@ I’m mean when we are showing the. NUke options it’s super obvious on cymbals. Usually have a midi loop of the led zeppelin thing and let the students play with the buttons
@@pipelineaudio Thank you ever so much for saying that! One of the things I really want to do here is show all the working and the comparisons, so there’s as much honesty and transparency about my workflow and tips as possible! I never want to mislead anyone!
Try some saturation on the drums before going all buttons in. And you will probably really love it….try it at 100hz, 280hz 660hz and 6000-8000khz telling you…..
Man, I just love how you make a whole new world out of delicate, intricate parts of a mix. Super deep and helpfull. Thank you and keep it up, please!
Thank you very much!! I really appreciate you watching!!
Great deep dive Alex thank you.
Thank you!!
Oh no, no cymbals! That's where you really hear the 1176 stuff to me
You mean you hear the effect mostly on the cymbals?
@ I’m mean when we are showing the. NUke options it’s super obvious on cymbals. Usually have a midi loop of the led zeppelin thing and let the students play with the buttons
I understand what you mean now! Indeed, cymbals definitely come forward when smashing with the 1176 on overheads or the drum bus.
@ I love that you actually do the a b comparison. Usually people just make claims and you don’t really get to see what’s going on.
@@pipelineaudio Thank you ever so much for saying that! One of the things I really want to do here is show all the working and the comparisons, so there’s as much honesty and transparency about my workflow and tips as possible! I never want to mislead anyone!
Try some saturation on the drums before going all buttons in. And you will probably really love it….try it at 100hz, 280hz 660hz and 6000-8000khz telling you…..