It is *the* greatest bass line in all of rock and roll. Yes, Entwistle and Squire played neat, busy bass lines but the bass on Ramble On is still a *proper* bass part. It wasn't written on bass, so its role was still to support the guitar and vocals - and it *never* gets in the way of either, yet it's the part that *makes* the song; it's really the only part of the song that you can hum - and STILL it doesn't step on the vocals or guitar. The only other bass player in popular music (and I mean that in the broadest sense possible) who wrote bass parts like that was the also legendary James Jamerson.
Yes, it is an absolute masterpiece. It carries it all the way through and sets the mood for both the folk part and the rock part with such class. The guy is a freaking genius.
Yeah, it's very sad to me that slapping and popping is reduced to funk ONLY! It's like a cartoon style, and it doesn't have to be! But JPJ was one of the kings of melodic bass, along with McCartney, Squire, Rutherford, and a few others. All too often I see bass players that can slap and pop their way through a wonderful solo, but then drop the ball playing with a band. I fear soloing is killing truly great bass playing!
Dude Good bass playing is still really relevant. just look at some of the best bassist. you have people like joe dart of Vulfpeck. also that guy i don't know the name of that plays in Jamiroquai. and then all rock and metal have some damn fine bass players who basically never slap. i myself am a quite jong bass player. and yhea i do like that showoffy stuff like marcus miller, but only to play not to listen to. I really like to listen (and play in bands) the bass lines that are groovy and simplistic. trust me, i just think there are to many bassist of my generation caring more about technique and speed then groove and timing but i think those people are not as serious about the instrument. and there are enough bass players my age who do think it's really important to set the groove and those are i think the ones that have a chance at getting in some great and popular bands. what i would say is decreasing is jazz soloing(it is something i am working on but it's quite difficult) but when it becomes rare everyone wants to know how to do it again because it's unique.
Sure, there are plenty of good bass players out there, I never said there weren't. But I DO think there is way too much focus on creating cool solos, and the art, craft, and skill of playing with band is suffering because of this near obsession with bass soloing focus. That's NOT a bass player's number one job, IMO. Soloing is fun, and cool, and looks cool on TH-cam videos, but the art of being a functional bassist in a band isn't progressing nearly as fast as flashy soloing. It's not a popular view, but I think it's one bassists should consider, or not. I've seen this with drummers too! Killer soloists, but only so-so with a band.
Trust me when i say that those people are not gonna be famous the only people who are going to listen to bassists solo are bassists. Same goes for drumming.
pjsbulldog67 i wouldn’t call myself a fan (more of a stones guy) but i recognize that he is if not the best bass player ever. Bill Wymans a close third of course :)
It makes sense, though. The only member I genuinely find less impressive than him in any/all forms is Plant (who seems like a lovely guy with amazing taste in music regardless of decade, including those since). It's a dilemma ranking the members of Zep, which is why you shouldn't bother. I'm not a fan of the "JPJ was the secret weapon" thing. It obviously isn't objectively true, even though he could play a whopping 2.5 types of instruments pretty well.
Between bass, keys, mandolin, arrangement ideas and more, he's truly an outstanding rock musician and definitely a big part of The Zep's massive success.
Jones was a highly sought after session player. I'm glad he decided to play in Led Zeppelin. He was my inspiration into playing bass. Now I seek to be a multi instrumentalist like him. Jones was a genius.
For JPJ, its not simply just technique that is important, but the tone he gets and the sheer feel and timing that he gives to each tune. Something that is probably even harder for some to get than technique alone. Infact for the JPJ sound, as with most artists, tone and feel for a piece will go further than technique.
Absolutely. He never let his ego get in the way of producing great music and he made it for his listeners. There is not a grain of pretentiousness in JPJ.
The bass part in “The Song Remains The Same” is phenomenal. I think his playing is probably overshadowed by other rock bass heroes because even when when he was playing incredibly difficult and musically sophisticated lines, even very busy ones, they were always serving first and foremost as rock solid rhythm section support, and furnishing harmonic interest without getting in the way.
The "controversy" is really more about the fact that there are guitarists who show up saying "well I can play guitar so I can play bass too" and inevitably bring their picks. Um... no, no you can't actually play bass if you haven't put in time on a bass!
