3 years later, I still receive wonderful commentary/education and know you likely will not see this comment. I don't care. Great video to compliment breakfast before this old guy rushes to... my job as a retired maker at a local small town hardware store. Many of us play guitar, some wealthy, some poor, some collectors, some luthierie school graduates with their own repair business. Thanks for your work and valuable content!
@@mightyluv Yes, I have watched a few of them, and the intricacies of even .010 of an inch here and there, make or break it, when trying to achieve perfection. Another interesting topic is that of piano's and their makers in North America, and of course, the rest of the world.
@@johnb5519 I’ll check out the piano builder vids, thanks. I used to have an old upright and would peek inside of it once in a while, there’s a lot going on in there 😬
@@mightyluv I am not sure if there are piano vid's, as most of what I have seen and read is from books. I'll have to search to see if there are vid's too.
The first time I went to the factory in the 70’s one of the guys told me about the worn template because I had noticed(Martin nerd)the difference in my ‘71 and an early 60’s I’d seen. You could spend some time with the folks in old factory.
It really shows the difference between traditional factory methods and the “perfection” of modern CNC machining so prevalent now. Wear and erosion might result in slight changes to the standard over time, but that’s what makes a great story.
"this video might be heavy on the talking" that's what i'm here for, i love hearing people talk :3 sometimes i leave your videos on in the background as i do things, they're both great to watch and great to listen to
Hey Ted, I just want to thank you. I am a guitar tech out of Windsor Ontario. Your videos have helped to me to transition into more structural and cosmetic repair. I want you to know how much you are appreciated. Thank you sir!
I am now addicted to Ted's videos. Yes, I'm a wannabe amateur luthier but thankfully so far only inflict my "skills" on my own guitars. Ted makes me want to expand my devotion to the art. Somebody stop me.
I've spent the last twenty years only repairing my own guitars. Of course, I have owned around 40 or 50 of them and as soon as I repaired one I sold it and bought another one in some flea market or garage sale to go to the end of the line and wait it's turn. I worked up from student Stellas to plywood campers to solid wood Harmonys and Yamahas. I'm now down to fewer than 10 with a couple of decent parlours to challenge my final skill level. Ted's getting me there!
@@dooleyfussle8634 Appreciate the reply, my guitar count is about half of yours except I can't seem to let them go, partially because I have tried various methods of selling and each one is its own nightmare. Have you found a good way to sell your guitars you've repaired/upgraded that isn't a huge pain? Dare I wish for enjoyment in the selling process as well as the buying and repairing?
@Nunya Bidnez I usually end up selling mine to fellow musicians/ acquaintances. I play in several groups so generally have lots of people around needing a second or camping guitar. I also managed to trade one once for some car repair work. The down side is I always gave a "lifetime" warranty with mine so end up getting to repair them several times for free. I think I reset the neck 3 times on one of my Harmony Sovereign rebraces! I've also given them to kids and grandkids. I usually forestall anyone asking me to work on one of their guitars by saying you will have to sell it to me as I only work on my own guitars!
I still use books regularly. I reference the various repair & building manuals, and theoretical treatises on guitar frequently. The two can certainly exist in tandemz
@@zwz.zdenek Sure, but once you’ve fought off the marauding cannibalistic hordes and gathered your nightly ration of edible roots and leaves, you’ll have a bit of free time to dig into “Ted’s Big Book of Post-Apocalyptic Guitar Repair” 😀
I don't know about you but I use these videos as my repair manual. A book would be nice to have but a detailed explanation video where you can actually see everything being Don in real time is very valuable.
@@zwz.zdenek There'll always be books. Books are instant reference. Books don't a complex machine to access them. Books won't have their files corrupted or degraded 100 years from now.
I love it when you get into history of guitars and guitar repair! Watching this one a third time. A pleasure to hear your knowledge and watch you execute your craft! Thank you sir!
Just when I think that things are getting boring on other channels you teach us about the fret board taper sanding instead of a neck reset and printer paper for a nut shim. LOL. You continue to captivate me with your knowledge of the history of guitar repair and I will continue to be a thumbs up viewer.
I love this guitar. Of all the old acoustics you've worked on, this one speaks to me from an overall appearance standpoint. Just lovely....honest wear, patina, repairs & all.
