I'm digging the Earthworks DM 20 on the snare. Nice and crispy with a Ton of Gain.Worth the Cash for a Great End Result!!! Thank You Warren and Manny! Cheers!!
Love these mic locker deep dives. love my vintage AKG D190e for metal snares. mic it close and get some shell. be original. Bowie, Orbison, Elvis etc all used the EV Re10 live too. Karen Carpenter used em in the studio even. I like it as a second vocal mic for vibe to blend in and to put efx on
Loved this one -- Manny is the F'ing man -- I must (and will) own the Wormhole mic soon. Shout out to the Lauten LS208, love that mic -- snare, kick, bass cab, vocals all sound awesome.
The Altec 633a as Manny said was on a doors session. Bruce Botnicks bass drum mic. I would love a Bk5 and a EV 666. I have two Beyer M380’s. I bought them from the studio that Genesis owned. No one cared what they were, so I bought both of them. I love microphones and Manny’s mic locker. Keep up the good the good work.
I bought an Altec based on your recommendation and absolutely love it on electric guitar and drums as a “sausage” mic. 100% agree with your assessment on what it does for electric guitar when combined with a 57, etc. Thanks for the knowledge!
You know what? I've been using an AKG C-414 B-ULS to record my vocals with for years and I got a dynamic AKG D-320-B (?? not sure, but I think I'm correct about that) for 40 Euros, hooked it up to my preamp/DAW/monitors just to hear what it sounds like and the weird thing was: I thought it's broken! Didn't hear anything (I thought!!), so I kept on raising the main speaker volume until I heard my voice as I'm hearing it in my head coming out of the speakers. I'm so impressed with that little mic! So, it does mean that it's not 100% accurate, because my voice in my head sounds different to how other people perceive my voice, but isn't it cool having a mic that instantly sounds the way you want it to sound? I might actually use this mic as my main vocal mic in the future. :)
I got one of those Alien8 kick drum mics along my quest for kick drum mics... its all I use now, It sounds like the kick drum I placed it in front of, minimal eq or compression (if any)....
Ive only use my WA47 on rooms since I got it as well! I toss it out in the hall and crack the door open and it gets the coolest crispy reverb. Or I'll just put it about 6ft from the kit and it sounds great
@@mannysmiclocker I saw that you tracked my old friends in the Gooms! I was always curious where they had gotten such rippin recordings done. Did they record with you again for their new project? I was hearing a lot of similarities
@@mannysmiclocker they sound in-between a 414 in clarity and fatness, and is basically like a super HiFi SM7 but goes all the way down to 16 Hz. Roll the dice and you'll be happy I believe.
I don't know why, but everytime you present Manny's Mic Locker, I feel like I should go out and buy something you've covered in the vid 🤣 Keep it up Manny
Hi Manny, nice video. I saw on another one that you also have the Capsule 8 by Dr Alien Smith. It would be really cool to do a comparison with the Alien8 and the Beyer M380, maybe on outside kick and on bass amp? Thank you very much
I record at my home studio mostly. I have been sticking an sm7b and sm57 on everything thinking about getting an ls208 for a condenser with some room rejection. Awesome info thanks !
Have you tried the AKG202e, slightly different to 224, a bit bigger, thumbs up for Beyer 201, I call it my „truth“ mic…a little tip for you, I live not far from Sennheiser, there is a new version of the 421, shorter, no filters(who uses the filters anyway?) and a new clamp for toms etc….
