A lovely vision into a lost secret world. Enescu was unique. He and Lipatti create a totally convincing sound world, managing to sound effortless, artfully concealing the enormous technical mastery required to pull it off. A truly great and profound work of art. Thank you so much for posting this.
+binacaman Thank you, and yes this is such a special sound world! We are privileged to be able to hear those 2 great artists together, and this recording has a very special 'aura', if you will, and it is one of my all-time favourite recordings. Long live Enescu! (and Lipatti too, of course)
Thanks for sharing this beauty! I also love the background information about the music. Is there any source with extended information about the piece and Enescu? Maybe some day I'll have the technical skills to play it. Thanks again!
7:33 attention , warning ... this is no more music .... be careful while listening to this ..... these are sounds from an other world .. , only transcribed by Enescu ..... Listen to this carefully .....
@Andrea Murrone Yes, this could be the technical word. But this doesn't really matter ..... because the point is that Enescu is here giving us some glimpses out of another world, THE other world, which terrified us since our very childhood. The world of other presences. And was the Carpathian Romania not the place of the "living deads" ... ? 13:29 ...............
It's miracle. I'm crying, thanks. Enescu and Lipatti is my lovely musical idols, two romanian genius, lăutarii! Fantastic perfomance and composition! Incredibly. Sorry my bad english, I'm from Russia. Thank you for posting! Multumesc Enescu și Lipatti!
I love this piece. The way Enescu combines the violin and piano, two, totally different kinds of instruments, into an integrated whole. And I don't know, but for me the ending, so devastating, seems like a prophecy of the terrible things to come with the imminent destruction of so many Eastern European communities, whether Jewish, Gypsy or other. A masterpiece, but anyone's reckoning.
such a beautiful and emotional piece...I found this when I was in high school in the early sixties and have loved every minute of it since.Yes binacaman, it takes us into a world that doesn't exist except to us,,,, full of emotion and nuances of feeling.Thank you George for this view into your culture and power of music.
And thanks for the considerable work of showing the score, which should be incredibly valuable for students (and serves to intimidate aging amateurs, heh)
I had been looking for this full recording for quite some time. It will definitely pay an important role in my preparation to perform it later this year :) Thank you so much!!
My teacher old David Abel recorded this at Mills College with his wife Julie Steinberg back in the 80's. I turned the pages and was enchanted and terrified at the same time! 30 years later as I finally begin to struggle and live and breath in this amazing universe, I have not been able to decode this rich and subtle language until right now! It is your generosity to post this that finally starts to unlock the immense magic!!! I am deeply moved.
Music is "distinctly" other-worldly.There are some similarities to Bloch's music.Listening to Enesco on the violin playing with such economy and yet hypnotizingly,gives me a way to understand the development of his pupil Ivry Gitlis,who also went to playing that is full of expression yet highly economical and efficient.In this I would say that Enesco's influence becomes more and more apparent into Ivry Gitlis' later years.And with Gitlis the most interesting violinist still playing,we owe a debt of gratitude to Enesco.
Not quite the rules of music I was taught. Highly unconventional; if the piano part were not so completely integrated, I would have assumed he was making it up as he went along. Very challenging, technically.
The rules are broke in this part of the era, most of the contemporary composers of him were like that. This is obviously not traditional, hahaha. But, he's actually really influenced by the folk music of his country, Rumania.
This sonata has a free melodic and harmonic language no key signzture) influenced by the foljlore of Central Europe. Bur needless to say, this flolkloric basis is completely transcended. The expression is declamatory, a bit melancholic. THe interpretation with the composer at the violin znd Dinu LIpatti at the piano is onviously completely outstanding
hey thanks on Thanksgiving day. Just familiarizing myself with Enescu. Mostly I know him as the mentor of Menuhin. this #3 is his most popular work. but he also has 2 cello sonatas, which I look forward to working on with my 2 cellists. also cello concerto. and here you've posted GE himself with the legendary Dinu .... Pat Kop just did this barefoot of course. 1943 !!!!! crazy. DG viola, piano etc SD CA
What?....! Why even bother saying that. I've adopted the attitude of my friend. Whatever awesome piece of music you're listening to at the time is the best thing in the world you ever heard. If not don't bother, ( listening or commenting)
Justification? I'm genuinely curious; because I could provide numerous reasons to why it is incredible. This part of musical discourse is something so rare. People cannot seem to give actual reasons to what they're critiquing, and it's a shame because it could provide real, fruitful results.