Kablooey! 🤣 I love your channel it’s by far one of the most satisfying guitar repair content on TH-cam I’ve learned so much on your channel, thank you for sharing your knowledge brother
Recently discovered your fantastic channel so I'm not watching in any order but apart from the professional attention to detail the other thread that entangles the video's is your brilliant sense of humour, thank you.
I am subscribed to several luthier/repair channels. I find them informational and inspiring. However, this is the first one to provide some history on guitar repair. Truly remarkable stuff. Thanks!
Yes Sir…This is the most interesting repair dialog I have heard from you… I saw techniques flash into view , I have never seen before. Simply amazing knowledge shown here. For the viewers, a comment . Don’t take your vintage guitar to anyone but this gentleman. Your analytical Troubleshooting is so correct , it is mouth dropping.. I think it would be very interesting to put that knowledge of yours into an illustrated book. “Acoustic guitar Acceptable Procedures” Thank you Alberta Dave
Very informative narrative. Thank You. I have a D16 GT and the Mahogany sides are extremely thin, however it stays in tune forever, has sustain for days, and is a cannon. I love it! I got to chat with Gordon Lightfoot a few years back about his D-18. It is a very worn 1948, and has been his main 6 string for more than 25 years. The D-18 is everything you need and nothing you don’t.
Excellent lesson, and great sound from that guitar. I went into the Los Angeles Hans Weisshair shop several years ago, to have a violin bow rehaired. I thought I was in an operating room, everyone wearing immaculate matching uniforms, wow. He did write the book on string instrument repair, there are some amazing tales of real Strads, totally destroyed, then totally reconstructed, with many detailed photos to watch the process.
There may be men in the world who are your equal in knowledge but I am unaware of any! It is always a pleasure to watch your work and try to soak up some of that knowledge.
Haven’t taken my guitar out of the case in 20 years. TH-cam put your video on my recommendation list and I now have to get my fingers dirty. I have an Epiphone Les Paul. I was grateful to find the strings were loosened before storing. Next is lessons. Thanks for spurring my interest!
Another fantastic video !!! Your depth of knowledge and skill never ceases to amaze me and I look forward to watching every video that you produce. Thanks for enabling the closed caption (subtitle) option on all of your videos because I am profoundly deaf after failed a surgical procedure in October of this year and watching videos from experts like yourself really help fill in the time in my currently silent world. Hoping to have Cochlear Implant carried out when I have fully healed after last surgery, so I shall be able to hear the sound of the beautiful instruments that you repair. Take care and stay safe.
The football-shaped patch could have been done by Martin or at least by someone familiar with Martin's techniques. I had a crack on the bass side upper bout of a mid-1950s D-18 repaired by a man who had worked in the Martin repair shop, and that is exactly the technique he used. Great video!
Finding it difficult to resist a “nut that gleams” joke. Bust seriously, great video; learned several new things on this one. The D-18 is, in my opinion, the perfect dreadnaught guitar. They play/sound amazing and don’t have all the unneeded flashiness (pearloid / abalone inlays, gold tuners, etc) on the more expensive Martins. I have a 2016 D-18E Retro that I dearly love. Really great guitar.
Tim, the idea of a vintage guitar actually does go back further than 40 years ago. When I was in high school in the seventies, a friend of mine owned several Martin guitars. His parents could afford anything he wanted. He knew back then that Martin guitars were the best that money could buy. He knew that because Martin had a reputation at that point. So I think even then if you had an older Martin guitar it was considered a classic or vintage.
Excellent presentation. I learned, early in the game, having repaired at Gruhn's and Pickers Supply for a few years, a repairman's bread and butter is a Martin guitar. Glued on necks (resets could have bought me a new Cadillac), No truss rod (ouch!), poor intonation, braces way too big (loved to see the grins on owners after a scalloping session). Yellow glue (bridges coming up when heated in the trunk of a car). And those lovely pickguards cracking and caving in the top. Yep, Martins were a love/hate affair for repairmen and owners. Gibson and later Taylor and then finally Martin itself, improved some of these flaws. Of course the musicians were not as critical or savvy as today. And their choices were much more limited. My two somewhat interesting Martin related stories are when Manny Uminof (sp) came up to Toronto from New York to show us how to do a neck set in 1971. His technique; "pop" open the back at the neck block and tuck the sides in a bit and trim. Usually resulted in a mess! About that time Martin's official response concerning resetting a neck was, "Martin guitars never need a neck reset". Oh, dear.... We've come a long way, baby... Love your work and knowledge level...
