Lovely recording of a sweet piece by Dubois. If I might make a small constructive criticism, I think playing the legato sections slower isn’t necessary - there is enough contrast in articulation to make a change in tempo feel a little effusive, especially if you do use it as a sortie when the marching speed should be maintained for the procession. Especially when you get the semiquaver passage in the left hand, it’s much more thrilling to keep the speed up. But that’s just my opinion. Thanks for sharing!
Really awful... I am organist, I'll never play this music. Je connaissais Théodore Dubois pour sa Théorie de la Musique, pour la pratique, il repassera, même s'il respecte les lois de l'écriture (harmonie).
First of all: you speak in two different languages here. You started in English, and suddenly ended up in Greece. That’s quite impressive. Secondly: After hearing all the organ music of all the greatest organ composers from all times and all ages, THIS is what I was after right no.
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Lovely recording of a sweet piece by Dubois. If I might make a small constructive criticism, I think playing the legato sections slower isn’t necessary - there is enough contrast in articulation to make a change in tempo feel a little effusive, especially if you do use it as a sortie when the marching speed should be maintained for the procession. Especially when you get the semiquaver passage in the left hand, it’s much more thrilling to keep the speed up. But that’s just my opinion. Thanks for sharing!
Superbe
Nice and well played. It sounds good despite the ‘dry’ acoustic.
Thanks! Yea, the circumstances are what they are …
@@juhanamattila despoten = despite, i changed it 😉
Where was this recorded?
This is a little school organ at the conservatoire, me probably using Zoom H4n Pro or iPhone 12 as recording device
Really awful... I am organist, I'll never play this music. Je connaissais Théodore Dubois pour sa Théorie de la Musique, pour la pratique, il repassera, même s'il respecte les lois de l'écriture (harmonie).
There's always one.....
@@PadsterDood One who's speaking about a poor musician, when so many masterpieces have been composed by so many real composers.
I agree with you, really a well-written bad music
First of all: you speak in two different languages here.
You started in English, and suddenly ended up in Greece. That’s quite impressive.
Secondly:
After hearing all the organ music of all the greatest organ composers from all times and all ages, THIS is what I was after right no.