The humour is the most vital part of this looney rag. It puts the listener into the scene of a chase where they have gotten into trouble with some shopkeeper or the local authorities. The whole essence of this rag is getting caught in the act while engaging in some sort of undisclosed mischief, focusing mainly on the hilarity that comes with it. But there can be many other equally creative interpretations. The immaturity and sheer, stubborn unpredictability of this piece are what make listening to it very enjoyable. If Joplin was to dedicate this piece to anyone, it would no doubt be James Scott; his accomplice who identified the most with this musical style.
@@itsRemco You have an F in the bass where it's supposed to be a G in measure 18, as written in the sheet music published in 1900. It's also a G in the recording to which I believe you're referring.
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The humour is the most vital part of this looney rag. It puts the listener into the scene of a chase where they have gotten into trouble with some shopkeeper or the local authorities. The whole essence of this rag is getting caught in the act while engaging in some sort of undisclosed mischief, focusing mainly on the hilarity that comes with it. But there can be many other equally creative interpretations. The immaturity and sheer, stubborn unpredictability of this piece are what make listening to it very enjoyable. If Joplin was to dedicate this piece to anyone, it would no doubt be James Scott; his accomplice who identified the most with this musical style.
Thanks to this tutorial I just learned It in less than 2 weeks :) 😁
Ayyeee keep it up! 😁
Hehe, I remember seeing Cory Hall playing this piece, especially changing hands on the 2:20 part and thats how I got into ragtime
I used to watch his videos too back in 2010!
@@itsRemco hey, so when you was 14-15 too eh?
@@pequod3782 jepp hahah, we've all seen the same videos of him, Tom Brier etc
@@itsRemco uh huh, those guys are legends
@@itsRemco That guy is legendary
YES! This rag is so good :)
Great job as always
Luv it
Arthur Marshall also helped to compose this piece.
Yesss bro, thank you do much now I can learn it
Lovely piece....Happy,but it has a little taste of sorrow.
0:27 and 0:49, I think I have spotted a mistake in the left hand.
That's no mistake boyyyy, it's the ending of the A section
Also, listen to the original recording
@@itsRemco You have an F in the bass where it's supposed to be a G in measure 18, as written in the sheet music published in 1900. It's also a G in the recording to which I believe you're referring.
💯