Aperture f11, iso 200-640, shutter speed 1/400-800. Focal length always between 28-35mm (35mm equivalent). White balance:4600k. Auto focus. Shooting in Raw! Thanks for watching!
@@DiegoFabro If it is RAW then how is the Nostalgic Negative film simulation applied? I thought it only got applied to JPEG. If you meant a recipe, can you please share it? I loved the video btw you did you a great job!
Check your gear if you think that the images are not sharp 😃. The 32-64 and gfx 50 is as sharp as it gets. Sometimes even too sharp to yield a natural look. However I don‘t know how the 100mp sensor behaves with the gf lenses. Diffraction is probably starting to get visible from f7.1 and lower.
Images with this lens and camera are very sharp, I agree with you. My point is that the more pixels the camera has, the more stable the camera needs to be. 100 megapixels are less forgiven to shoot in movement than 50 megapixels and so on. Also the image quality and sharpness is more pleasing on the GFX than on Canon(s) full frame (personal taste). They don't look the same, I find full frame cameras in general look more digital, again it's just my observation and experience using both types for commercial and for personal work.
@@DiegoFabro ah alright. You‘re right about camera shake. What raw converter do you use? I find the rendering for high megapixel cameras to be the best in capture one. I find the gfx to be problematic with portrait photography. Though it has incredible micro contrast when used with the gf lenses, in my opinion it starts getting unnatural. For portraits I would often turn the sharpening down to get a more „pleasing“ image.
This Fuji simulation is so beautiful. I think the detail you mention about sharpness may be related to the selection of sharpness and noise reduction parameters in camera.
Thanks Martino! I try to keep sharpness and noise reduction set to flat or zero on the settings. I actually like the images not too sharp. Anyway, thanks for pointing this out👍
Maybe, but considering Stephen Shore (among many others) were able to shoot street photography with large format film cameras, the GFX is like a point and shoot comparing to that. It all depends what you want achieve, and off course, taste and style. Thanks for the comment.
Thanks! I love shooting street photography with medium format, but I get why most people think it's a bad idea. I did a lot os shooting with Mamiya 7ii and now with the GFX. I've always struggled with small cameras, point & shoot and micro4/3. So, I guess it's just preference and diffrent styles of shooting.
@@DiegoFabro Yea it really is down to what the photographer prefers. People online say my xt3 and f1.4 lenses are too big for street, but they haven't really slowed me down yet aside from 4+ hours straight of holding it. There are so many other factors that will determine whether or not you get the shot.
Cool shots Diego!
Thanks Adam! Appreciate that
Really enjoyed this , you emulated his style very well .
Thank you! I had fun with the exercise. Appreciate your comment
Very enjoyable video and a worthwhile project, Diego. Thanks for sharing it.
Thanks so much George!
This is really great, you did a good job, how are your camera parameters set? I don't know, can you tell me?
Aperture f11, iso 200-640, shutter speed 1/400-800. Focal length always between 28-35mm (35mm equivalent). White balance:4600k. Auto focus. Shooting in Raw! Thanks for watching!
@@DiegoFabro If it is RAW then how is the Nostalgic Negative film simulation applied? I thought it only got applied to JPEG. If you meant a recipe, can you please share it?
I loved the video btw you did you a great job!
Loved the images!! Please share the recipe.
I just ordered the 100s two days ago on backorder. I really hope it doesn’t take 3 months to arrive
I believe you will get it way sooner!🤞
Check your gear if you think that the images are not sharp 😃. The 32-64 and gfx 50 is as sharp as it gets. Sometimes even too sharp to yield a natural look. However I don‘t know how the 100mp sensor behaves with the gf lenses. Diffraction is probably starting to get visible from f7.1 and lower.
Images with this lens and camera are very sharp, I agree with you. My point is that the more pixels the camera has, the more stable the camera needs to be. 100 megapixels are less forgiven to shoot in movement than 50 megapixels and so on. Also the image quality and sharpness is more pleasing on the GFX than on Canon(s) full frame (personal taste). They don't look the same, I find full frame cameras in general look more digital, again it's just my observation and experience using both types for commercial and for personal work.
@@DiegoFabro ah alright. You‘re right about camera shake. What raw converter do you use? I find the rendering for high megapixel cameras to be the best in capture one. I find the gfx to be problematic with portrait photography. Though it has incredible micro contrast when used with the gf lenses, in my opinion it starts getting unnatural. For portraits I would often turn the sharpening down to get a more „pleasing“ image.
This Fuji simulation is so beautiful. I think the detail you mention about sharpness may be related to the selection of sharpness and noise reduction parameters in camera.
Thanks Martino! I try to keep sharpness and noise reduction set to flat or zero on the settings. I actually like the images not too sharp. Anyway, thanks for pointing this out👍
Lovely cam that would I love so much to try ❤
It is a pretty sweet camera indeed. Hopefully Fuji continues to make them better and cheaper every time.
Great and beautiful content! 🔥
Thanks Barbara!
very good shots brother, keep up !!
Thanks so much!
Did you use JPEG’s with Nostalgic Neg or shoot Raw and use the Nostalgic Ned profile in Lightroom?
JPEG! Thanks
@@DiegoFabro do these are all straight out of camera?
Great work
Thank you:)
Nice.
Belo video, parabéns.
Muito obrigado Victor!
Hey Diego,
long time no see buddy!
Greetings from Espírito Santo
Legend! Encyclopedia of rock:) All the best buddy
@@DiegoFabro yeahhh
I feel you did a great job replicating Shores style.
Thanks Ferhan! It was a really fun exercise. Appreciate your comment
GFX100s is overkill for this
Maybe, but considering Stephen Shore (among many others) were able to shoot street photography with large format film cameras, the GFX is like a point and shoot comparing to that. It all depends what you want achieve, and off course, taste and style. Thanks for the comment.
Please share the recipe
Loved the images. Just remember: MF is too big for street photography, according to the internet
Thanks! I love shooting street photography with medium format, but I get why most people think it's a bad idea. I did a lot os shooting with Mamiya 7ii and now with the GFX. I've always struggled with small cameras, point & shoot and micro4/3. So, I guess it's just preference and diffrent styles of shooting.
@@DiegoFabro Yea it really is down to what the photographer prefers. People online say my xt3 and f1.4 lenses are too big for street, but they haven't really slowed me down yet aside from 4+ hours straight of holding it. There are so many other factors that will determine whether or not you get the shot.
Stephen shore uses a phone most of the time now
Yes
Sorry to say, but your images look nothing like Stephen Shore.
As they shouldn’t!