Very interesting stuff - adding the b6 - great idea - and of course there is the option of adding a b2 - that gives some cool sounds too - I like your attitude of having confidence in the abilities of others - that displays respect towards the lives of all others, making no distinctions of discrimination on grounds of capacity - you create a pleasant atmosphere - I like you !
Thanks for the brilliant lesson. It is very enlightening! Bebop has been a mystery to me for some time, so I appreciate you shedding some light on the concepts involved.
My intuition over changes kicks in like changing shapes or landscapes on the piano that's just something that my hand sees so that my ears are freed up I guess. I know if I am in an alt scale shape or a diatonic scale contour etc. So my ear can play listen look at half steps or common tones or changing tones.
It's a LOT of work. I'm plugging away at the first few chapters of that Bergonzi bebop line book. "Infinite boiling softens the stone" as they say. Cool lesson, your time feel is sweet.
Coincidentally the days I arrived at the same conclusion: using the G7(b9,b13) bop scale over that Bdim7 chord. I remember that Barry Harris has an example in his masterclass of a Gb7 mixo bop scale over Gm7 C7. He started from the major 3rd of the scale (Bb), and it is the b3 of the Gm7 chord. This is a away to expand the bop scales thing.
late to the party, but A harmonic minor( bebop) scale also sounds good over the b dim chord I think. #4 dim can be replaced with 2-5 in minor (ie. a minor).
Superb lessons. Does it possible to make a lesson about how do you choose right scale for the dominants? I mean what do we need to play over dominants that resolve the major, resolve the minor, don't resolve the either etc. I am having a big difficulty about that. Especially for the secondary dominants and subs. dominants. I could not find the answer that make me satisfy from the other resources. I would be appreciate if you make a lesson about it. Best regards
Lot to take in..I am presently doing a video teaching Donna Lee. Doing the Analysis on the fly.. but decided to see what others are saying..some very cool observation about the the B7 and G 7. Subscribed and rang bell....As typical I should I try to play any instrument.. my favorites are guitar , 5 string banjo and piano... Been annoying/playing people since 62. Lol...Where is the link to your first video on Donna Lee?
@@RanBlakePiano Listened to the video. Really nice to listen thru earphones. Looks like that is exactly what you play in the first part of Donna Lee. I played it on a keyboard. I haven't played it on 🎸 for a while..it probably needs some work. I like that cutaway classical.
Hey Mikko! Thank you for posting these lessons. They've been really helping my playing. I was wondering if you could do a lesson on jazz counterpoint. I've been working on some Jimmy Wyble etudes, and Ted Greene's baroque lessons. The Ted Greene lessons show him taking a classical approach, and then filtering some jazz tunes through the counterpoint ideas. I'm not sure if you take requests, but I thought I'd ask.
I love requests and thank you. Counterpoint is a tricky one I'm not qualified to teach that. I find that when Jazz players talk about that it's often an extreme simplification of what classical composers did. Nonetheless, it's a valid thing in Jazz these days. I know there are instructional videos on the topic with Antoine Boyer and Gilad Hekselman. Where did you find the Ted Greene stuff? Is there a book? Thanks for watching /Mikko
Mikko Hilden Thanks for the quick reply. I'll try to find those instructional videos you mentioned. For the Ted Greene stuff, if you look up "ted greene baroque improv" in youtube, you'll find parts 1 to 5. The first 5 videos are mostly about classical music, but he's still relating it to jazz. In part 5, he plays "out of nowhere" using the techniques he was talking about. His website has some transcriptions for the lesson. The classical stuff is way over my head. I know with Fux counterpoint, there are a lot of rules. I'm not really interested in learning all of the classical stuff, but just using 2 or 3 different lines or melodies to create music. It's like you said, a lot of the jazz stuff is an extreme simplification. The Jimmy Wyble etudes have been really helpful too. He's mostly just using 1 or 2 notes at a time, but he was able to make really interesting sounds. Thanks again! Your lessons are really helpful.
saw this video had 999 likes, if you flip that upside down that isn't good juju at all bro, so I added a like. Haven't watched it yet but I know its gonna be good
@@MattiaLezi I would call that Phrygian Dominant bop scale 😎 Phrygian bobpscale would have Ab instead of A natural, if one is to believe Bergonzi's books. Also it's a Gb not F# 🤓🤓🤓
The 6th is flat on dominants going to minor (usually) so it was already there. The note I'm adding to the mixo b2 b6 scale ( aka phrygian dominant) is the major 7 🤓
gil regev the b6 Db of F harmonic minor is the b9 of the C7, right? Not sure what you mean. The F harm minor also contains the Ab which is the b6 of the C7.
