´s what music is all about - interacting. Any advise and help welcome!
For the beginner: Would this be a good simple path? 1. How to Hold a Guitar - Parallel to your shoulders or at an angle. 2. Basic music theory - Musical Alphabet, Whole steps, Half steps, Sharps and Flats 3. What Chords can you play? Can't play? Strengths and weaknesses? 4. 24 Chords is all you need 5. 24 Chords in the Circle of Fifths, what chords sound good together. 6. Fret Board memorization skills, 4 to 5 frets at a time? 7. Left Pattern Practice - Finger walk patterns for every finger (4 fingers * 6 strings = 24 patterns) 8. Left Pattern Practice - Two chord on time changes, how to use metronomes and tempos. 9. Left Pattern Practice - Around the wheel, Circle of Fifths Chord Workout, two and three chord patterns 10. Musical Practice - Songs based on Previous lessons 11. Right Hand Patterns - Different Strokes for Songs based on Previous Lessons
Funny story, I had a Heritage H535 and sold it because I just had no use for a semi-hollow body and wanted somebody to be playing that remarkable instrument (I'm a jazz/blues guy that just plays punk rock now) yet still wanted to have one of their guitars in my stable. This is just before the new ownership group came on board. Anyways I was commissioning basically a copy of my '79 LP Artist and literally the day I was going to put down the deposit I found a one of one new old stock Robin Avalon (I worked for a Robin dealer in the 90s and Dave was a close friend of us at the shop, RIP) and absolutely had to buy that instead. I have some flamed maple billets from a tree on my property reserved for Heritage to build me that copy in the next few years. FWIW I found myself at home playing over this jam track both in Gm pentatonic as well as the Mixolydian (playing a CMaj scale) without much thought. After years of not really doing anything with jazz I have trouble remembering the modal relationships but I do feel more at home with the major scale forms for playing melodically and fast, versus the pentatonics for playing more like a singer. Mark Knopfler versus BB King in my mind.
I play like a turtle walking across a fretboard and it has always given me imposter syndrome, so thank you for sharing David Gilmour’s rational take on individuality as a player. Face it and embrace it!
Gee! Tim you play so beautifully no matter what you are playing. And you make playing this beautiful music look so easy. I've got to discover the secret on how to play my guitar like you before I die. Thank you!
Thank you Tim really ive play guitar almost over 8 years now thanks you and your channel, my name is mahdi and im 23 years old i live in italy 😊😊im a guitarist ❤❤🎸🎸You and Rick 🎸🎸are my inspiration really 😊😊i watch your videos every day i hope my dreams it comes true to play guitar in Los Angeles college of music you knew im waiting for the visa to for apply at the LA college of music i hope God hear my prayers ❤❤😊😊❤❤🌟⚡⚡⚡⚡🌞🎸🎸 🎸🎸🎸🎸🎸🎸🎸⭐⭐🌟🌟⚡🌞🌞🌞❤️❤️
Thanks I've been watching 👀 you and Rick Beato, you guys are amazing with your amazing ability. It's helped me enormously, I've actually improved by just that . I'm not there yet , but getting closer to it. Using the scales in different keys, I can actually come a little closer to the sound and ability to improve my lead. Thank you so much..O
I just ordered a Harley-Benton SC450 II custom LP copy in black with archtop in maple, but black. I got an Amp too - their 15 watt valve Combo - much like my Vox with reverb, great amp, I'm so impressed - I still love my AC10's though and have an AC15 now. I think the Vox tone is so me - the true British sound. Looking to expand my electric collection now I have enough dreadnoughts to fit a navy. What do you say to the best shapes in classic acoustics Tim?
I saw the thumb nail and was like man not another BS youtuber and then I realized it is from an actual master that doesn't milk his audience Respect (edit typo)
Did your 70th anniversary stratocaster ultra arrive? After your video, I had to check them out and ended up getting one! It is a great instrument. On channel.
Hi Tim! Love your teaching and guitar tones. Just out of curiosity, where do you get your BT's from? Do you do them yourself? Cheers from Rio de Janeiro, Brazil.
Gilmour? Nahhhh Maybe a bit more like Carlton maybe... But mostly just like that Tim Pierce guy! He's on TH-cam.... Definitely worth checking out every week!
Excellent lesson. The tones want for nothing -and the use of dynamics and phrasing and selective repetition (with slight mods) are critical to establishing oneself as a musician - and not another EVH wannabe parrot. There is a recent performance of Larry Carlton and band on utoob and it’s a very refreshing reminder how pros sound.
