I love the strings at the beginning, with the brass over the top. 0:38 comes in nicely with the percussion! I like the tension at 0:47, B minor sixth inverted on G#, it can only be resolved with a G major, which you do, but over B minor at 0:50! Very interesting! I really like the percussion! Excellent melody from 0:54, and it's repeated at 1:06, but the change at 1:10, but the difference at 1:11, and again more tension, because it's not fully resolved as an E major, it still has the feel of the B beneath it, the F sharp and B make it like an E major over B major, again, very interesting musically. But the melody is uninterrupted, and sounds great over all of this fascinating musicology! 1:20 to the end of the next section is my favourite overall section! The bass is so powerful with the choir and strings. 1:44, love the arpeggios with the piano and staccato with the choir and brass chord staccatissimo. The violin spiccato with the piano is excellent in that section. The bass works so well from 3:03- B minor, G major, C major, really nice! 3:33, suspended, resolved, key change, more epic than ever before, 3:43 too epic for words, 3:50 even more than too epic for words, 4:02, less orchestration, a focus on the beauty of the melody and the power and aggression in the percussion, piano, and synth. Nice ending! I liked this piece very much! Nicely done!
Thank you for your brake down of the piece. I wanted this piece to feel like an eternal fire that never burns out and the name was originally going to be Eternal Fire; but Gods Rath had a ring to it so I went with that. Next piece is going to be kinda space like.
@@NachtPiano The name does fit well. I can't wait for the next one! Again, the piece was really interesting from a theory perspective! I hope the next piece is too!
I love the strings at the beginning, with the brass over the top. 0:38 comes in nicely with the percussion! I like the tension at 0:47, B minor sixth inverted on G#, it can only be resolved with a G major, which you do, but over B minor at 0:50! Very interesting! I really like the percussion! Excellent melody from 0:54, and it's repeated at 1:06, but the change at 1:10, but the difference at 1:11, and again more tension, because it's not fully resolved as an E major, it still has the feel of the B beneath it, the F sharp and B make it like an E major over B major, again, very interesting musically. But the melody is uninterrupted, and sounds great over all of this fascinating musicology! 1:20 to the end of the next section is my favourite overall section! The bass is so powerful with the choir and strings. 1:44, love the arpeggios with the piano and staccato with the choir and brass chord staccatissimo. The violin spiccato with the piano is excellent in that section. The bass works so well from 3:03- B minor, G major, C major, really nice! 3:33, suspended, resolved, key change, more epic than ever before, 3:43 too epic for words, 3:50 even more than too epic for words, 4:02, less orchestration, a focus on the beauty of the melody and the power and aggression in the percussion, piano, and synth. Nice ending! I liked this piece very much! Nicely done!
Thank you for your brake down of the piece. I wanted this piece to feel like an eternal fire that never burns out and the name was originally going to be Eternal Fire; but Gods Rath had a ring to it so I went with that. Next piece is going to be kinda space like.
@@NachtPiano The name does fit well. I can't wait for the next one! Again, the piece was really interesting from a theory perspective! I hope the next piece is too!