It’s amazing how helpful these lessons are. And I’ve done a lot of searching. Much appreciated.
Very interesting stuff - adding the b6 - great idea - and of course there is the option of adding a b2 - that gives some cool sounds too - I like your attitude of having confidence in the abilities of others - that displays respect towards the lives of all others, making no distinctions of discrimination on grounds of capacity - you create a pleasant atmosphere - I like you !
You're awesome man, you helped me a lot.
excellent demo gave me 6 months of study very grateful.
Thanks for the brilliant lesson. It is very enlightening!
Bebop has been a mystery to me for some time, so I appreciate you shedding some light on the concepts involved.
Glad you like it! Bebop is a mystery for most of us! :D
@@Mikkokosmos There is profound beauty in all that is mystic.
This is so valuable, thank you sir!
So nice to hear you
Alot to learn from only transcribing your solo in the beginning. Great lines, packed with content and intent. Great playing over all Mikko!
Glad you like the lesson 😃👍
Thank You Mikko!
phenomenal and gracious info! Thank you!
Thanks so much for this excellent lesson!
Thanks Nikki really helpful
hi MIko, love ypur playing, cheers
Dude.... great lesson. Cheers!
Man, this is so mind opening! Thank you so much!
Glad you like it. Comments like this makes me wanna keep going 😃
This is the video I've been looking for! Thanks Mikko.
Obus glad you found it 🤠
My intuition over changes kicks in like changing shapes or landscapes on the piano that's just something that my hand sees so that my ears are freed up I guess. I know if I am in an alt scale shape or a diatonic scale contour etc. So my ear can play listen look at half steps or common tones or changing tones.
Great lesson Mikko!⚡️⚡️⚡️
Thank you man, nice job. keep it going
Thank you SO MUCH for this
It's a LOT of work. I'm plugging away at the first few chapters of that Bergonzi bebop line book. "Infinite boiling softens the stone" as they say. Cool lesson, your time feel is sweet.
Glen McGlone thanks I'm glad you like the book!
Thank you for this.
Brilliant.
Very Good!!!! Thank youuuuuuu!!!
Coincidentally the days I arrived at the same conclusion: using the G7(b9,b13) bop scale over that Bdim7 chord. I remember that Barry Harris has an example in his masterclass of a Gb7 mixo bop scale over Gm7 C7. He started from the major 3rd of the scale (Bb), and it is the b3 of the Gm7 chord. This is a away to expand the bop scales thing.
Rodolfo Amaral great I love watching Barry Harris workshops on TH-cam. "After Ab comes A" 😃
Bop scales are obsessing me lol, they sound perfectly correct (if such thing exists)
like the lesson. some lines you played sound like a faster version of joe pass's lines :)
late to the party, but A harmonic minor( bebop) scale also sounds good over the b dim chord I think. #4 dim can be replaced with 2-5 in minor (ie. a minor).
Great work mentor, can I get the guitar tab,
great hat!
Andy MacDonald 🎩🙄
Superb lessons. Does it possible to make a lesson about how do you choose right scale for the dominants? I mean what do we need to play over dominants that resolve the major, resolve the minor, don't resolve the either etc. I am having a big difficulty about that. Especially for the secondary dominants and subs. dominants. I could not find the answer that make me satisfy from the other resources. I would be appreciate if you make a lesson about it. Best regards
Lot to take in..I am presently doing a video teaching Donna Lee. Doing the Analysis on the fly.. but decided to see what others are saying..some very cool observation about the the B7 and G 7. Subscribed and rang bell....As typical I should I try to play any instrument.. my favorites are guitar , 5 string banjo and piano...
Been annoying/playing people since 62. Lol...Where is the link to your first video on Donna Lee?
I d like to hear yours
@@RanBlakePiano Listened to the video. Really nice to listen thru earphones. Looks like that is exactly what you play in the first part of Donna Lee. I played it on a keyboard. I haven't
played it on 🎸 for a while..it probably needs some work. I like that cutaway classical.
I am a bit offended you did not use the Mary Had a Little Lamb melody...but the lesson went great in spite of it! Thanks!
When you mention the Dom7 and Dom7b9 chords do you mean add a Maj7 to the arpeggios or mixolydian scales?
Yes you add a maj 7th to eaither a mixolodian or a mixolodian b9 b6 scale depending on the chord. Not sure what arpeggios you are referring to?
Very nice playn' man
Dennis Browder thank you! 😃
Thanks for the info.
Can you write a sheet with the scales(names for the scales ) you used for the changes please?
Thank you 😀 there is a link to the pdf in the video description 🙂
So for C7b9, you're playing the F harmonic minor scale, but starting on the C and adding the Maj7th of C? So C, Db, E, F, G, Ab, Bb, and B?
