experiment0003 first off who cares? Secondly why would I tell you that you don’t have $50.k worth of gear that’s nothing! I have a good amount of gear do you see me trying to prove it some stranger? Hahaha.
The III The guy I replied to erased his message saying he had $50.k worth of gear. I have a screen shot of it before he turned straight coward and erased it.
I hope all of the top mixers go completely in the box. Maybe that’ll force Neve, SSL and API to drastically lower their prices for consoles. No disrespect to those companies but 100k plus for a board is insane. I get that it takes a lot to build one but I guarantee it takes longer to build a house than it does a recording console so why do they cost the same? Lol
+Abir Tarafdar I've been watching his videos all over TH-cam and have thought the same thing. He just seems like a really nice-and honest, unassuming-guy.
Abir Tarafdar And, by far, of the most cerebral human beings I've ever known (quite possibly, to ever have existed)!💯 #YepHesJustThatIntellectual #VERYLaidBackAndHumble Hymn
Great interview! I was afraid it would only cover a bunch of gear talking which I love too, but I'm glad Fab changed the subject. Also, I laughed at loud at the end, "He's Fab"
I've mixed in the box since the beginning (that's about 6 years), now when I have a chance to mix analog with semi high end gear, I prefer it. Not always, sometimes you do not need the saturation and dirtiness of analog, the cleaner the better. It's weird that the results I get in analog are non achievable to me with plugins somehow. Different worlds, both with their own advantages. Also mixing with console is super fun, and absolute hell when you want to recall
People often want ultimate either / or answers. The truth is, its all a matter of perspective. For someone like Andrew who worked on analog gear all his life, its clearly an expansion of his abilities to be able to work much more flexible in the box. For someone who worked in the box all his life, it can truly be revealing and expansive to get to know the thickness that can come out of these analog boxes. In truth, there is no better or worse.
yes there is, it is called a hybrid approach, the best of both Worlds. Every Mixer and producer should and must learn what has been done to be the best and find his/her own style......that is ideally but in the Music Industry for this most people do not go to school ..so bygones
"With an attack so fast that you can't model it" Love you Andrew, but no, it's not the case. Plugins can actually work at a perfect zero nanoseconds attack, because they can analyze the audio source before playing it, and that's something that hardware will never do, unless you can find some time traveling hardware :)
If you listen to the vid, he says “it’s super fast, to the point where THEY FEEL like it’s too fast to model.” He’s not giving his personal opinion on programming, he’s relaying someone else’s opinion as it was told to him. Given the context, it sounds like it’s the people who made the unit itself.
@@zachary963 Ok, whoever got that opinion is wrong, perhaps trying to put out selling points, still, no hardware will ever be faster than a plugin, that's simply impossible.
Can you please explain this the correct way from an engineering perspective? really..... can you give an example and correlate a plugin and an analog piece in real time? Thank you
I don't get it. People mixing multi platinum albums using plugins are telling you that it doesn't matter if you use analog or plug-ins, and there are a lot of people here arguing with that. 🤔
You can only totally mix in the box if the material/song was greatly recorded (great performance with high quality instruments and gear). Otherwise you can put hundreds of plugins on a song and it would still sound like crap. Andrew should say that also. Of course if a song was recorded with a great perfomance, great instruments, high quality mics and gear, it is really easy to work only in the box during mix down, because the main work was done during the recording.
100%...he actually says something like that when he talks about garbage pre's and such, but this guys is top of the food chain and typically mixes the big boys who track very well, not the beginners that use the pre's on their interfaces and the $100 Chinese mics. with that said he can make the cheapo tracks sound better ITB than most of us mixing with the best gear in the world! I'm a huge fan of his
If you Record something with a bad instrument player, cheap gears in a bad recording Room. All this consoles Will do nothin to the song. Good mix start allways from the 0 point aka ideia and the musicians.
