This is not a performancee. It is a revelation of joy, of loving tenderness and of longing. The lovely runs in the right hand are so bright, pure and brilliant. This is a glimpse of the heaven within. The tempo is no more relevant to this enchanting sound than the play of a mountain stream.
I understood that before WWII she was tutored by a master who was tutored by masters in direct line from Mozart. Her interpretation is authentic, and suitable for a monarch, with such a delicate, expressive touch. Some the phrasing reminds me of laughter, what you might overhear in a palace garden.
Lineage in piano performance never reaches back to an unaltered past. There was no such thing as a preservation of tradition in the 19th century. One single performer could play very diffently from time to time. The artistic ideal was originality, not orthodoxy.
Originality is a Romantic idea, it starts from 19th century, and emphasizes the idea of genius. Mozart belongs to the School of Haydn, who obeys God mostly humbly, this point you can get it from Mozart's letters.
You do sound like a monarchist at heart. Your interest in musical lines of succession seems to parallel that. Incidentally, who are the 'missing links' between Mozart and Haskil? 1st Samuel chapter 8 contains an interesting narrative in which the people of Israel ask for a king, so that they may become 'like the other nations' around them. The Lord takes this as a rejection of His guidance and authority, but grants them their wish regardless. Centuries of strife ensue. Eventually the monarchy collapses and the people are sent into exile in Babylon, victims of an oppressive foreign monarch. The irony. This diversion need not be taken as completely irrelevant, since Clara Haskil was Jewish.
Perfect. Everything comes from the music, nothing is superimposed, and it is technically wonderful: the control of dynamics is remarkable. The absolute best.
Maravillosa Haskil! Deslumbrante. Puro Mozart. Siempre que la escucho, pienso también en su gran amigo y compatriota Dinu Lipatti, muerto prematuramente. Ambos una cumbre. Silvia Escobar. Madrid
True. It may be partly her constant use of the pedal which creates this smoothed-over impression, something which wasn't possible to the same degree on 18th-c. instruments with their far less resonant, angular sonority. It's basically a late romantic approach, but very personal and, needless to say, perfectly realized.
Impeccable in every way...my model for this delectable sonata! I remember buying this on LP more than 40 years ago--the other work on the LP was Schubert's posthumous B-flat sonata. I practically wore it out, and the Schubert became my model for that piece too. I once read somewhere "the remarkable thing about Haskil's technique was that you never noticed it"...she was totally dedicated to her art, totally absorbed in the music she played, and her playing was never less than sublime.
There are no words to talk about Schubert Sonata D-960 , her last recording in 1960 perhaps : the Top of music above the keyboard her piano is someone talking to us not an instrument .
Interesting flexing of the tempo. Totally consistent with the contours of the melodic and rhythmic gestures as well as the shapes of phrases. Normally my taste lies with more metronomic interpretations but this is first class. And her ornaments are incredible.
G G Clara Haskil had a disabilities , alone all her life with her piano she says us in moderato tempi : Clara Haskil is a pianist above technic no interesting for her
@@alainspiteri502 One has to have a systematic technique to play Mozart cleanly and to make it his music. I can play Chopin,Scriabin and Ravel but I can't play a single measure of the simplest Mozart opus.Few Russians really get him.Pletnev can't help himself.Just has to be different.IngridHabler!!!,Pirez,Uchida,Barenboim,Curzon,Brendel,Lily ,even Pogorelich played an ideal Mozart in the past .Many play him and they have ideal techniques. Haskil could do anything play Busoni's violin sonata or Debussy's etudes and her Scarlatti is the peer of Bartok's . She had a marvelous technique and learned a lot early and had ome obviously intuitive sense! This recording has too much pedal for me to love .I prefer a crisper classical era pianoforte sound. Habler couldteach all of us !
