After watching a lot of Baumgartner, I always wondered how a watercolour painting would be restored. What a lovely treat to watch someone so skillfull do it!
@@ginismoja2459Conservationists might moan about some restoration methods but his clients know what they want and if art isnt restored to allow it to be enjoyed and appreciated whats the point, have it stored away?
Fine prints can be restored too. I've seen demonstrations of restorers literally giving a print a bath in order to deacidify them and so forth. You probably couldn't do that unless the ink was oil-based though. They use many of the same techniques shown here as well such as fixing tears and missing pieces etc. I've seen them clean works on paper with some kind of powder as well...they use it dry and it gently scours the dirt from the fibers. All very intriguing stuff!
Whoever owns this painting must really love it and appreciate it to go to all the trouble of getting something so far gone restored. Well done to the restoration artist it could have been easy to say it was too far gone to try and save but it’s amazing what can be done when you know what to do.
What I find absolutely gorgeous is where it could not be fully restored, they integrated the damage into the painting as a whole- Yes, you can tell it was restored, but in a way that gives the painting more character
@@markjaycox7524 That’s because watercolor is transparent, so it only goes darker not lighter. Anything that was added to the original is also pretty much irreversible because watercolor soaks into the fibers of the paper and a lot of the pigments are staining. Messing with the original could also run the risk of disturbing the original paint.
I did not realise a watercolour could be saved from such a poor condition without spoiling the actual painting.This was a real learning curve.i think this was done so well and the integrity of the painting was saved.A lot more work I think than some oil paint restorations.But when you see how vibrant the painting is at the end,as only watercolours can be .You did an amazing job. I have never seen a watercolour restored before and I hope the client was delighted and it will be enjoyed for many more years to come.Thank you for showing this 🥰
This is an enormous amout of skilled work but well worth it considering the original watercolor. Many don't realize how difficult it is to achieve such detail with watercolor art. One of the best examples of a master watercolorist and an equally master restorer.
@@paintspirationsunlimited Yeah, this looks like an acrylic wash to me. If it was true watercolour, unsealed, it'd have been rinsed out of the painting by flooding.
I used to work in the Preservation Lab of a university library. We used many of the same techniques shown in this video. Once, our storage of older books had a leaky roof, causing to books to mold and become damaged. I remember using washi kozo to repair the books am maps that came out of that building. It took nearly a year and a half to repair everything that came out of that storage hold.
To me, this person loves their job and appreciates fine arts so very much. I see this and think, “well, it’s effed. There’s no going back from this. It’s effed all the way through. Take a pic for your memory sake’s and toss it.” ✋🏼😳🤚🏼
I lol’d at this comment. Because that’s what I would’ve said. Thank goodness there are others who have the patience and passion to conserve and restore!
My adoptive mother is a watercolor artist and got me into the medium a few years ago. It brings me so much joy and peaceof mind to know that her work could be preserved and restored one day should it ever be needed.
What a gorgeous work! No wonder the owner was determined to salvage it! So wonderful he found a very capable person to do the owner was ready to do whatever it took to bring it back to life!
Nice to see a fellow paper conservator out here on TH-cam showing people how it's really done (as opposed to shonky operators doing it for the "wow factor"). Thanks for showcasing a really under-rated, under-acknowledged profession!
@@Misscaitimac i dont know man, there arent really others well known, well known enough to have dislikers, art conservators on youtube. What is this middle school argument.
It’s honestly surprising that the overall painting and colors remained intact given the damage. Thanks for restoring such a beauty. Love watercolors, there aren’t many paints that have that gorgeous luminosity ❤ Also hats off for the color matching, as watercolor tends to shift when it dries that must be an insanely difficult skill to learn.
Pigment paint is often very resistant and it's usually the base material (paper) that got damaged, which could affect the look of the color. Molding and bonding damaging is another story though. I'm pretty sure the color is still there, it's just that re-exposing them can be very tricky. (It might be better to imagine the damaged painting to be a hidden gem, just that they are only a few microns in thickness and is extremely fragile when trying to be exposed.)
Truly a remarkable piece of restoration by a professional. I have never seen anything like this before and it was a great pleasure to see the work of this Lady. Thank you so much for showing this.
The painting was beautiful under all the damage, well worth preserving, such use of colour! 😍 But I felt like there were a lot of stages missing in the explanation...? For example, presumably a solution of oxalic acid or similar was applied front & back to prevent mould regrowth, before re-backing the work? And was there a rationale behind using wheat-based adhesive on a work which may harbour potential residual mould spores in the fibres...? It'd be great to hear a more technical breakdown of the work in progress!