I think Schepp mixes in the box to be able to recall but I seriously doubt that the final mix will be done in the box. The plugins basically are the snapshots to the final mix. I 'm pretty sure that big label artists and record companies will still want to have the final mix done with the vintage analog gear. The in the box plugins are just there to make it easier and faster for him to do the mix, but the finals are analog. Me personally I have gone full circle and doing more mixes on analog, especially on 500 series gear. Instead of struggling with 500 plugins and which to use I just go to the analog gear that I know will work, and be done with it.
Even tracking, I think mixers would prefer you keep compressors and eqs out of the way of the signal so that they can have the cleanest purest signal to start with...mic modelling is maybe going to be the last frontier....when we all start to use flat reference mics then use a plugin to make them into U47s etc.
I want that moog filter! is there a vst version? I am always amazed about my proteus 2000 filters ams would love to rip them out and stuff them into my daw
Golden advice from Scheps. I’m a sucker for UAD emulations though. They sound great but there’s something so exclusive about them. Maybe it’s an illusion or maybe they do sound better but at least it’s ITB!…
I know what you are talking about and I own a "cheap" allen & heath ZED420 mixer, along with some better outboard :D something about real physics going on, when you can kind of feel what is actually happening with the signal and how you can use that.
Yes. "Fab" comes off as very insecure. He's all ego. Just sit there and listen. He has a know-it-all attitude and it only highlights his insecurity. I don't like a single record that guy has worked on.
Why are you taking it personally? Is he your hero or something? He's a guy who is conducting an interview poorly because he doesn't know how to shut up and let the other person speak. This is a clear observation. Not projection. Anyone without the good sense or manners to allow someone to finish their thought before beginning to talk over them - is a schmuck. It's different if the conversation is flowing. But this is not the case here. Im not judging the man's personal character. I'm commenting on his public persona and more importantly, his behavior. It's not perception to say that he didn't allow the person to finish; it's a fact. That makes him a jackass. It is consistent with the rest of what I've seen of him; a pompous and ego-driven speaker who hasn't produced a single song I consider music. I am allowed to say that. There are far worse things out there than someone calling this guy out on his rude manners. Get real. Is this fab, himself? Did I hurt your ego?
He managed to get a gear head to do a walkthrough of his stacks of porn in a short space of time... whatever, i don't really care. I just came here to learn from people with way more experience than me and lust over shit i cant afford, not to judge their character... i've watched Fab in the Dangerous walkthroughs and i thought he was very clear in his communication, with a dry sense of humour.. which i personally liked... each to their own i suppose
Ty for the video! It's very interesting comparing ITB with OTB. But mainly because most of those expensive outboard gears are not within anyones reach economically… So it's a Little like "window shopping" looking and hearing about those gear... But never be able to actually try them out, etc. Also those huge (expensive) SLL & Neve mixing desk is probably also not within most ppl's reach… Unless you're professional working a big studio I guess… So, how about a "hybrid" approach to recording/mixing? I'd be interested in videos about how you could use a digital or analog mixer and a DAW together… It's a Little more expensive perhaps than mixing ITB and of course you can't take it with you on a weekend trip to the summer house, so less mobile of course. But I wouldn't take my stationary computer, Audio Interface, microphones, guitars/basses, etc with me either...
OK so he Mixes in a hybrid....best of both Worlds.! recording is still analog so if in the box once Mastering w/Analog ..beautiful sound!!!...Perhaps the best I see here nobody appears to do is his multitasking of different songs that is Super!!!
Looks cool but it must take longer to finish products, I prefer software emulation, it is still a dream but at the end of the day I don't have time to use all that.
Mmmmm interesting.... So I don't need to spend 120k on outboard because it will weigh down like a millstone and be a pain in the arse to recall.... Does he still run stems through a summing box I wonder? Or all ITB?
Mix in the box or outside whatever floats your boat. I’m getting the wa76 and tb12 modded by revive audio and I’m suuuuper geeked 😁😆 I will track with that and mix with plugins. Do yourselves a favor and stop thinking a an audio interface by itself will add weight to your music 😂🤣 ✌🏾
Nanoseconds? Really? That puts us in GigaHertz territory in the frequency domain. I have a hard time believing such resolution is of any consequence considering no audio system (analog or digital) nor human hearing will reproduce it.
at least record thru valve preamps or compressors before you hit the convertors, have a lil bit of warmth before your a/d to combat a sterile digital sound.
