Beautiful tune from beautiful musicians. I have listening to these two for ages in various guises and hope they remain in my life forever. Thank you both
The pure sound and the skillful articulation fill me with wonder - I'm learning to play the cornetto and so far can only imitate the moaning of a bad tempered bull suffering with severe indigestion. I return to this video to give me the impetus to keep trying. Beautiful music, lovely sound and marvelous playing by both cornettist and organist.
What an absolutely beautiful sound!!! Mr. Dickey is certainly the greatest cornettist today. I've always enjoyed his performances and have his CD's. His beautiful playing shows why the early Baroque composers considered the cornet to on par with the violin. Just as beautiful a tone and expressive as a well played violin. Thanks much for this video!
Bravo! Le son du cornet à bouquin est délicieux et restitue parfaitement avec le continuo l'atmosphère des cours d'amour anciennes ! Avec une partie improvisation très attachante! Merci!
bravo bravo bravo! the music is from heaven, and you too! congratulations and thanks for playing Josquin des Prez a VERY special music thank you Hanneke and Bruce, you are mastering Josquin des Prez.
He uses two cornetti for these videos: a three-piece straight cornetto made by Henri Gohin of Paris (seen here), and a curved cornetto made by Matthew Jennejohn of Montreal, Quebec (the Palestrina video). Both are pitched at "A"=465 Hz..
Just gorgeous...Another evidence that Josquin des Prés was a major composer.....Love how the cornetto here that keeps the tune into the Renaissance sound in a way.
The cornett probably is THE sound of Renaissance. I wonder if the true reason why it disappeared was the end of Renaissance, an Era whose sound embodied so tightly, probably even too tightly for the instrument's own good...
@@GregsWhiskyGuide I'm training in Composition and I also have written a Piece for cornett, recorders (one player doubling on all instruments), tape and live electronics. Maestro Dickey's website also provides a list of contemporary cornett Pieces.
As soon as I hear the opening notes of any piece from the Bruce Dickey/VoM concert (or from his latest CD), I am sent off to a thrilling new place to meditate on the notes and ride them wherever!
@@aaaarghgl No. The so called "mute" cornet hasn't an external mouthpiece, its mouthpiece is designed in the wood of the instrument (and therefore cannot be changed). It's perhaps the reason why it has a softer sound (though I'm not sure to understand why).
Esta es la versiòn de Mille regretz que yo amo sobre todas, extremadamente intensa. La comparto nuevamente, aunque se ha visto ya por aquì gracias a Luis Vasquez S.
I have a beautiful cornetto by Matthew Jennejohn. It's made learning and playing an absolute joy. It's a real jewel in my collection. He's wonderful to deal with too. Highly recommended.
absolutely wonderful performance! I am curious about one thing: I see musicians like Mr. Dickey sometimes play a straight cornett (I am not referring to a mute cornett) instead of the more common curved design. Is there any practical difference (tone quality, easiness of playing etc.) or is it just a design and aesthetic choice by the maker? Would it make any difference for a beginner? Thanks in advance to anyone who would reply!
Mille regretz de vous habandonner Et d'eslonger votre fache amoureuse; J'ay si grand dueil et paine douloureuse, Qu'on me verra brief mes jours deffiner. Mille regrets de vous abandonner et d'être éloigné de votre visage amoureux. J'ai si grand deuil et peine douloureuse qu'on me verra vite mes jours terminer
No reeds at all! -- the cornetto uses a cup-style mouthpiece similar to modern brass instruments like the trumpet, except much smaller -- about the size of an acorn shell.
Wonderful work, and fine mastery of a very cranky instrument. I have a question: these variations are much like divisions, for example for lute on the songs of Dowland, of a much later time. Would Josquin's songs have had something similar applied? I 'd love to see or hear anything about it.
Divisions appear very early on in the history of music, such as the roulades in some of Dufay's works. With the advent of music printing, lute and keyboard versions appeared with extensive divisions of works by Josquin & Isaac, among others. Note that it is unlikely that Dowland wrote any divisions at all, as he regarded it as unbalancing the counterpoint, although his contemporaries certainly did.
Cornetti were commonly used in ensemble to double or replace vocal lines because of their tonal beauty and compatibilty with the human voice. Why don't we see/hear more of them in your ensemble work?
