Oh, my - the physical and emotional intensity here are both sky high! HJ's extreme and luminous musicality manages to reveal fully modulated Brahmsian emotions, elevating this art into an uninhibited, free-flowing, spiritual dialogue. The compositional originality and profundity of perspective that define Brahms' late works, emanate from a complete and highly disciplined mastery of structure, instrumental capabilities, orchestration, motive, theme, and drama. His masterworks are carved in bold, clear, broad, deep, and unexpected statements and structures. They tower, this concerto included, over the Late 19th Century, and beyond. The sum of all of these elements are why Brahms is rightly considered to be Beethoven's truest successor. What amazed me here is the electrical current running between composer and pianist. How can this "heavy" music flow so powerfully, and, _somehow_, with such great ease? I do not know the answer. I do not understand it. I cannot quite fathom how that works. The result, however, is deep, deeply moving, and with a beautiful, steady, and joyful undercurrent. Johannes has not had such a lithe and energetic dance partner in _ages_ - maybe ever... Once upon a time, yes, in the galaxy Milky Way it was, while orbiting a bright and warm Yellow Dwarf star, on an ever-so-delicately-balanced elliptical planet, I did know humble awe and unearthly wonder. HJ's Brahms II is an energetic riot within music that can actually handle it. I find myself powerfully drawn into the communicative action between this vastly knowledgeable, able, and relaxed interpretive artist and the masters she engages - Brahms included. And while conventional beauty of musical tone and articulation are wonderful in their own right, they are not nearly as compelling as the all-embracing work of an artist as radically bold and original as the masters themselves. This performance, with *_who knows what orchestra_*, is fantastic, top to bottom. Some people claim that Brahms puts them to sleep. This will keep them on the edge of their seats. Bravo!
I just have to say it... I Love HJ Lim!!! Watching and listening to her is an absolute joy. She is a technical phenom and the author of an amazingly emotional journey. She is so into playing that you can't help but be taken in... and when she smiles, it is priceless. I can't get enough. I am a fan, what else can I say.... I appreciate her approach and the stories she tells.
Just incredible. Passion, delicacy, great technique, love of the music, no ego, just art. She is a truly wonderful pianist. Her Beethoven set is great, and she is obviously still getting better. She should be playing with Berlin and Chicago, and making lots of cd's. I'd put this performance up with Richter and Fleisher, and you can't get higher praise than that. How I'd love for her to come to Boston; and to do some Bach... Thank you for this wonderful video.
+Roger Gottlieb you said so well...passion and delicacy together...plus love...can,t go higher than that, she stands almost by horowitz...by callas...and at great composers level...she is one of the greatest musicians already...so young...so innocent...so pure
It's a great rendition of this wonderful BIG concerto, with nary a 'slip' (not heard - so far in this 1st. mv.). This pianist has always impressed me not only with her impeccable pianism but her seeming 'understanding' of the 'jist' of the composer's wishes. [I follow with score. Once in a while she slightly 'strays' from the basic tempo in solo passages. But who of the "greats" did not?]
Well, you have to give it to her, this is an extraordinary performance! It is the first thing that I have ever heard played by this young performer and I shall be listening to quite a lot more! Fantastic!
Exceptional - possibly unique - conception of the work. Wonderful and beautiful. Like if it were a totally new concerto! And exceptionally beautiful and well thought. Only HJ Lim to be able to do it like this - because this way it’s even more difficult. This has become my favorite version of the concerto all of a sudden! Exciting!
44 minutes de pur bonheur d'écoute. Quel magnifique concerto et quel jeu époustouflant !! Merci HJ Lim pour ce partage sur TH-cam. La partition du violoncelle en dialogue avec le piano en 3ème partie est également sublime. Un concerto à écouter absolument !!!
I'm increasingly amazed by Korean musical talent. This concerto takes on a whole new 'shape' .... 3rd Movement, for example.... the octaves occur so quickly on each other, it's almost an echo of Liszt (which it should be, right? Contemporaneous) -- I've not heard Liszt before in Brahms; interesting, very interesting and exciting rendition!