I found it fascinating and inspiring and instead of criticising the talent of this conservation expert with many years experience… I’d like to see you try! It’s not possible to get such a damaged painting looking brand new. That’s not the purpose of sympathetic conservation
there are people who do this type of stuff as a hobby like me this is a difficult one personally I would be very unsatisfied with the foxing left at the top of the painting this type of foxing is minerals left by the flooding an easy fix normally but this is a watercolor which complicates things and makes this damage impossible to remove. with a print or etching, I would dunk it in hot water for a short time and the foxing will be extracted into the water like the tanning of tea leaves leaving the sheet completely clean with watercolors that's impossible to do for the paint would also be extracted. great job but I'm sure the expert was probably very irritated with this type of foxing.
I get t get tingles watching someone do something exuding care and immense talent . I couldn’t see what he obviously could at the start .Artisns , restorators like this are my favourite watch atm ✨ Thankyou ✨
If Baumgartner was involved it would be three parts long and the same process over and over again. At least this woman just does it without the endless yapping.
@@stormmoster He does all sorts of techniques, and materials! He has even restored scupltures, pieces made out of wax, painted on glass (from behind), repaired frames, paper, canvas... You think he wouldn't be able to paint with water colour? Plus, the retouching is only a part of the restoration.
@@nicolasfiore My point is that ou can't clean a watercolour painting the same way you clean an oilpainting. I couldn't find an video where Baumgartner cleaned a watercolour painting, can ou put up a link to one? Cancel Reply
@@stormmoster Even if so, I don't think the aspect ratio of the original and the restored one would be different. It literally lost half of the sky. There other problems too that Julian wouldn't have made, IMHO.
Im fascinated as to why the color matching wasnt done to the top of the piece? Would painting over not conceal the black, and therefore not preserve the originality while also being a pointless measure? Im very impressed by the final product. A huge improvement over how it came to him.
Perhaps, the owner did not want to fully remove this "page" from the history of the artwork. It has suffered serious damage but survived, and this dark spot at the top is a reminder of this event. I see some similarities to the japanese kintsugi technique, where the aim is not to fully hide the damage, but to acknowledge it as a part of an item.
I assumed it was because this sort of painting doors not provide for an isolation layer, so there would be no way to reverse the work later if someone in the future wanted to. That combined with the difficulty of getting a light watercolor to work over the dark seems like it would have had to cross the line between preservation and repainting.
Because watercolors are a transparent medium, any painting over the stains would still show the stains. They would have to use gouache for the opacity, but it'd be imminently obvious since gouache and watercolor have different optical properties.
This is the first art restoration video I’ve watched in months. I’m glad I finally took the plunge. Great job. I had no idea watercolours could be restored like this. Not a fan of the voiceover, but the work is impressive. I used to watch Baumgartner all the time, but don’t any more. I felt he sold out, basically just doing what amounted to lengthy adverts for services connected to art. All of them amazing, incredible, masterful, etc etc. Never a single critical comment… It just got a bit unrealistic and repetitive. Plus he did a restoration of a very badly torn painting and didn’t align the painting accurately along the tear (something you could see instantly while he was doing it), just filling the resulting gap, doing a ton of filling and painting in (something he always said he hated), elongating the face and utterly changing the look of the subject. Now if he’d HAD to do that for some technical reason, and acknowledged, regretted and explained it, I’d have respected that. But he didn’t. And in not being as careful as he could have been, he changed the painting and then acted like he’d done his usual amazing work. I just lost a bit of my faith in him there and don’t feel that same sense of magic in his channel. Nice to be watching restoration again. It’s an amazing set of skills. Just my opinions.
Good lord ! The finished restoration work makes the watercolour look like it was painted 2 weeks ago ! You just can't beat true honest to god experience and talent , can you ? What a thrill to see ! As an over enthusiastic amateur painter myself , at least i now know that i have some way to go to reach the bottom rung after watching this superb video . Great fun ...
That was a really great restoration! And the colour matching for filling in the edges is a skill in itself. I'm only worried, since mold continues to grow if there are any spores left, would this be a risk here as well? I would imagine further care along the way would be needed for this painting.
She might have treated it with something to kill any more spores during the process? Or maybe now the painting is dry and clean, the mould won’t come back?
Incredible skills! Must be a very satisfying job. I got a fine arts degree and never even thought of restoration. I think I would have loved it. Nothing but admiration!