Silverfaces are brighter so i think they sound brighter. Imagine if he had said the inverse... mr scheps, you dodged that one, minefield out there. actually i discovered black nylon strings. I buy them for a darker sound. Ok also looks cooler. Like somany black stuff
Twin-T active filter design with -90 dB peaks. Done it (modeled it). Never built it. I offered the design and patent to a friend and suggested he could make a zillion bucks off it - he wasn't interested. Guess he likes his IT job better.
Sad that people are so sucked into advertising and being politically correct.. we forget to put things straight and admit analog process yields superior results
Hardware is better. Let's be real! Knowing how to use it is the experience. Whether it's recording, mixing, or mastering; to get a pro sound will inevitably require hardware. As a UAD owner (the finest plugins), it doesn't come close as the marketing would suggest. A bit like this and every other video
Outboard fetishism... Erh. It really has more to do with hobbyist middle age men working on vintage motorbikes, than _music_ or _art_. Actually, it has nothing to do with creativity or innovation. It's nerdy technical specs, years, dates, design, rarity factor, dick waggling. I cringe when I see shit like this, but then again, that's just me. And no, I am not a convictional anti-hardware guy or anything like that. Have a studio of my own. It's just that, I've seen these type of dudes. I know their motivations. I know where the essence of this phenomena _truly lies_.
ANPHKI i agree with you my friend, but what's wrong in an hobbyst middle aged men working on vintage motorbikes etc etc? that means fun, and fun brings good music sometimes, while it still brings fun :-) the question is: what is the fucking language im writing in? :-)
Wrong. Next time, when you're *trying* to be clever, try to be a bit less predictable. Even if your intelligence level is not necessarily that up to par, give it a go.
"My music is coming out shortly" - I've certainly never heard this statement before, haha. You rockstar you. I bet it's fucking amazing shit, revolutionary stuff. Just so you know, there's this loads of guys who only have a PC and a Virtual Sampler, and they do amazing artistic music that stands the test of time. Your shit is probably _the_ definition of derivative. Gear doesn't mean shit. For talented people at least. For schlobs without talent of unique vision like you, studio hardware is everything.
Think I remember knowing this guy (and it was by sheer happenstance... I didn't even know who he was...he never brought it up, nor glorified himself)!😨 #OfTheNicestMostCerebralPeopleAllTime! 💯 Hymn
at least record thru valve preamps or compressors before you hit the convertors, have a lil bit of warmth before your a/d to combat a sterile digital sound.
“If something makes you feel more creative, then it’s better.” Great line.
Hey Andrew, if your completely satisfied with being ITB, pass one of those Vintage Neve Consoles over here. Thank you
except that's obviously a crock of shit he made up to pimp waves plug ins.
+wiremessiah-----Hahahahahahah well I can see staying ITB if he's working on a lot of different projects.
experiment0003 first off who cares? Secondly why would I tell you that you don’t have $50.k worth of gear that’s nothing! I have a good amount of gear do you see me trying to prove it some stranger? Hahaha.
@@RiotHomeRecording damn, I'm over here with nothing lol
The III
The guy I replied to erased his message saying he had $50.k worth of gear. I have a screen shot of it before he turned straight coward and erased it.
I like his mixing philosophy about leaving the vocal come back to it later after working on the instrumentals for a while… ☮🔥
Good to see that guy finally being able to learn something from a pro.
"Until some famous guy bought the console" Dave Grohl!
4 years afterward and it’s still refreshing to view... 🤙🏽
SHEPS IS THE FUCKING GOAT MAN DUDE IS A SUPER LEGEND
I hope all of the top mixers go completely in the box. Maybe that’ll force Neve, SSL and API to drastically lower their prices for consoles. No disrespect to those companies but 100k plus for a board is insane. I get that it takes a lot to build one but I guarantee it takes longer to build a house than it does a recording console so why do they cost the same? Lol
Is Andrew Scheps the friendliest person in the world?
