Just a few seconds after you started playing the first chord, I immediately subscribed. So much to learn still - don't we all? Looking forward to fill-in many of my gaps. As you said: most books or tutorials are either too simple or too (unnecessarily) complicated. I'm sure you found that spot in the middle.
Love it! So funny to hear you read that paragraph. I guess I would've immediately looked at the musical example and worked it out from there, then went and back and reread that nasty little paragraph. . AND THEN SAID:"oooooooh uh, yeah..." Thanks,,Tony. 🌹🌹🌹🌹
Yes. It's easier to think of a C7 shell with a D (or II) triad on top than to "compute" C7(9, #11, 13). Even to say that, it's 11 syllables! ("C dominant nine sharp eleven thirteen)
Agree with Jim. When you're Learning a complex chord, thinking of the triads is a good shortcut. Your goal though is to practice until it becomes second nature. It's a lot of muscle memory but its probably deeper than that. You're also memorizing the Sound of the various chords which also guides your fingers. I just trust the process that if I practice the same thing every day it will sooner or later become second nature.
I'm a guitar player (and also beginning piano player), so I use those same upper structure triads as triad pairs, for example, playing bV and b13 triads in different inversions over the (I) dominant. A good thing to work into your vocabulary and it is way "jazzy" 🙂
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The experience of a pro but the soul of a teenager. He's perfect
Thank you so much my friend GOD bless you 🙌
You just put a smile on my face . You basically nailed it ! Hugs
Thank you very much Tony
Just a few seconds after you started playing the first chord, I immediately subscribed. So much to learn still - don't we all? Looking forward to fill-in many of my gaps. As you said: most books or tutorials are either too simple or too (unnecessarily) complicated. I'm sure you found that spot in the middle.
Peace brother!
Agreed....keep it simple and beautiful..👍
Thank you for yours vids. Very helpful
This is why I love learning from you!!!! 😊 you simply stuff for students like me👌
Love it! So funny to hear you read that paragraph. I guess I would've immediately looked at the musical example and worked it out from there, then went and back and reread that nasty little paragraph.
. AND THEN SAID:"oooooooh uh, yeah..." Thanks,,Tony. 🌹🌹🌹🌹
Great explanation maestro
Great lesson ..
Sensacional!!!
❤
Love you much
David Chesky has some books.
Is Mantooth saying that, when we see these extended chords, we should perform a mental translation into the major triads he presents? Benefit?
Yes. It's easier to think of a C7 shell with a D (or II) triad on top than to "compute" C7(9, #11, 13). Even to say that, it's 11 syllables! ("C dominant nine sharp eleven thirteen)
Agree with Jim. When you're Learning a complex chord, thinking of the triads is a good shortcut. Your goal though is to practice until it becomes second nature. It's a lot of muscle memory but its probably deeper than that. You're also memorizing the Sound of the various chords which also guides your fingers. I just trust the process that if I practice the same thing every day it will sooner or later become second nature.
I'm a guitar player (and also beginning piano player), so I use those same upper structure triads as triad pairs, for example, playing bV and b13 triads in different inversions over the (I) dominant. A good thing to work into your vocabulary and it is way "jazzy" 🙂
Greatttttttttt !!!!!!!
Podrías agregar subtítulos en español?
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please the book name tony
Voicings for Jazz Keyboard by Frank Mantooth