@ZacCostilla Jamerson played on many records true. He was on the payroll. Does not mean that he was the best. Please do not confuse quantity for quality. I like Jamerson. I love Motown songs. I grew in Detroit in the 50's and 60's. There are hundreds of better players.
Look at any of his basslines from The Fairy Feller's Master-Stroke, The Millionaire Waltz, You're My Best Friend, or even the late years with These are the days of our lives, he takes the bass to the front and using it as a voice in most cases.
I think he's one of the hardest to imitate. anyone can play like Entwistle, JPJ or Geddy Lee, but playing with the same taste as Deacon is almost impossible!
He has a very special touch and very precise on the tempo, what's also difficult is to apply his technique on an original or another song. Look at Jealousy, that's a very soft song and besides Freddie's piano (which people really have to look into it) the bass is what makes the song
@@Pierfra007 , while I agree that John Deacon is underrated, I don't think that just anyone can play like John Entwistle, as you said. Check out some videos of his right hand technique.
When I was 12-13 so about 2004, my friend's brother was introducing me to Led Zeppelin. When I heard Jones play, he inspired me to take up bass playing. So I saved up my lunch money from school everyday and combined it with my birthday money to get my first bass. 18 years later and I'm still learning how much of a genius that Jones is. The man is spectacular.
Achilles Last Stand is interesting because JPJ plays the snare accent hits in the chorus to cover for Bonham and keeps the horse gallup line together. The whole song has incredible bass playing
John Paul Jones is a musical beast. I"m a guitar player and I love Jimmy Page but there are so many Zeppelin songs where I always key in on and marvel over the bass part not only as a stand alone track of technical wizardry, but also how brilliantly it relates in different ways to both what the drums are doing and what the guitar is doing. Lemon Song is one where I always focus on the bass track the entire song and it just makes me realize how insane his chops really were. You can tell he's improvising through those jam sections and he's hitting so many god damn notes and not a single one of them is a brick and it never muddles up what the guitar and drums are doing whatsoever. He's still that good. His bass parts for Them Crooked Vultures are just amazing. That album is easily the most rockin' album any of the members have done outside of Zeppelin. Long live JPJ!
One interesting thing I'd like to point is that most bass guitarists who take a more melodic and vivid approach to the instrument actually got into music playing other instruments before they became bass guitarists. Paul McCartney was a pianist, John Entwistle played trumpet, John P. Jones was an organist, Flea played trumpet, Roger Waters played electric guitar, Jack Bruce played upright bass (Which is actually a very melodic instrument. Listen to jazz if you don't know what I'm talking about), Sting learned acoustic guitar (Spanish style), Geddy Lee got into music by singing in a choir, and the list goes on and on.
People say JPJ is underrated, when you're in a band with arguably the greatest rock drummer and greatest rock guitarist, that's not being underrated. It's being recognised by exactly the people you want to be recognised by.
John Paul Jones is my favorite musician. Long ago, I heard an interview with Jimmy Page where he said that JPJ was the best musician he has ever worked with. This comes as no surprise to me. It is not just his bass playing skills, the man is artistically much deeper that . He is a musicians musician, an artists artist.
Practice it in pieces, then put the whole thing together. It's much easier to break it down into sections than to try and tackle the whole thing at once.
och70 that’s right Can you say how experienced player you should be to play this sing because i’am practising this song and i have played bass now 8months
JPJ is the most versatile musicians I ever known. It was a blessing for Led Zeppelin to have him in the band. His works on No Quarter, Ramble On, The Lemon Song, Achilles Last Stand, Immigrant Song, Going to California, Kashmir, etc were amazing.
I hope you guys can come around for a part two of JPJ! I'd love to see you guys go through a few songs that he used his Alembic 8-string bass on (Nobody's Fault but Mine, Achilles Last Stand, etc.) as well as a few songs from Them Crooked Vultures! The bass line that the guitar plays with in the last part of No One Loves Me & Neither Do I is insane. Elephants, Scumbag Blues, and Spinning in Daffodils are all excellent candidates for a part two as well!
