Hi GuruJi, Your videos are only hope of learning for students like me coming from a background not familiar with music at all. I am so blessed to have found you here GuruJi. Please continue to shower your blessings on the needy like me. Please accept my deepest respect!
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Dear Sir, you are not only a blessed musician, but also a blessed teacher. You have an incredible command of explaining things clearly. I just loved the way you present things.
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Its so refreshing to hear a teacher say, one must find a teacher who can reach the students pitch. I have been looking for a teacher with this understanding for along time. You offer a great class here. Thanks
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Chandramauli Raoji, I have been searching for a music Guru for over a year and at last I have found one who is explaining in such depth for a first comer to Hindustani music. Thank you so much for your excellent lessons. Aspiring to be your Shishya....Radharani devi dasi 🙏🏼
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No one will come front to teach carnatic without fee😢😢 but after finding ur channel I really really happy and I feel lucky to have a guru 😊❤️ guruji.... Keep helping for normal singer😍😍 good bless u sir😇
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Still a personal teacher is as important if you are serious. It’s not about having an online course, it’s about a guru understanding you and correct you. If that is not there you cannot grow quickly. Just like you don’t double think while enrolling in a school for formal education, same here.
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Dear Guruji I am a Mridangam and Ghatam Artiste have learnt Carnatic vocal music to an extent I listen to a lot of music have had the opportunity to play play for some top artistes. I really enjoyed your video the Thaat Bhairav is the same as the 15th raga of the Melakartha system in Carnatic Music Mayamalavagowla which is the first raga taught to students of Carnatic music. I really enjoyed your session.
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Guruji: Thank you! For years I have been searching for a basic knowledge of Indian Classical Music and today I feel that finally the Divine has decided to introduce you to me. Thanks you once more for sharing your knowledge in English. It is very much appreciated.
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Guruji ! I am fortunate enough to see your video, I am a resident of visakhapatnam telugu speaking person, your video is helpful to non hindi people also as you are explaining in english, your way of teaching also very nice, your english also very good.
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Thank you Sir, I love your explanation using the English language. I am a stranger to Hindi but love to sing the Hindi Bhajans. I look forward to following you lessons. Thank you.
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Namaste ! Yesterday was GuruPournima and i hv high regard fr the Guru ! You Sir are a patient and perfect Guru and to explain in English fr our benefit ! Thank you very much ! Im learning Carnatic classical ...and am interested in Hindustani too and will b glad to follow your vlogs here ! Pranams
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Very good teaching! I'm a fan of genuine music, but was not fortunate enough to get to formally learn hindustani music. . But I see the effort that you are taking to reach out to the thousands of music-lovers like me. . Keep it up! Jai Hind.
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Thiscis such a marvellous lesson and im so grateful it is in English. The Swar exercises at the end were super fun but so difficult. I enjoyed the challenge 🙏
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you are amazing sir..no words are enough to thank u for providing such beneficial online classes..it's very helpful.hoping more from you..lot of love and respect to you sir.
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Thanks a lot sir🙏🏻 I had been taking music lessons from young age but my teacher never explained anything like this in details... I learned a lot of things today🙂
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Namaskar and thank you so much, Master. You are such a gifted and inspired teacher.. I have been studying Western Classical and Jazz for almost 50 years and post covid I would like to relocate to India to study Indian music as I am not able to entirely express myself spiritually and improvise within the limitations of the Western system. How would one find a teacher or guru to study under? Jai Guru Dev
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Sir, pranam . Namaskaram. I am 5 minutes into your class and have subscribed. I hope to receive your blessings and learn something. Pranam again. Thanks.
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Thank you Anuja Agarwal Ji. Very encouraged to read that you are going to give these classes a try and practice. My blessings are there on all of my students. If you have any questions please email to me chandramouli.rao1@gmail.com
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Wonderful..I was looking for a proper introduction to Hindustani classical and I am so happy to have found your channel.. thank you for all your selfless efforts 🙏
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Just fabulous... Thank You Guru Ji...You have given been me a new life...I will go through all your lessons...I just want to nail Classical Music and make it my own..