@@mannysmiclockerI have 6……and some 420‘s and 422‘s, they’re 202#s with heavy bass roll off, they are small so sneaking them into a busy drumlin for percussion toys they are ideal, have you tried the sE RNR1? ITS THE RUPERT NEVE RIBBON AND ITS ASTOUNDING
I use a variation of the Glynn Jones overhead technique too, and vor my live shows too, put an 1176 simulation on it and set it up right, load your close mics for fundamental ton and 1k attack and you have a great mix of old and new, by the way I’m using Sennheiser 900 series for all close mic’ing
You’re talking a ton about drums. I’m a vocalist, and I’m just building the home DAW. I currently only have a Blue Spark, a Beta 58 for live, a Sennhieser 935, and a SM7b, with an Audient ID24 for my setup. I’m still sourcing the right channel strip (not 100% sure where to land here). I am super curious, if you could just choose three of those Microphones for vocals, where would you be???
P.S. I seem to spend money like a drunken sailor. I bought most of this on a whim, and if I could do something cool enough for an internet channel, I would be ecstatic. Do I need a 500 series preamp/eq/compressor or would something else be sufficient?
Hi, does anyone know this old R.U.F. microphone with volume knob on the front? (it's similar to BBC microphone from 1957). I recovered it from an old repair shop and just wanted to know a little history...
Manny have you used the WA 251 on overheads? I have the 47 jr and the 251. Both sounds great but those Wa 251 are so dang smooth they make cheap cymbals sound good 😅😅😅
I think the Rode NT-2A deserves some recognition and consideration as a vocal mic. It seems to be tainted to some degree in that it is frequently used by podcasters, and we all know what that means - it will be completely disregarded as a "serious" mic by many recording studios.
Those Realistic 33-1070"s... Other than everybody thinking they are RE50's (they look alike, not sure how faithful?), what do they do well, other than being cool "trashy" mics? I have an older buddy that has 3, I'm too lazy to ask him for one and experiment. Just tell me !? lol
Might send you some Grundig stereo tape machine microfone that you can pick up for @ $100, cut off the din pins and solder on xlr‘s, mow you have a matched pair of Sennheiser 409‘s for $100, NOT $1000 to $2000 for a pair….send you some pics of the ones to get if you get in touch with me….
@@mannysmiclocker Badass, I’m always building things for my studio! I’ve built a lot of gear, necessity when you’re not independently wealthy (and it’s just fun)!
Not so at all. Massively different mechanically, from the rotation mechanism to the shockmount, and totally different design and origin (!!!) of both caspule and inner electronics, plus a far more versatile little stereo & M/S connection box for the Vanguard, which all in all is honestly leagues better. The only thing similar is the colour, some variation of crimson red, and the general concept of such a type of stereo mic, which is the same as the venerable Neumann USM69 or the frail AKG C426 - and BTW the rotation mechanism of the Vanguard is better, more versatile and less incline to problems than both these legendary mics.
What are some of your favourite microphones? Share below!
Any mic Warren uses ;) those RCA77s you own is a good start!!
just got an Art Pro T4 Tube mic, surprisingly great! much better than the warm wa47 tube
I'm digging the Earthworks DM 20 on the snare. Nice and crispy with a Ton of Gain.Worth the Cash for a Great End Result!!! Thank You Warren and Manny! Cheers!!
Love these mic locker deep dives. love my vintage AKG D190e for metal snares. mic it close and get some shell. be original. Bowie, Orbison, Elvis etc all used the EV Re10 live too. Karen Carpenter used em in the studio even. I like it as a second vocal mic for vibe to blend in and to put efx on
Tlm 103 is my go to
I love how your words just flow naturally out of you when you’re this passionate about something Manny ❤️
We both are true Artists so it’s easy :)
Manny Rules!
You Rock my friend!@@mannysmiclocker
manny has changed my life. i now have the best bass sound in my studio for less than 1500 thanks to him
Thanks and appreciated you sharing that! Made my day ;)
Loved this one -- Manny is the F'ing man -- I must (and will) own the Wormhole mic soon. Shout out to the Lauten LS208, love that mic -- snare, kick, bass cab, vocals all sound awesome.
We speak the same language ❤
“I got a BK5… you should see my car” 😂 Great stuff as always Manny - thank you.
Ha Pre 96 I’m assuming lol
Huge respect for Manny.