One of the things I've learned playing Zeppelin on bass is that, just like Jimmy Page, John Paul Jones wasn't always super "clean", but in the context of the song, what he played rocks so hard. Plus, he wouldn't play exactly the same line over and over again, but add a lot of subtle variations. So I try to not obsess over playing the exact same lines every time either, but play around with them a little as well and focus on the rocking :)
I'd love to see one of these for Krist Novoselic, he's such an underrated bassist and he's written such awesome bass lines with Nirvana like In Bloom, Lithium, Love Buzz and Lounge Act
I have always contended that LZ was essentially a funk band, in the way that they used interlocking riffs in such a groove-oriented way. So it's nice to hear about Jones' Motown inspirations. By the way, it would be helpful on these bass player overviews to know what amps you're using, and what strings you're using, and anything in your signal chain we should know about. I really enjoy these: keep 'em coming!
John Paul Jones is a master bassist Par Excellent that help shape the Zeppelin Sound and is the main reasons why I have a Fender Jazz Bass 🎸 . I'm a black guy from south central Los Angeles that grew up during the 1960's listening to Chuck Berry to the Beatles and Rolling Stones and then i heard Led Zeppelin on radio like 1969 while in 5th grade .. been hooked to their music since..
One of the greatest bassists in Rock. His parts are often difficult to play at the same time sounding amazing and doing the job. You are a great player man. Your playing on this video is flawless.
Good Times Bad Times - ‘it’s like a whole workout but it doesn’t sound flashy......it’s grooving, it drives the song, it holds everything together, it’s awesome’. Perfect description!! I’m a guitarist, but the bass playing on that song is what really stands out........... or maybe it’s the guitar solo. No, definitely the bass playing. But then again the solo is amazing. Hmmm 😊👍
I saw LZ back in the day with their first three albums out. Jones was the only one of the four that wasn't stumbling and off que. Rock solid bassist and the absolute foundation of LZ's groove. I loved that jazz bass through three Acoustic 360's.
If you are a true Zep fan then you know what Jonesy brings to the table. Whether its laying down the spinal cord for "Dazed and COnfused" or his ability and demonstrations of musical versatility. He is able to play 20+ instruments at masterful levels. That is imo what made the band so special and absolutely why they called it quits on Bonzo's death...each brought so much to the 4..its like a band of 16 people in terms of skillsets condensed into the tight 4 we saw on stage.
Agreed with IMToD - live versions, the slide solo sections are basically Jonesy soloing on the fretless doing whatever he wants for 5 minutes with Bonham and is some of his most fun playing, with double stops, slides, interesting rhythms
Thanks for a great video dedicated to one of my all time favourite bassists: John Paul Jones. Very well played and explained, thanks for opening with "Good times , bad times" , probably my all time favourite JPJ bass line. I would add to the list of all time favourite/classic JPJ bass lines not included due to time constraints: "Dazed and Confused" & his 8 string alembic work on " "Achilles last stand"
super stuff, thanks. it's also worth mentioning that unlike most "hot" basslines we think of, on most of JPJs iconic riffs the treble tone is really squashed. it's much closer to a "Motown" tone than most other British rock contemporaries (Yes, The Who, Cream, etc), but he lets just enough "growl" escape through to keep it interesting in the mix without being in your face.
JPJ was The Man for me learning back in the day, particularly from Led Zep 2! It's the only record you need to gain some pretty decent chops and a good understanding of playing with style in a band. I don't agree with all your interpretations of his parts (a few little notes missing here and there, IMO), but it's close enough for a good bass lesson and overview! Thanks for sharing!
Is this the only lesson on Jamerson’s bass lines/groove? If not there should be at least a mini-series demonstrating it. For anyone interested, Stabding in the Shadows of Motown is an essential buy for any aspiring professional bassist. Jamerson was a master in many aspects of bassist and inspired many musicians. Aspects of JJ’s playing can be incorporated into any players repertoire and style to give it some groove and feel that any band will welcome. I speak from experience and come back to that book (that comes with transcribed bass parts of various Motown recordings with sheet music and accompanying MP3’s of each song in the book.
Ramble On might be my favorite bass line of all time
Played on an 8 string bass. Currently on display at the rock hall.
Patrick Brown oof so wrong... you know that song is from II, right? That’s definitely a 4-string, almost certainly his Jazz Bass.
Harrison Vos Nevermind Sorry for some reason I thought we were talking about dazed and confused ?? just tired I guess
It is *the* greatest bass line in all of rock and roll.