@@MrInterestingthings there Great Pianists XXIEM Century but Alfred Cortot and Clara Haskil are above the keyboard , not Rubinstein and j like Arthur Rubinstein , Haskil is special . a personnal pianist she has a piano who speaks to you , only for you not for the others .
Like delicious to listen to this interpretation. We will never know if Mozart would have liked this way of playing. In any case, it takes a lot of sensitivity to interpret Mozart. What Grace. Thank you very much for this upload +pianopera
Congrats for making a sensible statement. Correct, we cannot know what Mozart's opinion 'would have been'. It doesn't matter either, since he is no longer with us. Modern instruments do not sound much like 18th c. fortepianos. Speculation in counterfactuals is pretty useless, since history moves in one direction only.
She was not just an accompianist ,she was equally accomplished as a soloist, unlike Jean Paul Neveu was only an accompianist : Both had"accidental" deaths.
It often makes me wonder what Mozart would have done, if he had access to a concert piano from today. He never heard such fine dynamics as the ones in this recording, because his pianos were forte pianos with a smaller compass than 88 notes. A harpsichord would have been one of his best alternative instruments.
Why wonder? Mozart's existence lies elsewhere; if his faith was genuine, then in a far more blessed place. At the same time you are absolutely right, there are real problems articulation, balance, and dynamics to be solved when works conceived for the Viennese fortepiano are played on powerful beasts which we call 'pianos' today. I guess that a 12-foot Boesendorfer grand with nine semitones added in the extreme bass ought to be called a 'pianissimo', huh?
"Tempo fluctuations" and "tempo changes" would be how a robot understands human breathing. She is just breathing, as it should be, not any of this fluctuation nonsense.
Calra Haskil is famous for Mozart specialist pianist and her tragic which is connected her death which is related to name haskil.. kill. She is loved perminently.
To Jay Haar and others: Very sad indeed, but I cannot help it. Since TH-cam was bought by Google, they are becoming more and more commercial with annoying advertisement. As far as I understand, a label or a company can claim a certain sound recording. When that happens, they either remove the video or they choose to keep it on TH-cam, but to make some money they add some advertisement on the video. You can skip these annoying interruptions by clicking just before the yellow lines in the time line under the video that indicate the starting point of the ad. You can then go back to the beginning of a movement by clicking on the blue time links that I added in the video description.
when I compare with Horowitz this sonata I find many similitudes; he too studied in Paris a certain time. and also with Cortot. Although the official biography on wikipedia says Clara Haskil was not well treated by Cortot she did learn a lot from him concerning the touch of piano and pianotechnique. She made the first prize with Cortot as her professor. So I think this image chould be corrected a little bit. When Cortot said she plays like a femme de menage it was not to discredit her musicality but to say she was not in good mood and should make more effort concerning interpretation. He must have admired her play otherwise he would not have accepted her as pupil and he would not have said this if he meant it really as this would have been horrible attitude which was not the case.Another fact is that Cortot did show the threedimensional play ; the sculptural play where others only play twodimensional. I think this he did miss when saying this ugly phrase. Clara Haskil did a lot with natural intuitivity as she was a genious from childhood on. So it needed to get her conscious of what she does or does not. And a harsh word can make the declic to force somebody to start thinking....
Everybody knowns that Clara Haskil was not the better Cortot'student j think not musician but Cortot dont'like Clara Haskil as Dinu Lipatti or Samson Francois in fact it'was more about a person than pianist Clara Haskil ; it's funny to understand she was a pianist more similar Cortot than Samson Francois ! As Cortot she was intimate music , discreet , not a demonstrative technique and respected as Cortot the tempi , Cortot-clara Haskil was as Frederic Chopin pianists more in front of a little audience to speak with you . With Samson Francois perhaps the best Chopin with Cortot but not always respected the tempi, Samson Francois played with his heart , it's also amazing . Clara Haskil played Mozart and Shumann and not all composers who played only masterpieces to impress his audience as Horovitz : Chopin wrote " la simplicité est l'essence même de l'art " it's here Cortot-clara Haskil . Horowitz is a pianist on stage , Cortot-Haskil are musician it's not the same thing ! Samson Francois and Cortot are Frédéric Chopin but différent, Clara Haskil is Mozart , Horowitz is a pianist on stage very démonstrative technical except a little masterpieces in his carrer as " chreisleriana "-Schumann and others but not the thrue musician as Cortot Haskil S Francois
Twice there were commercial interruptions: first almost at the end of 1st movement and second at the beginning of 3rd movement. Very sad! Ask TH-cam to remove these. Her tonal beauty was attacked by these attacks.. So sad!
