0:06 „Ogni mortal mister...Giunto sul passo estremo“- Mefistofele (Boito) 3:40 „Minuit, Chrétiens“ (Adam) 10:20 „Source délicieuse“- Polyeucte (Gounod) 14:25 „La fleur que tu m'avais“- Carmen (Bizet) 19:26 „É la solita storia del pastore“- L‘Arlesiana (Cílea) 23:45 „M‘appari, Tutt' Amor“- Martha (Flotow) 27:02 „Pourquoi me réveiller?“- Werther (Massenet) 29:45 „Povero Ernesto!...Cercherò lontana terra“- Don Pasquale (Donizetti) 33:58 „Un'aura amorosa“- Così fan tutte (Mozart) 42:04 „Vainement Pharaon“- Joseph en Egypte (Méhul) 49:02 „Au mont Ida“- La Belle Hélene (Offenbach) 1:00:20 „Mon coeur est plein d‘un noir souci...“- Anges du paradis (Mireille) 1:05:25 „Lolita“ (Buzzi- Peccia)
Спасибо большое, Аланья - мой любимый певец. У него очень хорошая энергетика. Чувствуется, что он - хороший, добрый человек. Для исполнителя это тоже важно.❤
Fascinating, really from the treasure chest! I'd love to be able to understand all the conversation and interaction. It seems they are not only working on the sound, but all facets of communication, for example the storytelling aspect of Paris's account of his encounter with the 3 goddesses in the Offenbach piece: "....LA troisième..."Thank you for posting!!! 🎼
Doresc să știu cît mai mult despre activitatea lui Roberto Albania.Il admir și îl simpatizez că pe propriul meu fiu.Ii doresc sănătate, succes și FERICIRE.Elena(menționez că sunt grav bolnava). Singurele bucurii sunt muzica de calitate.
I think Alagna isn't really fully appreciated, for some strange reason, as great a tenor as he is. It's our ugly times. I have a performance fantasy---Alagna as Chalais, Fleming as Maria, Hvorostovsky as Chevreuse, in 'Maria di Rohan'. That would have been something.
Well I get irritated when he “swoops” instead of hitting the note straight on the head and I find the tone too “spread” especially when volume is required but I come back to him every time after listening to other tenors. He is never boring. No 2 performances are alike. He has been accused of over acting but the music he is singing is intrinsically melodramatic and under acting is a far greater sin. I have enjoyed him now for 30 years . Domingo is the only other comparable tenor in roughly the same time period. All opinion and personal taste of course.
Interesting, this was around the time of the Pavarotti competition. Would be interesting to hear some of his voice lessons, but since he claims to have been self taught, those cassette tapes may be more be difficult to find.
@@sylviebasyl2835 oh, I did not know that she was a voice teacher. In that case, it would be interesting to see where she warms up his voice or gives the tenor some technical advice .
@@TimothyJonSarris Elle lui fait répéter ses rôles, rien à voir avec des leçons de chant. Elle nest pas professeur de chant mais chef de chant. Un chef de chant est un musicien, généralement un pianiste, chargé d'aider un chanteur à la préparation d'une œuvre vocale, en vue d'un spectacle d'opéra, d'un récital ou d'une audition.
The young Alagna is a miracle.
0:06 „Ogni mortal mister...Giunto sul passo estremo“- Mefistofele (Boito)
3:40 „Minuit, Chrétiens“ (Adam)
10:20 „Source délicieuse“- Polyeucte (Gounod)
14:25 „La fleur que tu m'avais“- Carmen (Bizet)
19:26 „É la solita storia del pastore“- L‘Arlesiana (Cílea)
23:45 „M‘appari, Tutt' Amor“- Martha (Flotow)
27:02 „Pourquoi me réveiller?“- Werther (Massenet)
29:45 „Povero Ernesto!...Cercherò lontana terra“- Don Pasquale (Donizetti)
33:58 „Un'aura amorosa“- Così fan tutte (Mozart)
42:04 „Vainement Pharaon“- Joseph en Egypte (Méhul)
49:02 „Au mont Ida“- La Belle Hélene (Offenbach)
1:00:20 „Mon coeur est plein d‘un noir souci...“- Anges du paradis (Mireille)
1:05:25 „Lolita“ (Buzzi- Peccia)
Merci !