Yes, Entwistle and Squire played neat, busy bass lines but the bass on Ramble On is still a *proper* bass part. It wasn't written on bass, so its role was still to support the guitar and vocals - and it *never* gets in the way of either, yet it's the part that *makes* the song; it's really the only part of the song that you can hum - and STILL it doesn't step on the vocals or guitar.
The only other bass player in popular music (and I mean that in the broadest sense possible) who wrote bass parts like that was the also legendary James Jamerson.
Yes, it is an absolute masterpiece. It carries it all the way through and sets the mood for both the folk part and the rock part with such class. The guy is a freaking genius.
This may be the only video on TH-cam where someone picks up a jazz bass and doesn't immediately start slapping.
Yeah, it's very sad to me that slapping and popping is reduced to funk ONLY! It's like a cartoon style, and it doesn't have to be! But JPJ was one of the kings of melodic bass, along with McCartney, Squire, Rutherford, and a few others. All too often I see bass players that can slap and pop their way through a wonderful solo, but then drop the ball playing with a band. I fear soloing is killing truly great bass playing!
Dude Good bass playing is still really relevant. just look at some of the best bassist. you have people like joe dart of Vulfpeck. also that guy i don't know the name of that plays in Jamiroquai. and then all rock and metal have some damn fine bass players who basically never slap. i myself am a quite jong bass player. and yhea i do like that showoffy stuff like marcus miller, but only to play not to listen to. I really like to listen (and play in bands) the bass lines that are groovy and simplistic. trust me, i just think there are to many bassist of my generation caring more about technique and speed then groove and timing but i think those people are not as serious about the instrument. and there are enough bass players my age who do think it's really important to set the groove and those are i think the ones that have a chance at getting in some great and popular bands. what i would say is decreasing is jazz soloing(it is something i am working on but it's quite difficult) but when it becomes rare everyone wants to know how to do it again because it's unique.
Sure, there are plenty of good bass players out there, I never said there weren't. But I DO think there is way too much focus on creating cool solos, and the art, craft, and skill of playing with band is suffering because of this near obsession with bass soloing focus. That's NOT a bass player's number one job, IMO. Soloing is fun, and cool, and looks cool on TH-cam videos, but the art of being a functional bassist in a band isn't progressing nearly as fast as flashy soloing. It's not a popular view, but I think it's one bassists should consider, or not. I've seen this with drummers too! Killer soloists, but only so-so with a band.
Matthew Heinecke I hate slapping
Trust me when i say that those people are not gonna be famous the only people who are going to listen to bassists solo are bassists. Same goes for drumming.
It’s a shame that JPJ doesn’t get the recognition like the other 3 in Led Zeppelin
Most zeppelin fans absolutely know his worth
pjsbulldog67 That’s true
David Beltz FUCKING A!!! Any band would kill to have him. The most dangerous weapon in the Zeppelin.
pjsbulldog67 i wouldn’t call myself a fan (more of a stones guy) but i recognize that he is if not the best bass player ever. Bill Wymans a close third of course :)
It makes sense, though. The only member I genuinely find less impressive than him in any/all forms is Plant (who seems like a lovely guy with amazing taste in music regardless of decade, including those since). It's a dilemma ranking the members of Zep, which is why you shouldn't bother.
I'm not a fan of the "JPJ was the secret weapon" thing. It obviously isn't objectively true, even though he could play a whopping 2.5 types of instruments pretty well.
Between bass, keys, mandolin, arrangement ideas and more, he's truly an outstanding rock musician and definitely a big part of The Zep's massive success.
Jones was a highly sought after session player. I'm glad he decided to play in Led Zeppelin. He was my inspiration into playing bass. Now I seek to be a multi instrumentalist like him. Jones was a genius.
So good that he is also known as the "invisible fifth Led Zeppelin member" because of how he skilfully transitioned between bass and organs/keyboard.
John really starts cookin when the song starts fading out .
Absofuckinglutely
Maybe the most underrated musician in history.
For JPJ, its not simply just technique that is important, but the tone he gets and the sheer feel and timing that he gives to each tune. Something that is probably even harder for some to get than technique alone. Infact for the JPJ sound, as with most artists, tone and feel for a piece will go further than technique.
