@Carsten if you read this - you have talked before about setting up an array of point source speakers for orchestral monitoring in acoustically challenging spaces. I cant see that here. I can see two side fills but that's it. Have you thought about using something like Soundscape for orchestral monitoring? Bringing in delay panning on stage I think would really benefit the players in their monitoring...
I do that in monitoring actually, when I have the time and/or a monitor engineer. I try to simulate the first reflections as they are in a real concert hall. Thanks for your interest
@Carsten if you read this - you have talked before about setting up an array of point source speakers for orchestral monitoring in acoustically challenging spaces. I cant see that here. I can see two side fills but that's it. Have you thought about using something like Soundscape for orchestral monitoring? Bringing in delay panning on stage I think would really benefit the players in their monitoring...
I do that in monitoring actually, when I have the time and/or a monitor engineer. I try to simulate the first reflections as they are in a real concert hall. Thanks for your interest
Great seeing you Rahul and simple explanation right there. Jos Kenya