I ran something like this, back in the Summer of 1976. I remember it was dome shaped theatre on Central Pier in Atlantic City. We used a 70mm Century projector.
We had one of these that my home parks here in Buffalo New York Darien Lake we loved it it was a way to get out of the Heat and it was super exciting and you always look forward to every summer having a new video
Oh the dreaded DP75. I hated those things with a passion - and still do to this day. Not Kinoton's finest hour by any stretch. Sprocket pads that would fly open when they felt like it, a lens mount that refused to return to operational position reliably resulting in a VERY blurred image and a gate that was a pain to thread. And to think *this* machine was the follow up to the legendary DP70 / AAII.
Yep like he said this film is actually 65mm wide with a 5mm soundtrack. The 70mm standard was developed to get a hyper wide version of 35mm with much grander sound. I love both gauges so much! Hope film makes a big comeback.
@@burmiester1 65mm is the gauge of film negative stock. 70mm is the release gauge. If you took a strip of 70mm and laid it on top of a strip of 65mm, the sprocket holes would perfectly line up. As has already been mentioned, the outside (2.5mm from each outside edge) is for sound.
Hi. I'd like to find the owner / film maker who shot this clip for possible inclusion in a documentary feature film but I cant see how to trace it back any further than the KinotehnikNet group. Can anyone help?
What kind of lens this projector is having ? looks very different compared to other projectors and why full image reflects on the front mirror of the booth ? in normal projector booth the image goes out to the screen like a small square of light frame.
Has to be a DP75. Those things sent rubber band sales through the roof, after the projectionist had a heart attack as the sprocket pads flew off the sprockets and thus turning the operator grey prematurely. :) Hated those things with a passion.
Hmmm. ... Abused examples could be a nightmare. Properly cared for DP75s' were lovely to operate; NO rubber bands required! Unlacing halfway through the demo was pointless and certaily risks damage.
Hi there, it's great you are enthusiasts and are interested in this machine, however, as a documentary film maker by trade, you really should at least give credit when copying and uploading someone else's video. Perhaps I'm just too old school. :-/ That said, thank you for keeping the dreams alive, this machine and ALL her related films and accessories is currently up for private sale.
If a strobe light was printed and ment to be projected by less/divided from the frame per second... Nevermind... I guess this was the transition into digital editing... Im still curious to know something I dont know how to ask... Ill be back after i figure it out... No need for sarcastic replies. Smh
Usually not. Most 70mm prints are meant to be projected with spherical lenses, either shot on 65mm camera negative or blow up from various sources including VistaVision (35mm 8perf horizontal), 35mm 2x anamorphic and 35mm cropped widescreen. There is a standard however, that is called Ultra Panavision 70. It uses a 1.25x anamorphic lens on the camera and projector. Movies shot on this format are for example Ben Hur (1959) and The Hateful Eight (2015). For the latter 70mm roadshow film prints were made that came with the 1.25x anamorphic lenses for standard 70mm film projectors.
Cant watch another moment of this - With such a valuable print - In my day no one would ever touch the leader - we would attach Gash Film to the from - Lace up and Run down to the STart Mark At the end of the run the print would be returned and not a finger had ever touched the print - INCLUDING a pristine leader Added benefit is that if on the rare chance you messed up a lace up - The Run down will only tear or snap your waste film -
![ทททททททท #27 [หลุยส์ เค โตมายังไง ณ สระบุรี]](http://i.ytimg.com/vi/CaKoYw_Xmtg/mqdefault.jpg)
golden eras of 60sss70sss80sssss90sss''''....taste of movie n fun''''
I ran something like this, back in the Summer of 1976. I remember it was dome shaped theatre on Central Pier in Atlantic City. We used a 70mm Century projector.
We had one of these that my home parks here in Buffalo New York Darien Lake we loved it it was a way to get out of the Heat and it was super exciting and you always look forward to every summer having a new video
За 7 секунд заряжал проектор с закрытыми глазами. 6 лет работы в кино официально только. И до этого работал заменяя отца.
Oh the dreaded DP75. I hated those things with a passion - and still do to this day. Not Kinoton's finest hour by any stretch.
Sprocket pads that would fly open when they felt like it, a lens mount that refused to return to operational position reliably resulting in a VERY blurred image and a gate that was a pain to thread.
And to think *this* machine was the follow up to the legendary DP70 / AAII.
So what would be a better 70 mm projector
@@cheetahluv210 Philips DP70/AAII, Century JJ, Bauer U2.
@@totalrecone Absolutely, Philips DP70 is the best 70/35 projector.