Absolutely. He never let his ego get in the way of producing great music and he made it for his listeners. There is not a grain of pretentiousness in JPJ.
The bass part in “The Song Remains The Same” is phenomenal. I think his playing is probably overshadowed by other rock bass heroes because even when when he was playing incredibly difficult and musically sophisticated lines, even very busy ones, they were always serving first and foremost as rock solid rhythm section support, and furnishing harmonic interest without getting in the way.
JPJ puts the pick vs fingers controversy to bed by allowing both techniques to live together in harmony.
There is no pick vs. fingers "controversy" to any true musicians, only ignorant idiots.
Round 2: flats vs rounds
FIGHT!!!
The "controversy" is really more about the fact that there are guitarists who show up saying "well I can play guitar so I can play bass too" and inevitably bring their picks. Um... no, no you can't actually play bass if you haven't put in time on a bass!
@@crimfan - most decent guitarists can play with their fingers anyway.
@TheGreaterGood80 Oh definitely some of the greats made use of plectrum playing exclusively or in part.
J. P. Jones ... the name of the best bassist of all times. Never flamboyant, never ignored, never borring ... GENIUS.
JPJ is amazing! The Mt. Rushmore of Bass would be James Jamerson, JPJ, Flea, and Geezer Butler
John Entwistle since 1965 has been voted number 1 or number 2 bass player in every music magazine poll. Bassist Of The Millenium.
@@trajan6927 Entwistle had technique, JPJ has SOUL.
@ZacCostilla Jamerson played on many records true. He was on the payroll. Does not mean that he was the best. Please do not confuse quantity for quality. I like Jamerson. I love Motown songs. I grew in Detroit in the 50's and 60's. There are hundreds of better players.
I would love to see about John Deacon from Queen, he has very unusual bass lines worth to look into!
one of the greatest and underrated artists out there.
Look at any of his basslines from The Fairy Feller's Master-Stroke, The Millionaire Waltz, You're My Best Friend, or even the late years with These are the days of our lives, he takes the bass to the front and using it as a voice in most cases.
I think he's one of the hardest to imitate. anyone can play like Entwistle, JPJ or Geddy Lee, but playing with the same taste as Deacon is almost impossible!
He has a very special touch and very precise on the tempo, what's also difficult is to apply his technique on an original or another song. Look at Jealousy, that's a very soft song and besides Freddie's piano (which people really have to look into it) the bass is what makes the song
@@Pierfra007 , while I agree that John Deacon is underrated, I don't think that just anyone can play like John Entwistle, as you said. Check out some videos of his right hand technique.
Four master musicians came together and created the fabulous music we hear today as Led Zeppelin. What an ever lasting legacy !
JPJ is definitely one of my favorite bassists, maybe #1. Just a genius player and composer.
Same here, I had that realization when I was watching this
When I was 12-13 so about 2004, my friend's brother was introducing me to Led Zeppelin. When I heard Jones play, he inspired me to take up bass playing. So I saved up my lunch money from school everyday and combined it with my birthday money to get my first bass. 18 years later and I'm still learning how much of a genius that Jones is. The man is spectacular.
The Lemon Song....bass solo?
I was just gonna put this! The entire middle section where he just free floats and makes the blues sound like orchestral parts in a funky way. Aahhh
TheHunter my absolute most favorite part out of any Zep song. Iconic
same
Also Travelling Riverside Blues. British Jamerson for sure!
Yeshhh
This video is solely responsible for me getting a bass. Thanks, Jake.
Achilles Last Stand is interesting because JPJ plays the snare accent hits in the chorus to cover for Bonham and keeps the horse gallup line together. The whole song has incredible bass playing
John Paul Jones is a musical beast. I"m a guitar player and I love Jimmy Page but there are so many Zeppelin songs where I always key in on and marvel over the bass part not only as a stand alone track of technical wizardry, but also how brilliantly it relates in different ways to both what the drums are doing and what the guitar is doing. Lemon Song is one where I always focus on the bass track the entire song and it just makes me realize how insane his chops really were. You can tell he's improvising through those jam sections and he's hitting so many god damn notes and not a single one of them is a brick and it never muddles up what the guitar and drums are doing whatsoever. He's still that good. His bass parts for Them Crooked Vultures are just amazing. That album is easily the most rockin' album any of the members have done outside of Zeppelin. Long live JPJ!