Merci, je ne connaissais pas Lolita 😊
@@user-hr5ow7qp2d
A 46'52" R. Alagna chante Lolita
th-cam.com/video/z7iMQx1RnzM/w-d-xo.htmlsi=UIGIS_YroeNygVCR
@@user-hr5ow7qp2d
A 1:02:40
th-cam.com/video/4SL2-SYIm-8/w-d-xo.htmlsi=uM7YPLQh00VdovXs
Simone passed away in 2012 at age 101. Great composer, pianist and teacher.
One of the most beautiful tenor voices I have heard.
to prawda
He is a less not so sweet in timbre like baritone stefano.
Both are baries, but its a pitty story
C'est juste grandiose!! ...c'est magnifique !!! une leçon vocale et de diction française !
Je vois qu'on écoute les mêmes choses amigo !
Quelle interprétation de « La solita storia del pastore » toute en nuances. Bravo!
Ascoltando questo Alagna si impara a cantare. Aveva una voce bellissima
Спасибо, что поделились этой записью. Хочу слушать его бесконечно.
Спасибо большое, Аланья - мой любимый певец. У него очень хорошая энергетика. Чувствуется, что он - хороший, добрый человек. Для исполнителя это тоже важно.❤
Fascinating, really from the treasure chest! I'd love to be able to understand all the conversation and interaction. It seems they are not only working on the sound, but all facets of communication, for example the storytelling aspect of Paris's account of his encounter with the 3 goddesses in the Offenbach piece: "....LA troisième..."Thank you for posting!!! 🎼
Oh my god.. I didn’t knew he was that good !!! 😮😮😮
I do. 😄
Merci pour cette trezore !
Thank you so much for including this!
FANNTASTIQUE LECON...!!!
Merci pour cette merveille. Quel bonheur !
Doresc să știu cît mai mult despre activitatea lui Roberto Albania.Il admir și îl simpatizez că pe propriul meu fiu.Ii doresc sănătate, succes și FERICIRE.Elena(menționez că sunt grav bolnava). Singurele bucurii sunt muzica de calitate.
I think Alagna isn't really fully appreciated, for some strange reason, as great a tenor as he is. It's our ugly times.
I have a performance fantasy---Alagna as Chalais, Fleming as Maria, Hvorostovsky as Chevreuse, in 'Maria di Rohan'. That would have been something.
What a Voice!
un vrais bonheur
Vrai sans S, svp !
Well I get irritated when he “swoops” instead of hitting the note straight on the head and I find the tone too “spread” especially when volume is required but I come back to him every time after listening to other tenors. He is never boring. No 2 performances are alike. He has been accused of over acting but the music he is singing is intrinsically melodramatic and under acting is a far greater sin. I have enjoyed him now for 30 years . Domingo is the only other comparable tenor in roughly the same time period. All opinion and personal taste of course.
j' adore
Великолепно!
Красота
Interesting, this was around the time of the Pavarotti competition. Would be interesting to hear some of his voice lessons, but since he claims to have been self taught, those cassette tapes may be more be difficult to find.
Rien à voir avec des cours de chant.
Simone Féjard était chef de chant.
@@sylviebasyl2835 oh, I did not know that she was a voice teacher. In that case, it would be interesting to see where she warms up his voice or gives the tenor some technical advice .
@@TimothyJonSarris Elle lui fait répéter ses rôles, rien à voir avec des leçons de chant.
Elle nest pas professeur de chant mais chef de chant.
Un chef de chant est un musicien, généralement un pianiste, chargé d'aider un chanteur à la préparation d'une œuvre vocale, en vue d'un spectacle d'opéra, d'un récital ou d'une audition.
@@sylviebasyl2835 🙏🎵🎶🙏
@@sylviebasyl2835 Thank you, I am aware of what a vocal coach does. Would you happen to know who the tenor did study voice with?
❤️❤️❤️❤️❤️❤️❤️❤️❤️
Драгоценная запись
th-cam.com/video/SNM0hKWWe88/w-d-xo.html What is the title of this song?
Source délicieuse, Polyeucte de Gounod
@@sylviebasyl2835 Thank you!!
aveva una bella voce!
Perche "Aveva" ?! C'è la ancora !
@@remigarin8900 Non più. L’ambizione di cantare il repertorio sbagliato. Questo è il vero Alagna.
@@remigarin8900 nsomma...
@@tecnicaantica è Lei, che si è sbagliato ...
The young Alagna was easily one of the best lyric tenor of all times. A shame that he would proceed to wreck his voice.
He’s been wrecking his voice for over 30 years but still going.
Everything is screamed.
Why pianist didnt tell on forcing?
Wrong timbre
La pianiste ? Simone Féjard était aussi une chef de chant reconnue à l'opéra comique et à l'opéra de Paris.