Much appreciated the kind words Ben🎉
Love the Dr Alien Smith stuff!
Amazing! I have to personally check them out
Same here Brother!❤
@@ProducelikeaproI’ll drop some by when you are at your spot ;)
The Altec 633a as Manny said was on a doors session. Bruce Botnicks bass drum mic.
I would love a Bk5 and a EV 666.
I have two Beyer M380’s.
I bought them from the studio that Genesis owned. No one cared what they were, so I bought both of them.
I love microphones and Manny’s mic locker.
Keep up the good the good work.
Manny been loving your videos on here! Thx
I bought an Altec based on your recommendation and absolutely love it on electric guitar and drums as a “sausage” mic. 100% agree with your assessment on what it does for electric guitar when combined with a 57, etc.
Thanks for the knowledge!
Killer results, thank you.
Awesome and thrilled you enjoyed ❤
You've got a whole world of Microphones In your Showroom. I may Admire to part with the twin connection Turnable Mic. Thanks to Manny's Mic Show.
Thanks for tuning in and thrilled you enjoyed
I love Manny's Mic Locker. I use my Coles 4038's from Glynn stuff, but gotta try the WA-67s!
That sounds amazing as well! I’ve made maybe 4-5 records now w Warm 67s and they don’t disappoint !
I love these episodes with Manny. So good!
Thanks for tuning Pete🎉
Another heater! Manny never disappoints.
Apprciated the kind words Frank! PLAP Rocks🎉
You know what? I've been using an AKG C-414 B-ULS to record my vocals with for years and I got a dynamic AKG D-320-B (?? not sure, but I think I'm correct about that) for 40 Euros, hooked it up to my preamp/DAW/monitors just to hear what it sounds like and the weird thing was: I thought it's broken! Didn't hear anything (I thought!!), so I kept on raising the main speaker volume until I heard my voice as I'm hearing it in my head coming out of the speakers. I'm so impressed with that little mic! So, it does mean that it's not 100% accurate, because my voice in my head sounds different to how other people perceive my voice, but isn't it cool having a mic that instantly sounds the way you want it to sound? I might actually use this mic as my main vocal mic in the future. :)
What a great collection Manny, this series is brilliant. Keep it real as always Manny, cheers. Big thanks to the PLAP team
You are appreciated and thanks for tuning in Joey!!
I’m recording at Abbey right now and not gonna lie we used an absolute smorgasbord of mics today!
Why you son of a…🎉
Thank you Manny, great info as always
Thanks Mike!!!! PLAP Rocks!
Thanks Michael!
Thanks@@mannysmiclocker! You Rock!!
Great video, as always. I just have missed the one where you talk about moving your studio. I'm intrigued that it's all in one room.
I believe the next video Warren releases will be that move! Thanks for inquiring and kind words 🎉
@@mannysmiclockerI look forward to seeing that.
Love Manny's videos. Such a cool dude!
Much appreciated ❤
This intro is so bad ass! Love manny!
Thanks ever so much!
Manny rules!
It’s my own band Chavez Ravine and track is called Audio Trafficking ;) Thanks for tuning in🎉
I got one of those Alien8 kick drum mics along my quest for kick drum mics... its all I use now, It sounds like the kick drum I placed it in front of, minimal eq or compression (if any)....
I dig that🎉
I’ve been on the fence with buying one waiting to hear more reviews. Thanks for sharing!
@@ryancrawford9894I hope if anything this show is just a realistic review of mics and when to pay and shop thrift
Love Manny, excellent as always. Keep it up
Thank you for the kind words and PLAP Rocks!
such an atmospheric intro
Ha true grit od living in LA🎉
Always learn a ton from Manny.
Much appreciated J! Thanks for checking in🎉
Manny rules!!
You Rock Manny
@@Producelikeaproyou Rock!