Love these sorts of vids where you go in-depth and really teach us stuff we never heard before (the evolution of repairs this time). You're a jewel Ted. :)
Good grief Charlie Brown! That thing had so many repairs that I can see why you made this video. You could almost write a repair manual out of it. I thought you were going to address the cracks, but I guess it wasn't necessary. Sounds good now and hope that fixed the tuning issue. Great work once again!
The craziest repair I've seen was a martin O-18 that had had a leather cover installed (a la Elvis) over the top with screws. The cover was later removed and the screw holes filled with dowel. The top looked like a spruce dalmatian! It was also one of the best sounding Martins I've ever played.
Thank you. I have learned so much from your videos and I enjoy your knowledge of different guitar makes, luthiers and the big brands. Just repaired a long crack in the top of a tenor uke.
I used to own a D18 from 1963 I went silly in the early 80s and sold it. I regretted that bit of stupidity right up to buying my Collings D1! Anyway, that old Martin had that rounded headstock you were talking about. I kinda like that look and I’m not so fond of the more modern sharp angles that get easily chipped. I own a couple of late seventies Martins and even those the headstock corners are fairly rounded. I’m in Australia; Jeff Malia does any of my needed luthier work. I’m curious as to wether you know of him. He’s a bit of a legend here, does fantastic work same as you.
Ted, you make a real good point, about cutting the fretboard at the 12th fret, for a neck reset. (IF necessary) After someone learns to cut at the 14th, they would continue that way, without ever thinking about it.
3 years later, I still receive wonderful commentary/education and know you likely will not see this comment. I don't care. Great video to compliment breakfast before this old guy rushes to... my job as a retired maker at a local small town hardware store. Many of us play guitar, some wealthy, some poor, some collectors, some luthierie school graduates with their own repair business.
Thanks for your work and valuable content!
Just get home from a disc golf tournament, grab some lunch, and there's a 21 minute twoodfrd video! What a day!
It's midnight and I've got too much bullshit on my mind and need to relax...
And there's a 21 minute twoodford video uploaded, I'm set.
Hey man, leave some chicks for the rest of us
How did you do?
Is this what the kids are calling frisbee these days?
The history of instruments and their makers is quite an intriguing subject, and never gets boring in my opinion.
Fr
There are some really great violin build videos on YT, it’s humbling to witness the level of craftsmanship and patience involved.
@@mightyluv Yes, I have watched a few of them, and the intricacies of even .010 of an inch here and there, make or break it, when trying to achieve perfection. Another interesting topic is that of piano's and their makers in North America, and of course, the rest of the world.
@@johnb5519 I’ll check out the piano builder vids, thanks. I used to have an old upright and would peek inside of it once in a while, there’s a lot going on in there 😬
@@mightyluv I am not sure if there are piano vid's, as most of what I have seen and read is from books. I'll have to search to see if there are vid's too.
That baby sings now. That's what good aged wood and a superb intonation setup will get you. Nice job there, Woody!
I just found this channel today. I've never binged a single youtube channel as much as I have this evening.
That’s a super cool detail about the headstock and template wear
For a real drastic difference, compare a ‘65 Martin with a ‘75
The first time I went to the factory in the 70’s one of the guys told me about the worn template because I had noticed(Martin nerd)the difference in my ‘71 and an early 60’s I’d seen. You could spend some time with the folks in old factory.
Really cool story
It really shows the difference between traditional factory methods and the “perfection” of modern CNC machining so prevalent now. Wear and erosion might result in slight changes to the standard over time, but that’s what makes a great story.
This guy’s the best
"this video might be heavy on the talking"
that's what i'm here for, i love hearing people talk :3
sometimes i leave your videos on in the background as i do things, they're both great to watch and great to listen to
I go to sleep with his videos playing in the background
I'm unlikely to ever try repairing a guitar, but as a guitar player and lover of guitars, I'm learning a lot about guitars from your channel
Hey Ted, I just want to thank you. I am a guitar tech out of Windsor Ontario. Your videos have helped to me to transition into more structural and cosmetic repair. I want you to know how much you are appreciated. Thank you sir!
Your channel has such a wide array of instruments but I really enjoy the acoustic work the most
I am now addicted to Ted's videos. Yes, I'm a wannabe amateur luthier but thankfully so far only inflict my "skills" on my own guitars. Ted makes me want to expand my devotion to the art. Somebody stop me.