+pureMix I thought as much!
+Abir Tarafdar I've been watching his videos all over TH-cam and have thought the same thing. He just seems like a really nice-and honest, unassuming-guy.
Abir Tarafdar Genius!!!!
He is a really friendly guy.
Abir Tarafdar And, by far, of the most cerebral human beings I've ever known (quite possibly, to ever have existed)!💯
#YepHesJustThatIntellectual
#VERYLaidBackAndHumble
Hymn
Great interview! I was afraid it would only cover a bunch of gear talking which I love too, but I'm glad Fab changed the subject. Also, I laughed at loud at the end, "He's Fab"
What a great guy! Thanks for taking us they your studio gear.
THE BEST 11 MINUTES YOU"LL EVER WATCH !!!!
Was the "some famous guy" that bought the console from Sound City David Grohl? I think it was a Neve console.
+19Luke89 @ 3:25 "Before some famous guy bought the console" I was just about to post that!! lol
I've mixed in the box since the beginning (that's about 6 years), now when I have a chance to mix analog with semi high end gear, I prefer it. Not always, sometimes you do not need the saturation and dirtiness of analog, the cleaner the better. It's weird that the results I get in analog are non achievable to me with plugins somehow. Different worlds, both with their own advantages. Also mixing with console is super fun, and absolute hell when you want to recall
You can have clean analog gear EQs compressors...hour converters are supposed to be clean n transparent....etc
Analog does not mean saturation and dirtiness.... : ) it depends on your recording. dynamic range, rms etc....noise floor....production type....etc
So good. Thanks Pure Mix and Andrew!
such a great interview!!
thank you so much for shearing!
People often want ultimate either / or answers. The truth is, its all a matter of perspective. For someone like Andrew who worked on analog gear all his life, its clearly an expansion of his abilities to be able to work much more flexible in the box. For someone who worked in the box all his life, it can truly be revealing and expansive to get to know the thickness that can come out of these analog boxes. In truth, there is no better or worse.
yes there is, it is called a hybrid approach, the best of both Worlds. Every Mixer and producer should and must learn what has been done to be the best and find his/her own style......that is ideally but in the Music Industry for this most people do not go to school ..so bygones
"he's Fab" at the end there ... ha ha. Great, short, clear opinion from a couple of great (fab) mixers on the ITB vs. Analogue question. Thanks!
met Andrew at Rockfield (Monnow. Valley) great music legend 🤘
"With an attack so fast that you can't model it"
Love you Andrew, but no, it's not the case.
Plugins can actually work at a perfect zero nanoseconds attack, because they can analyze the audio source before playing it, and that's something that hardware will never do, unless you can find some time traveling hardware :)
Exactly ! That's why we have
Brick wall limiters that only digital can do period
@ReaktorLeak
Buffering
If you listen to the vid, he says “it’s super fast, to the point where THEY FEEL like it’s too fast to model.”
He’s not giving his personal opinion on programming, he’s relaying someone else’s opinion as it was told to him. Given the context, it sounds like it’s the people who made the unit itself.
@@zachary963
Ok, whoever got that opinion is wrong, perhaps trying to put out selling points, still, no hardware will ever be faster than a plugin, that's simply impossible.
Can you please explain this the correct way from an engineering perspective? really..... can you give an example and correlate a plugin and an analog piece in real time? Thank you
I don't get it. People mixing multi platinum albums using plugins are telling you that it doesn't matter if you use analog or plug-ins, and there are a lot of people here arguing with that. 🤔
lol right!
It is right there....Hybrid is the best of both Worlds..that is engineering not them that is fact. They just use the tools
Andrew: has mixed for Adele, RHCP, Metallica, and lots of others and is incredibly successful
The comments: clearly knows much, much more than Andrew
You can only totally mix in the box if the material/song was greatly recorded (great performance with high quality instruments and gear). Otherwise you can put hundreds of plugins on a song and it would still sound like crap.
Andrew should say that also.