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Namaste Ji. Excellent Tuition - perfectly narrated for all to understand. I'm very impressed - as a singer of different genres but would love to focus more on Indian Classical Vocal Genre. Thank you Ustad Ji ! 🎼🎹🎤 Salaam
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Sir im very much interested in music ,it is my dream to learn music and really i feel very happy to learn it, but i cant find any music teacher near me ,no one is there to train me from the basic ...but now in youtube i have found this class of yours and i hope i'll find it usefull and u'll help me to achieve my dream..
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Namaste Guruji .. I am not a beginner but I have been practicing only with the Harmonium from the beginning. So now after watching your video I can feel that I must practice in the Tanpura only. Please let me know what would be my best step to start with. I do riyaz everyday in the morning and in the evening.
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It was a great learning session. I've one question and that is when you are mentioning B C D, before these names (before the concept of European music theory) what we used to call them?
Amit k. Das In south India we call "Shruti mane" (Kannada) or "kattai" (Tamil). Example a 3 kattai would mean Shruti of E. Mane in Kannada means house and it basically refers which house of Shruti does our voice belong. Hope this helps.
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Sir meri big problem h or ise kehse shi kre ki voice ka force stomach say aaye meri problem m mera jor kabhi kabhi throat say LG jaata h toh phir voice crack ho jaati h so sir plz give me aa tip to sing right pitch and and morning riyaaz kehse start kre
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I have been trying to learn the basics of indian classical music for long time , but every time I would start I would get lost in the terms and concepts involved, but your video now helps me make sense out of those concepts. Thank you for your video. I would have one very basic question, maybe stupid, but when you say need to find my pitch or shruti, what exactly that means. What is meant by one's pitch? How or what basis you would say one's pitch is C or D or E, what's different between various pitches
Thanks for your note. Pitch is basically a reference frequency (in the audio range) of sound that you can sing comfortably without compromising on the quality of the sound you produce. For example take a song from Indian cinema - Hindi, Telugu, Marathi, Kannada, Tamil etc. when you hear it you hear the song traversing through high and low frequency sounds. If you want to sing such a song, your voice will need to go up and down the frequency range. When we fix your pitch, it simply means that you can sing within that range comfortably without having to sing in false voice. So if your pitch is incorrectly identified, the first scenario would be that you could sing the low frequencies with ease, whereas higher frequencies would pose a challenge and the second scenario would be that you could sing higher ranges easily but lower range would be very difficult. Hence the need to identify the right pitch. Hope this clarifies a bit.
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Thank you sir you are amazing🎶 now I will try to learn, specially motivated by your technical methods.... I was trying to find out but that's finally is here...🎶 thank you for your kind motivation
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Namaskar Guruji, It was wonderful to listen to you explain the nuances of Hindustani classical music for people. It helps, those interested, to appreciate it better. Based on this episode, I had two queries: 1] Across the globe in different cultures- at least the prominent ones- people have set the octaves so. Why is it so? Can't there be a pitch (using this word in my ignorance) in other than these seven? Why only these seven- or is it a rule that we simply all follow? 2] You explained about Mandr, Madhya, Taar sthayi. Do these three form part of the ten Thaats that you mentioned, and about which you said they were laid down by Pandit Vishnunarayan Bhatkande jee? Do we have examples of notes in those seven other Thaats - either by singers, or in nature that led Bhatkande jee to enunciate them so? Thank you.
Thanks for your message. Good questions indeed.. Can you please call the Octaves Online folks and get my contact and I would like to discuss these with you in detail on a phone call. I cannot do justice typing an answer to your questions here.. is it ok?
First of all it is the nature of sound in our universe which is a harmonically spread spectrum..in other words the frequency repeats itself infinitely.. only thing is our human ears can only perceive the audio frequency range of lower 20Hz to 20K Hz.. above and beyond this we cannot hear it. This is plain physics of sound. Now your specific question of cant there be any other than the 7 (12) swaras in an octave (saptak) ? Since the audio wave frequency repeats itself you will anyway catch the next octave again.. In our system of music we identify 12 swaras (to be simple) S R R G G M M P D D N N.. within a stayee. These repeat in harmonics.. one can have a pitch of any of these 12 swaras. Second question..These stayees have no bearing what so ever on the 10 thaats that we identify. The raag classification suggest by Pandit ji is accepted as ONE of the ways to understand the various raags and its characteristics.