Interesting process, but not enough explanation about what's happening. I wonder how they prevent future mold growth from the remaining spores in the paper.
That’s what I want to know. How does anything they did kill the mold that’s still in it? I didn’t see anything used that would stop the mold continuing to grow and ruin it even further, particularly in the sky area. I’m not saying I know what could be done, I’m just concerned.
I'm surprised they would use an organic material like wheat paste in this scenario. I'm no art preservationist but I know a thing or 2 about old houses...one I worked on, the homeowner got sick because the old wallpaper had been installed using flour paste and moisture from condensation in the ac system had caused mold to grow in the paste. Maybe that's different?
The years of practice and patiance required to hone this skill is rare in professions these days. Incredible how this complicated process was discovered ..amazing !.
Very interesting! However, many of the steps she did were not explained. Ok, I do watch Baumgartner…and I do appreciate hearing the details, such as why a certain glue is being used. Why did she screen that wheat paste glue? What did she mix with a large drop of water? Why was she putting small little marks on the paper and drying them with the heat wand? Hearing her speak would be more enjoyable that of the rather clinical voice over guy. But at any rate, the work she did was absolutely amazing.
I can answer at least the question about the wheat paste glue. It starts as a powder, and as you mix it with water, it can develop lumps. In this situation, even a very small lump might show in the finished product, so it is sieved carefully to ensure a silky smooth, consistent texture.
Was there some non-fixable stains in the clouds? Or were the dark flecks original? Either way, that was a serious improvement! I’m sure such a repair commands a hefty fee, but that’s was as much a labor of love as a job.
Beautiful work, I love watching craftspeople showing their expert skills. As someone who is a complete newbie to art restauration, I was curious why the upper half of the water color could not be retouched like the bottom half. Unless this is what the work looked like originally? Curious if there was a picture of the water color that the restorer used as a guide?
Well...she's no Baumgartner...KIDDING!!! Such an amazing job Ms. O'Rielly did here. It was interesting to see the conservation/restoration of a watercolor, everytime she got it wet I kept internally screaming "THE PAINTS GONNA RUN....STAHP!!!" I was really surprised that the paint stayed put. In any event, such a neat video. Thank you for sharing.
That was incredible work - but I'm confused, slightly - is the top part of the painting, the sky, stained by the mould and not reparable, or is the grey mottled colouring the original watercolour technique?
This is a superb documentary for which I thank the producers immensely. I did however find it frustrating when around 12 minutes in, the person mixing up the wheatpaste seemed to only just be able to incorporate the full contents of the bowl at the end of the mixing process. I'm sure this is just down to editing but as a baker I found this deeply deeply frustrating. Many Thanks!! This video rocks!!!
restoration is great, I'm just wondering why they didn't do more comprehensive restoration in the clouds of the painting that had a bunch of the mold damage. I figured I'd be seeing a lot more water color work in that area and they for the most part left it untouched
this person was very conservative in their painting, probably not someone overly confident in that field. leaving the mold in the skies was a fist into my eye, can't consider this job finished. It could have been much better addressed and retouched.
The stains are probably in they paper itself, the might even go all the wa throug to the back of the paper, so they can't be romoved without damaging the paper. You can't cover them up since watercolours are transparent. If you tried to use opaque paint the impression of the painting would become very different. By the way I have never heard that mold is lightfast so maybe the stains will fade when the painting is exposed to light.
@@stormmoster they obviously are and there are legitimate ways of treatment of such stains. Leaving the mold intact is just going to cause further problems down the road. I do understand that some restorers take this conservative and non-invasive approach in dealing with structural damage and take this route of leaving as is as the part of the history or provenance, but I myself believe it to be a faulty aproach. (that part can be chemically treated and or cut out and seemlessly joined with a healthy piece of paper and retouched so it regains its former visual apeal) And there are some restorers who have a very high profile that in my opinion shouldn't be even allowed in proximity of masterworks they get to work on.. just take a look at Modestini's butchery of Leonardos Salvador Mundi, how far has she gone in her creative liberties and totally destroyed the piece. *compare the result with the cleaned version... that physically hurts.
Wow. Excellent work! I just discovered your channel this morning. I've watched other channels about restoration, but this is the first time I've seen a watercolor done. Perhaps you explain it in other videos that I haven't seen yet, or perhaps I missed it, but how on earth do you put water in or on the paper of a watercolor painting without reactivating the watercolor and ruining it?
