Avaranam 7 - Sahana

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  • เผยแพร่เมื่อ 6 ม.ค. 2025

ความคิดเห็น • 26

  • @nmrchn
    @nmrchn ปีที่แล้ว +3

    wow , can imagine what a divine experience to render these Krithis in Tiruvarur temple. WISH I LISTENED IT LIVE THAT DAY 😊

  • @Raji7800
    @Raji7800 3 หลายเดือนก่อน

    Simply blissful! And amazing percussionist...magic fingers on the mridangam!

  • @radhikasridharan4059
    @radhikasridharan4059 6 หลายเดือนก่อน +1

    Pure class and bliss

  • @devendrakalavakunta
    @devendrakalavakunta 3 ปีที่แล้ว +3

    From Tirupati Andhra Pradesh 🙏.

  • @narasimhanchari8584
    @narasimhanchari8584 3 ปีที่แล้ว +3

    DKJ's Music style takes us to a different world.

    • @pgn4nostrum
      @pgn4nostrum 2 ปีที่แล้ว

      916 gold 🙏🏻

  • @madhusudankannan4700
    @madhusudankannan4700 3 ปีที่แล้ว +4

    The lyrics at the bottom will be appreciated. A wonderful prayer to Sri Tripura Sundari.

    • @dhananjaynaniwadekar3048
      @dhananjaynaniwadekar3048 2 ปีที่แล้ว +1

      Links to the previous and next aavaraNa-s would also be nice to have.
      Seventh : You are here
      Lyrics : 7-th aavaranam, श्री कमलाम्बिकायां भक्तिं करोमि (Sahana, सप्तमी विभक्ति (अधिकरण) / locative case) : guru-guha.blogspot.com/2007/09/dikshitar-kriti-sri-kamalaambikaayaam.html
      ध्यान कृति : The starting point. Find links to all the songs in the scheme from this point.
      th-cam.com/video/GePGado6KzU/w-d-xo.html
      षष्ठ आवरण (Sixth, previous) : th-cam.com/video/DLCqnCXZGjM/w-d-xo.html (पुन्नग वराळी)
      Seventh : You are here
      अष्टम आवरण (next one) : th-cam.com/video/3GYASGnyQ0M/w-d-xo.html (राग घण्टा)

  • @kalyaniramaswamy887
    @kalyaniramaswamy887 3 ปีที่แล้ว +1

    Very very soothing for the mind as a learner of carnatic music. Excellent coordination which tempts me to listen number of times.

  • @nbrmurthy2606
    @nbrmurthy2606 2 ปีที่แล้ว

    ఇన్ ద టెంపుల్ ప్రిన్సెస్ సాంప్రదాయ వస్త్రధారణ విత్ మహా గాయక కాయకమని ఎక్సలెంట్ విత్ మై డివైడ్ నమస్కారం

  • @lalithashankar4108
    @lalithashankar4108 2 ปีที่แล้ว

    🙏🙏 I am listening forthe first time this melodious kriti, based on information from Kanada weekly Taranga an article on music therapy. It is wonderful listing to this great kriti of Mutthuswamy dikshitaru. Very well rendition by your group. I am relieved of my physical pain, Pranams to Mother Kamalaambika, Lalitha parmeshwari, Rajarajeshwari 🙏🙏🙏

  • @aumsath3620
    @aumsath3620 2 ปีที่แล้ว

    Thankyou for the upload. Tears of joy listening to this. Utterly divine.

  • @kumargupta8598
    @kumargupta8598 ปีที่แล้ว

    Pleasant raga.

  • @meenakshisunderkrishnan-xg7bu
    @meenakshisunderkrishnan-xg7bu ปีที่แล้ว

    Thank you for the lyrics

  • @deepashankar9844
    @deepashankar9844 3 ปีที่แล้ว +3

    Theagesa! Aroora!

  • @varadharajanranganathan3761
    @varadharajanranganathan3761 ปีที่แล้ว +1

    Amazing!! DKJ lives through all these blessed singers 🙏
    Only regret - DKJ's son JV, has long hair enough to tie a nice tuft - but chooses to have it in such an inappropriate fashion.. as for his percussion, he seems to have become numb and dull, after so many years of exposure to the toxic music of Aruna Sairam😢

  • @kamupatti
    @kamupatti 3 ปีที่แล้ว

    Entire group is singing very well.

  • @SrinivasSharma-rd1rq
    @SrinivasSharma-rd1rq ปีที่แล้ว

    Guruguha vara prasadhinyaam

  • @flutethyagu
    @flutethyagu 3 ปีที่แล้ว +1

    The volume of tanpura is above the desired level

  • @manoramaprasad8936
    @manoramaprasad8936 ปีที่แล้ว

    Super.

  • @venkataramanim0530
    @venkataramanim0530 2 ปีที่แล้ว

    Soul searching

  • @ramakrishnants974
    @ramakrishnants974 3 ปีที่แล้ว

    Program very good.

