The goal of these exercises is rather working on separation of movements(parts) At the nut : without wrist or finger. Mainly upper arm movement (or elbow) Concentrate on UP BOWS. From middle to the point: without wrist or finger Mainly underarm without upper arm/elbow pushing in. No complex movements at the start and at the end. Concentrate on DOWN BOWS Finger movement at the nut: literally just fingers. No other parts should move (wrist, elbow, arm and shoulder Concentrate on stretch and snapping back FULLY In the middle with the wrist : in the video example it seems like fingers are active but it is just the consequence of wrist movement. Concentrate UP BOW movement on the THUMB SIDE of wrist(inside)as if someone pulling a thread there like a marionette doll. At the point with the wrist: this IS very unnatural movement. Usually used as tremolo or very fast passages. So practice not too slow otherwise you'll get lost. Same as before, fingers are not the main character here. Wrist is moving and fingers are just consequence. At the nut with the wrist: fix elbow and upper arm and only activate wrist(thumbside/inside) Play open string or same note until you can separate the sensation. Further information violinpraxis@gmail.com
이 연습의 목적은 오른손 활쓰는부분과 오른팔(손) 부위별 분리된 움직임 훈련입니다. 활 아래에서: 손목이나 손가락의 움직임 없이 윗팔만 움직입니다. 업보우에 집중 중간부터 팁까지: 역시 손가락과 손목의 움직임 없이 완전히 아래팔만 움직입니다. 팁에서 손목을 꺾거나 부드러운 활쓰기를 위해 손가락을 쓰지 않습니다. 다운활 모션에 집중합니다 활밑에서 손가락으로: 다른 손목이나 팔꿈치, 팔 어깨 등 그 어떤부분도 관여하지않고 오로지 손가락으로만 연습합니다. 손가락을 최대한 뻗고 다시 오무리는 동작을 과장해 연습합니다. 중간에서 손목으로: 영상에서 손가락이 많이 움직이는것 처럼 보이지만 손목움직임에 의한 결과일 뿐이므로 손가락에 집중하지 않고 안쪽부분 손목에만 집중합니다. 엄지손가락쪽 손목에 실을 누가 위로 잡아당기는 것 같은 느낌을 찾아봅니다. 업보우에 집중. 활 윗부분에서 손목으로: 주로 트레몰로나 굉장히 빠른 패시지 연주때 사용되는 동작입니다. 너무 천천히 연습하기보단 속도감있게 반복되는 동작이 손목에서 시작되는지 관찰합니다. 활 아래에서 손목으로: 다른부분 관여없이 손목에서 시작되는 에너지로만 움직임이 반복되도록 관찰합니다. 감각을 익히기까지 개방현 또는 한음만 반복하는것이 도움이 됩니다. 개인레슨 문의 violinpraxis@gmail.com
Hi friend, I would like to ask the basis of your bow division, I see that the first spot is the balance point, but then they are not in equal parts as I do, I would like to know your thesis. Thanks!
Hi 👋 Sorry for the late reply One could divide bow equally 3 parts( frog, middle, tip) but i did short frog and tip / longer middle because exercises at the very frog(tip) with only fingers can only happen in limited length. Also the function/weight of bow parts are not all equal. So for me personally, i find it a bit weird and unnatural to divide the bow with 3 times the same lengths.(although which is needed for the beginner students!) But as i said, it's just my personal thoughts, there's no scientific reason behind it 😅😂😂. And it's good to have a longer middle part. Isn't it? 😝 It would be lovely if you could tell me how you mark student's bow so curious people in the comments could try them both! Thank you very much 😊
@@violinpraxis Thank you so much for your reply! I start marking the balance point, I find very useful to mark it for physical reasons (it is where the point of gravity changes). Then I mark the middle of the bow and another for the tip.
![[Practice] Sauret cadenza 😅😱😵💫😰🤯 (Paganini concerto nr.1)](http://i.ytimg.com/vi/oHqG5RO6wOE/mqdefault.jpg)
The goal of these exercises is rather working on separation of movements(parts)
At the nut : without wrist or finger. Mainly upper arm movement (or elbow)
Concentrate on UP BOWS.