@@PlanetOfTheApes999if you cannot make sense out of a piece, shouldn't you be even more curious and want to explore and find out what's it about? Have you ever considered that *you* might not have the necessary musical background, knowledge or willingness to understand the music, rather than the music not having enough to make you weep? Between Enescu, a genius that is born only once in a millenia, and a random guy on TH-cam, I'm willing to bet my money on Enescu. Or did you do two music conservatories, Vienna at 9 years of age, and Paris at 14? Or did you compose 5 complete symphonies along 50 other works by the age of 15? Anyway. Typical, arrogant people that blame the composer when they cannot understand something, rather than looking towards themselves and their limited capacity of understanding.
Amazing violinist and composer.
A lovely vision into a lost secret world. Enescu was unique. He and Lipatti create a totally convincing sound world, managing to sound effortless, artfully concealing the enormous technical mastery required to pull it off. A truly great and profound work of art. Thank you so much for posting this.
+binacaman Thank you, and yes this is such a special sound world! We are privileged to be able to hear those 2 great artists together, and this recording has a very special 'aura', if you will, and it is one of my all-time favourite recordings. Long live Enescu! (and Lipatti too, of course)
THANK YOU!!!!
Thanks for sharing this beauty! I also love the background information about the music. Is there any source with extended information about the piece and Enescu? Maybe some day I'll have the technical skills to play it.
Thanks again!
Wow, alsoblisten ti quintet for similar experience
Enescuはルーマニア出身のユダヤ
哀愁が漂う作品
7:33 attention , warning ... this is no more music .... be careful while listening to this ..... these are sounds from an other world .. , only transcribed by Enescu ..... Listen to this carefully .....
@Andrea Murrone
Yes, this could be the technical word.
But this doesn't really matter ..... because the point is that Enescu is here giving us some glimpses out of another world, THE other world, which terrified us since our very childhood. The world of other presences. And was the Carpathian Romania not the place of the "living deads" ... ? 13:29 ...............
This sheet music looks from another dimension! :)))) Did you musicians just look at it?
It's miracle. I'm crying, thanks.
Enescu and Lipatti is my lovely musical idols, two romanian genius, lăutarii! Fantastic perfomance and composition! Incredibly. Sorry my bad english, I'm from Russia.
Thank you for posting!
Multumesc Enescu și Lipatti!
I love this piece. The way Enescu combines the violin and piano, two, totally different kinds of instruments, into an integrated whole. And I don't know, but for me the ending, so devastating, seems like a prophecy of the terrible things to come with the imminent destruction of so many Eastern European communities, whether Jewish, Gypsy or other. A masterpiece, but anyone's reckoning.
such a beautiful and emotional piece...I found this when I was in high school in the early sixties and have loved every minute of it since.Yes binacaman, it takes us into a world that doesn't exist except to us,,,, full of emotion and nuances of feeling.Thank you George for this view into your culture and power of music.
And thanks for the considerable work of showing the score, which should be incredibly valuable for students (and serves to intimidate aging amateurs, heh)
Thank you for posting. I am from Romania and didn't know that this recording is existing. It is an extraordinary document.
I had been looking for this full recording for quite some time. It will definitely pay an important role in my preparation to perform it later this year :) Thank you so much!!
+Francisco Coser You're welcome! Where to better find inspiration than from these two masters :)
My teacher old David Abel recorded this at Mills College with his wife Julie Steinberg back in the 80's. I turned the pages and was enchanted and terrified at the same time! 30 years later as I finally begin to struggle and live and breath in this amazing universe, I have not been able to decode this rich and subtle language until right now! It is your generosity to post this that finally starts to unlock the immense magic!!! I am deeply moved.
