The Maze Runner, Into The Maze and Finale You're Not Getting Out of Here, Tired of Running, and What's Next? Rescue, Please Tommy, Please , I'm Sorry, and Goodbye These are personally my favorite ones from each movies.
It helps a lot to see how you manage to make such a great souding score using only virtual instruments. You are a true inspiration keep up the good work and thank you for posting these videos
I'm obsessed with the scores and it was so interesting and amazing. Thank you so much for showing it! This looks so fun, I mean you can create something new and it's so amazing.
Great vid! The soundtrack in these movies is absolutely incredible. I'd love to see "Please Tommy, Please", "I'm Sorry" or "Goodbye" from The Death Cure in the next video :)
Your chase for knowledge is inspiring. Keep it up. Great work with Season 2 so far. If you consider requests - I'd love to see your re-creation of scores done by Junkie XL, Trent Reznor, James Horner (Mad Max, Social Network, Avatar, etc)
Hey Ashton, Thank you for the amazing content you're making, helps a lot for begginers like me. If you were a begginer, with no Library sounds, and a low budget like 1000$, what libraries would you buy? I kinda love the same style of composers that you recreat on your videos. PS: Sorry if my english is not perfect! Regards !
Thanks for watching! I'd deffinetely recommend Berlin Orchestra Inspire. The sound and sampling quality is incredible, and it will deffinetely get you started on the right foot. From there, you can start to build the individual sections, as it only gives you certain instruments / combos directly from the Berlin series. It also doesn't come with any synths, so I'd recommend Omnisphere. Those two VSTs will get you going quite well imo!
Hey Ashton! i'm a big fan of your work! I'm still learning to compose, and I'm really interested in game scores like Zelda especially. I would like to hear your work on gaming music please, it would be awesome!
Question, do you do tutorials? I was wondering if you could do a tutorial on sector 7 from the maze runner. If you don't I'm fine with it. Amazing work btw!
Hi Ashton! can you list out the cinematic vst plugins for horror film scoring like orchestral,percussion,sound effects which you recently used in horror scoring in behind the score? It will be great help for me!Thank you!
Hi, In the the technical overview, you mention using automation as your expression ; what about the dynamic modwheel, do you still use it, or the automation is sufficient ? thanks man
Hey Theo! I deffinetely still use mod wheel. While volume automation just controls what expression normally controls (volume), modulation is essential for moving between the different dynamic layers of the library. I will record using the mod wheel, and then I'll add in the automation afterwards.
Ok thanks a lot, I'll be sure to try it in that order. Great part also about the mix job , very helpful & I'll definitely take a closer look at Meyerson's work. ciao thanks again!
Is there a tutorial where there is a detailed process of how to set the bpm for a scene or a couple of shots? Can anyone link me up please? Thank you in advance :)
Because movie makers want what they see in succesful scores today; aka Hans Zimmer staccato strings with big, dark brass and more focus on sound than melody
Many composers deffinetely are cornered by temp music. Hans, who is a creative genius has been cornered by temp music before. It's close to impossible to find a composer who hasn't been at least slightly affected by it. There's things in this score that Hans wouldn't do, and theres things that he would do that are very much so alike. Every score I pick, I pick because I find something interesting and enjoyable about it in particular. If it was a straight up clone of another score in every way, it would be a better use of time for the audience and myself to just go to the source. Hope that makes sense!
Ashton Gleckman - I had to deal with temp music for my latest project. Director wanted something like he had in place, so I gave him what he wanted but in my own way. Ended up entirely different and he liked it. Just takes some work to prove you can make something much better!
Free Pack (Session, Stems, MIDI): bit.ly/2psNkFx
Chapter I (Introduction / Scoring Session BTS): 6:08
Chapter II (Suite Breakdown): 9:51
Chapter III (Technical Overview): 30:19
Ashton Gleckman free stems and midi ? . My god thanks thats is so helpfull.
Mural Volume. 1
One of the reasons why I like this movie series is because of the amazing soundtrack! It's really well done!
The Maze Runner, Into The Maze and Finale
You're Not Getting Out of Here, Tired of Running, and What's Next?
Rescue, Please Tommy, Please , I'm Sorry, and Goodbye
These are personally my favorite ones from each movies.
It helps a lot to see how you manage to make such a great souding score using only virtual instruments. You are a true inspiration keep up the good work and thank you for posting these videos
Please do "I'm Sorry" from The Death Cure
I'm obsessed with the scores and it was so interesting and amazing. Thank you so much for showing it! This looks so fun, I mean you can create something new and it's so amazing.
Great vid! The soundtrack in these movies is absolutely incredible. I'd love to see "Please Tommy, Please", "I'm Sorry" or "Goodbye" from The Death Cure in the next video :)
This really allows you to see every tiny little detail that goes into music like this :)
These videos are incredible Ashton! Thanks so much! I’ve been saving for a pc for a while now! Can’t wait to get some good samples.
nicely done :)
Very.