  • @saiveera6033
    @saiveera6033 4 ปีที่แล้ว +2

    100% Pure Divinity

  • @pgn4nostrum
    @pgn4nostrum 2 ปีที่แล้ว

    Audio quality 😞

  • @vasudhakota972
    @vasudhakota972 4 ปีที่แล้ว +8

    Shree Kamalaambikaayaam Bhaktim Karomi (Avarana 7 of Navavarna Krithis)
    Ragam: Sahana (28th mela janyam)
    ARO: S R2 G3 M1 P M1 D2 N2 S ||
    AVA: S N2 , D2 P M1 G3 M1 R2 , G3 R2 S ||
    Talam: Thrisra Triputa
    Composer: Muthuswami Dikshitar
    *Pallavi*
    Shree Kamalaambikaayaam Bhaktim Karomi
    Shritakalpa Vaatikaayaam
    Chandikaayaam Jagadambikaayaam
    *Anupallavi*
    Raakaachandra Vadanaayaam Raajiva-nayanaayaam
    Paakaarinuta Charanaayaam Aakaashaadi Kiranaayaam Hrimkaara Vipina-harinyaam Hrimkaara-Susharirinyaam
    Hrimkaara Taru Manjaryaam Hrimkaareshvaryaam Gauryaam
    *Charanam*
    Sharira-traya Vilakshana Sukhatara Svaatmaanu Bhoginyaam
    Virinci Harishaana Harihaya Vedita Rahasyayoginyaam
    Paraadi Vaagdevataa-rupa-vashinyaadi Vibhaaginyaam
    Charaatmaka Sarva-roga-hara Niraamaya Raaja-yoginyaam
    Karadhruta Vinaa Vaadinyaam Kamalaanagara Vinodinyaam
    Sura-nara-munijana-modinyaam
    Guruguha-vara-prasaadinyaam
    Meaning (From Todd Mc Comb's web page: www.medieval.org/music/world/carnatic/lyrics/srao/kamala.html,
    Original: T.K. Govinda Rao's book):
    *Pallavi*
    I offer ("karomi") my devotion ("bhaktim") to my mother ("ambika"), Shri Kamalambika.
    She who resides in the garden ("vaatikayaam") palace of the wish-fulfilling ("srita-kalpa") gem Kalpavatika, and to Chandika, the mother ("ambika") of the universe ("jagad").
    *Anupallavi*
    She who has a lovely moon-like ("raaka-chandra") face ("vadanaayaam").
    Her eyes ("nayanaayaam") are like the lotus bud ("rajeeva").
    Her feet ("charanaayaam") are praised ("nuta") by Indra ("paakaa-aari").
    Her rays ("kiranaayaam") are the five elements such as sky ("akaasha") etc ("aadi").
    She is the gazelle-eyed ("harinyaam") in the forest ("vipina") of Hrim ("hreem-kaara").
    She who is the embodiment ("su-shareerinyaam" or "Taru manjaryaam") of Hrim.
    She is the presiding deity ("eeshvaryaam") for the Mantra ("kaara") Hrim.
    She is Gauri.
    *Charanam*
    She rejoices ("bhoginyaam") in Her own ("swa") self ("aatmaanu") of supreme bliss ("sukhatara"), the self which transcends ("vi-lakshana") the three ("traya") states of existence ("shareera"): the casual, the subtle, and the gross.
    She who is the mystic ("rahasya") Yogini ("yoginyaam"), known only ("vedita") to Brahma ("virinchi"), Vishnu ("hari"), Rudra ("haya"), and Hayagriva ("harishaana").
    She is differentiated ("vibhaaginyaam") as the Shakti Vasini, etc ("para-aadi"). and as the four states of development, the deity ("devata-rupa") of speech ("vaag").
    She is the healing Raja Yogini, who removes ("hara") all ("sarva") illness ("roga"), which is essentially transient ("niraamaya").
    She who plays ("vaadhinyaam") the Vina, which She holds ("druta") in Her hands ("kara").
    She who delights ("vinodinyaam") in Kamalanagara.
    She charms ("modhinyaam") the Gods ("sura"), men ("nara") and sages ("munijana").
    She grants Guruguha the boon ("prasaadhinyaam") of Her grace ("vara").

    • @dhananjaynaniwadekar3048
      @dhananjaynaniwadekar3048 2 ปีที่แล้ว

      Seventh : You are here
      Lyrics : 7-th aavaranam, श्री कमलाम्बिकायां भक्तिं करोमि (Sahana, सप्तमी विभक्ति (अधिकरण) / locative case) : guru-guha.blogspot.com/2007/09/dikshitar-kriti-sri-kamalaambikaayaam.html
      ध्यान कृति : The starting point. Find links to all the songs in the scheme from this point.
      th-cam.com/video/GePGado6KzU/w-d-xo.html
      षष्ठ आवरण (Sixth, previous) : th-cam.com/video/DLCqnCXZGjM/w-d-xo.html (पुन्नग वराळी)
      Seventh : You are here
      अष्टम आवरण (next one) : th-cam.com/video/3GYASGnyQ0M/w-d-xo.html (राग घण्टा)