To Jay Haar and others: Very sad indeed, but I cannot help it. Since TH-cam was bought by Google, they are becoming more and more commercial with annoying advertisement. As far as I understand, a label or a company can claim a certain sound recording. When that happens, they either remove the video or they choose to keep it on TH-cam, but to make some money they add some advertisement on the video. You can skip these annoying interruptions by clicking just before the yellow lines in the time line under the video that indicate the starting point of the ad. You can then go back to the beginning of a movement by clicking on the blue time links that I added in the video description.
Horowitz's don't play Mozart but great piano in Carnegie Hall ! It's not the same piano , Clara Haskil is a piano who speaks To you ,Horowitz's is a amazing piano , two opposite piano, two great pianists
regarding Germany blocking this recording because they think it's Pires; this is a touch slower-more delicate and not as "steely", not a digital recording by any means and finally, if Germany is going to start acting up again, this time they will be eradicated. Hopefully the BPO will be on tour.
It does indeed seem to fly along for an allegretto. But that's because of the many triplet 16th-note passages in it. If you ignore those for a moment and listen to all the duplet 16th-note passages earlier in, it is clear that it isn't as fast a tempo as the Allegro Moderato of the opening movement. For another example of the same thing, you might consider the Allegretto of Beethoven's "Waldstein" sonata. Once you get to the triplet 16th-note passages, it seems to be roaring right along. But it's a slower tempo than the first movement nonetheless.
She cuts off the end of her expression. She’s sounds like she is trying to get through it as fast as she can. Maybe she just thrills in her ability to do the scales as fast as she can. Speed with little expression. IMO of course.
![[UNCUT] “บอสณวัฒน์” ลากไส้!! ใครหนุนหลัง "แม่ตั๊ก ป๋าเบียร์" I คนดังนั่งเคลียร์ I 30 ก.ย. 67](http://i.ytimg.com/vi/QlD7mU2KKRk/mqdefault.jpg)
This is not a performancee. It is a revelation of joy, of loving tenderness and of longing. The lovely runs in the right hand are so bright, pure and brilliant. This is a glimpse of the heaven within. The tempo is no more relevant to this enchanting sound than the play of a mountain stream.
This is the best version of K.330 in the world.
Hundred per cent agree!!!!
TRUE!!!!!!!!!!!!!!!!!!!!!!!!!!
Yes !
Immer, wenn ich das höre, komme ich in eine total gute Stimmung. Ein Wunder. Ja, ein Wunder : ich bin dann wie verzaubert. Und es hört nie auf...
Played with stylistic purity and impeccable taste.
Cat de filigrana este interpretarea, eleganta , subtila, fara a lasa sa se stravada efortul imens din spatele aceste aparente usuratati.
Norina
A wonderful performance.
I understood that before WWII she was tutored by a master who was tutored by masters in direct line from Mozart. Her interpretation is authentic, and suitable for a monarch, with such a delicate, expressive touch. Some the phrasing reminds me of laughter, what you might overhear in a palace garden.
Lineage in piano performance never reaches back to an unaltered past. There was no such thing as a preservation of tradition in the 19th century. One single performer could play very diffently from time to time. The artistic ideal was originality, not orthodoxy.
Originality is a Romantic idea, it starts from 19th century, and emphasizes the idea of genius. Mozart belongs to the School of Haydn, who obeys God mostly humbly, this point you can get it from Mozart's letters.
