Main kali 4 pe Riaz krti hu..to main kali 1 ko sa manke ye RAg kru bt tanpura kali 4 ka hi use kru...kya...abhang main use kiya to visangt lggta hai..abhang ka antre ka thehrav kali 4 ke sa pr hai..isliye muze smz nahi aata
Woww,It is not just raag pahadi..It's a Raagmala i'd say and how beautifully you have explained each and every detail sir.Bow down to you 🙏😊😍Soo lovely and sir pls do upload some of your thumris and songs based in this Raag.Btw,Sir want to ask that i have heard many artists using Komal da in raag pahadi so when can we use komal da sir ?
+Ruchit Agarwal thanks. Komal dha (d) can be employed at will with D d D. Using both shanivar together as we did for Gandhari in the Tutorial. Otherwise we can use any Raag having komal dha and then come back to Pahadi again.
It might be very helpful if the kan swars(the notes that are not sung but included) are written above the main note for example-SRS-here only s is sung but R is included- it can be confusing to new students-they might try to sing all the written notes.
You have elaborated the raag Pahadi superbly. You are a supreme master of Music. God bless you.
Lovely Raag❤
Thank you sir❤🙏
Wauu sir itna sahi koi nhi sikhata hai
Listening and learning from Melbourne, thank you so much for sharing these tutorials with us sir🙏🙏🙏
Thanks for the tutorial. Please sign the main note and the other side note by which the new learner should understand clearly..
Very very helpful tutorial but for advanced learner. I learned a lot. Thank you Sir for uploading this tutorial.
Thank you sir !
Sir thanks a lot sir . Your teaching is so self less and great teaching method . It helps lot of music enthusiasts .
Thanks for kind words.
Thank you so much guruji pranam.
Very Very helpful thanks a lot
👃❤💙
Nice guidance sir.
THANK YOU SIR FOR SUCH TUTORIALS....
Thank you
Pl visit Raaga Tutorials channel on TH-cam for more details
th-cam.com/channels/CGo8cSj2lFO1tzGZjdAbaw.html
Main kali 4 pe Riaz krti hu..to main kali 1 ko sa manke ye RAg kru bt tanpura kali 4 ka hi use kru...kya...abhang main use kiya to visangt lggta hai..abhang ka antre ka thehrav kali 4 ke sa pr hai..isliye muze smz nahi aata
Yes. Keep tanpura on kali 4 only and sing with shadaj as C#or kali 1. In abhang you can stick to Raag Pahadi in the same way.
🙏🙏🙏
Thank you very much Gurujee, for this information, share kar sakte hay?
Thank you. Yes you can shree it
Thank you Sir for this precious tutorial..can you please upload detailed analysis on Raga Kaushidhwani in next episode so that I would be enriched?
+Arnab Mukherjee thanks. I will have separate Tutorial for Raag Kaushik Dhwani next month.
Raaga Tutorials Thank you sir for your cooperation...:)
Thank you very much for this sir 😊🙏
Woww,It is not just raag pahadi..It's a Raagmala i'd say and how beautifully you have explained each and every detail sir.Bow down to you 🙏😊😍Soo lovely and sir pls do upload some of your thumris and songs based in this Raag.Btw,Sir want to ask that i have heard many artists using Komal da in raag pahadi so when can we use komal da sir ?
+Ruchit Agarwal thanks. Komal dha (d) can be employed at will with D d D. Using both shanivar together as we did for Gandhari in the Tutorial. Otherwise we can use any Raag having komal dha and then come back to Pahadi again.
Raaga Tutorials Oh i see!Thanku a lot sir! 😊
Raaga Tutorials Sir, Do you have some bandishes in Raag pahadi ?
Sabsey pahley aroh or avroh or pakad tho bataiye guru g
K thnx sir...for advise.
Iska madham ko sa mane but tanpura to B pr he na...aisa kaise gaye... concept nahi smz aai
Tanpura B par hai yani Shasan B scale par hai. Uska madhyam lekar naya shadaj banaiye tab Raag khilega .
Good
It might be very helpful if the kan swars(the notes that are not sung but included) are written above the main note for example-SRS-here only s is sung but R is included- it can be confusing to new students-they might try to sing all the written notes.
Thank you very much for this
Thnx sir..
Accha tutorial nahi he