Of course if a song was recorded with a great perfomance, great instruments, high quality mics and gear, it is really easy to work only in the box during mix down, because the main work was done during the recording.
100%...he actually says something like that when he talks about garbage pre's and such, but this guys is top of the food chain and typically mixes the big boys who track very well, not the beginners that use the pre's on their interfaces and the $100 Chinese mics. with that said he can make the cheapo tracks sound better ITB than most of us mixing with the best gear in the world! I'm a huge fan of his
If you Record something with a bad instrument player, cheap gears in a bad recording Room. All this consoles Will do nothin to the song. Good mix start allways from the 0 point aka ideia and the musicians.
i cannot get enough of these puremix vids!
He's Fab! Thanks for sharing. Salute to Mr. Scheps. =)
I think Schepp mixes in the box to be able to recall but I seriously doubt that the final mix will be done in the box. The plugins basically are the snapshots to the final mix. I 'm pretty sure that big label artists and record companies will still want to have the final mix done with the vintage analog gear. The in the box plugins are just there to make it easier and faster for him to do the mix, but the finals are analog. Me personally I have gone full circle and doing more mixes on analog, especially on 500 series gear. Instead of struggling with 500 plugins and which to use I just go to the analog gear that I know will work, and be done with it.
if he said it , its true - GEAR DONT MATTER ANY MORE ! (except tracking , monitoring and interface)
Even tracking, I think mixers would prefer you keep compressors and eqs out of the way of the signal so that they can have the cleanest purest signal to start with...mic modelling is maybe going to be the last frontier....when we all start to use flat reference mics then use a plugin to make them into U47s etc.
Very telling, even with all the greatest gear in the world he's actually mixing in the box.
I want that moog filter! is there a vst version? I am always amazed about my proteus 2000 filters ams would love to rip them out and stuff them into my daw
Golden advice from Scheps. I’m a sucker for UAD emulations though. They sound great but there’s something so exclusive about them. Maybe it’s an illusion or maybe they do sound better but at least it’s ITB!…
Maybe iam not creative enough but i cant create the sound from ITB like it sounds from my ssl console. I try it but its impossible for me.
I know what you are talking about and I own a "cheap" allen & heath ZED420 mixer, along with some better outboard :D something about real physics going on, when you can kind of feel what is actually happening with the signal and how you can use that.
@ 7:03 I always felt guilty for doing this but thanx to Andrew now I know I'm not alone!!
This was amazing! Thank you.
It is amazing that Mr. Scheps managed to get some outboard gear from Sound City studios. From the famous studio B nonetheless!
Hello, what brand and model is the Fat Boy compressor?
where does all the wires go.... dang
What is considered bad pre-amps @10:50?
Fab tried to pull the smart-ass with Andrew and got busted. hahah... Andrew is class, man. Game over. Peace.
Yes. "Fab" comes off as very insecure. He's all ego. Just sit there and listen. He has a know-it-all attitude and it only highlights his insecurity. I don't like a single record that guy has worked on.
Brandon Enn sounds like a projection ... Who cares about your perception of his ego... Do u actually know him personally? Judge not
Why are you taking it personally? Is he your hero or something?
He's a guy who is conducting an interview poorly because he doesn't know how to shut up and let the other person speak. This is a clear observation. Not projection. Anyone without the good sense or manners to allow someone to finish their thought before beginning to talk over them - is a schmuck. It's different if the conversation is flowing. But this is not the case here. Im not judging the man's personal character. I'm commenting on his public persona and more importantly, his behavior. It's not perception to say that he didn't allow the person to finish; it's a fact. That makes him a jackass. It is consistent with the rest of what I've seen of him; a pompous and ego-driven speaker who hasn't produced a single song I consider music. I am allowed to say that. There are far worse things out there than someone calling this guy out on his rude manners. Get real. Is this fab, himself? Did I hurt your ego?