Your chase for knowledge is inspiring. Keep it up. Great work with Season 2 so far. If you consider requests - I'd love to see your re-creation of scores done by Junkie XL, Trent Reznor, James Horner (Mad Max, Social Network, Avatar, etc)
Great video as usual Ashton. You have that magic ear I don't! Can you tell me what are you using for the Low Brass Risers @ 15.40? They sound awesome.
M Ward CineBrass Pro - monster low brass patch :)
Thanks
thanks for the video man! these actually give me a lot of knowledge. keep it up :D
Hey Ashton, Thank you for the amazing content you're making, helps a lot for begginers like me.
If you were a begginer, with no Library sounds, and a low budget like 1000$, what libraries would you buy? I kinda love the same style of composers that you recreat on your videos.
PS: Sorry if my english is not perfect!
Regards !
Thanks for watching! I'd deffinetely recommend Berlin Orchestra Inspire. The sound and sampling quality is incredible, and it will deffinetely get you started on the right foot. From there, you can start to build the individual sections, as it only gives you certain instruments / combos directly from the Berlin series. It also doesn't come with any synths, so I'd recommend Omnisphere. Those two VSTs will get you going quite well imo!
Nicely done, Ashton!
Hi ashton i m totally blown away by your skills.... Did u attend audio school?
Thank you Ashton for this Behind the score. Really enjoyed it :)
Very nice! Thanks for sharing. Where is the Bell sound from?
Yeah!! Thank you!
Great as always ashton😍
Hey Ashton! i'm a big fan of your work! I'm still learning to compose, and I'm really interested in game scores like Zelda especially. I would like to hear your work on gaming music please, it would be awesome!
It will be a great help if you can do a Tutorial on mod wheel expressions like how you get that realistic string expressions ?
Thanks Ashton, good job as always.Very useful :)
I'm just thinking is there any places where I could learn something like that?
Question, do you do tutorials? I was wondering if you could do a tutorial on sector 7 from the maze runner. If you don't I'm fine with it. Amazing work btw!
Hi Ashton! can you list out the cinematic vst plugins for horror film scoring like orchestral,percussion,sound effects which you recently used in horror scoring in behind the score? It will be great help for me!Thank you!
Check out my recent BTS episode for Crypt TV's Roxxy :)
Hi,
In the the technical overview, you mention using automation as your expression ; what about the dynamic modwheel, do you still use it, or the automation is sufficient ? thanks man
Hey Theo! I deffinetely still use mod wheel. While volume automation just controls what expression normally controls (volume), modulation is essential for moving between the different dynamic layers of the library. I will record using the mod wheel, and then I'll add in the automation afterwards.
Ok thanks a lot, I'll be sure to try it in that order. Great part also about the mix job , very helpful & I'll definitely take a closer look at Meyerson's work. ciao thanks again!
Stupid question. What is the actual "definition" of a suite?
It's a number of things forming a series or set. Another word for it would be medley. In this case being multiple pieces of music arranged together.
Ashton, what do you think of 8Dio's Majestica? I'm trying to make some decisions on a new set of plugins.
Is there a tutorial where there is a detailed process of how to set the bpm for a scene or a couple of shots? Can anyone link me up please?
Thank you in advance :)
Here's a good one! th-cam.com/video/TOgxUevhwh0/w-d-xo.html
Nice video, Ashton! I was wondering, how did you manage to record the key editor without the grid to make this videos?
Juanjo Jiménez I just went into the Cubase color preferences and changed the colors to black, then in premiere I selected the lighten opacity.
Behind ender's game please
10:30
i wanted to make a video about the same thing, guess i'm screwed.
why am i getting Man of Steel files?
OK i get it, the description is not updated.
Should be all updated! :)
Ashton Gleckman Thank you!
Why are all modern composers just clones of Hans Zimmer?
Darshan Sen - The Composer - Two words: temp music.
Because movie makers want what they see in succesful scores today; aka Hans Zimmer staccato strings with big, dark brass and more focus on sound than melody
Many composers deffinetely are cornered by temp music. Hans, who is a creative genius has been cornered by temp music before. It's close to impossible to find a composer who hasn't been at least slightly affected by it. There's things in this score that Hans wouldn't do, and theres things that he would do that are very much so alike. Every score I pick, I pick because I find something interesting and enjoyable about it in particular. If it was a straight up clone of another score in every way, it would be a better use of time for the audience and myself to just go to the source. Hope that makes sense!
Ashton Gleckman - I had to deal with temp music for my latest project. Director wanted something like he had in place, so I gave him what he wanted but in my own way. Ended up entirely different and he liked it. Just takes some work to prove you can make something much better!
They aren't