Im from Brasil and i have learned alot of gypsy jazz from you. I know more gypsy jazz than brasilian music belive it or not !! I love that you play brasilian music too. Cheers my friend
De plus en plus, je prend le tempo avec mon buste, à la ronde ... comme un roulis de bateau... aussi je dérape de moins en moins ... là j'ai gardé le tempo en appréciant les variations rythmiques (en me disant... il se trompe 😅)
I feel it as 1/8 note beat feel but I'd swear he drops beats randomly, turning it into 7/8 or even 6/8 occasionally. If he doesn't it's tricky indeed. I was always confused with this rhythmic feel, could never groove with it.
@@guitareimprovisation I found an amazing video on the topic by Itaiguara Brandao. He explains that it comes from the 2/4 time signature and each 1/4 note is felt in the 16th note beat. The variations come from playing around these 1/16 groupings. He talks about how they vocalize the rhythmic phrases and that sometimes the phrase is moved into the next bar. This is probably where the sense of odd time signature that I was hearing comes from. This makes it much easier to understand now.
I wasn't even done watching his video when I wrote the previous comment. Mindblowing stuff comes at the end :) He talks about polyrhythms in Samba and Brazilian music and how it's all African in origin. How they superimpose 5/8 on top of 2/4, 3/16 on top of 2/4 etc. Says there are many layers of this polyrhythm. So you have the beat that's subdivided in 4 but you also have 6/8 underneath, under same beat. So, in a way I was correct in hearing 6/8 but you're also right when you say they keep the time all the way. My head is spinning now!!
Toe tapping, I only lost time 3 times! Excellent study! Thank you!
Im from Brasil and i have learned alot of gypsy jazz from you. I know more gypsy jazz than brasilian music belive it or not !! I love that you play brasilian music too. Cheers my friend
J'aurais bien aimé te voir jouer, parce que là on reste un peu sur notre faim🥲
De plus en plus, je prend le tempo avec mon buste, à la ronde ... comme un roulis de bateau... aussi je dérape de moins en moins ... là j'ai gardé le tempo en appréciant les variations rythmiques (en me disant... il se trompe 😅)
Ton anglais s’est beaucoup amélioré, tu as un bon niveau
Merci beaucoup !!
I feel it as 1/8 note beat feel but I'd swear he drops beats randomly, turning it into 7/8 or even 6/8 occasionally. If he doesn't it's tricky indeed. I was always confused with this rhythmic feel, could never groove with it.
He keeps the time all the way. People who play samba, especially cavaquingo, commonly do these variations.
@@guitareimprovisation I found an amazing video on the topic by Itaiguara Brandao. He explains that it comes from the 2/4 time signature and each 1/4 note is felt in the 16th note beat. The variations come from playing around these 1/16 groupings. He talks about how they vocalize the rhythmic phrases and that sometimes the phrase is moved into the next bar. This is probably where the sense of odd time signature that I was hearing comes from. This makes it much easier to understand now.
I wasn't even done watching his video when I wrote the previous comment. Mindblowing stuff comes at the end :) He talks about polyrhythms in Samba and Brazilian music and how it's all African in origin. How they superimpose 5/8 on top of 2/4, 3/16 on top of 2/4 etc. Says there are many layers of this polyrhythm. So you have the beat that's subdivided in 4 but you also have 6/8 underneath, under same beat. So, in a way I was correct in hearing 6/8 but you're also right when you say they keep the time all the way. My head is spinning now!!
How does it's tuning compare with a Ukulele? (G-C-E-A)
the common tuning is : D G B D
@@guitareimprovisation
Mel Torme Corcovado on Baritone Ukulele....
th-cam.com/video/fzDnc6VE9QY/w-d-xo.htmlsi=QIxUpelWRz44fRUc