You do sound like a monarchist at heart. Your interest in musical lines of succession seems to parallel that. Incidentally, who are the 'missing links' between Mozart and Haskil?
1st Samuel chapter 8 contains an interesting narrative in which the people of Israel ask for a king, so that they may become 'like the other nations' around them.
The Lord takes this as a rejection of His guidance and authority, but grants them their wish regardless. Centuries of strife ensue. Eventually the monarchy collapses and the people are sent into exile in Babylon, victims of an oppressive foreign monarch. The irony.
This diversion need not be taken as completely irrelevant, since Clara Haskil was Jewish.
She was blessed.
A Mozart touch with unique tempo changes. Mozart would love her.
Majestätische Interpretation geprägt von Eleganz und Wärme! Dabei so einfach und voll Weisheit!Ja das ist der Geist von Mozart!
Perfect. Everything comes from the music, nothing is superimposed, and it is technically wonderful: the control of dynamics is remarkable. The absolute best.
One of the all-time greats
Clara Haskil, she is a wonder. Thanks.
Quelle sensibilité au touché c est remarquablement bien interprété une dames tout à fait incroyable merci 👏👏
Maravillosa Haskil! Deslumbrante. Puro Mozart. Siempre que la escucho, pienso también en su gran amigo y compatriota Dinu Lipatti, muerto prematuramente. Ambos una cumbre. Silvia Escobar. Madrid
Ja,Clara Haskil ist der musikalische Gipfel der Interpretation aus dem Geist Mozarts. Unwahrscheinlich beeindruckend!
Clara does flow throughout this piece very beautifully in such a way that puts one at complete rest.
True. It may be partly her constant use of the pedal which creates this smoothed-over impression, something which wasn't possible to the same degree on 18th-c. instruments with their far less resonant, angular sonority.
It's basically a late romantic approach, but very personal and, needless to say, perfectly realized.
이곡을 아침에 눈뜨며 듣는 행복을
누립니다. 흠모하는 클라라!
A superb performance of this sonata.
i admire her understanding of this sonata. for comparison i heard lily kraus, uchida, horowitz. this is my preferred
Barenboim sticks to the score too.
Io non conoscevo questa interprete. Devo dire che mi piace molto.
Me also
Bachkaus Horowitz are great pianist , no words to explain C Haskil is beyong great pianists .
E' sempre sublime ascoltare Mozart interpretato dalla Haskil.
Impeccable in every way...my model for this delectable sonata! I remember buying this on LP more than 40 years ago--the other work on the LP was Schubert's posthumous B-flat sonata. I practically wore it out, and the Schubert became my model for that piece too. I once read somewhere "the remarkable thing about Haskil's technique was that you never noticed it"...she was totally dedicated to her art, totally absorbed in the music she played, and her playing was never less than sublime.
James Vaughan great moments in music of all times.
There are no words to talk about Schubert Sonata D-960 , her last recording in 1960 perhaps : the Top of music above the keyboard her piano is someone talking to us not an instrument .
J bought in 1960 À boxe with two Mozart sonatas cto , Beethoven " la Tempête " Cto3 , Schubert D960 , j have in my years Clara Haskil
What a beautiful song!!! She is one of my favorite pianists.
Almost feels like its Mozart himself playing.Gorgeous and full of life.
we will never know cos nobody alive today has seen Mozart play piano.
BEST commentary EVER!!!!!!!!!!
@@empireentertainmentevents1353 you STUPID
Interesting flexing of the tempo. Totally consistent with the contours of the melodic and rhythmic gestures as well as the shapes of phrases. Normally my taste lies with more metronomic interpretations but this is first class. And her ornaments are incredible.
I´m working on this sonata and Haskil is my ideal.
Das ist unwiderstehlich!Jede Faser Ihres Herzens ❤️ ❤️ ist dabei!