I've spent the last twenty years only repairing my own guitars. Of course, I have owned around 40 or 50 of them and as soon as I repaired one I sold it and bought another one in some flea market or garage sale to go to the end of the line and wait it's turn. I worked up from student Stellas to plywood campers to solid wood Harmonys and Yamahas. I'm now down to fewer than 10 with a couple of decent parlours to challenge my final skill level. Ted's getting me there!
@@dooleyfussle8634 Appreciate the reply, my guitar count is about half of yours except I can't seem to let them go, partially because I have tried various methods of selling and each one is its own nightmare. Have you found a good way to sell your guitars you've repaired/upgraded that isn't a huge pain? Dare I wish for enjoyment in the selling process as well as the buying and repairing?
@Nunya Bidnez I usually end up selling mine to fellow musicians/ acquaintances. I play in several groups so generally have lots of people around needing a second or camping guitar. I also managed to trade one once for some car repair work. The down side is I always gave a "lifetime" warranty with mine so end up getting to repair them several times for free. I think I reset the neck 3 times on one of my Harmony Sovereign rebraces! I've also given them to kids and grandkids. I usually forestall anyone asking me to work on one of their guitars by saying you will have to sell it to me as I only work on my own guitars!
A jaw droppingly good video. The respect and care you show these instruments is awe inspiring.
Ted should be the one to write the book on guitar repair.
If we ever have to go back from the internet to books, we would have more pressing concerns than guitar repairs.
I still use books regularly. I reference the various repair & building manuals, and theoretical treatises on guitar frequently. The two can certainly exist in tandemz
@@zwz.zdenek Sure, but once you’ve fought off the marauding cannibalistic hordes and gathered your nightly ration of edible roots and leaves, you’ll have a bit of free time to dig into “Ted’s Big Book of Post-Apocalyptic Guitar Repair” 😀
I don't know about you but I use these videos as my repair manual. A book would be nice to have but a detailed explanation video where you can actually see everything being Don in real time is very valuable.
@@zwz.zdenek
There'll always be books. Books are instant reference. Books don't a complex machine to access them. Books won't have their files corrupted or degraded 100 years from now.
The story is half the trip...Thank's...
dude your well of knowledge and quality informantion/ verbal education is why i come here. i love your commentary
I love it when you get into history of guitars and guitar repair! Watching this one a third time. A pleasure to hear your knowledge and watch you execute your craft! Thank you sir!
Just when I think that things are getting boring on other channels you teach us about the fret board taper sanding instead of a neck reset and printer paper for a nut shim. LOL. You continue to captivate me with your knowledge of the history of guitar repair and I will continue to be a thumbs up viewer.
good to hear your voice - it delivers sort of continuity in these difficult times...
Excellent point. Agreed.
I love this guitar. Of all the old acoustics you've worked on, this one speaks to me from an overall appearance standpoint. Just lovely....honest wear, patina, repairs & all.
I love the talking. Thanks for doing it.
Your videos are the only thing getting me through quarantine
Fascinating, as usual. I love the "forensic" approach that informs the repair. Thanks!
I would like to have seen the inside of the football repair. Great video as always. You get a thumbs up from me every time.
"This one's going to be heavy on the talking..." = Educational AND entertaining :)
I enjoy the talking ones. Thank you
I don’t really play. Played 45 years ago....sax since. My kids just gave me a guitar. Don’t know how it will go but I sure enjoy watch your repairs!
The only channel where I slam that like button before even watching the video just to make sure I don't forget to.
Kablooey! 🤣 I love your channel it’s by far one of the most satisfying guitar repair content on TH-cam I’ve learned so much on your channel, thank you for sharing your knowledge brother
Recently discovered your fantastic channel so I'm not watching in any order but apart from the professional attention to detail the other thread that entangles the video's is your brilliant sense of humour, thank you.
Excellent, thank you for 21 fine minutes..and 23 seconds..
I am subscribed to several luthier/repair channels. I find them informational and inspiring.
However, this is the first one to provide some history on guitar repair. Truly remarkable stuff. Thanks!
This channel is so much win!