Was hoping someone would mention the Lemon Song. Absolutely spot on. Killer ideas on a "Killin Floor" - reference deliberate!
"The Ocean" walking bass line at the end
That's "how many more times "
One interesting thing I'd like to point is that most bass guitarists who take a more melodic and vivid approach to the instrument actually got into music playing other instruments before they became bass guitarists. Paul McCartney was a pianist, John Entwistle played trumpet, John P. Jones was an organist, Flea played trumpet, Roger Waters played electric guitar, Jack Bruce played upright bass (Which is actually a very melodic instrument. Listen to jazz if you don't know what I'm talking about), Sting learned acoustic guitar (Spanish style), Geddy Lee got into music by singing in a choir, and the list goes on and on.
People say JPJ is underrated, when you're in a band with arguably the greatest rock drummer and greatest rock guitarist, that's not being underrated. It's being recognised by exactly the people you want to be recognised by.
John Paul Jones is my favorite musician. Long ago, I heard an interview with Jimmy Page where he said that JPJ was the best musician he has ever worked with. This comes as no surprise to me. It is not just his bass playing skills, the man is artistically much deeper that . He is a musicians musician, an artists artist.
Do you remember wich interview is this? I would love to see it
Good Times Bad Times is super hard to play
Practice it in pieces, then put the whole thing together. It's much easier to break it down into sections than to try and tackle the whole thing at once.
och70 that’s right
Can you say how experienced player you should be to play this sing because i’am practising this song and i have played bass now 8months
@@jakskejajajajaa4283 that song will be quite a challenge if you have only been playing 8 months
onehung lo well i can play that song pretty good
gheddi hey i can play it and bunch of other songs like dark necessities and take the power back!
JPJ is the most versatile musicians I ever known. It was a blessing for Led Zeppelin to have him in the band. His works on No Quarter, Ramble On, The Lemon Song, Achilles Last Stand, Immigrant Song, Going to California, Kashmir, etc were amazing.
Not sure there is a cooler bass line than The Song Remains the same. It’s obviously not the most difficult thing he played but it just sounds so good!
I hope you guys can come around for a part two of JPJ! I'd love to see you guys go through a few songs that he used his Alembic 8-string bass on (Nobody's Fault but Mine, Achilles Last Stand, etc.) as well as a few songs from Them Crooked Vultures! The bass line that the guitar plays with in the last part of No One Loves Me & Neither Do I is insane. Elephants, Scumbag Blues, and Spinning in Daffodils are all excellent candidates for a part two as well!
would love to see some of his them crooked vultures riffs, cause he is really rippin it there
Filip Šak yeah he does some weird, amazing shit with them, especially if you watch live footage of TCV
Heck yeah, his playing on New Fang is funky as hell and it’s awesome
BEST rendition I've seen of these riffs EVER, and I've been playing these songs for over 46 years. You did your homework, son!
Actually he got a few things wrong...
Achilles Last Stand, you forgot this one !
Mr J the 8 string bass should be issued as a new world's wonder
Their best song! Especially from a technical standpoint
Yes
That bassline always gets me too!
One of the things I've learned playing Zeppelin on bass is that, just like Jimmy Page, John Paul Jones wasn't always super "clean", but in the context of the song, what he played rocks so hard. Plus, he wouldn't play exactly the same line over and over again, but add a lot of subtle variations.
So I try to not obsess over playing the exact same lines every time either, but play around with them a little as well and focus on the rocking :)
I'd love to see one of these for Krist Novoselic, he's such an underrated bassist and he's written such awesome bass lines with Nirvana like In Bloom, Lithium, Love Buzz and Lounge Act
?
He didn't write love buzz but yeah good suggestion that'd be cool
Grim Right, I forgot. Still, awesome bass line though
I agree he is an underrated bass player but does anyone know if he wrote those bass lines?
please yes. so criminally underrated
Yep. You're right there was a lot of Jameson in JPJs playing. Probably why I love both players and what they bring to the music.
I tear up every single time I hear Ramble On, one of the most beautiful songs ever played on a bass
This teacher is awesome. I don't even play the bass - I'm a guitarist - but this totally helps me understand where and how good bass drives a song.