Fantastic,thank You ! 🙏❤️
This video is blocked in Germany because "they think" it's Maria João Pires playing... TH-cam has gone totally mad!
magic
The best thing to do is to use a free VPN. TOR will work fine. Make sure the exit nosed is not in Germany.
At least they didn't remove viewer-access to the dislike button *-wait*
This just has to be the benchmark with which to judge [if one has to] all others.Beautiful playing,such light touch.
An incredibly energetic and powerful version for a small thin lady!!
When Clara Haskil plays Mozart it's a song for a child we are , Lily Kraus also in 1960' not comparison with others . they are irreplaceable
And she had such a hard life...I don’t she never even owned her own piano. She is sublime!
G G Clara Haskil had a disabilities , alone all her life with her piano she says us in moderato tempi : Clara Haskil is a pianist above technic no interesting for her
@@alainspiteri502 One has to have a systematic technique to play Mozart cleanly and to make it his music. I can play Chopin,Scriabin and Ravel but I can't play a single measure of the simplest Mozart opus.Few Russians really get him.Pletnev can't help himself.Just has to be different.IngridHabler!!!,Pirez,Uchida,Barenboim,Curzon,Brendel,Lily ,even Pogorelich played an ideal Mozart in the past .Many play him and they have ideal techniques. Haskil could do anything play Busoni's violin sonata or Debussy's etudes and her Scarlatti is the peer of Bartok's . She had a marvelous technique and learned a lot early and had ome obviously intuitive sense! This recording has too much pedal for me to love .I prefer a crisper classical era pianoforte sound. Habler couldteach all of us !
@@MrInterestingthings there Great Pianists XXIEM Century but Alfred Cortot and Clara Haskil are above the keyboard , not Rubinstein and j like Arthur Rubinstein , Haskil is special . a personnal pianist she has a piano who speaks to you , only for you not for the others .
She was born with it. Simple as thet.
-- Magnifique. --
Прекрасные пианистки Клара Хаскил и Ингрид Хеблер. Звук разный. Душевная организация тоже. Выбирать не нужно. Будем наслаждаться и учиться у обеих.
Like delicious to listen to this interpretation. We will never know if Mozart would have liked this way of playing. In any case, it takes a lot of sensitivity to interpret Mozart. What Grace. Thank you very much for this upload +pianopera
Congrats for making a sensible statement. Correct, we cannot know what Mozart's opinion 'would have been'. It doesn't matter either, since he is no longer with us. Modern instruments do not sound much like 18th c. fortepianos.
Speculation in counterfactuals is pretty useless, since history moves in one direction only.
Sublimissime !!!!
Волшебная Клара!
Я тоже её люблю. Очень.
She was not just an accompianist ,she was equally accomplished as a soloist, unlike Jean Paul Neveu was only an accompianist : Both had"accidental" deaths.
It often makes me wonder what Mozart would have done, if he had access to a concert piano from today. He never heard such fine dynamics as the ones in this recording, because his pianos were forte pianos with a smaller compass than 88 notes. A harpsichord would have been one of his best alternative instruments.
Why wonder? Mozart's existence lies elsewhere; if his faith was genuine, then in a far more blessed place.
At the same time you are absolutely right, there are real problems articulation, balance, and dynamics to be solved when works conceived for the Viennese fortepiano are played on powerful beasts which we call 'pianos' today.
I guess that a 12-foot Boesendorfer grand with nine semitones added in the extreme bass ought to be called a 'pianissimo', huh?
Волшебно
Clara, born in crazy town Bucharest…
This is an inspired mozart interpretation!!!... Many Thanks for sharing!!!...
Bravo Clara
As usual, what you share with us is enriching and comforting.
The thrills.... !!!
Great music
"Tempo fluctuations" and "tempo changes" would be how a robot understands human breathing. She is just breathing, as it should be, not any of this fluctuation nonsense.
Very, very well said...