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I’m looking for a guru for my daughter who wants to take up singing as her career … she will be completing her 12th grade by May 2022, she wants to do BA in Hindustani vocals… she has inborn talent of singing .. she wants to learn the right way … any information to help us would be greatly appreciated 🙏🏻
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I can see why I struggled with this one carnatic teacher I had a session with. She sings at a lower pitch than me so I struggled with the lower notes. Also, I've never had vocal training so there's that too.
It's understandable that singing with a teacher who has a different pitch range can present challenges, especially if you're not accustomed to adjusting your voice accordingly. Additionally, not having prior vocal training can contribute to difficulties in navigating different vocal ranges and techniques. Here are a few suggestions that might help you overcome these challenges: 1. **Communicate with Your Teacher**: Let your teacher know about your struggles with lower notes and any other vocal challenges you're facing. A good teacher will be understanding and can offer guidance and exercises tailored to your needs. 2. **Focus on Vocal Technique**: Consider investing time in vocal training to develop your voice and improve your vocal control and range. Vocal exercises and warm-ups can help strengthen your voice and improve your ability to hit lower notes comfortably. 3. **Practice Regularly**: Consistent practice is essential for vocal improvement. Dedicate time each day to practice singing exercises and songs that challenge your vocal range and technique. 4. **Listen and Learn**: Listen to recordings of experienced singers, paying attention to how they navigate different vocal ranges and techniques. Try to mimic their approach and incorporate what you learn into your own singing. 5. **Be Patient and Persistent**: Vocal improvement takes time and patience, so don't get discouraged if progress seems slow. Stay committed to your practice routine and trust that gradual improvement will come with time and effort. Remember that every singer faces challenges on their vocal journey, and it's normal to encounter obstacles along the way. With dedication, perseverance, and guidance from a supportive teacher, you can overcome these challenges and continue to grow as a singer. WhatsApp us on +91 8072415626 for private online classes! Kindly subscribe to our channel for more videos: th-cam.com/users/octavesonline
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Thank u so much guruji for enlightening us of Hindustani Sangeetha,,my child is around 3yrs wanted to introduce for signing,what do u suggest initially I have to do right now...
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Welcome ! WhatsApp - +91-8072415626 for online classes For more videos visit - www.octavesonline.com For discussion and questions visit OctavesOnline forum - www.octavesonline.com/forum For music related assessment and certification visit - www.octavesonline.com/services-octavesonline
your concept of tanpura i didn't understand i was thinking how riyaz is done by tanpura without changing notes but after some riyaz on harmonium i started riyaz on tanpura and i can fill the right notes with tanpura thanks
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I am happy that you tried both methods. Continue your sadhana using tanpura and you will see yourself how your sur would sound in coming months and years.
Sir i want learn online classical singing but i don't have any music instruments so can i learn without instruments.. And where can i learn classical singing from beginning
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Hi GuruJi,
Your videos are only hope of learning for students like me coming from a background not familiar with music at all. I am so blessed to have found you here GuruJi. Please continue to shower your blessings on the needy like me. Please accept my deepest respect!
Ishwar Bisht filmsongs
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Dear Sir, you are not only a blessed musician, but also a blessed teacher. You have an incredible command of explaining things clearly. I just loved the way you present things.
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Its so refreshing to hear a teacher say, one must find a teacher who can reach the students pitch. I have been looking for a teacher with this understanding for along time. You offer a great class here. Thanks
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Feeling Soul Good The Alchemy of Yoga and Sound
After a 2 month search on TH-cam I found a best tutorial channel and guru ji its your i'm gald to start with you my vocal Riyaz ❤️
Me too
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Chandramauli Raoji,
I have been searching for a music Guru for over a year and at last I have found one who is explaining in such depth for a first comer to Hindustani music. Thank you so much for your excellent lessons. Aspiring to be your Shishya....Radharani devi dasi 🙏🏼
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Thanks for your comments. Please follow the lessons we teach and we sincerely hope it will lead you to expand your musical thirst.