I have always contended that LZ was essentially a funk band, in the way that they used interlocking riffs in such a groove-oriented way. So it's nice to hear about Jones' Motown inspirations. By the way, it would be helpful on these bass player overviews to know what amps you're using, and what strings you're using, and anything in your signal chain we should know about. I really enjoy these: keep 'em coming!
John Paul Jones is a master bassist Par Excellent that help shape the Zeppelin Sound and is the main reasons why I have a Fender Jazz Bass 🎸 . I'm a black guy from south central Los Angeles that grew up during the 1960's listening to Chuck Berry to the Beatles and Rolling Stones and then i heard Led Zeppelin on radio like 1969 while in 5th grade .. been hooked to their music since..
One of the greatest bassists in Rock. His parts are often difficult to play at the same time sounding amazing and doing the job. You are a great player man. Your playing on this video is flawless.
This guy is thumping that Bass between learning from Dan Hawkins n this guy sure does motivate me to play n practice more than ever. Thank you
Custard pie. So simple yet so funky. One of my favorites.
JPJ is among my top few most fave Bass players of all time. I think he is sublime!
I enjoy it,many many thanks
Soy un perro viejo de 55 años que llevo más de 40 años escuchando Led Zeppelin
Mallorca-Spain
Well done man
John Paul made me want to pick up the bass! What a legend :)
JPJ is one of the most talanted musicans of all time
I started to listen rock music with zeppelin, and jones was the first musician that impress me ever
Love that Jazz Bass! JPJ was always absolutely amazing to me. His influence has always played a HUGE roll in my style of bass playing.
I love the way he plays whole lotta love, using the open strings while playing the riff
JPJ and John Entwistle. My two fav's. Absolute thunderous brilliance.✌️
Support the people and just release those quality tabs. Best tabs i've ever seen for it. Having it written on the staff is so helpful
Nice job.
Bonham and Jones worked off of each other to perfection.
One of the most underrated musicians, what a monster player.
Ramble on is the grooviest bassline ever. Gives me chills.
rock and roll doesn't have a lot of true geniuses but Jones is one
Amazing chops. I had completely underestimated JPJs bass lines. Thank you
Good Times Bad Times - ‘it’s like a whole workout but it doesn’t sound flashy......it’s grooving, it drives the song, it holds everything together, it’s awesome’. Perfect description!! I’m a guitarist, but the bass playing on that song is what really stands out........... or maybe it’s the guitar solo. No, definitely the bass playing. But then again the solo is amazing. Hmmm 😊👍
I really like Jake's bass sound, and he plays this stuff fluently. JPJ's bass lines are really superb, too. Great video.
Well... Now we need Geddy Lee, John Deacon and Chris Squire
One of my favorites is The rover from Physical Graffiti.
I have a new appreciation for the arranging and playing of John Bonham!
If you guys did one on Greg lake that would be badass, he’s so underrated!
If only
The bass in 21st century schizoid man is on a whole other level
Thank you SO much for this. As a huge JPJ fan, I've been chasing some of these licks for years. Well done Reverb.
Ramble on is maybe one of my top five bass lines... And another one is Achilles last stand! That's amazing!
I have been mesmerized by John’s savvy since I heard LZ1 when I was 9. Thanks to your great work I love him even more. Thank you.
Bass line on in my rime of dying is one of my faves. The live version is killer
I saw LZ back in the day with their first three albums out. Jones was the only one of the four that wasn't stumbling and off que. Rock solid bassist and the absolute foundation of LZ's groove. I loved that jazz bass through three Acoustic 360's.
All day every day! Jonesy was the best and you chose the best examples...we could do this all day though. ✌🏼✊🏼🌈🍄🐛
Best appreciation of JPJ's bass playing I have seen. Thanks for your accuracy.
If you are a true Zep fan then you know what Jonesy brings to the table. Whether its laying down the spinal cord for "Dazed and COnfused" or his ability and demonstrations of musical versatility. He is able to play 20+ instruments at masterful levels. That is imo what made the band so special and absolutely why they called it quits on Bonzo's death...each brought so much to the 4..its like a band of 16 people in terms of skillsets condensed into the tight 4 we saw on stage.