Young Lady Lim, it is not the first time that You force me, old German musician, to think about the usual interpretations! Thank You so much for wake me up! And the most astonishing thing is that You as a young Asian Lady bring a new feeling for the is genuine German music. Again and again - thank You so much! Jürgen Voigt, old German Musician
+Juergen Voigt Hallo Jürgen ! Weiss du warum .... do you know why your answer was so right ? Because after the heroes of the middle of the twentieth century (Gieseking , Fischer) , all western pianists ( and particurlarly the german ones ! ) thought that Brahms was their "private garden" .... and played this heavenly music in an utterly boring and stupid way . For Mrs. Lim , not the same story . This is not her "own privacy" , this is foreign , weird , strange and forbidden . But she plays it , with all her soul and passion ; She is in love with it . And you know , Johannes needs love .... desperately .....
+Juergen Voigt Oh , I forgot saying it , I am also an "old german musician" . But pissed off by what the "german musicians" (and others!) made out of the german music ....
+Juergen Voigt brahms is the most loving musician in history for me, fourth symphony is perfection, he is an invisible saint, nobody knew after many years that he left a lot of money to help poor neighbors, no doubt he is one of the few greatest geniuses of all time, and much forgotten, this young brave korean girl is giving back to brahms what she just received from him, love, infinite love.
A good example where your virtuosity is well used - as most pianists treat this concerto as holy and lose sight of its energy and vitality. Choosing the times for the incredible octaves or fleet fingers is essential, and you chose well here. Of course, you also give it much more. Perhaps the last time a pianist dared to perform this work with such excitement was early Richter, Gilels, or Horowitz. The fact that you are the only one to try it in this legendary style speaks volumes of the value of your approach here.
This girl is incredible ..... 41:52 ..... when the whipping time comes ..... be careful Maestro , she will not hesitate .... I love this .... and in the middle of that beauty ..... 42:40 triple time bars with the hairs licking the keyboard .... glorious ....
Out of many contenders, this has to be my favorite performance of hers. I have it pretty much memorized, even the crinkling candy wrappers. I experience legitimate awe and terror listening to this, to hear beauty so real, uncontrolled, and temporary, like lightning.
The last time somebody did this concerto whith this tempi (which make it 5 times more difficult! but was what Brahms actually wanted) was Arthur Rubinstein in a RCA Recording whith Albert Coats. And that's about 90 years ago. And was full of mistakes, that much that Rubinstein himself did not want to bring the Disc for sale. Most other famous pianists did not even try this. HJ Lim takes full risk and gives full power! That Needs guts!!! And she did make it on a very high Level! Brava!!!!
3:54 .... I am repeating myself... this is so cute and deep at the same time ... that something like this would be ever possible on a concert stage during the Second of Brahms .... I never , never hoped it .
3:54 ..... do you see and feel this impatience .... of a young girl wanting something .... immediately .... this is of such a rarity in music .... quite unique .... . This is of such a beauty .
Na, she is better, young, faster, most musically and no fear to public and perform alone in the stage. I'm argentinian but i have to admit Lim is better than Argerich.
42:24 oh the tremendous freedom of HJ here !! Johannes suddenly with us .... but over 21 only , this is real adult stuff ... this is talking about such a liberty ... !
42:24 Mrs. Lim , I am really asking myself if you really realize the way you are playing this ..... Are you really aware of it ? Like a young and beautiful Goddess , you are giving LIFE on your passage .... this is mesmerizing .... some others , like Schnabel , are able to transport the music outside of our earthly territory , but you , you make real something forbidden , you give us the physical pleasure of your gift . This is unique for me in history of musical recording .
+Fritz Maisenbacher (GA4N) yes this is unique and mesmerizing...only callas or late horowitz were like that...i don´t think she is really conscious...too young to realize what she is doing...that is why she sounds so fresh, innocent, spontaneous, so musical...cause she is free... free of everything...like a kid...playing...making music the loveliest game...loving life through her love of music...and letting us love music and her, cause she really is loving
3:54 .... one more time (I am not able to avoid it) , but this moment is so absolutely "new" , so completely pure , I find some utter happiness listening to it .... thank you Mrs. HJ ......
Listen to the very difficult cadenza which other pianists mostly delay. Lim keeps the speed without any problem like Richter. 6:51 - 7:59 and 13:20 - 14:28.