From middle to the point: without wrist or finger
Mainly underarm without upper arm/elbow pushing in. No complex movements at the start and at the end.
Concentrate on DOWN BOWS
Finger movement at the nut: literally just fingers.
No other parts should move (wrist, elbow, arm and shoulder
Concentrate on stretch and snapping back FULLY
In the middle with the wrist : in the video example it seems like fingers are active but it is just the consequence of wrist movement.
Concentrate UP BOW movement on the THUMB SIDE of wrist(inside)as if someone pulling a thread there like a marionette doll.
At the point with the wrist: this IS very unnatural movement. Usually used as tremolo or very fast passages. So practice not too slow otherwise you'll get lost.
Same as before, fingers are not the main character here. Wrist is moving and fingers are just consequence.
At the nut with the wrist: fix elbow and upper arm and only activate wrist(thumbside/inside)
Play open string or same note until you can separate the sensation.
Further information
violinpraxis@gmail.com
안녕하세요, 사용하시는 그립이 russian bow hold인가용
이 연습의 목적은 오른손 활쓰는부분과 오른팔(손) 부위별 분리된 움직임 훈련입니다.
활 아래에서: 손목이나 손가락의 움직임 없이 윗팔만 움직입니다. 업보우에 집중
중간부터 팁까지: 역시 손가락과 손목의 움직임 없이 완전히 아래팔만 움직입니다.
팁에서 손목을 꺾거나 부드러운 활쓰기를 위해 손가락을 쓰지 않습니다. 다운활 모션에 집중합니다
활밑에서 손가락으로: 다른 손목이나 팔꿈치, 팔 어깨 등 그 어떤부분도 관여하지않고 오로지 손가락으로만 연습합니다. 손가락을 최대한 뻗고 다시 오무리는 동작을 과장해 연습합니다.
중간에서 손목으로: 영상에서 손가락이 많이 움직이는것 처럼 보이지만 손목움직임에 의한 결과일 뿐이므로 손가락에 집중하지 않고 안쪽부분 손목에만 집중합니다. 엄지손가락쪽 손목에 실을 누가 위로 잡아당기는 것 같은 느낌을 찾아봅니다. 업보우에 집중.
활 윗부분에서 손목으로: 주로 트레몰로나 굉장히 빠른 패시지 연주때 사용되는 동작입니다. 너무 천천히 연습하기보단 속도감있게 반복되는 동작이 손목에서 시작되는지 관찰합니다.
활 아래에서 손목으로: 다른부분 관여없이 손목에서 시작되는 에너지로만 움직임이 반복되도록 관찰합니다.
감각을 익히기까지 개방현 또는 한음만 반복하는것이 도움이 됩니다.
개인레슨 문의
violinpraxis@gmail.com
흑흑 감사합니다 요청드린지 꽤 됐는데 다른일로 바빠서 이제야 확인했네요😢 영상 잘 참고해서 연습하도록 하겠습니다!
네 ㅋㅋ 화이팅!
For some reason, hearing "taktak taka stop stop" made me smile. 😅
Hi friend, I would like to ask the basis of your bow division, I see that the first spot is the balance point, but then they are not in equal parts as I do, I would like to know your thesis. Thanks!
Hi 👋
Sorry for the late reply
One could divide bow equally 3 parts( frog, middle, tip) but i did short frog and tip / longer middle because exercises at the very frog(tip) with only fingers can only happen in limited length.
Also the function/weight of bow parts are not all equal. So for me personally, i find it a bit weird and unnatural to divide the bow with 3 times the same lengths.(although which is needed for the beginner students!)
But as i said, it's just my personal thoughts, there's no scientific reason behind it 😅😂😂.
And it's good to have a longer middle part. Isn't it? 😝
It would be lovely if you could tell me how you mark student's bow so curious people in the comments could try them both! Thank you very much 😊
@@violinpraxis Thank you so much for your reply! I start marking the balance point, I find very useful to mark it for physical reasons (it is where the point of gravity changes). Then I mark the middle of the bow and another for the tip.