Excellent teaching.. i had discontinued singing.. but started after watching this.. thank u Guruji.. 🙏
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Finally a proper guide in English 🎉thank you
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Likewise
Hey bro, where are you from?
Proper guide in proper English!
Sir, I want to take tusion from you
No one will come front to teach carnatic without fee😢😢 but after finding ur channel I really really happy and I feel lucky to have a guru 😊❤️ guruji.... Keep helping for normal singer😍😍 good bless u sir😇
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Still a personal teacher is as important if you are serious. It’s not about having an online course, it’s about a guru understanding you and correct you. If that is not there you cannot grow quickly. Just like you don’t double think while enrolling in a school for formal education, same here.
I was about to disregard this video thinking it was boring until around 2.02 he got me hooked! Guruji you rock!
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Thanks, sir. I was not having a music teacher. But now you are my music teacher. Thank you!
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Dear Guruji I am a Mridangam and Ghatam Artiste have learnt Carnatic vocal music to an extent I listen to a lot of music have had the opportunity to play play for some top artistes. I really enjoyed your video the Thaat Bhairav is the same as the 15th raga of the Melakartha system in Carnatic Music Mayamalavagowla which is the first raga taught to students of Carnatic music. I really enjoyed your session.
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Guruji:
Thank you!
For years I have been searching for a basic knowledge of Indian Classical Music and today I feel that finally the Divine has decided to introduce you to me. Thanks you once more for sharing your knowledge in English. It is very much appreciated.
Very nice to hear you Shri Sookhai ji. Please make any use of the sessions I have posted. God bless you. Regards
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It is so relaxing just to hear him sing with closed eyes in a semi light room he almost has a hypnotic quality in his voice 😊
Thanks
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Guruji ! I am fortunate enough to see your video, I am a resident of visakhapatnam telugu speaking person, your video is helpful to non hindi people also as you are explaining in english, your way of teaching also very nice, your english also very good.
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Thank you Sir, I love your explanation using the English language. I am a stranger to Hindi but love to sing the Hindi Bhajans. I look forward to following you lessons. Thank you.
You are most welcome
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Namaste ! Yesterday was GuruPournima and i hv high regard fr the Guru ! You Sir are a patient and perfect Guru and to explain in English fr our benefit ! Thank you very much ! Im learning Carnatic classical ...and am interested in Hindustani too and will b glad to follow your vlogs here ! Pranams
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Charana sparsha guruji. Today my kids starts sangeeta learning with u, I hope they r make proud u.
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Pranam Guruji... So blessed to have you as a guru.
how to learn online personal classes
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Very good teaching!
I'm a fan of genuine music, but was not fortunate enough to get to formally learn hindustani music. .
But I see the effort that you are taking to reach out to the thousands of music-lovers like me. .
Keep it up! Jai Hind.
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Thank you for your encouragement. We shall strive to keep producing these lessons
Namaskaram, I am your new student trying to learn the indian classical from these videos. Thank you.
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ॐ नमो नम:, सुन्दर अति सुन्दर ....just keep it up..God bless you for this
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you are so calm, relaxing, and seems like you are a kind of a teacher that nurtures students talent as well as students mind
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Thank you for sharing your thoughts.
Wonderful concept of a guru singing in the student’s pitch and theory is superb. Glad to have found this. Thanks.
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Best classical singing tutorial as of now on TH-cam ❤❤❤❤❤❤
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Thiscis such a marvellous lesson and im so grateful it is in English. The Swar exercises at the end were super fun but so difficult. I enjoyed the challenge 🙏
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Very well explained. The most I loved that Harmonium should not be used to start learning vocal. It makes us dependent. Best wishes Sir.
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Yes I agree. I find the harmonium is very distracting while learning.
Clear presentation for all students interested in Hindustani classical music
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Thank you sir... for providing a clear Hindustani music class for non-hindi speakers.
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you are amazing sir..no words are enough to thank u for providing such beneficial online classes..it's very helpful.hoping more from you..lot of love and respect to you sir.