Why are y'all hating on poor AI 😟 give them some time to breathe
I adore Haskil in Mozart. Which Mozart sonata's did Haskil record in total?
Mozart magic!
グールド
Calra Haskil is famous for
Mozart specialist pianist
and her tragic which is connected her death which
is related to name haskil..
kill. She is loved perminently.
綺麗な音
Thank you very much! I share.
Не видела рук красивее. Ах, Клара! ❤
fabulously nice
To Jay Haar and others:
Very sad indeed, but I cannot help it. Since TH-cam was bought by Google, they are becoming more and more commercial with annoying advertisement.
As far as I understand, a label or a company can claim a certain sound recording. When that happens, they either remove the video or they choose to keep it on TH-cam, but to make some money they add some advertisement on the video.
You can skip these annoying interruptions by clicking just before the yellow lines in the time line under the video that indicate the starting point of the ad. You can then go back to the beginning of a movement by clicking on the blue time links that I added in the video description.
Or, even better: DOWNLOAD ADBLOCK!!
An absolute godsend. YT would be intolerable without it.
I completely agree with you
Very nice interpretation ♫♪☺
Grande pianista
I always thought this sonata was trite. What a revelation.
２０世紀の最上録音！！
Great playing! I just uploaded this piece too :)
하스킬을 사랑하고 존경합니다
역시 모잘트는 하스킬.
when I compare with Horowitz this sonata I find many similitudes; he too studied in Paris a certain time. and also with Cortot. Although the official biography on wikipedia says Clara Haskil was not well treated by Cortot she did learn a lot from him concerning the touch of piano and pianotechnique. She made the first prize with Cortot as her professor. So I think this image chould be corrected a little bit. When Cortot said she plays like a femme de menage it was not to discredit her musicality but to say she was not in good mood and should make more effort concerning interpretation. He must have admired her play otherwise he would not have accepted her as pupil and he would not have said this if he meant it really as this would have been horrible attitude which was not the case.Another fact is that Cortot did show the threedimensional play ; the sculptural play where others only play twodimensional. I think this he did miss when saying this ugly phrase. Clara Haskil did a lot with natural intuitivity as she was a genious from childhood on. So it needed to get her conscious of what she does or does not. And a harsh word can make the declic to force somebody to start thinking....
Everybody knowns that Clara Haskil was not the better Cortot'student j think not musician but Cortot dont'like Clara Haskil as Dinu Lipatti or Samson Francois in fact it'was more about a person than pianist Clara Haskil ; it's funny to understand she was a pianist more similar Cortot than Samson Francois ! As Cortot she was intimate music , discreet , not a demonstrative technique and respected as Cortot the tempi , Cortot-clara Haskil was as Frederic Chopin pianists more in front of a little audience to speak with you . With Samson Francois perhaps the best Chopin with Cortot but not always respected the tempi, Samson Francois played with his heart , it's also amazing . Clara Haskil played Mozart and Shumann and not all composers who played only masterpieces to impress his audience as Horovitz : Chopin wrote " la simplicité est l'essence même de l'art " it's here Cortot-clara Haskil . Horowitz is a pianist on stage , Cortot-Haskil are musician it's not the same thing ! Samson Francois and Cortot are Frédéric Chopin but différent, Clara Haskil is Mozart , Horowitz is a pianist on stage very démonstrative technical except a little masterpieces in his carrer as " chreisleriana "-Schumann and others but not the thrue musician as Cortot Haskil S Francois
