“BREAKTHROUGH” 1950 NORWEGIAN AURA HYDROPOWER PLANT DOCUMENTARY 65944
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- เผยแพร่เมื่อ 15 ก.ย. 2024
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This 1950 black and white historical educational film directed by Lauritz Faulk takes a personal narrative approach to depicting the inception and construction of Norway’s Aura hydropower plant, located in Sunndalsøra in Sunndal Municipality, Møre and Romsdal County, partially extending into the municipality of Lesja (TRT:18:58).
Opening titles, “A.F. Films Inc.” and “Norwegian Documentary Film Presents: Breakthrough” and (0:09). A horse-drawn cart plods down a mountain road. The feet of a teenage boy dangle off the back of the cart. A closeup of the teenager, who wears a coat and cap (0:47). Towering, craggy mountaintops. Whitewater rapids. A waterfall (1:03). The boy helps his family horse at a difficult crossing (1:27). Sundalls Fjord. An electrical pole and log cabins under construction (1:47). The mother of the family approaches two elderly women. A ship unloads cargo at a harbor (2:10). The family approaches a farmhouse (2:41). A young girl with pigtails greets the boy. The pair run through rural fields to a darkened tavern. Rustic men play cards and wrestle near a campfire (3:05). The father is found working on a snowy mountainside. A procession of laborers. Explosions (4:02). The children find and push a mine cart on rail tracks. A train blows a steam whistle and pushes the cart away (4:51). Snowy mountains. A map shows a sequence of mountain lakes and streams (5:28). Cable car tracks extend into the horizon. A long line of workers wait outside an office. One man throws a rock through the office’s window. The unified crowd approaches threateningly (5:56). The workers of Aura march under a banner in a union parade, led by a drummer and an accordionist (6:21). An outdoor union meeting. A man with a hat and mustache speaks at a podium (6:43). Dynamite blasting. A hand lights a fuse. A switch is flipped, and gears grind to a halt (7:22). After World War I, the young boy is depicted as a young working man, plying the trade of a blacksmith (7:41). He graduates to working in the tunnels. Men work by hand with hammers and chisels. Narration mentions the Spanish Flu of 1919. Bodies are carried away on stretchers (8:03). A lineup of dejected single men are denied work at the site office (8:58). Our hero takes a contemplative stroll. An idle crane reflected in water. An unused steam engine (9:40). Fishing in a mountain stream. His female companion washes laundry (10:41). A melting snowdrift forms a stream, a waterfall, a raging river that powers a small water wheel (11:30). Floating tools represent a flood season (12:49). An engineer at a drafting table shows a construction plan to a group of men (13:24). A man in Nazi uniform takes over. Two idle men return to work after seeing a Nazi patrolman (13:41). Our hero sits at a desk in a jail, accused of sabotage. Later, with the Nazis gone, he surveys the abandoned work site (14:06). Montage of work resuming: Cranes, machines, cargo from across Europe (14:41). Drilling in the tunnels. Minecarts haul away rubble during excavation. Dump trucks (15:10). A bus unloads a team of men, who walk to rural homes (15:55). Miners wearing hardhats with headlamps (16:12). Two men ride a suspended cable car. A funicular carries lumber (16:30). A panorama shows that the tunnel is inside a mountain and the landscape is not disrupted (17:08). A large turbine is lifted and mounted. Inside the hydroelectric plant (17:22). Our star couple, now aged, look out on a montage of electrical towers (18:09).
The Aura power station went into operation in 1953 as the first in Statkraft to be built inside a mountain. It forms the Lake Aursjøen reservoir from tributary lakes Holbuvatnet and Reinsvatn.
This film, originally titled, “Aura, Strom aus dem Norden” or “Aura, Electricity from the North,” was written and produced by Per Bogersen, and photographed by Per G. Johnson, with music by Gunnar Sonstevold and E.F. Brein. It was edited by Bendt Sommerschield and narrated by Axel Amlie.
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The reason i liked this episode because of the beautiful mountain country side and the social life of Norway in 1950
I remember my father working here in Kentucky when the TVA went in I think he made something like $5 a day but he had two teams of mules and they made something like $15 a day pulling wire through the mountains,,
Mules are good, smart critters.
My grandfather worked on a hydro electrical station like that during the war. They made things go in slow mo for the germans. A bulldozer that normaly would take three days to move from A to B took three months and so on. After the war he was head hunted to start the Norwegian Iron works in Mo i Rana.
So, the Germans were both busy fighting communism, and never once attacked those going slo mo? Meanwhile, the Finns were dying as the Soviets tried to breach their lines.
Very interesting -- thanks
Cool
Great video, how about featuring the Norsk Hydro plant history. In Vemork I believe.
Wow it went from manual pick tunneling to automated system! That had to be great for those that experienced it!👍
1918-1919 was a real pandemic, not like we've had in past year and a half. When we get to the point we are carrying two or three bodies from a workplace in a day, then I'll start worrying.
That’s putting it in its proper perspective.
Those folks would have had a good laugh regarding the way we panicked. No disrespect to the lives lost.
So, it was actually the Germans who made the most progress, well that's interesting!