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Thanks a lot sir🙏🏻
I had been taking music lessons from young age but my teacher never explained anything like this in details... I learned a lot of things today🙂
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Blessed to find you Guru... Remain blessed and keep us blessed with more and more videos.
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Namaskar and thank you so much, Master. You are such a gifted and inspired teacher.. I have been studying Western Classical and Jazz for almost 50 years and post covid I would like to relocate to India to study Indian music as I am not able to entirely express myself spiritually and improvise within the limitations of the Western system. How would one find a teacher or guru to study under? Jai Guru Dev
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I’m so happy I came across this channel. Thank you so much 🙏🏻🙏🏻🙏🏻🙏🏻
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Sir, pranam . Namaskaram. I am 5 minutes into your class and have subscribed. I hope to receive your blessings and learn something. Pranam again. Thanks.
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Thank you Anuja Agarwal Ji. Very encouraged to read that you are going to give these classes a try and practice. My blessings are there on all of my students. If you have any questions please email to me chandramouli.rao1@gmail.com
namste..guruji..bahat bahat dhanyabad ..me bahat koshish kar rhi hu achhi gaane k liye.. music is my life.. bahat bahat dhanyabad aapke ..
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Brilliant ❤. It's so important to find your own Shruti ❤
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Wonderful..I was looking for a proper introduction to Hindustani classical and I am so happy to have found your channel.. thank you for all your selfless efforts 🙏
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Just fabulous... Thank You Guru Ji...You have given been me a new life...I will go through all your lessons...I just want to nail Classical Music and make it my own..
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Thanks for your kind words. All the very best to you in your musical pursuit ... regards
Most useful lesson for beginners to learn hindustani music.Thank you sir
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Namaste. Thank you for sharing your valuable knowledge and experience. Blessings, pranam
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Uffs,,it gives me gose bumps,,when you started singing sir,,,it will be great for me,,if I will get u as my guru..pranam guru ji. 🙏
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Along with music, your thoughts are beautiful and soulful.
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You are just amazing ...u have a profound knowledge of Indian classical music ... ..🌸🌸💮🌸🌸🌸
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Namaste Ji. Excellent Tuition - perfectly narrated for all to understand. I'm very impressed - as a singer of different genres but would love to focus more on Indian Classical Vocal Genre. Thank you Ustad Ji ! 🎼🎹🎤 Salaam
Namaste Zaira Ji, Thank you very much for your kind words..
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Sir im very much interested in music ,it is my dream to learn music and really i feel very happy to learn it, but i cant find any music teacher near me ,no one is there to train me from the basic ...but now in youtube i have found this class of yours and i hope i'll find it usefull and u'll help me to achieve my dream..
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So beautifully taught! You are an amazing teacher Guruji!
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Lots of appreciation. Keep up the good work. God bless you.
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Thank you very much sir. It’s very useful to Hindustani classical music lovers.
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Thanku so much sir
I was in the search of a good teacher of classical musical
Thanku...... Thanku....... Thanku so much ☺☺☺
I am very happy to note that you can make some use of my videos. All the best to you.
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At last some one gave proper class. Yes sir, exactly like this music class will start.
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Finally I come here. Very useful
Glad it was helpful!
Thank you sir....I am carnatic trained singer and looking forward to learn Hindusthani music through these videos.
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Your way of explaining is so good that even a commen man like me can understand the technical part of music thank you very much. Sir
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Namaste Guruji ..
I am not a beginner but I have been practicing only with the Harmonium from the beginning. So now after watching your video I can feel that I must practice in the Tanpura only. Please let me know what would be my best step to start with. I do riyaz everyday in the morning and in the evening.
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Thanks for doing it in English!
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Bahoot bahoot shukriya itane ache se sikhane ke liye
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Namasthe guru🙏.. Student from kerala 😍
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It was a great learning session. I've one question and that is when you are mentioning B C D, before these names (before the concept of European music theory) what we used to call them?
Amit k. Das
In south India we call "Shruti mane" (Kannada) or "kattai" (Tamil). Example a 3 kattai would mean Shruti of E. Mane in Kannada means house and it basically refers which house of Shruti does our voice belong. Hope this helps.