Music is "distinctly" other-worldly.There are some similarities to Bloch's music.Listening to Enesco on the violin playing with such economy and yet hypnotizingly,gives me a way to understand the development of his pupil Ivry Gitlis,who also went to playing that is full of expression yet highly economical and efficient.In this I would say that Enesco's influence becomes more and more apparent into Ivry Gitlis' later years.And with Gitlis the most interesting violinist still playing,we owe a debt of gratitude to Enesco.
Nobody ever did something like that. Dear genius Enescu, thank You for being yourself!
Both the composition and the performance are superhuman.
Wonderful, playing and music. Thanks for posting, O.V.
What a distinctly unique style of composition, violin super well written and the audio quality is very reminiscent of any old recording, nostalgic.
Not quite the rules of music I was taught.
Highly unconventional; if the piano part were not so completely integrated, I would have assumed he was making it up as he went along. Very challenging, technically.
The rules are broke in this part of the era, most of the contemporary composers of him were like that. This is obviously not traditional, hahaha. But, he's actually really influenced by the folk music of his country, Rumania.
@@Pyrobeats People like you know nothing about people "like me". You make such an idiot of yourself making such stupid comments as that.
@@Pyrobeats 🤣😂🤣😂🤣
At least I am not trolling YT comments like a moron.
Quarter tones!
Indeed, full of it!
Microtonal music...will look closer to notation...I think I will not discover any signs...played by Enescu who learnt it from Romanian folk players...
It's a pure magic!
What a wonderful music, and interpretation!! Happy to discover it!
This sonata has a free melodic and harmonic language no key signzture) influenced by the foljlore of Central Europe. Bur needless to say, this flolkloric basis is completely transcended. The expression is declamatory, a bit melancholic. THe interpretation with the composer at the violin znd Dinu LIpatti at the piano is onviously completely outstanding
It's absolutely romanian folklore, wich was in turn influenced a bit by greeks turks and gypsies.
Thank you for posting and for the your comments about the piece!
hey thanks on Thanksgiving day. Just familiarizing myself with Enescu. Mostly I know him as the mentor of Menuhin. this #3 is his most popular work. but he also has 2 cello sonatas, which I look forward to working on with my 2 cellists. also cello concerto. and here you've posted GE himself with the legendary Dinu .... Pat Kop just did this barefoot of course. 1943 !!!!! crazy. DG viola, piano etc SD CA
19:32 интересный эффект свиста.))
FABULOUS ROUMANIAN ENESCO!!!!!!!
10:19
A beautiful piece and incredibly difficult to learn
One of my favourite Enescu works
sehr wertvoll, danke!
8:50 how is it possible to write down something like this ?
………Enescu…..Lipatti
エネスコはラヴェルと仲が良かった
Absolutely amazing....
エネスコは
出身地のルーマニアや
パリ音楽院よりも
ユダヤの特徴が優先される
Have you notice how Enescu actually plays vibrato where he wrote "non-vibrato"?
This is absolute genius
Genius.
0:06
ヘブライ的な旋律
I'm sorry, but this a mediocre piece.
What?....! Why even bother saying that. I've adopted the attitude of my friend. Whatever awesome piece of music you're listening to at the time is the best thing in the world you ever heard. If not don't bother, ( listening or commenting)
Justification? I'm genuinely curious; because I could provide numerous reasons to why it is incredible. This part of musical discourse is something so rare. People cannot seem to give actual reasons to what they're critiquing, and it's a shame because it could provide real, fruitful results.
@@finneganlindsay Its structure is chaotic and incoherent.
@@PlanetOfTheApes999Could you please argue your statement? I'm willing to listen to your reasoning.
@@PlanetOfTheApes999if you cannot make sense out of a piece, shouldn't you be even more curious and want to explore and find out what's it about? Have you ever considered that *you* might not have the necessary musical background, knowledge or willingness to understand the music, rather than the music not having enough to make you weep?
Between Enescu, a genius that is born only once in a millenia, and a random guy on TH-cam, I'm willing to bet my money on Enescu. Or did you do two music conservatories, Vienna at 9 years of age, and Paris at 14? Or did you compose 5 complete symphonies along 50 other works by the age of 15?
Anyway. Typical, arrogant people that blame the composer when they cannot understand something, rather than looking towards themselves and their limited capacity of understanding.