Ive only use my WA47 on rooms since I got it as well! I toss it out in the hall and crack the door open and it gets the coolest crispy reverb. Or I'll just put it about 6ft from the kit and it sounds great
We speak the same language via Warm❤
@@mannysmiclocker I saw that you tracked my old friends in the Gooms! I was always curious where they had gotten such rippin recordings done. Did they record with you again for their new project? I was hearing a lot of similarities
I have the Twin 87. Phenomenal mic
I’ll second that ;)
i agree
Damn dude, just listening to the intro song, it sounds amazing.
Thanks Manny! 😊
You are appreciated! Thanks for tuning in🎉
This guy is hilarious and very fun to listen to.
Ha Thank you 🎉
NEAT KING BEE V1 is by FAR, the best bang for the $
I gotta check that out!
@@mannysmiclocker they sound in-between a 414 in clarity and fatness, and is basically like a super HiFi SM7 but goes all the way down to 16 Hz. Roll the dice and you'll be happy I believe.
@@uprightdoublebassyou have my attention!!!
Gotta try these lauten 308‘s, look and sound intriguing….
Real deals!
Awesome video manny thank you.
Thanks for tuning in Henry 🎉
Manny Rocks!!
@@Producelikeapro you as well!
@@mannysmiclocker yes thanks Warren for all you do and all you’ve done for us and the community. Real talk
I don't know why, but everytime you present Manny's Mic Locker, I feel like I should go out and buy something you've covered in the vid 🤣 Keep it up Manny
Ha yes it’s all working class gear and most affordable but tried and true for results🎉Thanks for tuning in ;)
Hi Manny, nice video. I saw on another one that you also have the Capsule 8 by Dr Alien Smith. It would be really cool to do a comparison with the Alien8 and the Beyer M380, maybe on outside kick and on bass amp? Thank you very much
Sounds like a plan and I’ll do one in the coming months. Great idea 🎉
Thanks man. I really dig this serie of Mic Lockers videos. Keep on making them!@@mannysmiclocker
Yay!!! Another Manny mic locker!! 🤘💚🤘
Thanks for tuning in D! PLAP Rocks🎉
I record at my home studio mostly. I have been sticking an sm7b and sm57 on everything thinking about getting an ls208 for a condenser with some room rejection. Awesome info thanks !
Sounds like a plan! Thanks for tuning in🎉
Have you tried the AKG202e, slightly different to 224, a bit bigger, thumbs up for Beyer 201, I call it my „truth“ mic…a little tip for you, I live not far from Sennheiser, there is a new version of the 421, shorter, no filters(who uses the filters anyway?) and a new clamp for toms etc….
201 forever mics 100%
@@mannysmiclockerI have 6……and some 420‘s and 422‘s, they’re 202#s with heavy bass roll off, they are small so sneaking them into a busy drumlin for percussion toys they are ideal, have you tried the sE RNR1? ITS THE RUPERT NEVE RIBBON AND ITS ASTOUNDING
I use a variation of the Glynn Jones overhead technique too, and vor my live shows too, put an 1176 simulation on it and set it up right, load your close mics for fundamental ton and 1k attack and you have a great mix of old and new, by the way I’m using Sennheiser 900 series for all close mic’ing
@@murraywebster1228I dig that! Thanks for sharing 🎉
You’re talking a ton about drums. I’m a vocalist, and I’m just building the home DAW. I currently only have a Blue Spark, a Beta 58 for live, a Sennhieser 935, and a SM7b, with an Audient ID24 for my setup. I’m still sourcing the right channel strip (not 100% sure where to land here). I am super curious, if you could just choose three of those Microphones for vocals, where would you be???
P.S. I seem to spend money like a drunken sailor. I bought most of this on a whim, and if I could do something cool enough for an internet channel, I would be ecstatic. Do I need a 500 series preamp/eq/compressor or would something else be sufficient?
Hi, does anyone know this old R.U.F. microphone with volume knob on the front? (it's similar to BBC microphone from 1957).
