I know they aren't exactly in the same price range, but I'm very curious about how a budget cine zoom like the Rangers compares/stacks up against the Angenieux EZ's? How much better are the EZ's...are they better? Thanks!
As a rental house, we love it when you rent the more expensive stuff, but lenses like these are very very very good. The EZ set does a lot well and they have their own look, but honestly it would come down to a visual preference as these are on a very level playing field. The nice thing about the EZ set is the rear optics are swappable if you want to run S35 backs then you get T2.0
@@NorthwestCameraCo Thanks for your response. It's interesting to hear that they are on a level playing field! Amazing how the cine landscape is shifting with so many more/new players making gear. I guess the only way to know which is "better" is to rent them and see for myself...too bad I don't live in a market with a rental house like yours. Thanks again for the content you've been putting out. Everything I've seen so far has been super helpful and top quality.
I’m debating using this on a BMPCC 6K G2 (S35), curious how you think this would be for that use, would it give a wide enough focal range for general application, or do you think the upcoming 16-30 would be necessary for more establishing wider shots. I haven’t seen much S35 footage with these so hoping for your opinion?
Totally depends on the locations of your shoot and needs from your shot list. 28 might be a little tight on s35 on practical interiors. It’s really a maybe. Could definitely use a lot, might just be tough for a wide establishing type shot.
I know they aren't exactly in the same price range, but I'm very curious about how a budget cine zoom like the Rangers compares/stacks up against the Angenieux EZ's? How much better are the EZ's...are they better? Thanks!
As a rental house, we love it when you rent the more expensive stuff, but lenses like these are very very very good. The EZ set does a lot well and they have their own look, but honestly it would come down to a visual preference as these are on a very level playing field. The nice thing about the EZ set is the rear optics are swappable if you want to run S35 backs then you get T2.0
@@NorthwestCameraCo Thanks for your response. It's interesting to hear that they are on a level playing field! Amazing how the cine landscape is shifting with so many more/new players making gear. I guess the only way to know which is "better" is to rent them and see for myself...too bad I don't live in a market with a rental house like yours. Thanks again for the content you've been putting out. Everything I've seen so far has been super helpful and top quality.
@@ryanwhite4855 appreciate kind words. We love making the Content. So thanks for watching.
I’m debating using this on a BMPCC 6K G2 (S35), curious how you think this would be for that use, would it give a wide enough focal range for general application, or do you think the upcoming 16-30 would be necessary for more establishing wider shots.
I haven’t seen much S35 footage with these so hoping for your opinion?
Totally depends on the locations of your shoot and needs from your shot list. 28 might be a little tight on s35 on practical interiors. It’s really a maybe. Could definitely use a lot, might just be tough for a wide establishing type shot.
@@NorthwestCameraCo thank you. I’ll give it some more thought.
Does Laowa have anamorphic lenses too?
They do. Very excited to test them out. The proteus specifically.