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Thanks Guruji...In such a simple way...U expressed the basic knowledge...Hats off...,👌👌👌
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You are a good Teacher. Thank you for this video🙏
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What a lovely teacher sir you are
Thanks
Wow...so much touched and inspired. Thank you Sir. God bless you.
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What a wonderful video! I wish to master the faculties of my vocal instrument as much as any other that I play. This is a wonderful resource!!
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Sir meri big problem h or ise kehse shi kre ki voice ka force stomach say aaye meri problem m mera jor kabhi kabhi throat say LG jaata h toh phir voice crack ho jaati h so sir plz give me aa tip to sing right pitch and and morning riyaaz kehse start kre
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I have been trying to learn the basics of indian classical music for long time , but every time I would start I would get lost in the terms and concepts involved, but your video now helps me make sense out of those concepts. Thank you for your video. I would have one very basic question, maybe stupid, but when you say need to find my pitch or shruti, what exactly that means. What is meant by one's pitch? How or what basis you would say one's pitch is C or D or E, what's different between various pitches
Thanks for your note. Pitch is basically a reference frequency (in the audio range) of sound that you can sing comfortably without compromising on the quality of the sound you produce. For example take a song from Indian cinema - Hindi, Telugu, Marathi, Kannada, Tamil etc. when you hear it you hear the song traversing through high and low frequency sounds. If you want to sing such a song, your voice will need to go up and down the frequency range. When we fix your pitch, it simply means that you can sing within that range comfortably without having to sing in false voice. So if your pitch is incorrectly identified, the first scenario would be that you could sing the low frequencies with ease, whereas higher frequencies would pose a challenge and the second scenario would be that you could sing higher ranges easily but lower range would be very difficult. Hence the need to identify the right pitch. Hope this clarifies a bit.
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Wow. I was searching all this time such an amazing lesson. Thankyou so much.
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Thank you!!
Thank you sir you are amazing🎶 now I will try to learn, specially motivated by your technical methods.... I was trying to find out but that's finally is here...🎶 thank you for your kind motivation
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Namaskar Guruji, It was wonderful to listen to you explain the nuances of Hindustani classical music for people. It helps, those interested, to appreciate it better.
Based on this episode, I had two queries:
1] Across the globe in different cultures- at least the prominent ones- people have set the octaves so. Why is it so? Can't there be a pitch (using this word in my ignorance) in other than these seven? Why only these seven- or is it a rule that we simply all follow?
2] You explained about Mandr, Madhya, Taar sthayi. Do these three form part of the ten Thaats that you mentioned, and about which you said they were laid down by Pandit Vishnunarayan Bhatkande jee?
Do we have examples of notes in those seven other Thaats - either by singers, or in nature that led Bhatkande jee to enunciate them so?
Thank you.
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@OctavesOnline Please make a video on this question. I am also eager to know the answer. Thank you!
Yes I wanna know the answer for this. Reply pls
First of all it is the nature of sound in our universe which is a harmonically spread spectrum..in other words the frequency repeats itself infinitely.. only thing is our human ears can only perceive the audio frequency range of lower 20Hz to 20K Hz.. above and beyond this we cannot hear it. This is plain physics of sound.
Now your specific question of cant there be any other than the 7 (12) swaras in an octave (saptak) ? Since the audio wave frequency repeats itself you will anyway catch the next octave again.. In our system of music we identify 12 swaras (to be simple) S R R G G M M P D D N N.. within a stayee. These repeat in harmonics.. one can have a pitch of any of these 12 swaras.
Second question..These stayees have no bearing what so ever on the 10 thaats that we identify. The raag classification suggest by Pandit ji is accepted as ONE of the ways to understand the various raags and its characteristics.
Guruji very well explained with good command of English
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Wonderful guidance Sir.. Thank u so much 🙏🏻🌹
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Clearest and most excellent explanations! ✨🙏✨
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Thank u dear brother for your lovely teaching class
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Marvelous way of teaching ❤️❤️❤️❤️
Thank you for sharing your thoughts. Appreciate it. Hope you can make some use of what we have posted.
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Guruji I'm 28 years old, singing is my passion, can I still learn vocals where I'm almost entering in 30?