He managed to get a gear head to do a walkthrough of his stacks of porn in a short space of time... whatever, i don't really care. I just came here to learn from people with way more experience than me and lust over shit i cant afford, not to judge their character... i've watched Fab in the Dangerous walkthroughs and i thought he was very clear in his communication, with a dry sense of humour.. which i personally liked... each to their own i suppose
agreed. fab has this french arrogance while andrew is a humble master.
Ty for the video!
It's very interesting comparing ITB with OTB. But mainly because most of those expensive outboard gears are not within anyones reach economically… So it's a Little like "window shopping" looking and hearing about those gear... But never be able to actually try them out, etc. Also those huge (expensive) SLL & Neve mixing desk is probably also not within most ppl's reach… Unless you're professional working a big studio I guess…
So, how about a "hybrid" approach to recording/mixing? I'd be interested in videos about how you could use a digital or analog mixer and a DAW together… It's a Little more expensive perhaps than mixing ITB and of course you can't take it with you on a weekend trip to the summer house, so less mobile of course. But I wouldn't take my stationary computer, Audio Interface, microphones, guitars/basses, etc with me either...
Hybrid is the BEST WAY TO GO. Track through hardware, mix through software, and then master with hardware. That's my philosophy.
4:30 What comp is that actually ?
what you thinking about ableton glue compressor whith any glu look like ssl sereies what is diffrent beetwen them
All that gear racked up must build so much accumulated heat - I guess they must have comprehensive heat extraction on a rack like that?
Is it bad that I’m drooling looking at that wall ??
i can get more gain reduction using digital with it no pumping effect like analog could that be ????? for clean and precision digital
how much money do we see here in the rack roughly ?
Gottfried von Bouillon hundreds of thousands I’m sure, that’s crazy gear.
Nice to see some of this in Monnow Valley!
Where are these videos available to watch ?
OK so he Mixes in a hybrid....best of both Worlds.! recording is still analog so if in the box once Mastering w/Analog ..beautiful sound!!!...Perhaps the best I see here nobody appears to do is his multitasking of different songs that is Super!!!
is that moses?
Looks cool but it must take longer to finish products, I prefer software emulation, it is still a dream but at the end of the day I don't have time to use all that.
Once you track through that gear, mixing in the box is... easier
Yep!!!!!
I mix in the box. And this is inspiring.
Mmmmm interesting.... So I don't need to spend 120k on outboard because it will weigh down like a millstone and be a pain in the arse to recall.... Does he still run stems through a summing box I wonder? Or all ITB?
He’s done multiple albums on his laptop while on vacation, so there’s that.
Great stuff nice advice at the end!
Mix in the box or outside whatever floats your boat. I’m getting the wa76 and tb12 modded by revive audio and I’m suuuuper geeked 😁😆 I will track with that and mix with plugins. Do yourselves a favor and stop thinking a an audio interface by itself will add weight to your music 😂🤣
✌🏾
It does add not just the weight, but stereo dimension and color...etc....you must be a beginner and the next Gammy Award recipient...you never know!!!
I got the mix videos. Really worth the expense. Amazing stuff.
Scheps, Guzauski, Needham, Fab (The Arrows).
Nicolas Guerrieri must Google pure mix
Wow, this was so dope and educational.
great!! glad it helps!
awesome Mr Scheps
What about using cracked plugins Fab?? Ever done that? Oh, you have...
just woke up and betw the text on the thumbnail and the title I read that too quick and saw "Andrew Scheps Interview (Great Porn !)".
He is a Guru to me!
Great free content - tempting!
Is his mastering still outboard...
Nanoseconds? Really? That puts us in GigaHertz territory in the frequency domain. I have a hard time believing such resolution is of any consequence considering no audio system (analog or digital) nor human hearing will reproduce it.
100ns signal period would equal 10 MHz and would be in the ns domain. He tell us, that this would far from being audible and I guess he is right.
Damn that guy has some stuff!
You have to have the gear man!
Scheps = Cool dude
Has he just said the two most mystical words ever?
Before some famous guy bought the console... Hahaha.. Threw shade on Dave
Both geniuses
at least record thru valve preamps or compressors before you hit the convertors, have a lil bit of warmth before your a/d to combat a sterile digital sound.