Hey Tim, thanks so much for your channel and your tutorials, they are always so informative. Can I ask you a question. I am looking at getting a multi effects. I have previously owned pods and a helix, I currently have a valeton gp200. I also own individual pedals etc but I want a multi effects for my solo playing to simplify my rig. I noticed you have the tone master and the fm9 and you have the hx stomp (and probably a quad cortex and an ax effects too!) I was thinking of getting either the fm9 or the tonemaster. Any preferences on your part? I do know that the workflow on the tm is really nice but have also heard that there are glitches and errors in its software. I did try one in pmt music in the uk and I was pretty impressed. But i would love to know if you could take one on the road with you which one would you take? Thanks Dave
Another great video Tim! I've tried multiple times to receive the 30 free videos but I never received the link. It's not on spam or elsewhere in my account. Any ideas how I can access the videos? Thank you! Peter
I'd really like to know the setup...amp, settings, effects. I just cannot get that kind of sustain, and it's driving me crazy. Can someone tell me please?
Tim, I signed up for your master classes. I tried to slow one of the lessons down to .5 speed but it does not work within your class, specifically on the first six blues licks lesson. I don't know how else to get a hold of you so I hope you will read this. Thank you.
If chords are there for " a while ", you play over the chord, if they move quickly, not so much... Also, depending on how quickly you're playing, or not... You don't really want to hang on to dissonant tones!
Wow- I would not know how to use all these things you have. So how can I ever get a great sound not robbing my bank?. By the way I was an extremely fast player when I was young. Accident and back to square one. So now I’m slow
I began watching your videos about 3 yrs. ago and it completely changed my life and my guitar playing. Using triads and chord tones all over the neck and being able to tie it all together has been a game changer. Now finally after 61 years of playing I speak fluid guitar like I always dreamed of. I just wish I had learned this at the beginning of my guitar journey because now the arthritis is getting so bad that I’m not sure how much longer I’ll be able to play although so far so good. But at 73 I’m finally a proficient and fluid player that makes me glad I never quit. And I’m still gigging regularly. So thank you so much Tim!
I'm so glad that my videos have been helpful!
I also was suffering from bad arthritis, but read that Boron can cure it.
After taking a pinch of borax several times a day in water (I only do it for 5 of 7 days), my arthritis cleared up.
Keep on doing it my man. I’m 68 and starting to have some issues with my hands. I’m hoping to play until the day I leave but we’ll see.
It changed my life too....I gave up. Ha.
I am 75 and this really gives me inspiration. I hear ya on the arthritis thing. It's a bitch.
Just seeing you surrounded by all that equipment reminds me of an airline pilot getting ready for takeoff. Thanks for all you do your insights are priceless.
I really appreciate that!
@@timpierceguitarYou’re a great guitar pilot…
Yeah just to his right is a little hole to slip into his control booth.
And pilot/flying is a great metaphor for a good solo. Takeoff, flying/soaring and landing it.
It's been called a cockpit more than once.. A-l-o-h-a (former Valley boy)
I’m an intermediate player. I know my pentatonics in all positions and full major/minor. I can see those patterns in my mind. Now I’m working on all the triad shapes and trying to understand where they overlay against the scales, so I can target chord tones when improvising. So this video really kinda spoke to me because it’s exactly where I’m at in my guitar journey. Thanks!
It sounds like you're on the right track!
Real music with dynamics and control
Do great to see Tim just enjoying playing guitar and the love of music that he has.
Hi Tim! Ed here. I’ve gotta tell you once again how much I love videos like this one. Thanks, as always, for posting this!
Glad you enjoyed it!
beside the fact that this is a superb and sooo helpful lesson, this guitar is a dream. i owned several "jazz boxes" from heritage - and they all were pure enjoyment. i'm now at the point in my life where i don't care about haedstocks and brands anymore. if any of my gibson les pauls would have sounded like that...
and i don't know why i think about fleetwood mac, hearing the soloing in this lesson.
Your personality is as entertaining as your playing talents
Beautiful guitar, Tim. Thanks for the continued invaluable content you give to us!
As usual Tim, Great episode. I could listen to you all day!! Keep smiling and I’ll keep showing up!!
Two minutes into this and I've already paused the video to try out your ideas! Thanks, Tim!
Tim, you rock! I am saving up to pay for the master class soon.
Thank you for making the concept of getting better at guitar more tangible for some of us less-able guitarists!
I'm glad you found it helpful!