The fact humans will go to such great lengths to not only want to keep a possession as “impractical” as this, but to spend the years necessary to perfect such methods so others can enjoy art for longer is something I adore
Fantastic effort - loved watching the experts. I have a question - are those dark parts in the top left corner and down the side are remnants of the mold? Has it been treated with a resister of some sort? Di Maloney
Nice job. Question: Why didn't you restore all of the sky( ic. removed quit a bit from the height of the painting). Was the discoloration from the mold in the sky not fixable?
Where can we find this person???
Here: Emily O'Reilly ACR and emilyoreilly.co.uk (emily@emilyoreilly.co.uk)
@@MastersOfCraftOfficial Thank you!!
Absolutely wonderful work, Emily!! 🤗🙏🏼🤗
Amazing! Art and science are coming together, but mostly art! 😊😊
Amazing craftsmanship.
After watching a lot of Baumgartner, I always wondered how a watercolour painting would be restored. What a lovely treat to watch someone so skillfull do it!
same, Baumgartner fan here as well
@@tbnalfaro Also Baumgartner fan!
I am also a fan of Baumgartner, been following him since the beginning. I recently discovered that conservators don't really like his practices.
As IC Weld’s Isaac says, this is not the only way to do it, it’s just how I do it. Another artist in a different medium.
@@ginismoja2459Conservationists might moan about some restoration methods but his clients know what they want and if art isnt restored to allow it to be enjoyed and appreciated whats the point, have it stored away?
Wow! I didn’t even know it was possible to restore watercolour paintings that were this far gone!
Fine prints can be restored too. I've seen demonstrations of restorers literally giving a print a bath in order to deacidify them and so forth. You probably couldn't do that unless the ink was oil-based though. They use many of the same techniques shown here as well such as fixing tears and missing pieces etc. I've seen them clean works on paper with some kind of powder as well...they use it dry and it gently scours the dirt from the fibers. All very intriguing stuff!
Me Too!
Clearly not watercolors.
@@picassomooon It is possible to bathe, and even bleach, watercolours. You have to be trained, educated and experienced, though.
of course it is. You can also leave the half of the mushroom culture on it and put it in the frame...
Whoever owns this painting must really love it and appreciate it to go to all the trouble of getting something so far gone restored. Well done to the restoration artist it could have been easy to say it was too far gone to try and save but it’s amazing what can be done when you know what to do.
What I find absolutely gorgeous is where it could not be fully restored, they integrated the damage into the painting as a whole- Yes, you can tell it was restored, but in a way that gives the painting more character
They didn’t go through any trouble
Hats off to Emily O'Reilly for transforming that moldy mess back to original . I honestly thought it wasn't fixable .
Except it didn't look "back to original" to me. It still looks like it has significant staining from the mold, as well as missing sections.
@@markjaycox7524
That’s because watercolor is transparent, so it only goes darker not lighter. Anything that was added to the original is also pretty much irreversible because watercolor soaks into the fibers of the paper and a lot of the pigments are staining. Messing with the original could also run the risk of disturbing the original paint.
I haven't seen Julian restoring a water color painting with mold and water stain damage
I did not realise a watercolour could be saved from such a poor condition without spoiling the actual painting.This was a real learning curve.i think this was done so well and the integrity of the painting was saved.A lot more work I think than some oil paint restorations.But when you see how vibrant the painting is at the end,as only watercolours can be .You did an amazing job. I have never seen a watercolour restored before and I hope the client was delighted and it will be enjoyed for many more years to come.Thank you for showing this 🥰
All I can say is that the restorer must have a good deal of patience to do such detailed work. Bravo, on making the painting beautiful again.
This is an enormous amout of skilled work but well worth it considering the original watercolor. Many don't realize how difficult it is to achieve such detail with watercolor art. One of the best examples of a master watercolorist and an equally master restorer.
not watercolor, sadly.
@@paintspirationsunlimited Yeah, this looks like an acrylic wash to me. If it was true watercolour, unsealed, it'd have been rinsed out of the painting by flooding.
I used to work in the Preservation Lab of a university library. We used many of the same techniques shown in this video. Once, our storage of older books had a leaky roof, causing to books to mold and become damaged. I remember using washi kozo to repair the books am maps that came out of that building. It took nearly a year and a half to repair everything that came out of that storage hold.
To me, this person loves their job and appreciates fine arts so very much. I see this and think, “well, it’s effed. There’s no going back from this. It’s effed all the way through. Take a pic for your memory sake’s and toss it.” ✋🏼😳🤚🏼
I lol’d at this comment. Because that’s what I would’ve said. Thank goodness there are others who have the patience and passion to conserve and restore!