35:20 after an abyssal second movement , Lim is here playing for eternity . Excuse me please for this grandiloquent words , but I mean it , really .... After years of disgusting soup , making this fantastic music so boring that nobody couldn't hear it without thinking "oh no , the second of Brahms again , I'll fall asleep" here comes Mrs. Lim , with the same appetite than Barere , the same devastating arrogance of the young Horowitz , and the same subtility than a Friedman , a Moïseiwitsch or a Lhevinne , and last but not least , the explosive metaphysical tenderness of an Artur Schnabel . Not less . You think I am mad . Ok . But listen to what she is doing at 42:24 to the end .... This is so damned free , fresh and sexy , this is able to wash and rinse 50 years of Brahms captivity . Sounds for eternity . At least in my ears and my brain .
oh no ... I am a poor german music lover with his awful and terrible english ..... not even able to write something down without 5 faults in a phrase ....
I've been strolling through the comments of various videos and saw each every one of yours and thought 'what an interesting, interesting thinker and poet..' Remained a distant admirer of your words until now. You, sir, are brilliant!
42:56 ..... one of my secret pleasures and one of the things I really prefer is to look closely at the feets of HJ .... do you see how much energy and happiness is flowing through them .... ?
+Fritz Maisenbacher (GA4N) Keep your eyes on her hands! ;-) She has the most amazing pianistic mechanism since Cziffra and Richter. And she has more creativity and imagination than both combined!
+inraid Haha to both of you! I hadn't noticed the feet but I had noticed the beautiful playing! I think she should be called the little Buddha of the piano (after watching the video with Venerable Seongdam)All good things!
+Fritz Maisenbacher (GA4N) she is a force of nature, she plays with her whole spirit, soul and her whole body...and standing up a bit at the end....you are so right she has such energy and happiness ...and she gives it away very beautifully, is contagious....she seems to play mostly to the composer up in heaven, saying thanks for this music...
14:50 attaca ..... 15:33 ... downward decrescendo arpeggios at the right hand .... is this beautiful ..... , HJ .... your fingers and lips are made out of a sensual fire able to bring our Johannes out of his grave ....
15:52 This apparently rather "academic" ending by our Johannes here no more academic at all ..... we learn that only the other pianists were themselves "academic" ... . What a surprise ! I was already knowing that Brahms is the most badly played composer of all times , the private garden of lazy and pretentious pseudo-musicians able to make this fantastic music boring , real criminals ......
Amazing facility but all the the small pseudoemotional rubati cannot hide the fact that the percussive monocrome sound and lack of breathing space create the impression of second hand lIszt combined with third rate prokofjev .
늘 출첵하러 와요ㅜㅜ 너무나 아름다운 브람스ㅜㅜ
Oh, my - the physical and emotional intensity here are both sky high! HJ's extreme and luminous musicality manages to reveal fully modulated Brahmsian emotions, elevating this art into an uninhibited, free-flowing, spiritual dialogue. The compositional originality and profundity of perspective that define Brahms' late works, emanate from a complete and highly disciplined mastery of structure, instrumental capabilities, orchestration, motive, theme, and drama. His masterworks are carved in bold, clear, broad, deep, and unexpected statements and structures. They tower, this concerto included, over the Late 19th Century, and beyond. The sum of all of these elements are why Brahms is rightly considered to be Beethoven's truest successor. What amazed me here is the electrical current running between composer and pianist. How can this "heavy" music flow so powerfully, and, _somehow_, with such great ease? I do not know the answer. I do not understand it. I cannot quite fathom how that works. The result, however, is deep, deeply moving, and with a beautiful, steady, and joyful undercurrent. Johannes has not had such a lithe and energetic dance partner in _ages_ - maybe ever... Once upon a time, yes, in the galaxy Milky Way it was, while orbiting a bright and warm Yellow Dwarf star, on an ever-so-delicately-balanced elliptical planet, I did know humble awe and unearthly wonder.
HJ's Brahms II is an energetic riot within music that can actually handle it. I find myself powerfully drawn into the communicative action between this vastly knowledgeable, able, and relaxed interpretive artist and the masters she engages - Brahms included. And while conventional beauty of musical tone and articulation are wonderful in their own right, they are not nearly as compelling as the all-embracing work of an artist as radically bold and original as the masters themselves. This performance, with *_who knows what orchestra_*, is fantastic, top to bottom. Some people claim that Brahms puts them to sleep. This will keep them on the edge of their seats. Bravo!