Another great video 🙌🙌 thanks.
oh oh i can see some new light in my playing , Vous etes un grand Monsieur que j affectionne enormement , un compagnon de route souriant et inspirant ! merci de tout coeur de vivre parmis nous !
you truly can make scales and finger exercises sound amazing.. LOVE your playing and videos!
Great stuff here, Tim!
Hey, thanks!
THANK YOU for promoting HERITAGE Guitars ❤
You bet!
I'm far from even needing to play like this, but you explain it so well.
Tim if there’s a more melodic player out there I can’t think of one.
I've only watched the beginning of this video (and I intend to finish it), but I feel the need to add some nuance to Tim's exhortation to think in phrases and sentences as a concept in soloing. When I was younger I spent some time trying to learn jazz on the sax with the inevitable enthusiasm for improvisation foremost in my intent. The thing about a wind instrument is that you must breathe while improvising, unlike the guitar. The rhythm of breathing is intrinsic to our conversational and musical expression, and that is where phrasing comes in. We expect pauses in our expression, and guitar solos need that human breathing rhythm to sound "right". I think that is Tim's point at the start of the video, and I hope this helps to clarify the concept of thinking in sentences and phrases while soloing.
And by the way, inhalation and exhalation correspond to impression and expression. As an exercise, try expressing yourself verbally while inhaling. Nonsensical, right?
That’s an interesting observation. It makes sense though. 🤔
Tim, I don't even play guitar, I'm a harmonica player, but your musical expertise and teaching can apply to any instrument! Thank you for sharing your abilities with us! Rock on!
Thanks, I really appreciate that!
I appreciate your weekly video. Thank you Tim
Thanks for this tutorial & Heritage demo! I really felt like I Learned when I watched it...
Tim, you are a brilliant teacher and player. Thank you for this, I can always appreciate when you pick up any guitar. That Heritage sounds beautiful though. Well done on this episode.
The proper nomenclature is a vii-i cadence, and the volume change(swell/fade) while playing is called dynamics (what you're specifically talking about is called terraced dynamics), also the way the music fades is called decay (like attack and decay)
dont confuse the double digit IQ's bro
Your teaching approach is fantastic Tim! Your great playing sure helps too! :). Thanks for the inspiration!
Thank you for sharing this video. Excellent advice.
Tim, you are one of my favorite guitarists. Neil Peart (while paraphrasing him) said that the apprentice makes it look difficult and impossible while the master makes it seem effortless.
thanks so much :)
This is a brlilliant concept. In the last 6 months I have been very focussed upon learning chord inversions, and this already gave me a lot of extra ideas. Now, this concept here fits perfectly in there. A new part of my vocabulary. Thanks
What happened to the show... the teaching? All I saw and heard was a delicious Heritage guitar stealing my heart...and wallet. Much love, dig the content, your time, and expertise Mr. Pierce, always.
Same. Been all through the various s/h sales sites looking for H150s. Costs three arms and four legs even for older ones.
Why going on with brands when there are so many talented artisans that can make custom guitars for you for a very reasonable price, and you can even have features you'll NEVER get from Gibson or Heritage
Thanks Tim, great job. I appreciate you.
Tim’s videos always remind me learning the fretboard is really important.
Tim said: "So you can your mind "TURN ON" .....shouldn´t it be always the case ? 🙂 - But anyway i get ya - instead of noodeling, pay attention of what kind of chords passing by...the most challenging thing in soloing to get the right shapes therefore under your fingers. And there are so a lot of musical fragments and for me it´s the most challenging path in advanced soloing. But i never found anybody who can show me the most effective way to put this pieces together in the most effective way if you are not blessed with god given talent.For me it´s not about showing off my musical toolkit it´s more about painting the musical picture with different colours the way i like it. So if anybody can give me an advice in which order i can pick the things up and combining them to associate it, that would be great. Pentatonics - triads on different string pairs - so most underrated is in my opinion is to hear the changes including their extensions because that´s fundamental to sound good and to get the impression how to paint the picture , if that makes sense. That´s what music is all about - interacting. Any advise and help welcome!
For the beginner:
Would this be a good simple path?
1. How to Hold a Guitar - Parallel to your shoulders or at an angle.
2. Basic music theory - Musical Alphabet, Whole steps, Half steps, Sharps and Flats
3. What Chords can you play? Can't play? Strengths and weaknesses?
4. 24 Chords is all you need
5. 24 Chords in the Circle of Fifths, what chords sound good together.