Cornetto.... wow, what an amazing instrument and what a performance, absolutely phantastic! Can't get better than this!
Glad you like it!
Beautiful tune from beautiful musicians. I have listening to these two for ages in various guises and hope they remain in my life forever. Thank you both
Our pleasure!
The pure sound and the skillful articulation fill me with wonder - I'm learning to play the cornetto and so far can only imitate the moaning of a bad tempered bull suffering with severe indigestion. I return to this video to give me the impetus to keep trying. Beautiful music, lovely sound and marvelous playing by both cornettist and organist.
yes !
How did the cornetto learning go?
“Dyeing cow” is how I described my short lived attempts to learn cornetto years ago.
Me too!! Exactly the same!! I can only sustain one note at a time!!!
@@pearspeedruns Still going! I also learned the serpent. All fascinating study and fun to do.
This is simply amazing, notice also how well Hanneke and Bruce play together. Just fantastic, my favourite music for a long time to come for sure
I love the sound of the cornetto. It sounds like a much mellower version of a trumpet.
The best of the trumpet and oboe, combined in one instrument
Familiar and famous tune -- I don't think I've ever heard it so beautifully played. :-)
This lady always looks at other musicians with a warm smile.
What an absolutely beautiful sound!!! Mr. Dickey is certainly the greatest cornettist today. I've always enjoyed his performances and have his CD's. His beautiful playing shows why the early Baroque composers considered the cornet to on par with the violin. Just as beautiful a tone and expressive as a well played violin. Thanks much for this video!
C'est merveilleux ! Des variations dans l'esprit de Josquin ....il aurait , je pense , adoré ! Comme tout auditeur ! Merci !
Ah, the cornetto, one of my favourite musical voices.
No words to describe the beauty of this interpretation and of the song itself.
Bravo! Le son du cornet à bouquin est délicieux et restitue parfaitement avec le continuo l'atmosphère des cours d'amour anciennes ! Avec une partie improvisation très attachante!
Merci!
bravo bravo bravo! the music is from heaven, and you too! congratulations and thanks for playing Josquin des Prez a VERY special music thank you Hanneke and Bruce, you are mastering Josquin des Prez.
Glad you enjoyed it!
Hundredth time I listen to this. No way: it's beautiful. And the beauty increases.
:)
hermoso, gracias
He uses two cornetti for these videos: a three-piece straight cornetto made by Henri Gohin of Paris (seen here), and a curved cornetto made by Matthew Jennejohn of Montreal, Quebec (the Palestrina video). Both are pitched at "A"=465 Hz..
Do you know of the organ is also pitched A=465?
Problematical if it wasn't ;-)
I never knew such a beautiful instrument ever existed. ♥
Cornetto is very cool.
Grande.... Grazie 🌹 🌹 🌹 🌹 🌹 👏👏👏👏👏👏👏👏
en lo hondo de tu alma, el sonido se anida y se irradia al resto de tu ser.....gracias
Best viewed in 1080p :)
Wonderful sound. the instrument "most like the voice"
It's great healing video
I will see you many times
🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸
stunning version... the variations on the theme are very beautiful. thanks for the music.
Thanks for listening
Just gorgeous...Another evidence that Josquin des Prés was a major composer.....Love how the cornetto here that keeps the tune into the Renaissance sound in a way.
The cornett probably is THE sound of Renaissance. I wonder if the true reason why it disappeared was the end of Renaissance, an Era whose sound embodied so tightly, probably even too tightly for the instrument's own good...
@@TenorCantusFirmus Thanks, I agree with you I really regret it isn't used much after that time...
@@GregsWhiskyGuide I'm training in Composition and I also have written a Piece for cornett, recorders (one player doubling on all instruments), tape and live electronics.
Maestro Dickey's website also provides a list of contemporary cornett Pieces.
Очень красиво и со вкусом! Большие молодцы!
Very EXCELLENCE et MAGNIFIQUE....
Wonderful ... beautiful..... simply Music!
Such a warm sound this cornetto ( zink in Dutch ) has. Great performance.
Thank you very much!
As soon as I hear the opening notes of any piece from the Bruce Dickey/VoM concert (or from his latest CD), I am sent off to a thrilling new place to meditate on the notes and ride them wherever!