감동이에요^^
モ ー ツ ァ ル ト｢ ピアノ･ソナタ｣K.330 クララ・ハスキル 大 賛 辞
軽々しく言えるものではないのかも､知れないのですが、この世の中に、奇跡という事が､あるとしたら、このピアニストのクララ・ハスキルとディヌ・リパッティの名を､挙げたいと思うのであります。ハスキルは、リパッティより少し年上でしたが、ふたり共実に中がよくて、素晴らしい間柄でありました。お互いに敬愛しあったのです。心温まるエピソードですが、リパッティが、自分の演奏会の時に、近くの前の席に、ハスキルの姿を見つけたのですが、リパッティは自分の演奏を聴かれる事が、余りに恥ずかしく思い悩んでいたようです。その事を、如何にも恥ずかしげに、語ったというリパッティの事を思いますと、人の精神の繊細な事と深いものを思慮するのであります。音楽を真に聴くという事は、このような事を謂うのかと、深慮したのです。音楽が人の精神に如何に影響するものなのかを思い遣ったのです。
擱 筆
ハスキルとリパッテイは同時代に同じ国に生まれた。又二人とも早くに亡くなったってしまったのが、奇跡であり、何か因縁のようなものを感じます。
でも二人とも私たちの心の宝物として、時を超えて大切に聴かせてもらえ、幸せを感じます。
形あるものは殆ど買えるけれど、心の中の宝物はプライスレスです。
運良くこの2人に出会えたので、このサクバツとした現代も、心を癒され、生きる力を頂いています。
有難うございます💕
@@音-f3e They both are almost forgotten in their country now... Ripe for rediscovery!
Liebe Grüße aus Oldgermanie❣
Twice there were commercial interruptions: first almost at the end of 1st movement and second at the beginning of 3rd movement. Very sad! Ask TH-cam to remove these.
Her tonal beauty was attacked by these attacks.. So sad!
To Jay Haar and others:
Very sad indeed, but I cannot help it. Since TH-cam was bought by Google, they are becoming more and more commercial with annoying advertisement.
As far as I understand, a label or a company can claim a certain sound recording. When that happens, they either remove the video or they choose to keep it on TH-cam, but to make some money they add some advertisement on the video.
You can skip these annoying interruptions by clicking just before the yellow lines in the time line under the video that indicate the starting point of the ad. You can then go back to the beginning of a movement by clicking on the blue time links that I added in the video description.
You can get the AdBlock plugin for your browser; it blocks all of the annoying ads in the middle of youtube videos.
Yes, in the meanwhile I discovered AdBlock too, it's really fantastic! I strongly recommend everyone to download it.
🕊 🦋 🦄
no one touches haskil and uchida when it comes to mozart
Eschenbach is da shit!
+Daniel Maia ill check him/her out! thanks!
Metal Mike him
Mike G uu
Yeol Eum Son will give both of them a 'run for their money' in Mozart.
I like her interpretation better than Horowitz's.
Horowitz's don't play Mozart but great piano in Carnegie Hall ! It's not the same piano , Clara Haskil is a piano who speaks To you ,Horowitz's is a amazing piano , two opposite piano, two great pianists
Robert Rodes Horowitz’s recording in Moscow is also magnificent. Difficult to compare the two, I love them both.
regarding Germany blocking this recording because they think it's Pires; this is a touch slower-more delicate and not as "steely", not a digital recording by any means and finally, if Germany is going to start acting up again, this time they will be eradicated. Hopefully the BPO will be on tour.
sie singt wohl
Ach,schoen
movement. 3...alleg r e t t o ...? vraiement?????
It does indeed seem to fly along for an allegretto. But that's because of the many triplet 16th-note passages in it. If you ignore those for a moment and listen to all the duplet 16th-note passages earlier in, it is clear that it isn't as fast a tempo as the Allegro Moderato of the opening movement. For another example of the same thing, you might consider the Allegretto of Beethoven's "Waldstein" sonata. Once you get to the triplet 16th-note passages, it seems to be roaring right along. But it's a slower tempo than the first movement nonetheless.
Интересные морденты и мелизмы. Сейчас по другому играют.
🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰
juillet o 2018
She cuts off the end of her expression.
She’s sounds like she is trying to get through it as fast as she can.
Maybe she just thrills in her ability to do the scales as fast as she can.
Speed with little expression. IMO of course.