6:34 IN the box
some famous guy bought the console from sound city? lol
Know that if that mix is not great to you, it's just 'cause you're not done.
Silverfaces are brighter so i think they sound brighter. Imagine if he had said the inverse... mr scheps, you dodged that one, minefield out there. actually i discovered black nylon strings. I buy them for a darker sound. Ok also looks cooler. Like somany black stuff
I really begin to Like that Guy - I'd love to meet Him in person :o
Well THD can not be a lie , measuring process can be faulty , but i get it its a book add .
The fact these are no longer “necessary” is crazy lol
babbo natale !!! regalanece uno !!!!
and now he's entirely ITB.
The wall of DOOOM
2 cool dudes..
Is that a microphone or is there just something stuck in his beard?
Mic
Twin-T active filter design with -90 dB peaks. Done it (modeled it). Never built it. I offered the design and patent to a friend and suggested he could make a zillion bucks off it - he wasn't interested. Guess he likes his IT job better.
ITB = INSTANT RECALLS!!!
Sad that people are so sucked into advertising and being politically correct.. we forget to put things straight and admit analog process yields superior results
Thats a lot of cash Lord
That guy from Native Instruments is pretty good with prediction algorithms, maybe he can model that nanosec thing
Hardware is better. Let's be real! Knowing how to use it is the experience. Whether it's recording, mixing, or mastering; to get a pro sound will inevitably require hardware. As a UAD owner (the finest plugins), it doesn't come close as the marketing would suggest. A bit like this and every other video
I definitely agree with your opinion more than I agree with the guy who has worked with Metallica, Red Hot Chili Peppers, Adele, and many others.
i would like to see a more excited Fab. just joking, don't take me seriously:-)
Outboard fetishism... Erh.
It really has more to do with hobbyist middle age men working on vintage motorbikes, than _music_ or _art_. Actually, it has nothing to do with creativity or innovation. It's nerdy technical specs, years, dates, design, rarity factor, dick waggling.
I cringe when I see shit like this, but then again, that's just me.
And no, I am not a convictional anti-hardware guy or anything like that. Have a studio of my own. It's just that, I've seen these type of dudes. I know their motivations. I know where the essence of this phenomena _truly lies_.
Well, yeah, but Scheps actually knows how those nerdy technical specs translate to helping the art of music. Put THAT in your pipe and smoke it
ANPHKI i agree with you my friend, but what's wrong in an hobbyst middle aged men working on vintage motorbikes etc etc? that means fun, and fun brings good music sometimes, while it still brings fun :-) the question is: what is the fucking language im writing in? :-)
Wrong.
Next time, when you're *trying* to be clever, try to be a bit less predictable. Even if your intelligence level is not necessarily that up to par, give it a go.
è un mondo di assunzioni... sorry guys notifies are evil! mappoi, perchè tanto odio? :-)
"My music is coming out shortly" - I've certainly never heard this statement before, haha. You rockstar you. I bet it's fucking amazing shit, revolutionary stuff. Just so you know, there's this loads of guys who only have a PC and a Virtual Sampler, and they do amazing artistic music that stands the test of time. Your shit is probably _the_ definition of derivative. Gear doesn't mean shit. For talented people at least. For schlobs without talent of unique vision like you, studio hardware is everything.
This ppl will never tell the truth.he knows what he will be missing .. They Will always mislead .
thru Kosovo and back? wtf?!
Its just French humour ... don't take it to heart
Damn you Dave Grohl for being a famous guy who buys badass consoles! lol. Very cool "non-shout-out".
Think I remember knowing this guy (and it was by sheer happenstance... I didn't even know who he was...he never brought it up, nor glorified himself)!😨
#OfTheNicestMostCerebralPeopleAllTime! 💯
Hymn
who gives a toss about all this crap....can anybody actually write songs anymore?????
can u do videos without this annoying accented flock of seagulls looking guy
at least record thru valve preamps or compressors before you hit the convertors, have a lil bit of warmth before your a/d to combat a sterile digital sound.