e-Yuva Swaranubhuti April 2024 | Bhagyesh Marathe

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  • เผยแพร่เมื่อ 12 ก.ย. 2024
  • A renowned Hindustani classical vocalist , Shri Bhagyesh Marathe, graced the stage at ‘Pratahswar’, a series of programs organised by Pancham Nishad in association with Rithwik Foundation for Performing Arts, in Mumbai. This program is being broadcast as e-Yuva Swaranubhuti on RFPA’s digital Platforms.
    Tabla: Swapnil Bhise Harmonium: Siddhesh Bicholkar
    Performance details:
    Raag Lalit:
    1. ‘Are Mana Rama Naama Tu Japa Japa’ ; Taal: Teentaal.
    2. ‘Bhavdaa Yaradaa Jobanaa’ ; Taal: Madhyalay Teentaal.
    3.‘Jaa Jaa Re Jaa Re Balamavaa’ ; Taal: Drut Ektaal. (composed by Jagannathbua Purohit 'Gunidas')
    Raag Jaun Bhairav:
    1.‘Ab Mori Suno Tum’ ; Taal: Madhyalaya Jhaptaal.
    2. ‘Laadi Ri Moree Karo Na Dukaawa’ ; Taal: Drut Ektaal.
    Raag Deskar:
    1. ‘Nita Harinaam Leta’ ; Taal: Madhyalaya Teentaal.
    Raga Gunakali:
    1. ‘Re Kartaar Poori Karo Mana Ki Icchaa’ ; Taal: Drut Teentaal.
    2. ‘Jai Shree Shankar Suta Ganesh’ ; Taal: Drut Teentaal. (composed by Amaan Ali Khan of Bhendi Bazar Gharana)
    Artist bio: Bhagyesh Marathe is a promising vocalist of Indian classical music who belongs to Gwaliar and Agra gharana. He was born into a rich musical family and is the grandson of the legendary Indian classical vocalist Sangeet Bhushan Pandit Ram Marathe. He started learning tabla at the age of 4 and continued for almost 15 years with various gurus like Shri Prabhu Ghate, his uncle Shri Mukund Marathe, Pt. Mukundraj Deo and Shri Gajanan Raul (disciple of Ustad Allarkha Khan Sahib). Bhagyesh completed his bachelor’s degree in Information Technology from Kishanchand Chellaram (known as KC) College Churchgate, Mumbai. At the age of 19, while completing his second year of graduation his father encouraged him for a career in music. He began learning music under the guidance of his father Pt. Sanjay Marathe for 6 to 8 yrs. He further mastered his talent from Pt. Kedar Bodas at Dr. Gangubai Hangal Gurukul in Hubli.

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