Thanks for the history. Considering the French school, in my opinion it begins and ends in Fournier. He was my childhood hero, and remains the same. Reference his old Decca recording entitled A Cello Recital.
I'm not a cellist, but it's still one of my favorite instruments, and I've owned recordings of many of the great cellist of the 20th century. Can you give examples of recordings (or videos) that demonstrate the differences in the schools? Fournier's records have always been among my favorites, so that's a good place to start, I suppose.
Hey! I adored the video!! Next year I’ll be making my Bachelor’s Degree Final Project about different Schools of Cello in Europe so this video is absolutely PERFECT. Could you maybe cite the references you used so I could check them out? And will you be doing more of these? I would love to hear more about the Italian, German and Soviet Schools!
Hi! Thanks for your contribution and that you enjoyed it! Yes, I am in the making of the other cello schools 😃 And then probably a comparison! If you need more info, send me an email or WhatsApp (info in video description)!
I thought maybe you were from the Russian school, because of your ancestry, I like the more agile bow techniques of the French, but IIRC the Russian school, have a BIG sound. Modern players don't seem to have the big sound anymore. its all about technique and intonation.
Yes, partly I am! Probably I got more from the Russian as I got coached by my father for a very long time. Then I had another teacher, Belgian cellist Hans Mannes which gave me the refinement of the technique, and he was a student from Maurice Gendron and Pierre Fournier. True, I sometimes do miss big sound in concert halls. Who really has a big sound is Pablo Ferrandez, but again, he studied with Natalya Shakhovskaya, who was the right hand of the big Rostropovich!
What are your origins? Comment below!
Thanks for the history. Considering the French school, in my opinion it begins and ends in Fournier. He was my childhood hero, and remains the same. Reference his old Decca recording entitled A Cello Recital.
This history lesson was fantastic. Please do ones on the Russian and Soviet schools!
Greay that you loved it! Absolutely, I am already working on it! 😃
Obrigado!
I'm not a cellist, but it's still one of my favorite instruments, and I've owned recordings of many of the great cellist of the 20th century. Can you give examples of recordings (or videos) that demonstrate the differences in the schools? Fournier's records have always been among my favorites, so that's a good place to start, I suppose.
Love the history, thank you! Why did you show music with treble clefs I'm wondering... ? 😉🎻
Hey! I adored the video!! Next year I’ll be making my Bachelor’s Degree Final Project about different Schools of Cello in Europe so this video is absolutely PERFECT. Could you maybe cite the references you used so I could check them out? And will you be doing more of these? I would love to hear more about the Italian, German and Soviet Schools!
Hi! Thanks for your contribution and that you enjoyed it! Yes, I am in the making of the other cello schools 😃 And then probably a comparison! If you need more info, send me an email or WhatsApp (info in video description)!
You are brilliant ❤
Very interesting! Thank you! I like to hear history! 😅
Loved it! Thank you so much for creating this video.
Glad you enjoyed it!
Thank you! Very interesting
Thanks!
Wow! Thank you so much for this generous contribution! 🙏🏻
Wow, Thank you for this info!!!!!!!! Amazing.
Thanks Steven!
Great 👌
Thanks ✌️
Gracias de nuevo.
De nada!
Obrigada! Amei!!
De nada! Espero que gostou! Ficou bom com as legendas em Português?
As in the dog breeding world, it's always good to know our pedigree. Loved it.
Absolutely true!
👏👏👏👏👏
🙏🏻🙏🏻🙏🏻
I thought maybe you were from the Russian school, because of your ancestry, I like the more agile bow techniques of the French, but IIRC the Russian school, have a BIG sound. Modern players don't seem to have the big sound anymore. its all about technique and intonation.
Yes, partly I am! Probably I got more from the Russian as I got coached by my father for a very long time. Then I had another teacher, Belgian cellist Hans Mannes which gave me the refinement of the technique, and he was a student from Maurice Gendron and Pierre Fournier. True, I sometimes do miss big sound in concert halls. Who really has a big sound is Pablo Ferrandez, but again, he studied with Natalya Shakhovskaya, who was the right hand of the big Rostropovich!