덕분입니다 감사 감사 😊
I just have to say it... I Love HJ Lim!!! Watching and listening to her is an absolute joy. She is a technical phenom and the author of an amazingly emotional journey. She is so into playing that you can't help but be taken in... and when she smiles, it is priceless. I can't get enough. I am a fan, what else can I say.... I appreciate her approach and the stories she tells.
Absolutely refreshing and highly musical rendition.
HJ Lim is a truly exceptional musician of the highest calibre.
Just incredible. Passion, delicacy, great technique, love of the music, no ego, just art. She is a truly wonderful pianist. Her Beethoven set is great, and she is obviously still getting better. She should be playing with Berlin and Chicago, and making lots of cd's.
I'd put this performance up with Richter and Fleisher, and you can't get higher praise than that. How I'd love for her to come to Boston; and to do some Bach...
Thank you for this wonderful video.
+Roger Gottlieb I'd put this performance above Fleisher and on a par with Richter -- noting that I heard both performing it live!
+Roger Gottlieb you said so well...passion and delicacy together...plus love...can,t go higher than that, she stands almost by horowitz...by callas...and at great composers level...she is one of the greatest musicians already...so young...so innocent...so pure
It's a great rendition of this wonderful BIG concerto, with nary a 'slip' (not heard - so far in this 1st. mv.). This pianist has always impressed me not only with her impeccable pianism but her seeming 'understanding' of the 'jist' of the composer's wishes. [I follow with score. Once in a while she slightly 'strays' from the basic tempo in solo passages. But who of the "greats" did not?]
Well, you have to give it to her, this is an extraordinary performance! It is the first thing that I have ever heard played by this young performer and I shall be listening to quite a lot more! Fantastic!
Exceptional - possibly unique - conception of the work. Wonderful and beautiful.
Like if it were a totally new concerto! And exceptionally beautiful and well thought.
Only HJ Lim to be able to do it like this - because this way it’s even more difficult.
This has become my favorite version of the concerto all of a sudden!
Exciting!
천재 나오심 멋지십니다 응원해요~~^^♡
임현정씨 공연은 살아있어! 진짜 클래식이 지루하지 않고 즐겁습니다!!!!
Most surprising. Hard to describe too. I never heard this concerto played this way.
Captivating.
너무 아름다우신 임현정 님 고맙습니다.
She rocks! The performance is mind blowing.
44 minutes de pur bonheur d'écoute. Quel magnifique concerto et quel jeu époustouflant !! Merci HJ Lim pour ce partage sur TH-cam. La partition du violoncelle en dialogue avec le piano en 3ème partie est également sublime. Un concerto à écouter absolument !!!
That's great!
I'm glad to you were update that your performance.
I'm looking forward to your next performance!
대한민국에 이런 천재 피아니스트가 있다니...영광입니다.역사에 길이 남을 전설적인 피아니스트가 되시길...이미 실력과 재능으로는 전설적인 피아니스트지만요^^
I'm increasingly amazed by Korean musical talent. This concerto takes on a whole new 'shape' .... 3rd Movement, for example.... the octaves occur so quickly on each other, it's almost an echo of Liszt (which it should be, right? Contemporaneous) -- I've not heard Liszt before in Brahms; interesting, very interesting and exciting rendition!
00:39 I. Allegro non troppo
16:17 II. Allegro appassionato
24:19 III. Andante
35:19 IV. Allegretto grazioso
Rarely hear as heroic and mighty a performance of this "man" concerto from a woman .She is a formidable Brahms player ! Wonderful ideas here !
Young Lady Lim, it is not the first time that You force me, old German musician, to think about the usual interpretations! Thank You so much for wake me up! And the most astonishing thing is that You as a young Asian Lady bring a new feeling for the is genuine German music. Again and again - thank You so much! Jürgen Voigt, old German Musician
Juergen Voigt
한완상 H.J indeed brings Brahms alive to 21 century mood by her extraordinary artistic imagination andcharismatic rendition. So proud of her.