😂
I think that, then think I wish I had the money to pay for restoration as I chuck it.
_Baumgartner fans entered the chat_
Silently looking for faults but leaving impressed 😄
“Japanese paper”
Me: (whispering) Washi Kozo
It feels kind of like cheating
Here.
Don't tell Julian we are moonlighting
I like that little heated spatula tool. I have no idea what I’d use it for, but I feel like I need one. 😀
To iron tiny clothes ofc
@@chaitralimagare1173🤭
Search for tacking iron
a wee grilled cheese
@@theshmoo560 you must be my soul mate, first thing I thought of as well
Imagine someone going to this much time and trouble to restore and protect something you’ve created… beautiful 💕
What a mess to have to start with. I would not even know where to begin with this. It's a privilege to watch a master at work.
It’s a beautiful work to begin with. I would not have guessed it was a watercolor had I seen it restored (or before the damage) on a photo or video.
My adoptive mother is a watercolor artist and got me into the medium a few years ago. It brings me so much joy and peaceof mind to know that her work could be preserved and restored one day should it ever be needed.
What a gorgeous work! No wonder the owner was determined to salvage it! So wonderful he found a very capable person to do the owner was ready to do whatever it took to bring it back to life!
Meticulous attention to conservation and the importance of keeping it as original as possible. Bravo 👏
Nice to see a fellow paper conservator out here on TH-cam showing people how it's really done (as opposed to shonky operators doing it for the "wow factor"). Thanks for showcasing a really under-rated, under-acknowledged profession!
you better not be shading baumgartner restoration (Julian, my luv) 😠
@@missgurlyteengurl Interesting that you saw "shonky operators" and went there...
@@Fruity_lexiawow shade
@@missgurlyteengurl You just insulted him by assuming this comment was about him, soooo…
@@Misscaitimac i dont know man, there arent really others well known, well known enough to have dislikers, art conservators on youtube. What is this middle school argument.
It’s honestly surprising that the overall painting and colors remained intact given the damage. Thanks for restoring such a beauty.
Love watercolors, there aren’t many paints that have that gorgeous luminosity ❤
Also hats off for the color matching, as watercolor tends to shift when it dries that must be an insanely difficult skill to learn.
Pigment paint is often very resistant and it's usually the base material (paper) that got damaged, which could affect the look of the color. Molding and bonding damaging is another story though. I'm pretty sure the color is still there, it's just that re-exposing them can be very tricky.
(It might be better to imagine the damaged painting to be a hidden gem, just that they are only a few microns in thickness and is extremely fragile when trying to be exposed.)
Truly a remarkable piece of restoration by a professional. I have never seen anything like this before and it was a great pleasure to see the work of this Lady. Thank you so much for showing this.
The painting was beautiful under all the damage, well worth preserving, such use of colour! 😍 But I felt like there were a lot of stages missing in the explanation...? For example, presumably a solution of oxalic acid or similar was applied front & back to prevent mould regrowth, before re-backing the work? And was there a rationale behind using wheat-based adhesive on a work which may harbour potential residual mould spores in the fibres...? It'd be great to hear a more technical breakdown of the work in progress!
It just seems to me that nothing was done to kill or prevent further mold. It's still visible in the end
I found it fascinating and inspiring and instead of criticising the talent of this conservation expert with many years experience… I’d like to see you try! It’s not possible to get such a damaged painting looking brand new. That’s not the purpose of sympathetic conservation
i agree entirely! thank you for saying all this. :•)
If II tried, it would look like ecce mono.
there are people who do this type of stuff as a hobby like me this is a difficult one personally I would be very unsatisfied with the foxing left at the top of the painting this type of foxing is minerals left by the flooding an easy fix normally but this is a watercolor which complicates things and makes this damage impossible to remove.
with a print or etching, I would dunk it in hot water for a short time and the foxing will be extracted into the water like the tanning of tea leaves leaving the sheet completely clean with watercolors that's impossible to do for the paint would also be extracted.
great job but I'm sure the expert was probably very irritated with this type of foxing.
I so agree. People are critical on everything these days. Only because they can hide their faces.
@@tinovanderzwanphonocave544you do know the memes they make of hobby restorers’ work?
It takes so much patience to do this type of work. It is an art as much as the piece being restored!
I get t get tingles watching someone do something exuding care and immense talent .
I couldn’t see what he obviously could at the start .Artisns , restorators like this are my favourite watch atm ✨
Thankyou ✨
As a watercolor artist, this is fascinating.