I’m glad they are still using the traditional 35mm film and not the digital way
That 35mm film is in fact 70mm!
Yep like he said this film is actually 65mm wide with a 5mm soundtrack. The 70mm standard was developed to get a hyper wide version of 35mm with much grander sound. I love both gauges so much! Hope film makes a big comeback.
@@burmiester1 65mm is the gauge of film negative stock. 70mm is the release gauge.
If you took a strip of 70mm and laid it on top of a strip of 65mm, the sprocket holes would perfectly line up.
As has already been mentioned, the outside (2.5mm from each outside edge) is for sound.
Here in the USA, all the Cinema 180's I saw had Ballantyne 70mm projectors.
I learned something today, I always thought that 35mm was the larger movie film size.
And even bigger imax
@@cheetahluv210 imax is 70 mm, but its aspect ratio is more like 2:1 or 3:2 instead of 16:9 of usual 70 mm film
@@danek_hren it’s 4:4:3 i think like slightly wider than tube TVs the film is flipped horizontally so it’s got a taller gage than standard 70 mm
Hi. I'd like to find the owner / film maker who shot this clip for possible inclusion in a documentary feature film but I cant see how to trace it back any further than the KinotehnikNet group. Can anyone help?
What kind of lens this projector is having ? looks very different compared to other projectors and why full image reflects on the front mirror of the booth ? in normal projector booth the image goes out to the screen like a small square of light frame.
Trabalhei em cinema 30 anos como operador cinematográfico no df
How about the projector 's rolls? They get oily from your fingers skin.
My dad first went there when he was 22 years old.
Yo fui operador en el ano 1958 hasta el.74 en Calama me recuerda al ver estas escenas
I love it cinema camera
Has to be a DP75. Those things sent rubber band sales through the roof, after the projectionist had a heart attack as the sprocket pads flew off the sprockets and thus turning the operator grey prematurely. :)
Hated those things with a passion.
Hmmm. ... Abused examples could be a nightmare. Properly cared for DP75s' were lovely to operate; NO rubber bands required!
Unlacing halfway through the demo was pointless and certaily risks damage.
Hi there, it's great you are enthusiasts and are interested in this machine, however, as a documentary film maker by trade, you really should at least give credit when copying and uploading someone else's video. Perhaps I'm just too old school. :-/
That said, thank you for keeping the dreams alive, this machine and ALL her related films and accessories is currently up for private sale.
would you please send some movies of it to me? please really i wanna to see them .... please
The long and winding road....
Guess the business will go crashing down
Dont think I hsave ever seen poorer film handeling - the fact its on a filthy FP70 - and its 70mm film its just short of criminal.
It's a DP75, not 70. But otherwise, You are completely right. It's sacrilege !
If a strobe light was printed and ment to be projected by less/divided from the frame per second... Nevermind... I guess this was the transition into digital editing... Im still curious to know something I dont know how to ask... Ill be back after i figure it out...
No need for sarcastic replies. Smh
70mm projector doesn't need anamorphic lens?
Usually not. Most 70mm prints are meant to be projected with spherical lenses, either shot on 65mm camera negative or blow up from various sources including VistaVision (35mm 8perf horizontal), 35mm 2x anamorphic and 35mm cropped widescreen. There is a standard however, that is called Ultra Panavision 70. It uses a 1.25x anamorphic lens on the camera and projector. Movies shot on this format are for example Ben Hur (1959) and The Hateful Eight (2015). For the latter 70mm roadshow film prints were made that came with the 1.25x anamorphic lenses for standard 70mm film projectors.
@@truefilm6991 Thanks for putting up the information here about Ultra Panavision 70 as opposed to Super Panavision 70.
Cant watch another moment of this - With such a valuable print - In my day no one would ever touch the leader - we would attach Gash Film to the from - Lace up and Run down to the STart Mark
At the end of the run the print would be returned and not a finger had ever touched the print - INCLUDING a pristine leader
Added benefit is that if on the rare chance you messed up a lace up - The Run down will only tear or snap your waste film -
🤝❤❤❤❤❤
Do they also "spit shine" the lenses? LOL.
These are not the last pints in the world. More have survived than these.
Where can I watch these movies, I saw a scary one as a kid and I moved it, I would like to see again. Around 1985
Yo trabajé proyectando en 35 mm😢
What our forefathers had to go through just to rub one out... really makes you think
Could you please wear gloves! Cotton gloves would protect the material from your skin.
Thank you
Why? Its all no content black frames the first 10 meters of the film.
Its OK, its just the leader of the film
Far and away the worst handling of film by a projectionist that I have ever seen. He should be wearing gloves.