6. Fret Board memorization skills, 4 to 5 frets at a time?
7. Left Pattern Practice - Finger walk patterns for every finger (4 fingers * 6 strings = 24 patterns)
8. Left Pattern Practice - Two chord on time changes, how to use metronomes and tempos.
9. Left Pattern Practice - Around the wheel, Circle of Fifths Chord Workout, two and three chord patterns
10. Musical Practice - Songs based on Previous lessons
11. Right Hand Patterns - Different Strokes for Songs based on Previous Lessons
Love it when the Heritage makes an appearance.
I take my pick guards off just like Tim Pierce! 😜 Thanks for the lesson, Tim!
Always a good lesson and tasty playing.
Thanks 👍🏼
Funny story, I had a Heritage H535 and sold it because I just had no use for a semi-hollow body and wanted somebody to be playing that remarkable instrument (I'm a jazz/blues guy that just plays punk rock now) yet still wanted to have one of their guitars in my stable. This is just before the new ownership group came on board. Anyways I was commissioning basically a copy of my '79 LP Artist and literally the day I was going to put down the deposit I found a one of one new old stock Robin Avalon (I worked for a Robin dealer in the 90s and Dave was a close friend of us at the shop, RIP) and absolutely had to buy that instead. I have some flamed maple billets from a tree on my property reserved for Heritage to build me that copy in the next few years. FWIW I found myself at home playing over this jam track both in Gm pentatonic as well as the Mixolydian (playing a CMaj scale) without much thought. After years of not really doing anything with jazz I have trouble remembering the modal relationships but I do feel more at home with the major scale forms for playing melodically and fast, versus the pentatonics for playing more like a singer. Mark Knopfler versus BB King in my mind.
I play like a turtle walking across a fretboard and it has always given me imposter syndrome, so thank you for sharing David Gilmour’s rational take on individuality as a player. Face it and embrace it!
Turtles can be pretty quick.And remember the turtle does win the race.
Gee! Tim you play so beautifully no matter what you are playing. And you make playing this beautiful music look so easy. I've got to discover the secret on how to play my guitar like you before I die. Thank you!
Thanks, I appreciate that.
Ditto,Thanks Tim. Have a great day!
Good teacher. thanks for the nice lesson.
Thanks for the livestream Tim.
Thanks for the lesson.
Such a great break down. Thanks! 🔥💯🎸
Thank you Tim really ive play guitar almost over 8 years now thanks you and your channel, my name is mahdi and im 23 years old i live in italy 😊😊im a guitarist ❤❤🎸🎸You and Rick 🎸🎸are my inspiration really 😊😊i watch your videos every day i hope my dreams it comes true to play guitar in Los Angeles college of music you knew im waiting for the visa to for apply at the LA college of music i hope God hear my prayers ❤❤😊😊❤❤🌟⚡⚡⚡⚡🌞🎸🎸 🎸🎸🎸🎸🎸🎸🎸⭐⭐🌟🌟⚡🌞🌞🌞❤️❤️
Yep! Target tones are the way!! PS for the brave souls, now end on a non-chord tone or extension for some real juice!
YOU ARE A AWESOME MUSICIAN..GREAT TEACHER
Tim "you" are the best. And happy thanksgiving 🦃
Dude, your discography is pretty damn epic.
Very helpful. Thank you.
Amazing playing and perfect tone!
Thanks a lot!
That Heritage is dope.
Awesome video thank you very much
I would love to see you in an G3 with Vai and Satriani. Beautiful music.
Thanks Tim - you rock!
Thanks I've been watching 👀 you and Rick Beato, you guys are amazing with your amazing ability.
It's helped me enormously, I've actually improved by just that . I'm not there yet , but getting closer to it.
Using the scales in different keys, I can actually come a little closer to the sound and ability to improve my lead. Thank you so much..O
Love your playing, you have some great ideas. 😎👍🎶🎶
I just ordered a Harley-Benton SC450 II custom LP copy in black with archtop in maple, but black. I got an Amp too - their 15 watt valve Combo - much like my Vox with reverb, great amp, I'm so impressed - I still love my AC10's though and have an AC15 now. I think the Vox tone is so me - the true British sound. Looking to expand my electric collection now I have enough dreadnoughts to fit a navy. What do you say to the best shapes in classic acoustics Tim?
Great warm guitar tone
Thanks for listening
I saw the thumb nail and was like man not another BS youtuber and then I realized it is from an actual master that doesn't milk his audience Respect (edit typo)
You are a real treasure Tim. Thank you, thank you, thank you! 🙏 🔥
Love it Mr.Tim
Thank you for this.