This is amazing. I didn't think this was possible. Big applause.
Whoever edited this, really loves the sound of wheat-starch paste
Omg, I totally thought it was just me! 😂 Awesome job, though.
Stunning work, I was so engrossed that I found the separation of the layers by spatula quite tense.
Good job 👍👍👍
I just wish someone like Julian could have narrated and explained her process in more detail ❤️
If Julian and this guy got into a street fight Julian would smash him!!!
@@Kevin-xi6ts I think this is a woman and not a guy haha
If Baumgartner was involved it would be three parts long and the same process over and over again.
At least this woman just does it without the endless yapping.
@@dr.hankins4682 not at all - the craftsperson herself has it featured on her site also, which appears v authentic
@@rickvaiBBBnope. You have the wrong opinion.
Straining the wheat starch glue was very satisfying!
Interesting to see a different approach as I'm used to watching Baumgartner.
yes... this one is less... I don't want be mean, but the results are just not the same. Julian is a perfectionist really.
Oilpaints and watercolours are two very different materials.
@@stormmoster He does all sorts of techniques, and materials! He has even restored scupltures, pieces made out of wax, painted on glass (from behind), repaired frames, paper, canvas... You think he wouldn't be able to paint with water colour? Plus, the retouching is only a part of the restoration.
@@nicolasfiore My point is that ou can't clean a watercolour painting the same way you clean an oilpainting.
I couldn't find an video where Baumgartner cleaned a watercolour painting, can ou put up a link to one?
Cancel
Reply
@@stormmoster Even if so, I don't think the aspect ratio of the original and the restored one would be different. It literally lost half of the sky. There other problems too that Julian wouldn't have made, IMHO.
Wow - such delicate work and amazing skill. I wish I had that sort of patience and attention to detail.
Im fascinated as to why the color matching wasnt done to the top of the piece? Would painting over not conceal the black, and therefore not preserve the originality while also being a pointless measure? Im very impressed by the final product. A huge improvement over how it came to him.
Perhaps, the owner did not want to fully remove this "page" from the history of the artwork. It has suffered serious damage but survived, and this dark spot at the top is a reminder of this event. I see some similarities to the japanese kintsugi technique, where the aim is not to fully hide the damage, but to acknowledge it as a part of an item.
Watercolours are tranparent, so you can't paint over dark colurs with light ones since the dark will be visible through the light colurs.
I was wondering the same. The damage from the mold is clearly visible. Leaving it does makes sense. Thank you for clarifying.
I assumed it was because this sort of painting doors not provide for an isolation layer, so there would be no way to reverse the work later if someone in the future wanted to. That combined with the difficulty of getting a light watercolor to work over the dark seems like it would have had to cross the line between preservation and repainting.
Because watercolors are a transparent medium, any painting over the stains would still show the stains. They would have to use gouache for the opacity, but it'd be imminently obvious since gouache and watercolor have different optical properties.
You did a very great job restoring the painting.They really had the best person to do this work.And it turned out beautifully.
This is the first art restoration video I’ve watched in months. I’m glad I finally took the plunge. Great job. I had no idea watercolours could be restored like this. Not a fan of the voiceover, but the work is impressive.
I used to watch Baumgartner all the time, but don’t any more. I felt he sold out, basically just doing what amounted to lengthy adverts for services connected to art. All of them amazing, incredible, masterful, etc etc. Never a single critical comment… It just got a bit unrealistic and repetitive.
Plus he did a restoration of a very badly torn painting and didn’t align the painting accurately along the tear (something you could see instantly while he was doing it), just filling the resulting gap, doing a ton of filling and painting in (something he always said he hated), elongating the face and utterly changing the look of the subject. Now if he’d HAD to do that for some technical reason, and acknowledged, regretted and explained it, I’d have respected that. But he didn’t. And in not being as careful as he could have been, he changed the painting and then acted like he’d done his usual amazing work.
I just lost a bit of my faith in him there and don’t feel that same sense of magic in his channel.
Nice to be watching restoration again. It’s an amazing set of skills.
Just my opinions.
An exquisite watercolor restoration. It was my pleasure to watch you. Thank you.
Good lord ! The finished restoration work makes the watercolour look like it was painted 2 weeks ago ! You just can't beat true honest to god experience and talent , can you ? What a thrill to see ! As an over enthusiastic amateur painter myself , at least i now know that i have some way to go to reach the bottom rung after watching this superb video . Great fun ...
