Vivian why no art school? ur killing me girl. No jk but Vivian has improved so much and she really took that criticism well and activated a new part of her art work. The catfish in that one painting are so flowy and the pieces are more significant and have concrete emotions and movement. They have depth and meaning which for me is the whole point of an artwork.
seeing that she’s grown so much on her own, i honestly don’t think she needs art school. she probably is better off going to college for a more conventional degree for practical reasons and then pursuing her art independently, potentially becoming extremely successful in both but not having to rely entirely on one or the other, just my thoughts :)
Yes, she did an outstanding job pushing herself to progress. You can see her pieces and read about her work more in depth here: artprof.org/critiques/vivian-young/
That is so inspiring and impressive. She really listened and accomplished so much. I know of a lot of people in my class who just brush off critiques cause they think they are already up there. This person had such great technical skills in her oats portfolio and even though she was already amazing, she leveled up so much :) :) :)
I feel like there might have a bit of a misunderstanding with #15. (Very light palette-knife piece) It was treated as an abstract composition, where to me it felt more like it was descended from something impressionistic. That is a view over a lake, very hazy early morning. Feels like late fall, from the light and foreground colors. (At least, that's how I read it. This may say more about me than it does about the artist or the work)
This is something i had struggled with; choosing images and subject matter that would look good and show my details but not thinking too much about the meaning even though i am capable. I am thinking more about the meaning of pieces i just worry that some of my pieces, although they have meaning, may be reviewed by colleges and seen as just painting from a picture (photos i have taken myself of subjects / scenes i have created). Some are sort of in the style that the realistic close up painting from the first review but you mentioned that this can be perceived as "picture copying". Should i make meaning more represented in the pieces or do you think it'll be ok?
Hi! I think it's great that you are thinking about this, I think recognizing the difference between copying and drawing is the first step in the right direction. It's hard for me to give you a concrete answer without seeing your portfolio. We have 2 courses that go through the brainstorming process from beginning to end that I think might help you. The first is a linoleum printmaking course: artprof.org/project-ideas/linoleum-printmaking/ The second is a course in this TH-cam playlist: th-cam.com/video/LKuK_RyNGXc/w-d-xo.html
Thank you for these videos!! Great advice and critiques given, I am thankful how you went through each piece slowly and then also critiqued the portfolio as a whole✨
I disagree with some of the critiques. Too me the screaming girl painting is perfect so pls don't change anything. The same applies to the plastic bag piece: don't touch it. Well, it's all up to you what you want to do - so follow your gut feeling.
Thanks for providing your point of view! It's important for artists to hear another perspective, so I often encourage my students when I'm running a group critique in class to disagree with each other. -Prof Lieu
I tend to disagree with the reviews, almost opposite viewpoints across the board. What's the value of this sort of critique other than 1 person's opinion?
Yes! We have never received a photo portfolio, but if we did, we'd be happy to critique it. Here is a playlist of photo and film critiques we have done in the past: th-cam.com/video/KdjT6xEJMCo/w-d-xo.html -Prof Lieu
Hey art teacher, there is nothing wrong with the girl not being "nestled" into the bed. I don't think you noticed that the bed, like the girl, is naked. There's no fluffy top layer to be nestled in-to. That image is highly disturbing without trying to be shocking, which is something few artists can achieve, and which she did perfectly in that picture. Also...just going to say...I have a feeling that most people who send their work to you never learned composition in school. Its not something any of my art teachers from jr high to college talked about..ever.
Hopefully some of our videos can explain composition a bit better to new students! A lot of schools just completely ignore it, or complicate it too much for people to understand. Here's a video about how to compose portraits you might enjoy: th-cam.com/video/1-gA3QUA_F4/w-d-xo.html Thank you so much for watching :) - Mia Rozear, Art Prof Staff
I thought her old portfolio was really good, but her new one is SO powerful and energetic
Yes, she made extraordinary progress!!
Vivian why no art school? ur killing me girl. No jk but Vivian has improved so much and she really took that criticism well and activated a new part of her art work. The catfish in that one painting are so flowy and the pieces are more significant and have concrete emotions and movement. They have depth and meaning which for me is the whole point of an artwork.
You can see more of her work here: artprof.org/critiques/vivian-young/
seeing that she’s grown so much on her own, i honestly don’t think she needs art school. she probably is better off going to college for a more conventional degree for practical reasons and then pursuing her art independently, potentially becoming extremely successful in both but not having to rely entirely on one or the other, just my thoughts :)
Wow Vivian is incredible! I just watched the video on her previous art portfolio and her improvement is just unbelievable.