Dazed and Confused is my favourite song and im totally not biased bc its fun to play i promise
JPJ : I Can’t Quit You, Baby, Fool in the Rain, In My Time of Dying, The Crunge & Custard Pie
Ramble On, mate!
I Can't Quit You Baby is definitely one of his best.
Yer forgetting the Lemon Song my man!
The Crunge not The Cringe... ;_;
Agreed with IMToD - live versions, the slide solo sections are basically Jonesy soloing on the fretless doing whatever he wants for 5 minutes with Bonham and is some of his most fun playing, with double stops, slides, interesting rhythms
Ramble On has got to be one of the most badass baselines from the Zeppelin catalog
Stefan Lessard's work with the Dave Matthews Band really needs some love. His parts is always tasteful, musical and in service to the music.
The bass in "The song remains the same" is straight up badass!
I love this series, guys. Jake is crushing it.
Been waiting for this feature on JPJ for a while! So good! Easily the most influential musician in my life
What a heavy jazz bass tone. This is why I'm team Jazz4Lyfe
Thank you. I have always been a fan of John Paul Jones, but I have a greater appreciation for him after this video.
Great lesson and background on one of the greats. Kudos, very well done & thank you.
Best bass vid I’ve seen in a long time, thx. Yer a great player and teacher
His work in Them Crooked Vultures needs a video all its own.
Awesome! A virtuoso indeed. Can you do John Deacon next?
Yes!
lol
Lol
lol
Excellent video. Nice attention to detail. JPJ deserves credit for sheer musicality. He and Jimmy were both killer arranger/ producers.
Thanks for a great video dedicated to one of my all time favourite bassists: John Paul Jones. Very well played and explained, thanks for opening with "Good times , bad times" , probably my all time favourite JPJ bass line.
I would add to the list of all time favourite/classic JPJ bass lines not included due to time constraints:
"Dazed and Confused" & his 8 string alembic work on " "Achilles last stand"
This presentation of JPJ's work is wonderful! Thanks!!!!!
Thanks!! I loved this video! Great contribution!!
Great break down of how he played those riffs. Thank you
those overdriven slides he does in heartbreaker are monstrous
I forgot how groovy his feel is. Thanks!
Achilles Last Stand! A way of true groovy thrash metal back on 76!
super stuff, thanks.
it's also worth mentioning that unlike most "hot" basslines we think of, on most of JPJs iconic riffs the treble tone is really squashed. it's much closer to a "Motown" tone than most other British rock contemporaries (Yes, The Who, Cream, etc), but he lets just enough "growl" escape through to keep it interesting in the mix without being in your face.
Well done. You are the first person I've seen on TH-cam to get the slurs/slides correct on 'Ramble On'. You have a nice clean and efficient technique.
Well done! That fill on GTBT has been a source of much frustration for me over the years.
The. Lemon. Song.
Good, clean replication of his lines
JPJ was The Man for me learning back in the day, particularly from Led Zep 2! It's the only record you need to gain some pretty decent chops and a good understanding of playing with style in a band.
I don't agree with all your interpretations of his parts (a few little notes missing here and there, IMO), but it's close enough for a good bass lesson and overview! Thanks for sharing!
Take some of those audios of JPJ up one or two octaves...
You’ll hear some additional stuff that we usually miss in his lines.
Heck of an insightful, helpful, lesson, thanks!
Is this the only lesson on Jamerson’s bass lines/groove? If not there should be at least a mini-series demonstrating it. For anyone interested, Stabding in the Shadows of Motown is an essential buy for any aspiring professional bassist. Jamerson was a master in many aspects of bassist and inspired many musicians. Aspects of JJ’s playing can be incorporated into any players repertoire and style to give it some groove and feel that any band will welcome. I speak from experience and come back to that book (that comes with transcribed bass parts of various Motown recordings with sheet music and accompanying MP3’s of each song in the book.
JACK BRUCE
PLEASE
Yes Please!
When JPJ is so much underrated then Jack Bruce is pretty overrated.
Bitch please...
@@anonymusum How so?
phil lynott next?
This Jake guy is the truth! Hats off
Man, your voice and accent are so similar to David Grohl's 😎
Finally someone does JPJ proper.
Wish i could jam with you mate.
So well done! Thanks for this. Great tribute/lesson all in one.