That was a really great restoration! And the colour matching for filling in the edges is a skill in itself. I'm only worried, since mold continues to grow if there are any spores left, would this be a risk here as well? I would imagine further care along the way would be needed for this painting.
She might have treated it with something to kill any more spores during the process? Or maybe now the painting is dry and clean, the mould won’t come back?
Incredible skills! Must be a very satisfying job. I got a fine arts degree and never even thought of restoration. I think I would have loved it. Nothing but admiration!
What lovely work, I'm mesmerised. Thank you for sharing.
I am completely blown away by the incredible artistry and skill in this video! Im a new viewer so who is this?!? Accolades and RESPECT!!❤
This is absolutely wonderful. There is no
constant talking. Y'all know who I'm talking about.
Meticulous attention to detail should not just be appreciated but admire as well. I would love to have steady hands for fine work like this.
Truly remarkable!👏🏻. Now whole new generations can enjoy this painting. Bravo.😊❤
Interesting process, but not enough explanation about what's happening. I wonder how they prevent future mold growth from the remaining spores in the paper.
That’s what I want to know. How does anything they did kill the mold that’s still in it? I didn’t see anything used that would stop the mold continuing to grow and ruin it even further, particularly in the sky area. I’m not saying I know what could be done, I’m just concerned.
X-rays. Irradiation is your friend
Couldn't even imagine that you can restore a watercolour painting after flooding 🤯
I'm surprised they would use an organic material like wheat paste in this scenario. I'm no art preservationist but I know a thing or 2 about old houses...one I worked on, the homeowner got sick because the old wallpaper had been installed using flour paste and moisture from condensation in the ac system had caused mold to grow in the paste. Maybe that's different?
The years of practice and patiance required to hone this skill is rare in professions these days. Incredible how this complicated process was discovered ..amazing !.
I'm glad that paintings this badly damaged can still be restored. Amazing work❤
That is a pretty incredible transformation. At ton of patience and skill required to do this work. Very interesting process.
Wow. I’m beyond impressed with this woman’s skill. This was a fascinating and joyful thing to watch.
Very interesting! However, many of the steps she did were not explained. Ok, I do watch Baumgartner…and I do appreciate hearing the details, such as why a certain glue is being used. Why did she screen that wheat paste glue? What did she mix with a large drop of water? Why was she putting small little marks on the paper and drying them with the heat wand? Hearing her speak would be more enjoyable that of the rather clinical voice over guy. But at any rate, the work she did was absolutely amazing.
I can answer at least the question about the wheat paste glue. It starts as a powder, and as you mix it with water, it can develop lumps. In this situation, even a very small lump might show in the finished product, so it is sieved carefully to ensure a silky smooth, consistent texture.
Was there some non-fixable stains in the clouds? Or were the dark flecks original? Either way, that was a serious improvement! I’m sure such a repair commands a hefty fee, but that’s was as much a labor of love as a job.
Superb work. Congratulations to the restorer.
Beautiful work, I love watching craftspeople showing their expert skills. As someone who is a complete newbie to art restauration, I was curious why the upper half of the water color could not be retouched like the bottom half. Unless this is what the work looked like originally? Curious if there was a picture of the water color that the restorer used as a guide?
It is so tedious and caring. I love it.
Phenomenal! Rescuing a watercolor. I didn’t even think it was possible, after seeing it.
Well...she's no Baumgartner...KIDDING!!! Such an amazing job Ms. O'Rielly did here. It was interesting to see the conservation/restoration of a watercolor, everytime she got it wet I kept internally screaming "THE PAINTS GONNA RUN....STAHP!!!" I was really surprised that the paint stayed put. In any event, such a neat video. Thank you for sharing.
I understand why the owner wanted this painting restored. It is a gorgeous piece of art. What an incredible restoration.
Oh that poor, poor painting! Glad you could help it!
Splendid. Outstanding finesse. A true resurrection of vivid emotions. Bravo
I think i could watch a whole video of the process of removing the mold. Idk why i found that part in particular so satisfying to watch 😅
It's so relaxing to see every little steps with just the sound of it
That’s really impressive! The painting itself looks like a photo, so detailed
Interesting! I'm also following a different restorater's channel, and it's interesting to see the different techniques. 🙂
That was incredible work - but I'm confused, slightly - is the top part of the painting, the sky, stained by the mould and not reparable, or is the grey mottled colouring the original watercolour technique?
When you arise in the morning, think of what a precious privilege it is to be alive to breathe, to think, to enjoy, to love.
Watching such an expert was very inspiring.
