Amintiri aproape uitate renascute. Ma bucur ca am revazut acest concert despre care sincer uitasem ca am participat. Sa-l pomeneasca Dumnezeu pe maestru intre sfinti. Amin.
This concert was organised in spring 2002. There was present Hegoumenos Efraim of Vatoaidi who adressed to the oditorium ,with translator Dr. pater Constantin Coman Professor New Testament Cathedra, Theologiki Schole Bucuresti.
Δάσκαλε Αιωνία σου η μνήμη. Λυκούργος Αγγελόπουλος στη χορεία των Μεγάλων της Βυζαντινής Μυσικής άξιος συνεχιστής του Ιωάννη Δαμασκηνού.Έφερε στο φώς Μνημεία κ έκανε γνωστή την επιστήμη κ τέχνη της Βυζαντινής Μουσικής παντού στην Δύση.
There are a lot of them, so naturally they won't be quiet. But I think they do use dynamics, especially when going from mode 1 phrases (forte) to agia or enharmonic phrases (mezzopiano) - according to the mood of the music, in other words.
it is very beautiful , God bless all this choir members
Amintiri aproape uitate renascute. Ma bucur ca am revazut acest concert despre care sincer uitasem ca am participat. Sa-l pomeneasca Dumnezeu pe maestru intre sfinti. Amin.
This concert was organised in spring 2002. There was present Hegoumenos Efraim of Vatoaidi who adressed to the oditorium ,with translator Dr. pater Constantin Coman Professor New Testament Cathedra, Theologiki Schole Bucuresti.
Δάσκαλε Αιωνία σου η μνήμη.
Λυκούργος Αγγελόπουλος στη χορεία των Μεγάλων
της Βυζαντινής Μυσικής άξιος συνεχιστής του Ιωάννη
Δαμασκηνού.Έφερε στο φώς Μνημεία κ έκανε γνωστή
την επιστήμη κ τέχνη της Βυζαντινής Μουσικής
παντού στην Δύση.
very good! prefection!
😊❤
Do you know exactly when this concert took place and in which city? Știți exact când a avut loc acest concert și în ce oraș?
Μοναδικος δασκαλος...!!!!!!!
αν μπορέσει κάποιος να μας πληροφορήσει ποιά είναι τα " μαθήματα" / μουσικά μέλη που απέδωσε η χορωδία θα είμασταν ευγνώμονες!
Why does everything have to be so loud woth these guys?
There are a lot of them, so naturally they won't be quiet. But I think they do use dynamics, especially when going from mode 1 phrases (forte) to agia or enharmonic phrases (mezzopiano) - according to the mood of the music, in other words.
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