notice how the interviewer asks a question & then lets the educator fully answer the question before speaking again. not interrupting, not speaking over, not letting his ego add 'what he knows' to the conversation. he's literally only speaking 10% of the time. total pro interviewer, unsung hero of these podcasts!
1:33:06 I was literally thinking to suggest you interview Al Clay and there he mentions him. You should really reach out to Al, he is a wicked guy, very outgoing, and of course a fantastic producer and mixer. Im sure he'll do it.
I actually widen my bass in rock music. There's no law that says you can't treat a rock bass like a dance pop bass. I'm far from the first person to do it. Andy Wallace was famous for putting chorus on the bass on rock tracks. I've been using chorus as well, but now I want to try EchoBoy. I'll also occasionally put a little reverb on the bass or kick drum if I really want it to sound like the whole band is in a room. I find people get a little too conservative with the way they treat low end. It doesn't have to be straight down the center and dry.
absolutely! you can still achieve a V shaped pop mix with a little width in the bottom, as long as everything in the mids is nice and wide, clear and pristine, the top end and the bottom end can be bent quite far to suit whichever aesthetic.
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notice how the interviewer asks a question & then lets the educator fully answer the question before speaking again. not interrupting, not speaking over, not letting his ego add 'what he knows' to the conversation. he's literally only speaking 10% of the time. total pro interviewer, unsung hero of these podcasts!
Wow. Ask a simple question about low end mixing and you get to learn absolutely everything about everything! What a spectacular episode.
Glad you enjoyed it!
1:33:06 I was literally thinking to suggest you interview Al Clay and there he mentions him. You should really reach out to Al, he is a wicked guy, very outgoing, and of course a fantastic producer and mixer. Im sure he'll do it.
5 minutes in and already a thumbs up!
I actually widen my bass in rock music. There's no law that says you can't treat a rock bass like a dance pop bass. I'm far from the first person to do it. Andy Wallace was famous for putting chorus on the bass on rock tracks. I've been using chorus as well, but now I want to try EchoBoy. I'll also occasionally put a little reverb on the bass or kick drum if I really want it to sound like the whole band is in a room. I find people get a little too conservative with the way they treat low end. It doesn't have to be straight down the center and dry.
absolutely! you can still achieve a V shaped pop mix with a little width in the bottom, as long as everything in the mids is nice and wide, clear and pristine, the top end and the bottom end can be bent quite far to suit whichever aesthetic.
Using OLLO as well ! Great control Cheers
30 minutes in and like this a lot 👌🏼
Great engineer, great interview 😊
Great interview !
So much valuable tips and tricks here! Superb interview! Thanks a lot! 🎉
More useful information and tips on mixing than on a hundred similar videos. 😎
keep it up, brilliant
Just found your channel, great interview. Liked and subscribed :)
Keep up the good work.
So...much great detail here, thanks and keep them coming!
great!!!! Very inspiring and great tips!!!!
Very informative 👍
Best stuff on TH-cam! 😊 Thanks so much!
Yes loving all of these! Thank you
MASTER FADER
Seagull....some see colors like Pharrel. Some see shapes. I try to imagine a stage or room. But the Seagull thing also makes sense.
Heron Island Studio?
Now the mix is called the "lesbian seagull".