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🙏🙏🙏plz continue teaching, I will listen n learn
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I think every music teacher should hear you,sir.Iam look ing for a teacher who sing in students pitch
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Thank you so much guruji... for nice explanation in english 😊
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u r great .ur english also much easy understandable
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Sir.. I feel I don't have a singing voice, can I still be a singer after learning music? But I do have great love for music. Please help!
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Apreciate sir 🙏, this beginning(bhairav /mayamalava goula ) will be very suitable for those who learned carnatic music, they can avoid confusion 🙏
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Sir namasthe 🙏🏻🙏🏻🙏🏻it is very helpful ❤️❤️
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I’m looking for a guru for my daughter who wants to take up singing as her career … she will be completing her 12th grade by May 2022, she wants to do BA in Hindustani vocals… she has inborn talent of singing .. she wants to learn the right way … any information to help us would be greatly appreciated 🙏🏻
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Am with you always Ian your distance student
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Lovely 👌🏾. Thanks for making this video and uploading 🙏🏾
Thanks for watching
Awesome introduction
I can't forget this introduction
I learned something today
Thanks to Guruji
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Thanks for giving great introduction sir 🙏Iam beginner of carnatic music
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Very impressive and that's just lesson one!
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Thanks for the english lessons. AWESOME.
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Very good explanation sir...pls bring us more...thanks a lot
Definitely. There are several videos we have and I am sure you have accessed them.
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I think I just found the right Guru 🙏🏼👌🏼
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Great video..it's thaat bhargav raga
Thaat bhairav*
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@@aswativijaykumar3892 Yes
I can see why I struggled with this one carnatic teacher I had a session with. She sings at a lower pitch than me so I struggled with the lower notes. Also, I've never had vocal training so there's that too.
It's understandable that singing with a teacher who has a different pitch range can present challenges, especially if you're not accustomed to adjusting your voice accordingly. Additionally, not having prior vocal training can contribute to difficulties in navigating different vocal ranges and techniques.
Here are a few suggestions that might help you overcome these challenges:
1. **Communicate with Your Teacher**: Let your teacher know about your struggles with lower notes and any other vocal challenges you're facing. A good teacher will be understanding and can offer guidance and exercises tailored to your needs.
2. **Focus on Vocal Technique**: Consider investing time in vocal training to develop your voice and improve your vocal control and range. Vocal exercises and warm-ups can help strengthen your voice and improve your ability to hit lower notes comfortably.
3. **Practice Regularly**: Consistent practice is essential for vocal improvement. Dedicate time each day to practice singing exercises and songs that challenge your vocal range and technique.
4. **Listen and Learn**: Listen to recordings of experienced singers, paying attention to how they navigate different vocal ranges and techniques. Try to mimic their approach and incorporate what you learn into your own singing.
5. **Be Patient and Persistent**: Vocal improvement takes time and patience, so don't get discouraged if progress seems slow. Stay committed to your practice routine and trust that gradual improvement will come with time and effort.
Remember that every singer faces challenges on their vocal journey, and it's normal to encounter obstacles along the way. With dedication, perseverance, and guidance from a supportive teacher, you can overcome these challenges and continue to grow as a singer.
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Namaskar guru ji
I will follow your class from now onwards --thank u sir
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Thank u so much guruji for enlightening us of Hindustani Sangeetha,,my child is around 3yrs wanted to introduce for signing,what do u suggest initially I have to do right now...
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Guruji thankyou so much very beautifully explained
Thank you very much Yogeeta ji. Pranams to you.
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Excellent! Thanks for sharing this in ENGLISH. Thanks a lot
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You made this easy to understand 🙏 thank you
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I want to train my voice i have never learned music will your video best for me as i have no idea of training my voice
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your concept of tanpura i didn't understand i was thinking how riyaz is done by tanpura without changing notes but after some riyaz on harmonium i started riyaz on tanpura and i can fill the right notes with tanpura thanks
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I am happy that you tried both methods. Continue your sadhana using tanpura and you will see yourself how your sur would sound in coming months and years.
Sir i want learn online classical singing but i don't have any music instruments so can i learn without instruments..
And where can i learn classical singing from beginning
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