+Juergen Voigt Hallo Jürgen ! Weiss du warum .... do you know why your answer was so right ? Because after the heroes of the middle of the twentieth century (Gieseking , Fischer) , all western pianists ( and particurlarly the german ones ! ) thought that Brahms was their "private garden" .... and played this heavenly music in an utterly boring and stupid way .
For Mrs. Lim , not the same story . This is not her "own privacy" , this is foreign , weird , strange and forbidden . But she plays it , with all her soul and passion ; She is in love with it . And you know , Johannes needs love .... desperately .....
+Juergen Voigt Oh , I forgot saying it , I am also an "old german musician" . But pissed off by what the "german musicians" (and others!) made out of the german music ....
+Juergen Voigt brahms is the most loving musician in history for me, fourth symphony is perfection, he is an invisible saint, nobody knew after many years that he left a lot of money to help poor neighbors, no doubt he is one of the few greatest geniuses of all time, and much forgotten, this young brave korean girl is giving back to brahms what she just received from him, love, infinite love.
Love this refreshing interpretation. Brava !!! HJ Lee...
형용할 수 없는 경지에 감탄합니다. 감사합니다.
BRAVO!!! HJ LIM Gracias! Lo estaba esperando! (Thanks, I was waiting for it!)
A good example where your virtuosity is well used - as most pianists treat this concerto as holy and lose sight of its energy and vitality. Choosing the times for the incredible octaves or fleet fingers is essential, and you chose well here. Of course, you also give it much more. Perhaps the last time a pianist dared to perform this work with such excitement was early Richter, Gilels, or Horowitz. The fact that you are the only one to try it in this legendary style speaks volumes of the value of your approach here.
A titanic performance. Her emotion and fabulous technique remain unsurpassed.
....Remarkable pianist......woohoo to have that technique & be able to share her sound world so well......⚡️
This girl is incredible ..... 41:52 ..... when the whipping time comes ..... be careful Maestro , she will not hesitate .... I love this .... and in the middle of that beauty ..... 42:40 triple time bars with the hairs licking the keyboard .... glorious ....
Out of many contenders, this has to be my favorite performance of hers. I have it pretty much memorized, even the crinkling candy wrappers. I experience legitimate awe and terror listening to this, to hear beauty so real, uncontrolled, and temporary, like lightning.
매우 좋아요....^^♡
42:37 the strette at exactly 42:42 is absolutely STUNNING , never heard before ...
Oh, and not to Forget: it's not just a good execution in the right tempo. It's also a great Brahms interpretation
15:55 !!! Do you see how beautiful her hands in these fluttering trills !!!
So, so lovely!
Quite a stunning performance. Bravo!
35:24 .... seeing these fingers doing what they are doing is quite emotionnal ....
The last time somebody did this concerto whith this tempi (which make it 5 times more difficult! but was what Brahms actually wanted) was Arthur Rubinstein in a RCA Recording whith Albert Coats. And that's about 90 years ago. And was full of mistakes, that much that Rubinstein himself did not want to bring the Disc for sale.
Most other famous pianists did not even try this.
HJ Lim takes full risk and gives full power! That Needs guts!!! And she did make it on a very high Level! Brava!!!!
Grigory Sokolov with Jukka-Pekka Saraste S.Richter/L.Maazel Khatia Buniatishvili These 3 are fast enough
3:54 .... I am repeating myself... this is so cute and deep at the same time ... that something like this would be ever possible on a concert stage during the Second of Brahms ....
I never , never hoped it .
정말 피아노 연주하시는 모습 이뻐요
3:54 ..... do you see and feel this impatience .... of a young girl wanting something .... immediately .... this is of such a rarity in music .... quite unique .... . This is of such a beauty .
Thanks HJ Lim Official magnifique pianiste de HJ Lim
A Korean Martha?
Rather a genuine HJ Lim.
One of the best pianists walking this planet as of 2019. Period.
Na, she is better, young, faster, most musically and no fear to public and perform alone in the stage. I'm argentinian but i have to admit Lim is better than Argerich.
Fantastic.
Wonderful playing
..
This should be renamed: Brahms Symphony #5 for piano and orchestra!
42:24 oh the tremendous freedom of HJ here !! Johannes suddenly with us .... but over 21 only , this is real adult stuff ... this is talking about such a liberty ... !