I recovered it from an old repair shop and just wanted to know a little history...
Sorry not familiar
Manny have you used the WA 251 on overheads? I have the 47 jr and the 251. Both sounds great but those Wa 251 are so dang smooth they make cheap cymbals sound good 😅😅😅
That’s next on my list!!!!! Thanks for sharing
Amazing !!!!! THANKS!
Thanks for Tuning in🎉
What do you use the 1070’s on?
I always use rooms for guitars as their huge but a little dull so it makes them sound super thick lowend
Manny, when you use the Alien8 outside, what do you have inside?
*Very good video. Thanks* 🤠😎
You are appreciated tuning in!!!
cool
Thanks D!
I think the Rode NT-2A deserves some recognition and consideration as a vocal mic. It seems to be tainted to some degree in that it is frequently used by podcasters, and we all know what that means - it will be completely disregarded as a "serious" mic by many recording studios.
I’ve had one at my first studio years and most my buds loved it! Add to list if I still owned one for sure .
I think they just sound terrible!
@@officialWWMrespect🎉
Great stuff, Manny!
Much appreciated G🎉
@@mannysmiclocker That Dr Alien love mic sounds wicked!
@@guitboxgeektheir alien 8 and the single one is off the hook as well
Those Realistic 33-1070"s...
Other than everybody thinking they are RE50's (they look alike, not sure how faithful?), what do they do well, other than being cool "trashy" mics?
I have an older buddy that has 3, I'm too lazy to ask him for one and experiment. Just tell me !? lol
I use as rooms and they capture the perfect balance not to trebly but full sounding! My opinion of course 🎉
OK, I'll give that a try. I'll borrow 2 in that case. Thanks!@@mannysmiclocker
@@johndugan3798please keep me posted on results ;)
Might send you some Grundig stereo tape machine microfone that you can pick up for @ $100, cut off the din pins and solder on xlr‘s, mow you have a matched pair of Sennheiser 409‘s for $100, NOT $1000 to $2000 for a pair….send you some pics of the ones to get if you get in touch with me….
I dig that and totally doable
Beyer still makes the 770 headphones……..hmmmm, ideas!
Possible! Ask Cole Picks
@@mannysmiclocker Badass, I’m always building things for my studio! I’ve built a lot of gear, necessity when you’re not independently wealthy (and it’s just fun)!
the 40 second intro to this video is funny on 2x speed
Forget the mics - where can I hear the rest of that killing track on the intro?
Ha! That’s my band called the Chavez Ravine. LP is call “Uno” appreciated the kind words 🎉
The Vanguard stereo mic is just a repackaging of the Avantone CK-40 stereo mic.
Not so at all.
Massively different mechanically, from the rotation mechanism to the shockmount, and totally different design and origin (!!!) of both caspule and inner electronics, plus a far more versatile little stereo & M/S connection box for the Vanguard, which all in all is honestly leagues better.
The only thing similar is the colour, some variation of crimson red, and the general concept of such a type of stereo mic, which is the same as the venerable Neumann USM69 or the frail AKG C426 - and BTW the rotation mechanism of the Vanguard is better, more versatile and less incline to problems than both these legendary mics.
@@PrantoKoXI believe Ya! It’s an amazing mic for the price and top notch sounds 🎉
@@mannysmiclocker Exactly, agree 300%! 👊🏻👍🏼 And BTW, Manny, truly appreciate your work, ethics, and taste in mics.
Long may you rock!
So much saturation on his voice. It sounds terrible! It’s like a radio that’s not tuned in properly!
I may need a new mic for that ;)
@@mannysmiclocker 😂
“any” budget?
Yeah there are those Pyle I showcased to Warm! Pizza delivery guys can afford those lol Thanks for tuning in🎉
Wtf he has mics i never heard of
Weird stuff and most off the grid small boutique company’s