You're very welcome!
thanks Tim.
Yo Tim!!! Send me one of those Marshall heads. I'll pay shipping.
Nu-uh, none of us are amateurs Tim but we did click on the title!
yeah, I know.... it just adds so many thousands of views to use that trigger word ... appreciate the comment
Great video! Thanks!
I used to call it a question and response then followed by a laughter or an agreement.
Gilmour plays simple phrases, SRV too, they just play them better than anyone else
Thnx!!
Great Tim, 😊
Great playing as usual. What amo are you playing through when you do the lesson?
Did your 70th anniversary stratocaster ultra arrive?
After your video, I had to check them out and ended up getting one! It is a great instrument. On channel.
I love your videos. I’ve wondered if you wish you’d learnt to sight-read.
Hey Tim, Love you... I see everything arround you on. How much is your electric bill ? :-)
Hi Tim! Love your teaching and guitar tones. Just out of curiosity, where do you get your BT's from? Do you do them yourself? Cheers from Rio de Janeiro, Brazil.
Dope move 🎉 !!!
Tom Bukovac calls that ending of a phrase the dismount
Gilmour? Nahhhh Maybe a bit more like Carlton maybe... But mostly just like that Tim Pierce guy! He's on TH-cam.... Definitely worth checking out every week!
Fantastic.
Excellent lesson. The tones want for nothing -and the use of dynamics and phrasing and selective repetition (with slight mods) are critical to establishing oneself as a musician - and not another EVH wannabe parrot. There is a recent performance of Larry Carlton and band on utoob and it’s a very refreshing reminder how pros sound.
Hey Tim, thanks so much for your channel and your tutorials, they are always so informative. Can I ask you a question. I am looking at getting a multi effects. I have previously owned pods and a helix, I currently have a valeton gp200. I also own individual pedals etc but I want a multi effects for my solo playing to simplify my rig. I noticed you have the tone master and the fm9 and you have the hx stomp (and probably a quad cortex and an ax effects too!)
I was thinking of getting either the fm9 or the tonemaster. Any preferences on your part? I do know that the workflow on the tm is really nice but have also heard that there are glitches and errors in its software. I did try one in pmt music in the uk and I was pretty impressed. But i would love to know if you could take one on the road with you which one would you take?
Thanks
Dave
Another great video Tim! I've tried multiple times to receive the 30 free videos but I never received the link. It's not on spam or elsewhere in my account. Any ideas how I can access the videos? Thank you! Peter
What pups are in your Heritage?
I think he has a vid, I wanna say Ron Ellis?
I could listen to TP glide around the fretboard until the cows come home. Also - hmu if you see any cows on the loose, they're friendly.
This is so cool, Mr. Pierce! Thank you for taking the time to make this and all the other TH-cam videos you create. I will be practicing this today.
I'd really like to know the setup...amp, settings, effects. I just cannot get that kind of sustain, and it's driving me crazy. Can someone tell me please?
Tim, I signed up for your master classes. I tried to slow one of the lessons down to .5 speed but it does not work within your class, specifically on the first six blues licks lesson. I don't know how else to get a hold of you so I hope you will read this. Thank you.
you can reach us anytime at support@timpierceguitar.com
Do you have a course for 50 year beginner?
yes! we have over 100 videos in our beginners course , thanks for asking :)
If chords are there for " a while ", you play over the chord, if they move quickly, not so much... Also, depending on how quickly you're playing, or not... You don't really want to hang on to dissonant tones!
Exactly, you nailed it!
@timpierceguitar THANKS! I think we're pretty much the same age! ... Although, I think you got there MUCH QUICKER then I did! 😸😸😸
@timpierceguitar thanks, Tim!... With time, comes wisdom... What a LONG ROAD! 😸
You need to add SOME to the title.
I need to learn all the notes on the fret board. Im hopeless. Anyone have a easy way.
Jazz players have done this trick for decades.
These are great practices for you aren’t they? 🤣👏👏🎸
I recognize much of Tim's playing from my youth... nice
how do i get to the backing track? I'm already a paid subscriber to your website. I wish there was just a link for paid subs. Frustrating.
i click the link but it just brings me to the website. Where is the jam track?
We added it to yesterdays live stream for members only ...you will find it there !
ya, just like that. lol Sure
Wow- I would not know how to use all these things you have. So how can I ever get a great sound not robbing my bank?. By the way I was an extremely fast player when I was young. Accident and back to square one. So now I’m slow