Yes Sir…This is the most interesting repair dialog I have heard from you… I saw techniques flash into view , I have never seen before. Simply amazing knowledge shown here. For the viewers, a comment . Don’t take your vintage guitar to anyone but this gentleman. Your analytical Troubleshooting is so correct , it is mouth dropping.. I think it would be very interesting to put that knowledge of yours into an illustrated book. “Acoustic guitar Acceptable Procedures”
Thank you
Alberta Dave
Wow! A lot of good information put into an entertaining video. Thanks.
thats a hell of an eye you got for this stuff, the experience shows itself. thank you for all this valuable info!!
Very informative narrative. Thank You.
I have a D16 GT and the Mahogany sides are extremely thin, however it stays in tune forever, has sustain for days, and is a cannon. I love it!
I got to chat with Gordon Lightfoot a few years back about his D-18. It is a very worn 1948, and has been his main 6 string for more than 25 years.
The D-18 is everything you need and nothing you don’t.
Mr. Woodford thank you for the repair history lesson, as a Tinknocker I liked to your explanation of the metal template wearing.
Excellent lesson, and great sound from that guitar.
I went into the Los Angeles Hans Weisshair shop several years ago, to have a violin bow rehaired. I thought I was in an operating room, everyone wearing immaculate matching uniforms, wow. He did write the book on string instrument repair, there are some amazing tales of real Strads, totally destroyed, then totally reconstructed, with many detailed photos to watch the process.
There may be men in the world who are your equal in knowledge but I am unaware of any! It is always a pleasure to watch your work and try to soak up some of that knowledge.
John Arnold out of Newport TN. John has no equal when it comes to repairing or building guitars.
Haven’t taken my guitar out of the case in 20 years. TH-cam put your video on my recommendation list and I now have to get my fingers dirty. I have an Epiphone Les Paul. I was grateful to find the strings were loosened before storing. Next is lessons. Thanks for spurring my interest!
Didn't mind the time spent just looking and talking, since the topics covered were so interesting!
Thanks, Ted, for a great lesson. I had a late 40's Martin O-18 and will now go back and check photos of the headstock!
Finally I've caught up on your videos!
Another fantastic video !!! Your depth of knowledge and skill never ceases to amaze me and I look forward to watching every video that you produce. Thanks for enabling the closed caption (subtitle) option on all of your videos because I am profoundly deaf after failed a surgical procedure in October of this year and watching videos from experts like yourself really help fill in the time in my currently silent world. Hoping to have Cochlear Implant carried out when I have fully healed after last surgery, so I shall be able to hear the sound of the beautiful instruments that you repair. Take care and stay safe.
Loved the bit about the machine wear softening the headstock corners!!
Oh my goodness. This vid is GOLD!! Thank you sir!
You ability to articulate so concisely and with ultimate practicality is what draws me to this channel every single week or vid release.
ALso the very high quality video. Love it.
It's always a good day when you upload
I love your channel, have watched every video and you do such great job. Thanks for being you
The football-shaped patch could have been done by Martin or at least by someone familiar with Martin's techniques. I had a crack on the bass side upper bout of a mid-1950s D-18 repaired by a man who had worked in the Martin repair shop, and that is exactly the technique he used. Great video!
Great video, thanks.. fascinating history of repair 👍
Very interesting analysis, and gorgeous guitar! I never get tired of watching this stuff!
Look at the fingerboard wear. That must be one hell of a player. Its been well loved by its owners. Good to see :)
NO WORDS CAN DESCRIBE HOW AWESOME YOUR CONTENT IS !!!
Beautiful job! Great!!!
Wow that guitar definitely has a story or two to tell. That bridge repair shows what a patient person you are. Great work
Interesting and informative as always, thank you.
"Gonna be a lot of talking" - Don't threaten us with a good time! Great video
fascinating history of an individual instrument.
Was about to comment on the headstock corners, but you beat me to it!
Finding it difficult to resist a “nut that gleams” joke. Bust seriously, great video; learned several new things on this one. The D-18 is, in my opinion, the perfect dreadnaught guitar. They play/sound amazing and don’t have all the unneeded flashiness (pearloid / abalone inlays, gold tuners, etc) on the more expensive Martins. I have a 2016 D-18E Retro that I dearly love. Really great guitar.
Tim, the idea of a vintage guitar actually does go back further than 40 years ago. When I was in high school in the seventies, a friend of mine owned several Martin guitars. His parents could afford anything he wanted. He knew back then that Martin guitars were the best that money could buy. He knew that because Martin had a reputation at that point. So I think even then if you had an older Martin guitar it was considered a classic or vintage.