Yes, she did an outstanding job pushing herself to progress. You can see her pieces and read about her work more in depth here: artprof.org/critiques/vivian-young/
this artist is amazing
You can see more of her work here: artprof.org/critiques/vivian-young/
Holy cow. I JUST watched the critique of her first portfolio, and this is amazing
It's remarkable the progress she made in her work in such a short period of time! More portfolio critiques on our main site: artprof.org/critiques/
i love the way she uses a palette knife!!
Yes, she uses color beautifully! You can get more info on her work here: artprof.org/critiques/vivian-young/
Your critics are more than legit. I really learn so much from your channel! It really help me with my art channel going on
That's awesome!
And btw, your job is my dream job😊
That is so inspiring and impressive. She really listened and accomplished so much. I know of a lot of people in my class who just brush off critiques cause they think they are already up there. This person had such great technical skills in her oats portfolio and even though she was already amazing, she leveled up so much :) :) :)
She made incredible progress!!! -Prof Lieu
I feel like there might have a bit of a misunderstanding with #15. (Very light palette-knife piece)
It was treated as an abstract composition, where to me it felt more like it was descended from something impressionistic. That is a view over a lake, very hazy early morning. Feels like late fall, from the light and foreground colors.
(At least, that's how I read it. This may say more about me than it does about the artist or the work)
This is something i had struggled with; choosing images and subject matter that would look good and show my details but not thinking too much about the meaning even though i am capable. I am thinking more about the meaning of pieces i just worry that some of my pieces, although they have meaning, may be reviewed by colleges and seen as just painting from a picture (photos i have taken myself of subjects / scenes i have created). Some are sort of in the style that the realistic close up painting from the first review but you mentioned that this can be perceived as "picture copying". Should i make meaning more represented in the pieces or do you think it'll be ok?
Hi! I think it's great that you are thinking about this, I think recognizing the difference between copying and drawing is the first step in the right direction. It's hard for me to give you a concrete answer without seeing your portfolio. We have 2 courses that go through the brainstorming process from beginning to end that I think might help you. The first is a linoleum printmaking course: artprof.org/project-ideas/linoleum-printmaking/ The second is a course in this TH-cam playlist: th-cam.com/video/LKuK_RyNGXc/w-d-xo.html
25:15 when she said 3 feet by 4 feet i actually had to pause in shock and gasp for 5 minutes
Anhkim Dang - 25:12 actually ... ha ha ha
I think the third face at 30:11 is a reflection of sorts of a person that invoked the dramatic feelings of our main subject matter
Thank you for these videos!! Great advice and critiques given, I am thankful how you went through each piece slowly and then also critiqued the portfolio as a whole✨
Glad it was helpful!
Wow! Incredible.
How can I get a review from you? I want to apply to art colleges.
Hi! Info is here: artprof.org/purchase-art-school-portfolio-critique/ -Prof Lieu
nice to see improvement
i believe she now attends cmu just in case anyone would be interested to know
are all of it traditional or some are digital and what mediums did she use?
The media are all traditional, you can see high res stills of her work, and get more info here: artprof.org/critiques/vivian-young/
+Art Prof thank you
I disagree with some of the critiques. Too me the screaming girl painting is perfect so pls don't change anything. The same applies to the plastic bag piece: don't touch it. Well, it's all up to you what you want to do - so follow your gut feeling.
Thanks for providing your point of view! It's important for artists to hear another perspective, so I often encourage my students when I'm running a group critique in class to disagree with each other. -Prof Lieu
I tend to disagree with the reviews, almost opposite viewpoints across the board. What's the value of this sort of critique other than 1 person's opinion?
This video explains the value and purpose behind a critique: th-cam.com/video/bT5wTnRz_v4/w-d-xo.html -Prof Lieu
dandelion Because she’s a professional and you’re a curmudgeon.
Would you ever critique a photography portfolio?
Yes! We have never received a photo portfolio, but if we did, we'd be happy to critique it. Here is a playlist of photo and film critiques we have done in the past: th-cam.com/video/KdjT6xEJMCo/w-d-xo.html -Prof Lieu
Thank you!
Hey art teacher, there is nothing wrong with the girl not being "nestled" into the bed. I don't think you noticed that the bed, like the girl, is naked. There's no fluffy top layer to be nestled in-to. That image is highly disturbing without trying to be shocking, which is something few artists can achieve, and which she did perfectly in that picture. Also...just going to say...I have a feeling that most people who send their work to you never learned composition in school. Its not something any of my art teachers from jr high to college talked about..ever.
Hopefully some of our videos can explain composition a bit better to new students! A lot of schools just completely ignore it, or complicate it too much for people to understand. Here's a video about how to compose portraits you might enjoy: th-cam.com/video/1-gA3QUA_F4/w-d-xo.html Thank you so much for watching :) - Mia Rozear, Art Prof Staff
I cant paint lol I'm like Bob Ross I do whatever feels good