It is a straight cornetto with a mouthpiece.
Is this a so called 'mute cornet'?
@@aaaarghgl No. The so called "mute" cornet hasn't an external mouthpiece, its mouthpiece is designed in the wood of the instrument (and therefore cannot be changed). It's perhaps the reason why it has a softer sound (though I'm not sure to understand why).
Love that sound! It always sound so "monteverdian" to me.
Rien à voir,mais alors rien à voir !
So beautiful!!
Beautiful but very sad song.
Lovely. Clean clear recording plus 1080p makes VoM videos far better than the norm.
Esta es la versiòn de Mille regretz que yo amo sobre todas, extremadamente intensa. La comparto nuevamente, aunque se ha visto ya por aquì gracias a Luis Vasquez S.
überirdisch schön ...
Unreal exellence,
I have a beautiful cornetto by Matthew Jennejohn. It's made learning and playing an absolute joy. It's a real jewel in my collection. He's wonderful to deal with too. Highly recommended.
Que bonito!!!
Espléndido🌿
So beautiful sound🍃
Fabulous piece, wonderful performance
Amazing !!
Envoûtant. ..bewitching. .
Merci...thank you.
Many thanks. I never heard such thing bevor, but i think playing is (very) difficult.
hevig mooi ! en de zuiverheid verbaast me
Splendid
Very touching.
Wow what a sound!
bravi!
Wonderful!
Many thanks!
beautiful❕
Very interesting, this instrument!
Beautiful!!!
Thank you! Cheers!
Greetings, Jan, and thanks for the comment!
❤️💕💕
Very cool🌺🌺🌺🌺
Beautiful! Are there gonna be any more videos of Hanneke playing the organ soon? BTW, I LOVE her solo at 3:21!!!
absolutely wonderful performance! I am curious about one thing: I see musicians like Mr. Dickey sometimes play a straight cornett (I am not referring to a mute cornett) instead of the more common curved design. Is there any practical difference (tone quality, easiness of playing etc.) or is it just a design and aesthetic choice by the maker? Would it make any difference for a beginner? Thanks in advance to anyone who would reply!
Thank you. All cornettos are hard to play, but the curved ones are more ergonomic.
Very cool 😘😘😘
That is indeed a very nice set of divisions. Have you considered publishing them? I'd love to try them on viol.
Is this Prof. Dickey from the Schola Cantorum Basiliensis?
***** Indeed!
dank
💙💙💙💙💙💙💙💙💙
Gorgeous divisions! Have you made these available?
We can ask....they are Bruce's divisions.
This looks very much like a Henri Gohin instrument as developed and played by W. Dongois...
Mille regretz de vous habandonner
Et d'eslonger votre fache amoureuse;
J'ay si grand dueil et paine douloureuse,
Qu'on me verra brief mes jours deffiner.
Mille regrets de vous abandonner
et d'être éloigné de votre visage amoureux.
J'ai si grand deuil et peine douloureuse
qu'on me verra vite mes jours terminer
Is cornetto a single or double reed instrument? The sound is stunning great. Excelent performance.
No reeds at all! -- the cornetto uses a cup-style mouthpiece similar to modern brass instruments like the trumpet, except much smaller -- about the size of an acorn shell.
Wonderful work, and fine mastery of a very cranky instrument.
I have a question: these variations are much like divisions, for example for lute on the songs of Dowland, of a much later time. Would Josquin's songs have had something similar applied? I 'd love to see or hear anything about it.
Divisions appear very early on in the history of music, such as the roulades in some of Dufay's works. With the advent of music printing, lute and keyboard versions appeared with extensive divisions of works by Josquin & Isaac, among others. Note that it is unlikely that Dowland wrote any divisions at all, as he regarded it as unbalancing the counterpoint, although his contemporaries certainly did.
A thoughtful and detailed reply. Thanks so much!
Cornetti were commonly used in ensemble to double or replace vocal lines because of their tonal beauty and compatibilty with the human voice. Why don't we see/hear more of them in your ensemble work?
The Schop Pavan is a nice example th-cam.com/video/3L5Dut4T1TU/w-d-xo.html
Wonderful! Who's the arraignment from? :)
LUIS DE NARVAEZ
We have the Narvaez version on our list but have not recorded it yet.