Really enjoyed this one.
Thanks for making my day.
Excellent presentation. I learned, early in the game, having repaired at Gruhn's and Pickers Supply for a few years, a repairman's bread and butter is a Martin guitar. Glued on necks (resets could have bought me a new Cadillac), No truss rod (ouch!), poor intonation, braces way too big (loved to see the grins on owners after a scalloping session). Yellow glue (bridges coming up when heated in the trunk of a car). And those lovely pickguards cracking and caving in the top. Yep, Martins were a love/hate affair for repairmen and owners. Gibson and later Taylor and then finally Martin itself, improved some of these flaws. Of course the musicians were not as critical or savvy as today. And their choices were much more limited. My two somewhat interesting Martin related stories are when Manny Uminof (sp) came up to Toronto from New York to show us how to do a neck set in 1971. His technique; "pop" open the back at the neck block and tuck the sides in a bit and trim. Usually resulted in a mess! About that time Martin's official response concerning resetting a neck was, "Martin guitars never need a neck reset". Oh, dear.... We've come a long way, baby... Love your work and knowledge level...
Very sweet! It's fun to watch you work.
Amazing craftsman, impressive!!
As always your insights into guitars and their repairs is alway interesting.
Great job.. thank you
The bit about the shaper made me chuckle. Same thing with stamping dies, every impression makes an infinitesimal difference.
Good work speaks for itself. You said it all, my friend.
Good one. Learned a lot and realized I’ve run into that cut fingerboard thing. Funny I thought I broke it when I was pulling it off for a reset!
Great video, as always.
Thank you Ted.
Best wishes from Germany >Lutz
Great history lesson. Thanks.
Very interesting indeed! I have a 1964 D-18 with a number of old repairs, so this one looked pretty familiar.
Love these sorts of vids where you go in-depth and really teach us stuff we never heard before (the evolution of repairs this time). You're a jewel Ted. :)
Good grief Charlie Brown! That thing had so many repairs that I can see why you made this video. You could almost write a repair manual out of it. I thought you were going to address the cracks, but I guess it wasn't necessary. Sounds good now and hope that fixed the tuning issue. Great work once again!
Just superb videos! I learn so much
The craziest repair I've seen was a martin O-18 that had had a leather cover installed (a la Elvis) over the top with screws. The cover was later removed and the screw holes filled with dowel. The top looked like a spruce dalmatian! It was also one of the best sounding Martins I've ever played.
Another awesome video. I love the tone of that set of strings!
Always good! Thanks
VERY interesting. Hope one day youll have a yamaki on the bench! maybe we get to hear some of your knowledge on them
Another excellent episode, you never disappoint. Thanks man.
Thank you. I have learned so much from your videos and I enjoy your knowledge of different guitar makes, luthiers and the big brands. Just repaired a long crack in the top of a tenor uke.
I used to own a D18 from 1963 I went silly in the early 80s and sold it. I regretted that bit of stupidity right up to buying my Collings D1! Anyway, that old Martin had that rounded headstock you were talking about. I kinda like that look and I’m not so fond of the more modern sharp angles that get easily chipped. I own a couple of late seventies Martins and even those the headstock corners are fairly rounded. I’m in Australia; Jeff Malia does any of my needed luthier work. I’m curious as to wether you know of him. He’s a bit of a legend here, does fantastic work same as you.
Nice bunch of historical stuff, thanks
Another amazing video. You are the guitar historian we’ve all been waiting for.
Great video/repair! Subscribed.
Man, you can talk as much as you like! I learn something every Video!!
Brilliant and fascinating video ... thanks!
So interesting analysis, thanks for that !
I always enjoy your videos. Very interesting and educational.
Another thing that would drive me nuts about the pickguard is the soundhole cutout doesn't match the rosette radius.
Love these repair videos! Another great job. as well!
Ted, you make a real good point, about cutting the
fretboard at the 12th fret, for a neck reset. (IF necessary)
After someone learns to cut at the 14th, they would continue
that way, without ever thinking about it.
that pick gaurd wood drive me nuts now that you mentioned it
You da best, Teddy!
I really enjoyed that one, thanks a lot!
A lot of great information, thanks for taking the time to make this.