So expressive. Amazing pianist & good orchestra
so beautiful !
브람스 피아노협주곡 2번은 피아노협주곡중에서도 너무나 대작이라 연주자들이 어렵게 생각하는 곡인데도 곡해석을 너무나 잘하십니다.
Meu Deus esse vídeo deveria ter mais visualizações. obrigado por 43 minutos de prazer.
23:40 absolutely glorious coda !
Love love love this
42:24 Mrs. Lim , I am really asking myself if you really realize the way you are playing this .....
Are you really aware of it ?
Like a young and beautiful Goddess , you are giving LIFE on your passage .... this is mesmerizing .... some others , like Schnabel , are able to transport the music outside of our earthly territory , but you , you make real something forbidden , you give us the physical pleasure of your gift . This is unique for me in history of musical recording .
+Fritz Maisenbacher (GA4N) yes this is unique and mesmerizing...only callas or late horowitz were like that...i don´t think she is really conscious...too young to realize what she is doing...that is why she sounds so fresh, innocent, spontaneous, so musical...cause she is free... free of everything...like a kid...playing...making music the loveliest game...loving life through her love of music...and letting us love music and her, cause she really is loving
the young richter was like that too! ;-)
maybe the young richter...but most turn academic with age.... howowitz, callas, pogorelich...free themselves with time,,,,
Que du bonheur merci TF1 d'hier reportage 7 à. 8
At last a pasionate Brahms!!
She is incredible person
There should be a bouquet of flowers surely...
3:54 .... one more time (I am not able to avoid it) , but this moment is so absolutely "new" , so completely pure , I find some utter happiness listening to it .... thank you Mrs. HJ ......
이분 프로코피에프3번듣고 곧장
달려왔어요.그 감동이 식기전에.
14:00 goosebumps
Sortir Brahms de son crépuscule pour en révéler la nature volcanique.
beyond imagination!
Listen to the very difficult cadenza which other pianists mostly delay. Lim keeps the speed without any problem like Richter. 6:51 - 7:59 and 13:20 - 14:28.
남자 피아니스트들도 힘에 부치는 경우가 있던데 임현정님 너무 파워플 하게 잘하시네요 브라보
35:20 after an abyssal second movement , Lim is here playing for eternity .
Excuse me please for this grandiloquent words , but I mean it , really ....
After years of disgusting soup , making this fantastic music so boring that nobody couldn't hear it without thinking "oh no , the second of Brahms again , I'll fall asleep" here comes Mrs. Lim , with the same appetite than Barere , the same devastating arrogance of the young Horowitz , and the same subtility than a Friedman , a Moïseiwitsch or a Lhevinne , and last but not least , the explosive metaphysical tenderness of an Artur Schnabel .
Not less . You think I am mad . Ok . But listen to what she is doing at 42:24 to the end ....
This is so damned free , fresh and sexy , this is able to wash and rinse 50 years of Brahms captivity .
Sounds for eternity . At least in my ears and my brain .
oh no ... I am a poor german music lover with his awful and terrible english ..... not even able to write something down without 5 faults in a phrase ....
you certainly have good ears -- and something between them too! ;-)
I've been strolling through the comments of various videos and saw each every one of yours and thought 'what an interesting, interesting thinker and poet..' Remained a distant admirer of your words until now. You, sir, are brilliant!
굉장히 특이하고 들어본 적 없는 개성있는 브피협 2번이네요:)
I really wonder if Brahms, who played the piano part at the creation of the concerto, was able to play it at such a tempo?
Much of 19th Century piano playing was much faster than most 20th Century piano playing...
Brahms' playing was criticized because he changed tempos frequently and unpredictably.
이어려운곡을 자신만의 해석으로 완전 탈바꿈시켰네요
the other pianists (most of them) can start practicing their piano !
Genius 🌹🌹🌹
Sublime
한 20년전에 이곡 브2를 어떤 이스라엘 텔아비브출신의 피아니스트와 Kbs och.와 협연하는 거 들어주느라 힘들엇는데.
임현즹은 이곡을 이케 해석하는구나!
진짜 우아하고 속이 시원합니다.
현정씨를 응원합니다
브람스가 여기 숨어있었네요.... 중간광고가 훼방놓긴 해도....ㅋㅋ 감사합니다.
