In this performance, Delangle is playing his new signature mouthpiece, several months *before* his mouthpiece was officially announced by Selmer Paris.
In this performance, Claude Delangle is playing his new signature mouthpiece several months *before* the mouthpiece was officially announced by Selmer Paris.
As an engineer, I wonder if they had external preamps at their disposal? Fantastic performance, just concerned whether they could’ve reduced the amount of hiss? Again I’m not critiquing the performance, however it’s a bit noisy.
I'm a high school student who's only been playing music with Saxophone for 6 years. I like Mr. Delangle's performance the most after listening to various performances. And I'm hitting a big wall now. How does the teacher do vibrato? The big wall is either by biting the lead with your mouth, or do you use abs to put it like an oboe, or you put it on your throat like an old brass player? I want to know.
@@davjpegwould you prefer vibrato in the jaw or throat? i’m personally deciding which to use, i feel like i can make the throat less pronounced than jaw
@@calvinblackmon_sax saxophone vibrato is purely jaw in 90% of circumstances. stick with jaw and just try to get it less wide. use a metronome and drill triplets, sixteenths, and quintuplets are a slow tempo. combine that with a tuner and try not to drop more than 10 cents per “wave”.
Likely his own model mouthpiece made through Selmer. You can see the gold collar at the bottom of the mouthpiece. Can't guess at the other 2 points though.
My guess on the sax would be a Selmer as well. You know, being French and all. I think I'm correct on that, you can see the big "S" on the octave key arm. 8:52 Selmer Serie 3.
Which reed, it is unknown. The mouthpiece is Delangle's own mouthpiece for alto sax, trialled here several months before Selmer Paris officially announced it. The saxophone, looks like silver-plated Selmer Alto Series III.
Imagine being so good at the saxophone you perform on a mouthpiece that has your own name on it.
We have Syos for that.
Delangle gets gold plating and everyone else gets SYOS colored plastics.
In this performance, Delangle is playing his new signature mouthpiece, several months *before* his mouthpiece was officially announced by Selmer Paris.
In this performance, Claude Delangle is playing his new signature mouthpiece several months *before* the mouthpiece was officially announced by Selmer Paris.
Bravi for all the Artists ( Claude, Vincent and David Walter involved in this recreation of the original. Thank you so much to for this contribution!
Masterful performance.
This is very nice. Thank you.
As an engineer, I wonder if they had external preamps at their disposal? Fantastic performance, just concerned whether they could’ve reduced the amount of hiss? Again I’m not critiquing the performance, however it’s a bit noisy.
Claude delangle mouthpiece. Reeds no idea...
さすがドウラングル、サキソフォン奏者として現役で演奏する姿勢に敬服を致します。。銀の楽器とマウスピースにラバーを使う辺りサキソフォン奏者の正鵠といえると感じ入りました。大いなる賞賛をお贈り致します。Bravo Delangle!
Delangle...monster!!!!!!!
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this is good
Great
I'm a high school student who's only been playing music with Saxophone for 6 years. I like Mr. Delangle's performance the most after listening to various performances. And I'm hitting a big wall now. How does the teacher do vibrato? The big wall is either by biting the lead with your mouth, or do you use abs to put it like an oboe, or you put it on your throat like an old brass player? I want to know.
It's mostly in the jaw. Biting is the wrong word to use, rather by vertical motion of your jaw with support from your air you can produce vibrato.
@@davjpeg Hi, I'm not good at English, so I used words that are offensive to everyone. I'm sorry. Thank you for your reply.
@@天皇賞ツブテ純一 no you’re fine! I’m just highlighting the difference. It’s the right idea, it’s just not exactly biting. I hope I helped!
@@davjpegwould you prefer vibrato in the jaw or throat? i’m personally deciding which to use, i feel like i can make the throat less pronounced than jaw
@@calvinblackmon_sax saxophone vibrato is purely jaw in 90% of circumstances. stick with jaw and just try to get it less wide. use a metronome and drill triplets, sixteenths, and quintuplets are a slow tempo. combine that with a tuner and try not to drop more than 10 cents per “wave”.
What horn , mouthpiece and reed please? Great playing and æsthetic. He is running the show completely!
Likely his own model mouthpiece made through Selmer. You can see the gold collar at the bottom of the mouthpiece.
Can't guess at the other 2 points though.
My guess on the sax would be a Selmer as well. You know, being French and all.
I think I'm correct on that, you can see the big "S" on the octave key arm.
8:52 Selmer Serie 3.
@@pimpovic2 I Wonder if it is not a Selmer Mark VI because Delangle owns an important collection of old horns, althougth he usually plays on a SIII
Oh you're rigth it's a SIII !
Which reed, it is unknown. The mouthpiece is Delangle's own mouthpiece for alto sax, trialled here several months before Selmer Paris officially announced it. The saxophone, looks like silver-plated Selmer Alto Series III.
Does anyone know which edition of the piece this is?
Alex Kivett show the vídeo description... you have they e the information
The original is. Durand
De esas 5000 visualizaciones, 201 son mías >_
does anyone know what finish his JLV ligature is in?
how can you get c# so in tune lol
long tones and drone work
Dessas 1104 visualizações 200 é minha 😁
What ligature is he using?
JLV
Antonio Guevara Thanks!
Where is the vibrato guys?
You can hear it more clearly at around 5:02 min … but it is very subdued.
bussy
Not quite the Sigurd Rascher sound. It's too airy and soft for my taste, but his effort sounds good.
Great