Really appreciate this lesson! I assume this approach could be applied to any bebop tune like a Bird Blues for example?
Absolutely. Bird Blues would be perfect.
You play realy Nice could you Please play also on your Gypsie guitar? I study piano at moment but played 30 jazz guitar..
eternal rainbow thanks! 😃 Maybe I'll play my Gypsy guitar in future videos. It's harder to mic, though.
Hey Mikko! Thank you for posting these lessons. They've been really helping my playing. I was wondering if you could do a lesson on jazz counterpoint. I've been working on some Jimmy Wyble etudes, and Ted Greene's baroque lessons. The Ted Greene lessons show him taking a classical approach, and then filtering some jazz tunes through the counterpoint ideas. I'm not sure if you take requests, but I thought I'd ask.
I love requests and thank you. Counterpoint is a tricky one I'm not qualified to teach that. I find that when Jazz players talk about that it's often an extreme simplification of what classical composers did. Nonetheless, it's a valid thing in Jazz these days. I know there are instructional videos on the topic with Antoine Boyer and Gilad Hekselman.
Where did you find the Ted Greene stuff? Is there a book? Thanks for watching /Mikko
Also check out Jordan Klemons videos here on TH-cam!
Mikko Hilden Thanks for the quick reply. I'll try to find those instructional videos you mentioned. For the Ted Greene stuff, if you look up "ted greene baroque improv" in youtube, you'll find parts 1 to 5. The first 5 videos are mostly about classical music, but he's still relating it to jazz. In part 5, he plays "out of nowhere" using the techniques he was talking about. His website has some transcriptions for the lesson. The classical stuff is way over my head. I know with Fux counterpoint, there are a lot of rules. I'm not really interested in learning all of the classical stuff, but just using 2 or 3 different lines or melodies to create music. It's like you said, a lot of the jazz stuff is an extreme simplification. The Jimmy Wyble etudes have been really helpful too. He's mostly just using 1 or 2 notes at a time, but he was able to make really interesting sounds. Thanks again! Your lessons are really helpful.
wow
saw this video had 999 likes, if you flip that upside down that isn't good juju at all bro, so I added a like. Haven't watched it yet but I know its gonna be good
oh oh the number of the beast
How you connect chords using arpeggio s? Greetings
Check my video on chord tones and autumn leaves 😎 Greetings from Sweden
Why not b6 over the F7? Feel like it sounds more natural to play Db rather than D.
Yeah sure you can do that. A F mixo b6 bop scale. Why not? :D
@@Mikkokosmos Thanks for your answer :) And for the lesson, your vids are helping me out tons.
What about the Phrygian bebop scale over the F7?
You mean Phrygian dominant bebop scale? Sure that works. You get the Gb and which is outside of the key. But sometimes that sounds better 😃👍
@@Mikkokosmos i mean descending F E Eb Db C Bb A F# F
@@MattiaLezi I would call that Phrygian Dominant bop scale 😎 Phrygian bobpscale would have Ab instead of A natural, if one is to believe Bergonzi's books. Also it's a Gb not F# 🤓🤓🤓
I’m still trying to get familiar with all these scales
especially with their names. 🦍
you said on dominant flat 9 chords, you added the Maj7, but didn't you also add the flat 6 as well?
The 6th is flat on dominants going to minor (usually) so it was already there. The note I'm adding to the mixo b2 b6 scale ( aka phrygian dominant) is the major 7 🤓
🎯👍🏻🖖🏼
Thanks Mikko! I have a nylon electric also (Rick Turner). Can you tell me what you are playing through? Good sound. A bit warmer than I am getting.
Hey Andy I use a Tanglewood. It's like a cheaper version of AER I guess. It's not super great but it gets the job done.
Is that Godin guitar? Is the Tanglewood amp made for piezo pickups?
Yes Godin Multiac Grand Concert SA. It's an acoustic amp not sure if it's made for any specific pickup but works great with a piezo.
at 3:05 you said "V of harmonic minor" but the V of harmonic minor contains b6 and in our case there is a nat6
gil regev the b6 Db of F harmonic minor is the b9 of the C7, right? Not sure what you mean. The F harm minor also contains the Ab which is the b6 of the C7.
What guitar is that? I need to know!!
Godin Multiac Grand Concert SA :)
Hello Mikko, just a question. Over the F7 and Bb7 you play Mixolidian? Btw thanks for this amazing video.
yes mixolydian bop scale. Micolydian with an added Major 7th :D YOu could do other dominants scales too if you want :)
@@Mikkokosmos For example? Btw Thank you so much
The way you learn scales IS scary....