Marie-Agnès Gillot, danseuse étoile de l'Opéra de Paris dans une chorégraphie de Carolyn Carlson, "Signes" L'oeuvre pluridisciplinaire est née de la rencontre du peintre Olivier Debré, avec la chorégraphe Carolyn Carlson et le compositeur, René Aubry.
Eccezionale questo balletto su un fondale d'expressio pittorica moderna. Il balletto estremamente narrativo e curatissimo psicologicamente' improntato a momenti di convulsivita' mensurata ed a momenti in cui prevale una mecaniche' quasi robotica dalla chiara metafora riconoscibile legata all'esistenza. VERAMENTE ECCEZZIONALE.BIGHIN GIULIO RENZO
Marie-Agnes is doing what she was asked for and doing that brilliantly. i mean class is written all over she's dancing. i just don't like choreography and scenography. it's old and boring in my opinion.
Well, some ideas or products in the world of art, science or philosophy are old and even though they are not completely understood today. They could be really useful and deep indeed.
I thought the yellow dresses and background and rhe slide guitar and clocklike movements reminded me of time and our harsh Australian landscape and I liked it . The stripey shirts were a bit odd but it made them somehow look like working civilised men , but she and the women were move connected to the land
i adore Marie-Agnes but this ballet is such a waste of her tallent imo. every movement is predictable and old as hills. maybe other works of this chorepgrapher are better...i don't know...
J'adore! La musique, la scénographie, la choréographie et Marie-Agnès, tout est parfait.
She is so amazing! so strong! so graceful!
C'est la grâce à l'état pur. Céleste. Aérien. D'une beauté. Que de travail.
9:18 Her last look back is so intense and powerful.. great dancer and great music!
Marie-Agnès Gillot, danseuse étoile de l'Opéra de Paris dans une chorégraphie de Carolyn Carlson, "Signes"
L'oeuvre pluridisciplinaire est née de la rencontre du peintre Olivier Debré, avec la chorégraphe Carolyn Carlson et le compositeur, René Aubry.
Eccezionale questo balletto su un fondale d'expressio pittorica moderna. Il balletto estremamente narrativo e curatissimo psicologicamente' improntato a momenti di convulsivita' mensurata ed a momenti in cui prevale una mecaniche' quasi robotica dalla chiara metafora riconoscibile legata all'esistenza. VERAMENTE ECCEZZIONALE.BIGHIN GIULIO RENZO
Quel beau commentaire poétique . ❤ .
Beautiful.
so great !!!!!
Du classique, Marie passe à la danse moderne, c'est top.
le nom de cette musique plus particulièrement c'est "Desert train" :-)
C'est René Aubry, tu trouve sur Deezer l'album avec toutes les musiques de ce ballet !
они что-то знают и очём-то переживают ,но понять их трудно...
Sublimissime
"Je lisais les commentaires là. C'est pas terrible hein ? ça ne vole pas haut quoi. Et dire que ce magnifique ballet le mérite."
Se pourrait-il que la jalousie vous fasse dire des propos qui vous dépassent ?
Is the music from René Aubry?
C'est quoi le nom de la musique svp ?
Marie-Agnes is doing what she was asked for and doing that brilliantly. i mean class is written all over she's dancing. i just don't like choreography and scenography. it's old and boring in my opinion.
Well, some ideas or products in the world of art, science or philosophy are old and even though they are not completely understood today. They could be really useful and deep indeed.
I thought the yellow dresses and background and rhe slide guitar and clocklike movements reminded me of time and our harsh Australian landscape and I liked it . The stripey shirts were a bit odd but it made them somehow look like working civilised men , but she and the women were move connected to the land
i adore Marie-Agnes but this ballet is such a waste of her tallent imo. every movement is predictable and old as hills. maybe other works of this chorepgrapher are better...i don't know...