Antarctica (Gordon Hamilton) - Choir with Field Recording

Antarctica
I wrote Antarctica during and after a trip to Casey Station, Antarctica onboard the icebreaker Aurora Australis - an Australian icon, nearing the end of her service*. I was the lucky guest of the AustralianAntarctic Division on an Aurora Legacy Fellowship.
The opening movement is an aria set against the backdrop of a recording I made of the ship cutting through sea-ice (standing in the bow while my stinging hands clenched the microphone! - I soon learned to glove-up!). A solo voice sings, hand-in-hand with mighty bricks of harmony: a blazing seascape coated in white. Aeliatoric music follows, depicting a hill near Casey Station where the scene can be divided into three colossal horizontal strips of sky, sea and ice. ‘Whalesong’ is a harmonisation of a finback whale call: the Aurora Australis recovered a hydrophone which had been recording the crooning of sea mammals. Over a year’s worth of sound was logged; I picked the bit in D-minor. Infinite Monochrome is a pock-marked canon inspired by - in the words of Voyage Leader James Maloney - “...the vision of a brilliant bright expanse where ice, snow and cloud coalesced, holding the ship suspended in white nothingness.” Every direction is a hiss of white (painful to the naked eye!) and the frozen sea bristles, splintered by town-sized icebergs. In the last movement ‘Reeve Hill’ short chorale-like utterances are sown among long thoughtful stillnesses, played over my recording of ice gently melting on Reeve Hill, far-off Adélie penguins and snow-petrels nattering to each other.
- Gordon Hamilton
Composer | Gordon Hamilton
Conductor | John Rotar
Solo Soprano | Christina Nichols
Audio and Video | Richard Sanderson
Recorded live at St Mary's, Kangaroo Point on 21 August 2022
Footage by Richard Sidey (used with permission)
• Ambient Antarctica 4K ...