RICERCAR A 6 // BACH
ฝัง
- เผยแพร่เมื่อ 7 ก.ย. 2017
- J.S. Bach - Das Musikalische Opfer BWV 1079
Ricercar a 6
Filmed at Palais Vivienne, Paris (FRANCE)
Thanks to Pierre-Jean Chalençon
Beniamino Paganini, flute
Baptiste Lopez, violin
Nele Vertommen, oboe da caccia
Valentin Tournet, viola da gamba
Mathias Ferré, viola da gamba
Edouard Catalan, cello
Elise Chanet & Teresa Máiquez, framing
Aloïs Lang-Rousseau, framing/video
Mathilde Tirard, recording
Engineered/directed by Julie Grisel
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Бесконечная радость для души!
Absolutely amazing. The oboe da caccia made this performance so much more amazing!
WOW - that oboe da caccia has a VERY distinct tone, yet blends well with the other instruments. A range of tonal colors!
Isn't it a hauntingly beautiful sound? To think that it fell out of use after Bach and was not revived until the 1970s.
it's is amazing how much better pieces sound when played on the period instruments they were initially written for!
Two da gambas and one cello providing a highly resonant and powerful bass with the oboe da caccia prominent followed by violin and flute. Frederik's impossible theme masterfully realized.
A remarkably tender interpretation of a complex piece that often is diluted by an overly dry approach. The scoring is an excellent choice with the haunting voice of the Oboe da Caccia glowing through the texture.
Eine höchst bemerkenswerte Instrumentation, wunderbar gespielt! Der warme Ton der Oboe da caccia fügt sich sehr schön in den Gesamtklang ein!
It sounds kind of like a small bassoon trying to play the oboe part. An interesting tone.
I think I want one.
Oboe da Caccia - extrem selten und sehr gut tractiret!
Звучит, вероятно, как во времена композитора!
God is great, and Bach is his musical Prophet.
Such an incredible ensemble. Going to be so so amazing in the future as well, I can’t wait to hear what else they perform
Longue vie à ce jeune ensemble très prometteur ! Bravo pour vos belles interprétations ! Quel jeune chef brillant et talentueux !
1:56-2:38 --- Man... that's just beautiful.
0:00 - 7:07 man that's just beautiful.
@@salvat3735 Haha... totally true!
This passage has always touched me deeply. It's like a huge opening into heaven for me.
Yes, this part is like you go to heaven, it's also my favorite.
I saw "ricercar" and was expecting a suped-up Civic SI. Instead I got 7 minutes of delightful music.
LOL
i will never forget that spelling thanks
Absolutely beautiful. And, as much as I love the hapsichord, its absence in this rendition makes it really amazing!
Absolutely agree
wonderful to hear all of these beautiful baroque instruments in an ensemble playing together.
This is wonderful--as the chance to see these Baroque instruments.
Wonderful! And love the tone of the oboe da caccia!
Wundervoll.
This is so stupidly great
Chillingly brilliant composition and very nicely performed. thanks.
Ascolto impegnativo così come una composizione del 900 ( Bach moderno sempre ) grazie from Italia ).
what a banger
Love it, and such a beautiful combination of instruments ❤️
Bravo! Thank you so much!
Beautiful!
Beautiful
Excellent. Thanks, folks.
Excelente interpretación.
Que hermoso gracias 💕
Impressionante!
Bravissimi!
No words.
Stunning interpretation. Bravo
absolutely sublime performance using period Instruments!!
Ooh crab canon
fantástica combinación, bravi!
FORMIDABLE !
❤
Now that I have an oboe like that I don't spill as much antifreeze on my engine.
Is that the normal bow hold for a baroque cello?
crazy to think this was originally supposed to have james brown on vocals
Oh, recording, please?!
over 31000 views and only 917 of you bothered to click "like"?
I'm appreciating this piece more every time I hear and see it. It's a fucking 6-voice fugue on a ridiculous theme.
Yeah, this was meant to be played on harpsichord lol
A ridiculous theme!?! Could you elaborate on this comment, please?
@@raminagrobis6112 Frederick made this theme as difficult as possible in an attempt to embarrass Bach
@@jacksonbell5048 Yes I know the story. It's just the term "ridiculous" that I misinterpreted. Sorry. Yes, it was a ridiculously difficult melodic line.
Non-native speakers can miss English ellipses, you know...
@@raminagrobis6112 the theme is difficult because of the chromatism which is highly dissonance, and as the rule of counterpoint avoid dissonance which makes it really hard to harmonize it well in a fugue, Bach could came up with something like is which Very incredible that no one is able to reach.
MANCA LA TROMBA...PECCATO...
They sound like broken accordion.... kidding this is astounding, who might even come to mind to play this music back then on the very primitive instruments, but yes it is phenomenal group of these musician. (though i don't like bach other than some cantatas, cello suites it is heavy music only for at home practice, there've been other champions of his time: A. Scarlatti, Handel, Vivaldi with thrilling operas, concertos, arias... who might wish to play Bach's such a dreadful music.. )
If you would understand music at this degree to understand this ricercar 6 voice, i don't think u would call it dread full his pieces, for example Vivaldi's music sounds good but in general is very similar and the excessive abuse of circle of fifths every minute, which sounds good but boring, but Vivaldi use them in a interesting way so it's very unique to certain points, Handel is pretty much the comercial one, there's certain ones that are interesting but overall is dramatic and just trying to make attention and works, Scarlatti which is featured on harpsichord, it's interesting due of the influence of Spanish music, there are more musicians, such as dismas zelenka a very unique baroque composers that was worshipped by many included Bach but it is not very well known, also Antonio caldara one of the most important Italian composers of the contemporary with bach
Bach had written so much pieces and big part of them are very unique and interesting, such as the st Matthew passion, you wouldn't be able to hear in your life time something like that unless u knew it
@@alessiocai5573 So true, Vivaldi being mediocre opera composer by all means, not sure for his concertos, as a structure more rudiment, absolutely, but who is addressing these concertos to.. hm... that is where the genie comes to play. Handle huh.. commercial, yes to the point, but then, dark, lucid, essence of love, passion, disdain, affection, melancholy just to name it few, all in his operas, Mozart have been studied avidly... Alessandro Scarlatti, namely father of aria, first to bring real man in to focus, revolutionary by all means... So
what was your question.. where Bach fits in.. sorry I am loosing the previous discussion about 6 voices fugato, polyphony...
@@stickom how can it be dreadful, ive been playing Bach for years and most of his works, are just pure genius, very deep, didactic and just something unique you couldn't expect from anyone, just as his master, Dietrich Buxtehude, this guy's organ work is out of the understanding, combined with Bach's skills is something so unique and complex, but music just subjective, depends on how you give merits and values, in my perspective one subjected to heavy old archaic style and rules and still can output this immense dexterity and creativity nourishing deeply of what it's been already, is something pure genius and unique that i never seen in my life, Bach masses, st passions are just out of this world and makes me cry when i listening it sometimes because of how good it is, the more you listen his music new things you will discover, because each note has importance, same as a silence, Bach doesn't place just a filling note, when You listen with determination these background notes just has same importance as the harmony, rhythm or melody, any other musicians you can take off some notes and wouldn't even matter, Bach knew what he was writing and the amount needed and exactly.
@@stickom it's not the same when you just listen than you play, study, examine, arrange, listen, etc, there's much more of it than just what you can heard
beautiful music, awful filming, many cheeks and fingers and ears, never a full instrument
Young musicians always are so effing disheveled. Nice music though. Not complaining. I'm disheveled myself.