Good amazing
42:56 ..... one of my secret pleasures and one of the things I really prefer is to look closely at the feets of HJ .... do you see how much energy and happiness is flowing through them .... ?
+Fritz Maisenbacher (GA4N) Keep your eyes on her hands! ;-)
She has the most amazing pianistic mechanism since Cziffra and Richter.
And she has more creativity and imagination than both combined!
+inraid Haha to both of you! I hadn't noticed the feet but I had noticed the beautiful playing! I think she should be called the little Buddha of the piano (after watching the video with Venerable Seongdam)All good things!
+Fritz Maisenbacher (GA4N) she is a force of nature, she plays with her whole spirit, soul and her whole body...and standing up a bit at the end....you are so right she has such energy and happiness ...and she gives it away very beautifully, is contagious....she seems to play mostly to the composer up in heaven, saying thanks for this music...
나무랄 데 없이 피아노와 오케스트라가 조화를 이루어 연주한다!
Johannes Brahms (1833-1897)
Piano Concerto No. 2 in B-Flat Major, Op. 83 *(1881)*
00:38 I. Allegro non troppo
01:15 *m 11* • _short cadenza_
02:04 *m 29 [A]*
03:10 *m 56 [B]*
05:47 *m 118 [D]*
06:51 *m 145*
07:58 *m 174 [F]*
08:32 *m 188*
11:48 *m 265*
13:20 *m 303*
14:22 *m 330 [N]-2 Allegro*
*appassionato*
14:51 *m 342*
🚧⬇️👷🏻♂️ *Under Construction* 🚧⬇️👷🏻♂️
16:17 II. Allegro appassionato
17:50 *m 43*
*m 188 largamente*
*m 215*
*m 315 [F]*
*m 364*
24:18 III. Andante
26:42 *m 23* • _piano entrance_
28:34 *m 42*
*m 59 Più Adagio*
*m 71 [D] Tempo I*
*m 86 [E]*
35:19 IV. Allegretto grazioso
*m 64*
*m 97*
*m 128*
*m 145 [C]* *m 189 [E]*
*m 251 in tempo*
*m 333 [H]*
*m 377 un poco più presto*
43:23 *Applause*
HJ Lim, piano
🚧⬆️👷🏻♂️ *Under Construction* 🚧⬆️👷🏻♂️
어마무시하구만요
폭포수에서 득음하듯.... 여유로움이 멋지고 예쁘고 형용할 언어가 없네여.....
14:50 attaca ..... 15:33 ... downward decrescendo arpeggios at the right hand .... is this beautiful ..... , HJ .... your fingers and lips are made out of a sensual fire able to bring our Johannes out of his grave ....
20:43 I can't believe it's real
blog
planetamagdala.blogspot.com/2020/09/hj-lim-brahms-piano-concerto-n2-op83.html
16:16
Movimento II
The Korean stage is too dark. The player does not shine.I want to see what I do with the Vienna Philharmonic
연주 좋네요. 피아노만 개성이 느껴지네요..
15:52 This apparently rather "academic" ending by our Johannes here no more academic at all ..... we learn that only the other pianists were themselves "academic" ... .
What a surprise !
I was already knowing that Brahms is the most badly played composer of all times , the private garden of lazy and pretentious pseudo-musicians able to make this fantastic music boring , real criminals ......
20:44
파아노 광여신!
35:20
인고의 시간을 보내시고 음악으로 태산 같이 우람차소서
6:04
24 18
En efecto es el 3er movimiento del Concerto la más gustada. En realidad es el Concerto más bello que yo haya escuchado jamás!
Amazing facility but all the the small pseudoemotional rubati cannot hide the fact that the percussive monocrome sound and lack of breathing space create the impression of second hand lIszt combined with third rate prokofjev .
23:10 ...
반주가 피아노를 못따라가네..너무 아쉽다
``````
Questa pianista suona Brahms come Rachmaninov!!! Che strazio!!!!
Please insert coin !!!
UUUUUUUgly!!!!!
On what grounds do you make such a statement? Don't you secretly want to have the special gift she's got?
00:39 I. Allegro non troppo
16:17 II. Allegro appassionato
24:19 III. Andante
35:19 IV. Allegretto grazioso
13:20
26:41