This is a superb documentary for which I thank the producers immensely. I did however find it frustrating when around 12 minutes in, the person mixing up the wheatpaste seemed to only just be able to incorporate the full contents of the bowl at the end of the mixing process. I'm sure this is just down to editing but as a baker I found this deeply deeply frustrating. Many Thanks!! This video rocks!!!
Beautifully done both artwork and the restoration of it. 👏🏻
This was an incredibly calming video and what amazing work that's being done. Brilliant 💛
restoration is great, I'm just wondering why they didn't do more comprehensive restoration in the clouds of the painting that had a bunch of the mold damage. I figured I'd be seeing a lot more water color work in that area and they for the most part left it untouched
this person was very conservative in their painting, probably not someone overly confident in that field. leaving the mold in the skies was a fist into my eye, can't consider this job finished. It could have been much better addressed and retouched.
The stains are probably in they paper itself, the might even go all the wa throug to the back of the paper, so they can't be romoved without damaging the paper. You can't cover them up since watercolours are transparent. If you tried to use opaque paint the impression of the painting would become very different.
By the way I have never heard that mold is lightfast so maybe the stains will fade when the painting is exposed to light.
@@stormmoster they obviously are and there are legitimate ways of treatment of such stains. Leaving the mold intact is just going to cause further problems down the road. I do understand that some restorers take this conservative and non-invasive approach in dealing with structural damage and take this route of leaving as is as the part of the history or provenance, but I myself believe it to be a faulty aproach. (that part can be chemically treated and or cut out and seemlessly joined with a healthy piece of paper and retouched so it regains its former visual apeal)
And there are some restorers who have a very high profile that in my opinion shouldn't be even allowed in proximity of masterworks they get to work on.. just take a look at Modestini's butchery of Leonardos Salvador Mundi, how far has she gone in her creative liberties and totally destroyed the piece. *compare the result with the cleaned version... that physically hurts.
So much detail for an acquarelle, thanks for restoring this
watching these kinds of videos makes me even more aware of how many jobs i could not do from my ocd
Remarkable dexterity and patience!
This put a massive smile on my face 😌 what an amazing job! Incredible patience!
Wow. Excellent work! I just discovered your channel this morning. I've watched other channels about restoration, but this is the first time I've seen a watercolor done. Perhaps you explain it in other videos that I haven't seen yet, or perhaps I missed it, but how on earth do you put water in or on the paper of a watercolor painting without reactivating the watercolor and ruining it?
I think by only using the humidifier method they can avoid it.
The more damaged a painting is, the more satisfying the video is.
What an excellent piece of beautifully haunting music 26:45 anyone know the name of it or the artist?
Well done! I've not seen a watercolor restoration before. Very interesting!
Quite the skilled restoration. And a very beautiful painting.
I love the delicacy of her work
The fact humans will go to such great lengths to not only want to keep a possession as “impractical” as this, but to spend the years necessary to perfect such methods so others can enjoy art for longer is something I adore
Fantastic effort - loved watching the experts. I have a question - are those dark parts in the top left corner and down the side are remnants of the mold? Has it been treated with a resister of some sort? Di Maloney
@17:15 ff isn't it better to use a damp sponge to wet the top side of the gum tape, too, so that it lies flat and sticks to the board evenly?
Wow. Such a restoration. Excellent video here. Great process
Truely, you are a master of your craft.. To my untutored eye, that was beyond redemption... ❤
One day I'd love to have my grandfather's oil paintings restored.
It seems more like a piece of watercolor paper attached to particle board than multilayered watercolor paper, but oh well haha.
Now that you mention it, I agreed.
Edit: I got to the end and suspect it was previously mounted on similar board as the new mounting.
13:31 - the Japanese paper - is that Washi Kozo paper being used?
Nice job. Question: Why didn't you restore all of the sky( ic. removed quit a bit from the height of the painting). Was the discoloration from the mold in the sky not fixable?
So what was the reason? for not eliminating the black mold around the perimeter of the sky ?
I never would have even thought it possible to restore it that much, it looked completely wrecked
Sorprendente, nunca imaginé que se puede restaurar, gracias.
Amazing skills and craftsmanship. I was wondering how the top left portion was going to be repaired because it was so severely damaged.
Amazing, she did an outstanding job.
29:10 wow clever lady so much patience well done
What a phenomenal job when I first saw it, I was like I would’ve threw that thing out. I’m glad they didn’t, it came out amazing. 😍
Gran trabajo en esta restauración es muy bonito todo el trabajo que hace el restaurador , tengo ganas de de verlo enmarcado